got my acrylic markers out again this weekend
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got my acrylic markers out again this weekend
Shadows on Door - Line Holtegaard
Danish , b, 1980 -
Oil on canvas , 100 x 150 cm.
Shadow Hide 3 - Line Holtegaard
Danish , b, 1980 -
Oil and acrylic on canvas , 100 x 150 cm.
Paul Evans
Sunrise in Cacharel - Uwe Herbst
German , b. 1952 -
Acrylic on canvas. 80 x 80 cm
Corridor - Arjan van Helmond, 2024.
Dutch, b. 1971 -
Gouache and acrylic on canvas
Onrie Radovic (Australian, 1985) - Refuge (2025)
Onrie Radovic (Australian, 1985), Refuge, 2025. Acrylic on aluminium, 124 x 93 cm.
by Richard Nadler
Richard Nadler (b.1987 in Penzberg, Germany), ArchiTextures, Digital illustration
Morning Sun on the Weekend - Chloe Chlumecky , 2025,
Canadian , b. 1999 -
Oil on canvas , 24 x 20 in.
Renato Natali (Italian 1883–1979), Via dell’Olio, 1925, Oil on canvas
Sun Drenched Studio - Chloe Chlumecky , 2025.
Canadian , b. 1999 -
Oil on wood panel , 20 x 16 in.
glimpse of the hudson river through the heather garden
Cyril Cox
"Late Afternoon Light"
acrylic
Gan Chin Lee aka 颜振利 aka Ahgun (Malaysian-Chinese, b. 1977, Kuala Lumpur, Malaysia, based Shah Alam, Selangor, Malaysia) - 凌晨两点,无语 (2 AM Wordless), 2007, Paintings: Oil on Canvas
Phoebe Little (American, 1992) - Pastel Scream (2019)
THE MIRROR
Upright: self-reflection, interiority, analysis
Reverse: voyeurism, deflection, loss of self
Worked on this one with Grasp brush tip acrylic marker pens—softer than Poscas so more forgiving on the paper, and in a huge host of colours. I was worried they were going to explode and leak everywhere but they’re doing a great job!
THE MIRROR
Upright: self-reflection, interiority, analysis
Reverse: voyeurism, deflection, loss of self
Worked on this one with Grasp brush tip acrylic marker pens—softer than Poscas so more forgiving on the paper, and in a huge host of colours. I was worried they were going to explode and leak everywhere but they’re doing a great job!