TODOS MORIREMOS

La vida no es un problema que tiene que ser resuelto, sino una realidad que debe ser experimentada.

[cuerpoendescomposicion]

[dreamstars]

_dagou

[philomena-famulok]

©Philomena Famulok

Dear sea, dear wind...

[janasojka]

I'm not a moodboard, blues.

[gouged-doll]

mannequin factory, robert doisneau, 1950

[redlipstickresurrected]

Yuji Watanabe aka 渡辺裕司 aka Watanabe Yuji (Japanese, b. 1941, Mie Prefecture, Japan) - 妖怪 (Yokai), Photography

[charnel-grounds]

Baptiste Hersoc, “Château de cartes” (House of Cards)

oil on canvas, 2018

[makingimages]

[laurence-bouchard]

[sonimage1965]

Douglas Trumbull and the exquisite Tyrell Building model for Blade Runner (1982).

[takemetoyourdealerz]

[garadinervi]

Federico Federici, cumulative composition (of simultaneous conversations), (Olivetti Studio 46, pigment liner, graphite on paper), 2026 [© Federico Federici]

[thegerarchives]

Cells.

Have you ever been in an instituion? Cells.

Do they keep you in a cell? Cells.

When you're not performing your duties do they keep you in a little box? Cells.

Interlinked.

[iamwizzzzz]

[herdarkandquietspace]

Maaaaybe Mamdani’s government. 😏

[gregorygalloway]

29-year-old Bernardo Bertolucci’s film adaptation of Alberto Moravia’s 1951 novel, Il Conformista, was first shown at the Berlin Film Festival on 1 July 1970.

With cinematography by 30-year-old Vittorio Storaro, the film was immediately recognized for its visual style, and its reputation has only grown over the years (”some of the best use of light and shadow ever in a motion picture“).

The film was screened at the New York Film Festival in September, but when it was released in the US the following year, it was in a shorter version.

Bertolucci was nominated for an Academy Award for Best Adapted Screenplay (The French Connection received the Oscar).

[weepingwidar]

Tim Brawner (American, 1991) - Epoisses (2021)

[rrrick]

Vintage pulp