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@craaazytogeeether
"cutest couple that never was" "a lot of us were rooting for it" "mike would've explored" "i was robbed of a good romance" "i was the only one not surprised" "wish he had someone that was in the story earlier for him" "i guess that only leaves one more option...maybe will"
THIS FUCKING SHIP
how noah schnapp’s been moving since the finale
The fact is, 'Heroes' and 'Me and Michael' are not the same song they were before Byler.
These two songs can’t be taken from me
It’s always gotta be some fuckass painting,
that godamn swing set,
a traumatised gay boy
and finn fucking wolfhard at the crime scene
I quit.
90's club byler is real to me
what do you mean the only ending you could think of for an abused traumatized girl who was a lab subject her entire life was marriage at 18 or suicide at 16
Chapters: 8/? Fandom: Stranger Things (TV 2016) Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Will Byers/Original Male Character(s), Will Byers/Will Byers's Epilogue Boyfriend, Will Byers & Mike Wheeler, Will Byers/Mike Wheeler, Will Byers&Original Male Character(s) Characters: Will Byers, Original Male Character(s), Mike Wheeler Additional Tags: Angst, Fluff, doomed byler, carlton - Freeform, Slow Burn, Internalized Homophobia, POV Will Byers, Post-Traumatic Stress Disorder - PTSD, post s5, College Student Will Byers, Sharing a Bed, Coming Out, First Kiss, Jealous Mike Wheeler, Closeted Mike Wheeler, Closeted Character, Mutual Pining, Misunderstandings, Art School, Smut, Coming of Age, Will Byers Cheats on Will Byers's Epilogue Boyfriend Summary:
Fall, 1989. Far from Hawkins, Will Byers is studying art in West Philly, trying to build a life that isn’t defined by what he survived or who he had to be. When a quiet, magnetic boy in his drawing class begins to pull him out of his carefully constructed shell, Will starts to believe he might finally be allowed to want more. But the past doesn’t stay buried forever. And when a boy from Hawkins returns with truths Will isn’t ready to face, he’s forced to choose between the future he’s building and the love he never learned how to let go of.
something about mike and will struggling to make the water stop
meanwhile el stopped it inmediately when mike was trying to make her open up to him
(ntm mike calling her a friend right after with the 'friends don't lie')
As I’m writing my fic, I am trying to carefully choose my characters actions and the things they interact with. If it doesn’t serve as a symbol or move the plot forward, I don’t include it. Why are the Duffers constantly including distinct shots and entire scenes with their characters interacting with something very specific if they mean nothing? I honestly just think they’re fucking incompetent and just made all their decisions based on vibes
me when my homie is moving to another city vs when my girlfriend is about to sacrifice herself and die
"will so got the ick when mike roleplayed in his dnd campaign" tell me you dont know will byers without actually telling me
watch season 3 when he woke up lucas and mike and roleplayed in his wizard costume and brought out music and told them to call him by will the wise. watch season 4 when he painted mike and the party in their dnd personas as a way to tell mike he loves him. watch season FIVE when will got all giddy as soon as mike flirted with him using dnd speak like bruh you can be serious they are both cringe4cringe and corny4corny
The look of dudes who got the ick during a D&D game where they were basically flirting the entire time.. apparently
duffers writing the tower scene as some kind of brutal shut down for bylers is so funny because their love literally shined through anyways. we ended up with a heavily queercoded mike who stumbled over his words and knew what "coming out" meant, will looking the most in love he's ever been, an indirect kiss through the water bottle sharing, and overall great chemistry that couldn't be matched even when mike's gf was dying.
I genuinely thought Byler was still endgame after this. That's how ambiguous this shit was. I literally thought this was like- "ok pre-end of the world acknowledgement of Mike being a bad friend in the past, but he doesn't reveal all his cards here yet until we get to a dire moment where Will is in trouble" and I kept waiting. And waiting. And waiting... And waiting. Every single one on one moment they had, all the way up to the epilogue moment in the basement, I kept going "ok they're going to do it here" and then the moment just never came. I was convinced the whole way through BECAUSE OF THIS SCENE ALONE. HOW THE FUCK DO YOU FUCK UP A REJECTION SCENE? BECAUSE GIRL IT DIDN'T FEEL LIKE ONE BECAUSE THEIR CHEMISTRY ALWAYS FUCKING READS AS ROMANTIC. YOU HAVE THE WRONG PERSON IN THE WRONG SPOT HERE AND IT'S PISSING ME OFF
I literally thought they were referencing the bedroom talk in season 4. I had hope till the credits rolled.
this little dude likes dnd and boys who like dnd. send post
he's been listening to "good luck, babe" for three hours now
REALLY proud of this animation, this idea has been stuck in my head since the vol 2
AND the point of this gif is that you can make him listen to any song you want (internalised homophobia playlist)
While everyone’s schizoposting about conformity gate, I am having the time of my life writing a fic about Will falling in love at art school, having a proper coming out, and pathetic mike wheeler begging for Will to take him back 😜
you took my heart (i was sleeping) by lameparties
byler doodle!!
and the problem with the way they handled jane's character arc is that they never saw her as her own character. the duffers called her a symbol of childhood magic. they treated her like she was just a stand-in for the themes that they wanted to build their story around. her death was not about her or what she wanted. it was about mike and hopper. her life was not about what she needed to heal from her past. it was about what everyone around her needed her and her powers for. the future that mike imagines for her is not about what she wanted. it's about him needing to believe that she's still alive. she wanted kindness and love and family and friends and peace. mike imagines her on the run forever, alone. the speech hopper gives her about living to see a future where she one day has her own child is not about her. it is about him, because he wanted to live to see that family. she never got to be her own person because the writers never saw her as a person at all. eleven was a device for the stories of the men around her. and jane never got to exist.
