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𝚏𝚊𝚌𝚝 𝚌𝚑𝚎𝚌𝚔𝚜 𝚜𝚎𝚊𝚛𝚌𝚑
𝕣𝕖𝕧𝕖𝕣𝕤𝕖 𝕚𝕞𝕒𝕘𝕖 𝕤𝕖𝕒𝕣𝕔𝕙
Media Literacy Masterpost
check out pcrf, anera or rhr
d e v o n
KIROKAZE
cherry valley forever
ojovivo
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Lint Roller? I Barely Know Her

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Stranger Things
The Bowery Presents

blake kathryn
Jules of Nature

roma★

Andulka
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ

titsay

oozey mess

if i look back, i am lost
One Nice Bug Per Day
he wasn't even looking at me and he found me

seen from Türkiye

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@crinoid
𝓡𝓢𝓢
𝚏𝚊𝚌𝚝 𝚌𝚑𝚎𝚌𝚔𝚜 𝚜𝚎𝚊𝚛𝚌𝚑
𝕣𝕖𝕧𝕖𝕣𝕤𝕖 𝕚𝕞𝕒𝕘𝕖 𝕤𝕖𝕒𝕣𝕔𝕙
Media Literacy Masterpost
check out pcrf, anera or rhr
toktin_zq
DTIYS for @runmienn on IG! a beautiful sphinx design that was so much fun to draw!!
Collared peccary (Dicotyles tajacu/Pecari tajacu) with leucism amongst a squadron of regular peccaries
Captured by Ramiro Gonzalez, CC BY-NC 4.0
(x)
A zine of questionable haircut advice :)
Download for free here
one of the tweets of all time to me
linus (the linux kernel guy) apparently reacted to a mildly critical attitude to llm-generated code well (raved about SJWs)
update as i look at more insanely obscure OSs
linus (the linux kernel guy) apparently reacted to a mildly critical attitude to llm-generated code well (raved about SJWs)
Ideal and the real
(a drawing I did for my wonderful partner @luposlipaphobya's birthday, featuring two characters we created during a game of Dialect, Theodora (left) and Émilie (right)!)
a simple figure commissioned by a local band
I'm so normal about this movie that I did this in 3 days with a total of 10 hours of sleep. If you know this song you know it s time to bring out the tissues.
Song is The Cave by Mumford and Sons
So You Want to Read More about Chinese Mythos: a rough list of primary sources
"How/Where can I learn more about Chinese mythology?" is a question I saw a lot on other sites, back when I was venturing outside of Shenmo novel booksphere and into IRL folk religions + general mythos, but had rarely found satisfying answers.
As such, this is my attempt at writing something past me will find useful.
(Built into it is the assumption that you can read Chinese, which I only realized after writing the post. I try to amend for it by adding links to existing translations, as well as links to digitalized Chinese versions when there doesn't seem to be one.)
The thing about all mythologies and legends is that they are 1) complicated, and 2) are products of their times. As such, it is very important to specify the "when" and "wheres" and "what are you looking for" when answering a question as broad as this.
-Do you want one or more "books with an overarching story"?
In that case, Journey to the West and Investiture of the Gods (Fengshen Yanyi) serve as good starting points, made more accessible for general readers by the fact that they both had English translations——Anthony C. Yu's JTTW translation is very good, Gu Zhizhong's FSYY one, not so much.
Crucially, they are both Ming vernacular novels. Though they are fictional works that are not on the same level of "seriousness" as actual religious scriptures, these books still took inspiration from the popular religion of their times, at a point where the blending of the Three Teachings (Buddhism, Daoism, Confucianism) had become truly mainstream.
And for FSYY specifically, the book had a huge influence on subsequent popular worship because of its "pantheon-building" aspect, to the point of some Daoists actually putting characters from the novel into their temples.
(Vernacular novels + operas being a medium for the spread of popular worship and popular fictional characters eventually being worshipped IRL is a thing in Ming-Qing China. Meir Shahar has a paper that goes into detail about the relationship between the two.)
After that, if you want to read other Shenmo novels, works that are much less well-written but may be more reflective of Ming folk religions at the time, check out Journey to the North/South/East (named as such bc of what basically amounted to a Ming print house marketing strategy) too.
-Do you want to know about the priestly Daoist side of things, the "how the deities are organized and worshipped in a somewhat more formal setting" vs "how the stories are told"?
Though I won't recommend diving straight into the entire Daozang or Yunji Qiqian or some other books compiled in the Daoist text collections, I can think of a few "list of gods/immortals" type works, like Liexian Zhuan and Zhenling Weiye Tu.
Also, though it is much closer to the folk religion side than the organized Daoist side, the Yuan-Ming era Grand Compendium of the Three Religions' Deities, aka Sanjiao Soushen Daquan, is invaluable in understanding the origins and evolutions of certain popular deities.
(A quirk of historical Daoist scriptures is that they often come up with giant lists of gods that have never appeared in other prior texts, or enjoy any actual worship in temples.)
(The "organized/folk" divide is itself a dubious one, seeing how both state religion and "priestly" Daoism had channels to incorporate popular deities and practices into their systems. But if you are just looking at written materials, I feel like there is still a noticeable difference.)
Lastly, if you want to know more about Daoist immortal-hood and how to attain it: Ge Hong's Baopuzi (N & S. dynasty) and Zhonglv Chuandao Ji (late Tang/Five Dynasties) are both texts about external and internal alchemy with English translations.
-Do you want something older, more ancient, from Warring States and Qin-Han Era China?
Classics of Mountains and Seas, aka Shanhai Jing, is the way to go. It also reads like a bestiary-slash-fantastical cookbook, full of strange beasts, plants, kingdoms of unusual humanoids, and the occasional half-man, half-beast gods.
A later work, the Han-dynasty Huai Nan Zi, is an even denser read, being a collection of essays, but it's also where a lot of ancient legends like "Nvwa patches the sky" and "Chang'e steals the elixir of immortality" can be first found in bits and pieces.
Shenyi Jing might or might not be a Northern-Southern dynasties work masquerading as a Han one. It was written in a style that emulated the Classics of Mountains and Seas, and had some neat fantastic beasts and additional descriptions of gods/beasts mentioned in the previous 2 works.
-Do you have too much time on your hands, a willingness to get through lot of classical Chinese, and an obsession over yaoguais and ghosts?
Then it's time to flip open the encyclopedic folklore compendiums——Soushen Ji (N/S dynasty), You Yang Za Zu (Tang), Taiping Guangji (early Song), Yijian Zhi (Southern Song)...
Okay, to be honest, you probably can't read all of them from start to finish. I can't either. These aren't purely folklore compendiums, but giant encyclopedias collecting matters ranging from history and biography to medicine and geography, with specific sections on yaoguais, ghosts and "strange things that happened to someone".
As such, I recommend you only check the relevant sections and use the Full Text Search function well.
Pu Songling's Strange Tales from a Chinese Studios, aka Liaozhai Zhiyi, is in a similar vein, but a lot more entertaining and readable. Together with Yuewei Caotang Biji and Zi Buyu, they formed the "Big Three" of Qing dynasty folktale compendiums, all of which featured a lot of stories about fox spirits and ghosts.
Lastly...
The Yuan-Ming Zajus (a sort of folk opera) get an honorable mention. Apart from JTTW Zaju, an early, pre-novel version of the story that has very different characterization of SWK, there are also a few plays centered around Erlang (specifically, Zhao Erlang) and Nezha, such as "Erlang Drunkenly Shot the Demon-locking Mirror". Sadly, none of these had an English translation.
Because of the fragmented nature of Chinese mythos, you can always find some tidbits scattered inside history books like Zuo Zhuan or poetry collections like Qu Yuan's Chuci. Since they aren't really about mythology overall and are too numerous to cite, I do not include them in this post, but if you wanna go down even deeper in this already gigantic rabbit hole, it's a good thing to keep in mind.
death. I'm going insane with blender
driftwood wolves. driftwolves if you will (available on my kofi as adoptables!)
SVSSS would work so well in a theatre! It could be made so interestingly.
I just imagine so many fourth wall breaks. Transmigrators are the only ones aware of the audience and Shen Yuan (Shen Qingqiu) constantly steps aside, makes comments and asks the audience for advice.
In canon Shen Yuan somewhat aware that he is in a story that people read and it means he is constantly "watched", but here this feeling that he is watched and all his actions are judged would be even more obvious and stronger.
And him not really seeing others as real people becomes even more understandable. They don't see the audience, they don't realize they are in a story, they are just characters, not actors.
I just feel like this format could really ameliorate some of the elements of the story
Yeah, he would totally go into rants about how he is not gay, the protagonist is not gay, and in general nobody is, and it would be funny, but I more like to imagine how he would like to look cool and not look vulnerable in front of the audience.
I imagine how he looks smugly at the audience after defeating elder Single Arm. He is so proud thay he looked so cool!
Or how at the very beginning, when he just transmigrates, he goes into a rant: "Yeah, yeah, don't be scared, I'm not going to suddenly act like it's just a dream or everyone around me is just a cosplayer. I'm tired of this trope too, you know! I'm not gonna be that kind of character! I get it, I transmigrated" (all this while the actor of Yue Qingyuan is frozen). And him saying it directly to the audience instead of just thinking it to himself would make him seem more concerned with the opinion of the viewers.
Or when Luo Binghe is in the Abyss and everyone around him thinks that he is mourning/lost his soul/acts like a widow, he would be so loud about denying any of this to the audience or trying to justify himself. If it's a musical, there is a big musical number with many support characters singing about how worrying his behaviour is, while he constantly interrupts them to deny any of this to the audience.
Or just any situation later in the play but not at the end, when he wants to hug Luo Binghe, or hold his hand, or anything like this, and then he looks at the audience and visibly stops himself.
AMD GOD GAVE THE BEAST-KINGS GIFTS THAT THEY MIGHT SHARE WITH THEIR PEOPLE:
To the Wolf, god gave ripping teeth, and the Law of the Pack.
To the Bear, god gave crushing jaws, and terrible strength
To the Falcon, god gave slicing talons, and great sight
And to the Shrimp, god gave the concussive plasma cannon.
this is one of my favourite posts; finally got around to finishing this
This must be about the Mantis Shrimp. These fellas are so fascinating. Punching as hard as a 22 caliber bullet is one of their many talents.
Can't confirm what the OP intended but I drew a pistol/snapping shrimp. Their claws are basically squirt guns that shoot water with so much speed/force that it creates shock waves intense enough to kill prey.
They both do the cavitation thing.