Well. That explains a lot.
Wildehopps is based on Jisbon... no one can convince me otherwise.
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YOU ARE THE REASON

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@coughxsyrup12
Well. That explains a lot.
Wildehopps is based on Jisbon... no one can convince me otherwise.
So excited for all of you in Paris today and tomorrow! Will anyone be recording the panels? I’m dying to see Robert and Emilie talk about Rumbelle again 🌹🥹🗡️
It's not allowed to record the panels unfortunately, we can only take pictures. But they didn't really talk about Rumbelle this time :/
The questions were : if there was a zombie apocalypse in Storybrooke, who would die or survive, and both Bobby and Giles said that Belle would surely die 😅
Favorite line : for Em it's "the best teacup is chipped", Giles' was "prepare to die, savior", and Bobby said he didn't remember any line 🤦♀️
Which movie they'd like to be remembered for : for Bobby it's "Summer", for Em "Remember Me", and for Giles a movie he made with Robin Williams.
I'll try to ask a question tomorrow that is more Rumbelle oriented.
Also, initially Bobby was planned to be in a panel with Elizabeth Mitchell, which was a very weird choice from the convention staff. But he asked to be with his family instead 🥰 I love him.
As a wheelchair user I'm trying to reframe my language for "being in the way."
"I'm in the way," "I can't fit," and "I can't go there," is becoming "there's not enough space," "the walkway is too narrow," and "that place isn't accessible."
It's a small change, but to me it feels as if I'm redirecting blame from myself to the people that made these places inaccessible in the first place. I don't want people to just think that they're helping me, I want them to think that they're making up for someone else's wrongdoing. I want them to remember every time I've needed help as something someone else caused.
To the people saying this also applies to fat people - you are not derailing! This is true!!!
I can't die cause I'm the only representative of the huge and deeply complex fictional world that only exists in my head
Big fan of characters realizing they don't get to die. They have to live. And grow. And be a person. And deal with shit they thought they'd never have to. And be fucked up about it. I would like more of this. Enough dying for honor or as redemption. It ain't. You're just a corpse. There is no moral value in dirt time.
I've told this story before, but one time when we were on a panel, Tim Zahn said that killing a character is always easier (because, at the very least, you literally do not have to write them anymore), so if you're not sure you need to do it, make them live.
Character designs for Pixar's Turning Red (2022) by Maria Yi
“Our boy is getting older, today he’s 23″
(Source)
PATRICK JANE & TERESA LISBON Fugue in Red || Devil's Cherry
you gotta include this photo
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This is it. The internet has come full circle. You can all go home now. We’re done.
Rumple + whatever is going on with his hands (s1–3)
dork
I hate how there’s no the full Monty content on here 😭😭 the stuff that is is all about Gaz and while I love his character I’m really shocked that no one is really talking about Horse?? Like the show did so well with portraying his life and really all the characters struggles but Horses story broke me I was sobbing at the last episode and no one’s really talking about it directly…
loudly going "YOU'RE GOOD YOU'RE GOOD" to myself to ward off the memory of every embarrassing thing i've ever done
Simon Baker ❤️🔥
2000s and 2010s TV isn't as popular as it used to be on here and obvs The Mentalist is one egregious example of copaganda but heck if Patrick Jane isn't one compelling protagonist. Not that he's The Greatest Character ever or anything like that, but he's certainly original even for the 'so-observant-he-passes-off-as-psychic-consultant-detective' archetype that was all the rage back then.
I just love how he's resolutely not a man of action and the show sticks to that because there's never a point where he stops being scared out of his mind when he gets threatened/beaten up/kidnapped. He's always resourceful and resilient, but there's no out-of-nowhere badass moment, he doesn't magically toughen up, he's never stone-like, "you can do whatever you want with me, I don't care" and he never stops reflexively trying to get out of harm's way. He's not a coward when it counts, but when it's just him on the line he never becomes an action hero for no other reason than him being the protagonist (unlike in most shows in the genre) - he freaking yelps and tries to run away because he's written like a normal human being.