May you live every day of your life.
Jonathan Swift (via thatlitsite)
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May you live every day of your life.
Jonathan Swift (via thatlitsite)
Yoga for book lovers
Do dragons exist in your setting?
What do dragons look like? >Are there different types/subspecies of dragons, or is there only one? >>If there are different subspecies, what are the similarities? Why are they all dragons instead of being classified as different species? >How large do dragons get when fully grown? >What size are they when they’re babies? >What is the general shape of a dragon? >>Short and fat? >>Cow-like? >>Lizard-like? >>Long and skinny? >>Snake-like? >How many legs do they have? >Do they have wings? >>How many sets? >Do they have horns? >Spikes? >Antlers? >Claws? >>Are their claws for digging or for tearing? >What does their face look like? >What shape are their teeth? >>Or do they have beaks? >Do they have feathers or scales? >>Both? >>Neither? >>>What do they have instead?
How strong are dragons naturally? >Can they do anything to increase their strength? >>What? >What does their hide protect them against? >>The heat? >>The cold? >>Water? >>Scrapes from rocks? >>Animal attacks? >>Is their hide strong enough to protect against human weapons? >>>How strong would the weapon have to be to penetrate the dragon’s hide? >Can dragons fly? >>How high? (Remember that air gets thinner and colder at higher altitudes.) >Can dragons swim? >>How long? >>How deep? (Remember that water gets more pressurized and colder at lower depths.) >Can dragons breathe out fire? >>Can they breathe out something else? >>>Does this happen every time they exhale, or do they have to consciously decide to do it? >>>Are there any times when they can’t? >>>>Underwater? >>>>Above certain altitudes? >>>>When they’re tired or malnourished? >>>>When they’re juvenile?
What do dragons eat? >If they can breathe fire, do they cook their food first? >Where are dragons located on the food chain? >>Are they apex predators, or are they derpy little lizard babies that get eaten by bears and condors?
Where do dragons live? >Do they live mostly by themselves, or in family units? >How much space do they take to nest in? >How much territory to they claim as their own outside the nest?
Do dragons hoard things? >What kinds of things? >Do they like shiny things? >>Do they like worthless things too, as long as their shiny, or can they tell the value of an item? >>>Is this dependent on the individual dragon in question? >>>Does it depend on the dragon’s age? >>>The dragon’s subspecies? >Where do dragons keep their hoard? >>Do they keep it in a back room? >>Do they use it as a bed? >>>How do they not damage the items with their weight?
Can dragons use magic? >Can dragons shift into a humanoid form? >>For how long? >>How often? >>What determines what their human form will look like?
How intelligent are dragons? >Do they have their own names? >Do they have rulers? >Do they have a culture of their own? >>How far apart do dragons have to be before there are noticeable regional differences? >Do dragons have a sense of humor? >If dragons aren’t intelligent, can they be/have they been domesticated? >>Can they be trained? >How do dragons communicate? >Are dragons antagonistic towards humanoids? >>Any specifically, or all of them? >>If not, will they allow humanoids or others to ride on their backs? >Are dragons antagonistic toward other dragons? >>Only ones they aren’t related to? >>Only ones from other subspecies? >>Only ones that trespass? >>Only to ones from different regions? >>Only to ones with different politics? >>To ones that smell bad?
Are dragons more reptilian or mammalian? Keep in mind that if they are mammalian, the females will have mammary glands.
How do dragons reproduce? >Are they live births? >Do they hang out in a pouch for a while afterwards, like kangaroos? >Are they up and about almost immediately, like horses? >Are they pretty useless, like human babies? >Do they hatch from eggs?
When I first started as a writer, I got some advice that really didn’t work out for me. That advice was to “just write.” I was working on my first novel and I had hit my first wall and a well-wishi...
Why a writer will always need another person to look at what they've written...
We’ve all seen it online—typos can be hilarious! But they can also make the writer look very stupid. Especially when they’re trying to get a point across.
Sometimes it can be damaging to the subject.
Sometimes the writer. Â
If there is anything at stake, even if it’s just reputation, you need a copy editor, or at the very least, a proofreader. It’s not a sign of weakness to hire someone to edit and correct your work; it’s just the opposite actually. It makes your writing stronger and more professional, which is an absolute must in the case of query letters, job applications, or college-entrance essays, where a single mistake can send your hard work straight into the trash bin. At the very least, you may just look like a fool.
It’s a copy editor’s job to look for many things, including errors in spelling, typing, punctuation, grammar, omitted or repeated words or letters, tense shifts; the list goes on. As copy editors are generally very detail-oriented, they will also check for font changes, margin alignment, headings, pagination, and other formatting issues, though these are issues taken up with the designer.
A content editor is one who makes changes to the, you guessed, the content to help the story flow better. They may cut out large parts of the story or rearrange it to be more engaging. A copy editor will correct what is written. No alterations to the story are made unless it is to correct poor grammar. A good copy editor will point out and recommend structural changes for the author to make themselves so as the voice of the author is not lost.
Copy editing is the very last step before publication or assessment. Revisions are made to the final draft by the content or developmental editors, and then the copy editor double checks everything, looking for any little mistake or omission and for aesthetics and linguistics.
Even established authors need their work copy edited. It’s not a good idea for the writer to try and edit it themselves. The writer cannot get enough distance from his own work to see what may have been missed. The writer can also be too attached to be able to make any hard changes. Having someone else read an unfinished manuscript or essay is a better idea. Even a friend or family member may be able to spot what’s been missed. The best plan is to hire a professional who has no emotional attachment and no bias to the writing.
A writer can pour an awful lot of himself into a story or book and can place the value on the story itself and come to the conclusion that it does not need editing. While good content is indeed a very important, if not the most important, part, if a reader is not able to get past typos and poor grammar, its purpose will never be realized. Some people don’t mind typos and spelling mistakes, but it comes down to professionalism. If the writer doesn’t really mind who reads his work or what people think of it, then write on. However, if the writer is interested in getting published, picking up an agent, getting into college, getting publicity, or being taken seriously as a writer, a copy editor will make that more possible and ensure that the reader will be able to be fully immersed in what they’re reading.
A copy editor no longer needs to have a physical manuscript in front of them and mark it up with a red pen. It’s a simple process to receive a digital copy of a manuscript and make the corrections using Track Changes in a Word program. The writer can then choose to accept or reject the changes, which is both a good thing and a bad thing. It is good in that the author has a choice in the changes. It is bad in that the author can possibly reject credible changes simply because they don’t like them without much thought if the edit is technically correct. It’s a good idea for the author to stay in touch with the copy editor about any changes, as there may be a rule being applied that the author may not know about.
 It is always best for the writer to do what is best for the manuscript and vision, but I highly recommend paying a copy editor to make it the very best it can be to ensure success.
 The best of luck and, as always, happy writing!
Gustav Klimt - Water Serpents II
There was no difference between the bars of this prison cell and those of her gilded cage at home anyway.
Writer’s Block
In one sentence is the spark of a story. Ignite. Mission: Write a story, a description, a poem, a metaphor, a commentary, or a memory about this sentence. Write something about this sentence. Be sure to tag writeworld in your block!
I lived in books more than I lived anywhere else.
Neil Gaiman (via thatlitsite)
King’s Cross today. Wizards and witches only. I wanna cry.
Above all, be the heroine of your life, not the victim.
Nora Ephron (via thatlitsite)
Writer’s Block
A picture says a thousand words. Write them.
Mission: Write a story, a description, a poem, a metaphor, a commentary, or a critique about this picture. Write something about this picture.
Be sure to tag writeworld in your block!
Stories can actually rearrange continents if they’re told long enough.
Scott McClanahan (via thatlitsite)
One mountain replaces another.
Jayme Karales (via thatlitsite)
this is how the world ends
OHMY GOD
“Stay rad. #Read books.” #reading #wordstoliveby
What do you think the most important thing to remember when writing is?
I can’t pick just one:
For Your Eyes Only: You don’t have to share your writing! Once you accept this, writing gets a lot easier. Lots of people are embarrassed to write certain things because they write under the assumption that everything they write will be brought forth. You’re not obligated to share those early drafts.
Just Fucking Make It Up: The biggest world building problem I see is writers being afraid of not doing things by the book. How long can mortal vampires live? I don’t know. Make it up. How does succession to the throne work? I don’t know! Just make it up! It’s fictional! These things and places don’t exist so there are no rules!
Change is OK: You can change anything in your story. Is your character going in a different direction than what you outlined a month ago? Who cares? Not me, that’s who. Change is fine. It’s inevitable. Stories never turn out the way the author originally intended. Change is good.