brave and bruised @crissmarbles - Tumblr Blog

Darren Criss At Night out in Los Angeles

Source

July 9, 2018

#darren criss #wHOA #d who that tho?#but honestly d is very intimiate with a lot girls?#hes very cuddly and stuff #i feel like im not surprised

queereyegifs

x.

#jonathan van ness #queer eye #bobby berk #karamo brown #jesus hahahahaha

andthwip-deactivated20220219

#queer eye

garrett-hannah

Darren Criss - Hopelessly Devoted to You (LM/DC Tour, Easton, PA 6/8/2018)

#darren criss

wltdisneys

color palette matchup

#disney #woooow

stormtroopr

films watched in 2018 → whiplash (2014) dir. damien chazelle

“There are no two words in the English language more harmful than “good job.”

#whiplash

conspiracyshirt

jenna being a snacc

#jenna marbles #girl crushes

rogerdeakinsdp

Cinematography by: Haris Zambarloukos Cinderella (2015) Directed by Kenneth Branagh Aspect Ratio: 2.39 : 1

“We looked initially at David Lean’s B&W classics, such as Great Expectations (1946) and Oliver Twist (1948), both shot by the amazing Guy Greene. They’re timeless, the cinematography is stunning, and they set very high bar to reach in they way they evoke emotions.

However, B&W movies are not the perfect visual references to show to studio executives wanting to make a big budget production in colour. So we also talked about certain painters that Ken [Branagh] and Dante [Ferretti, production designer] had in mind. The usual references for candle-lit period dramas are Flemish painters, such as Rembrandt and Vermeer. But these have been done many times over, and were not playful enough for Disney. That was the trick. For the more joyful moments in the movie, they asked me to consider the paintings of Fragonard, an often-overlooked artist. Fortunately, the UK has many of his works at The Wallace Collection in London. The Fragonards are colourful and playful, and I could see how they could open-up new cinematographic opportunities. The “The Swing” in particular, is slightly naughty and flirtatious, and there’s a direct reference to it in the movie.

For the darker, more wretched moments in the movie, we again avoided the typical references, and looked at the works of the French Baroque painter Georges De La Tour. They are unusual, dark, but with bold lighting and strong compositions. I’ve loved his work since being a student at Central St Martin’s and “Joseph The Carpenter” is a masterpiece.

Whilst these painterly references gave us two strong starting points to counterpoint the joy and drudgery within the story, we also wanted a way to treat the seemingly benign but evil step-mother – for her to appear more like a film noir femme fatale. So I suggested that we also consider the portraiture work of Joseph Walker, cinematographer on many of Frank Capra’s best-loved movies, inventor of the zoom lens, and a forerunner of the Hollywood glamour look, and also the large format portrait photography of George Hurrell, upon whom Walker had great influence.” — Haris Zambarloukos on finding the looks for the movie

#cinderella

aliciavikand

#sandra bullock #girl crushes

hawkeene

Not enough for me? You are e v e r y t h i n g.

#the office

dcriss-archive

darrencriss: This was taken on one of the hottest days in April London had seen in about 20 years. All I wanted was to kick back in a pub somewhere and have a cold beer. But I was supposed to do a photo shoot. So we knocked out two birds with one stone. Or was it with one pint? Or was it two pints and one shot? 📷 shot, that is…

#darren criss #hot hot hot hot

eliamatrell

GET OUT (2017), dir. Jordan Peele

All I know is sometimes, when there’s too many white people, I get nervous, you know?

#get out

dcmultiverse

It’s about what you believe. You don’t think I get it, after what I’ve seen out there? You don’t think I wish I could tell you that it was one bad guy to blame? It’s not! We’re all to blame! Chris Pine as Steve Trevor in Wonder Woman (2017)

#wonder woman