Raptor Mouth perfec t size for put baby in to n\ap! inside very Soft and Comfort. Araptor Mouth yes a place for a baby put baby in raptor mouth can trust raptor
Last night I had a dream I woke up to find that my house had been turned into a Smart House with every wall being a digital screen including the roof so I could see it even laying on bed and the Siri voice said “Don’t worry. You are perfectly safe in your Apple Smart Home™️” knowing I have a BIG phobia of intruders especially at night and it continued with “Let’s explore the neighborhood from the comfort of your home” so it opened google maps and accidentally zoomed past a shitty jpeg of the girl from The Ring standing outside my house and it said “ignore that”. woke up laughing
“Five songs I have on repeat, tagged by @soup-du-silence
“I Think I Like You,” The Band Camino - Spotify Recommended gave this to me with the (correct) assessment that most of my musical tastes swing between “punch you in the face” and “so happy it’ll punch you in the face.” It’s fun and bouncy and great to sing in the car.
“Won’t Stop Yet,” The Collection - This is a “dragging yourself through COVID” song, but listen. The last two months have been a fucking dumpster fire. Lots of good things are happening! But! Those good things involve so much MANAGEMENT that I have been super strung out and stressed. Literally, I don’t think I’ve been this stressed with shit to do since college. I’ve been dropping things left and right. It didn’t help that I decided to try to get a promotion during this time and that said promotion turned out to suck, my workplace was playing games with the salary/job description and I eventually said fuck it, I’m not taking it, which meant I went through a month and a half of bullshit just to come out the other side with no pay increase and a damaged relationship with my supervisor. But I’m *so close* to being on the other side of some of the big things, and then my plate will be less full, and this song GETS me, okay?
“Catherine,” Magic Men - I like the vibe and I’m halfway convinced this song is about a ghost. That’s all.
“Becoming My Own Home,” The Collection - I can’t stop thinking about The Owl House finale and this song is a Hunter headcanon for me. But also--I grew up moving a lot. My fiance and I are buying a house right now and looking at putting down roots for a while, and I haven’t had “roots” in a really long time and don’t fully know what to do with them or think about them, especially as our closest friends in the city are about to move several states away and suddenly it seems like we have even fewer attachments than we started with. This song is a good, centering reminder that home is a thing you build, and that like a turtle, it’s something you carry on your back--a constant inner foundation despite outward change.
“You’re Amazing,” Martin Kerr - I’m getting married this year and this song is cute and makes me soft and happy.
The BBC estimates that most people will only read 6 books out of the 100 listed below. Reblog this and bold the titles you’ve read.
1 Pride and Prejudice - Jane Austen
2 Lord of the Rings - J. R. R. Tolkein
3 Jane Eyre – Charlotte Bronte
4 Harry Potter series
5 To Kill a Mockingbird - Harper Lee
6 The Bible
7 Wuthering Heights – Emily Bronte
8 Nineteen Eighty Four – George Orwell
9 His Dark Materials – Philip Pullman
10 Great Expectations – Charles Dickens
11 Little Women – Louisa M Alcott
12 Tess of the D’Urbervilles – Thomas Hardy
13 Catch 22 – Joseph Heller
14 Complete Works of Shakespeare
15 Rebecca – Daphne Du Maurier
16 The Hobbit – JRR Tolkien
17 Birdsong – Sebastian Faulks
18 Catcher in the Rye
19 The Time Traveller’s Wife - Audrey Niffeneger
20 Middlemarch – George Eliot
21 Gone With The Wind – Margaret Mitchell
22 The Great Gatsby – F Scott Fitzgerald
23 Bleak House – Charles Dickens
24 War and Peace – Leo Tolstoy
25 The Hitch Hiker’s Guide to the Galaxy – Douglas Adams
26 Brideshead Revisited – Evelyn Waugh
27 Crime and Punishment – Fyodor Dostoyevsky
28 Grapes of Wrath – John Steinbeck
29 Alice in Wonderland – Lewis Carroll
30 The Wind in the Willows – Kenneth Grahame
31 Anna Karenina – Leo Tolstoy
32 David Copperfield – Charles Dickens
33 Chronicles of Narnia – CS Lewis
34 Emma – Jane Austen
35 Persuasion – Jane Austen
36 The Lion, The Witch and The Wardrobe – CS Lewis
37 The Kite Runner - Khaled Hosseini
38 Captain Corelli’s Mandolin - Louis De Bernieres
39 Memoirs of a Geisha – Arthur Golden
40 Winnie the Pooh – AA Milne
41 Animal Farm – George Orwell
42 The Da Vinci Code – Dan Brown
43 One Hundred Years of Solitude – Gabriel Garcia Marquez
44 A Prayer for Owen Meaney – John Irving
45 The Woman in White – Wilkie Collins
46 Anne of Green Gables – LM Montgomery
47 Far From The Madding Crowd – Thomas Hardy
48 The Handmaid’s Tale – Margaret Atwood
49 Lord of the Flies – William Golding
50 Atonement – Ian McEwan
51 Life of Pi – Yann Martel
52 Dune – Frank Herbert
53 Cold Comfort Farm – Stella Gibbons
54 Sense and Sensibility – Jane Austen
55 A Suitable Boy – Vikram Seth
56 The Shadow of the Wind – Carlos Ruiz Zafon
57 A Tale Of Two Cities – Charles Dickens
58 Brave New World – Aldous Huxley
59 The Curious Incident of the Dog in the Night-time – Mark Haddon
60 Love In The Time Of Cholera – Gabriel Garcia Marquez
61 Of Mice and Men – John Steinbeck
62 Lolita – Vladimir Nabokov
63 The Secret History – Donna Tartt
64 The Lovely Bones - Alice Sebold
65 Count of Monte Cristo – Alexandre Dumas
66 On The Road – Jack Kerouac
67 Jude the Obscure – Thomas Hardy
68 Bridget Jones’s Diary – Helen Fielding
69 Midnight’s Children – Salman Rushdie
70 Moby Dick – Herman Melville
71 Oliver Twist – Charles Dickens
72 Dracula – Bram Stoker
73 The Secret Garden – Frances Hodgson Burnett
74 Notes From A Small Island – Bill Bryson
75 Ulysses – James Joyce
76 The Bell Jar – Sylvia Plath
77 Swallows and Amazons - Arthur Ransome
78 Germinal – Emile Zola
79 Vanity Fair – William Makepeace Thackeray
80 Possession – AS Byatt
81 A Christmas Carol – Charles Dickens
82 Cloud Atlas – David Mitchel
83 The Color Purple – Alice Walker
84 The Remains of the Day – Kazuo Ishiguro
85 Madame Bovary – Gustave Flaubert
86 A Fine Balance – Rohinton Mistry
87 Charlotte’s Web – EB White
88 The Five People You Meet In Heaven – Mitch Albom
89 Adventures of Sherlock Holmes – Sir Arthur Conan Doyle
90 The Faraway Tree Collection – Enid Blyton
91 Heart of Darkness – Joseph Conrad
92 The Little Prince – Antoine De Saint-Exupery
93 The Wasp Factory – Iain Banks
94 Watership Down – Richard Adams
95 A Confederacy of Dunces – John Kennedy Toole
96 A Town Like Alice – Nevil Shute
97 The Three Musketeers – Alexandre Dumas
98 Hamlet – William Shakespeare
99 Charlie and the Chocolate Factory – Roald Dahl
100 Les Miserables – Victor Hugo
31 complete reads. There are some I started but didn’t finish, and that’s okay because after reading Moby Dick twice (and hating it both times) I learned I don’t HAVE to read anything that bores me to tears (Dracula) or just doesn’t appeal (Ulysses, Memoirs of a Geisha- a white man’s perspective on Japan).
The thing about book lists like this, is that they are elitist and inaccurate.
Elitist because not everyone has ready access to books or guidance to read what are considered classics. Many of the books I read from this list were from school, either my ridiculously competent public school or university. Not everyone has access to that.
Not accurate, because something being labeled a classic or selling well doesn’t guarantee it’s going to be your cup of tea, and there are a lot of brilliant works not on this list. Outside of school, you shouldn’t have to read anything you don’t enjoy. Most of these stories were written to entertain. I’ve read other Tolstoy (really loved the Brothers Karamazov) but haven’t had time to dedicate to his other monstrosities. There’s no Mark Twain on this list. Why the hell is there no Mark Twain? There’s no Charles De Lint, Stephen King, Piers Anthony, Alan dean Foster, Anne McCaffrey, Tamora Pierce, David Eddings, or Neil Gaiman on this list.
Mr. Flanagan, I’d like to ask a question and I deeply hope that it does not offend or upset you. I am strongly considering canceling my Netflix subscription due to their new password sharing policy. However, Midnight Mass is one of my favorite shows of all time and I know it isn’t available on DVD, and I’m also profoundly anticipating your take on my favorite Edgar Allen Poe story. So I wanted to ask your take on people accessing your work through, uh, other means. If it’s something that’s offensive to you or will harm you or the other people who work so hard on these shows, I’ll happily keep my Netflix just so that I can keep supporting your work. I respect you far too much as an artist to do otherwise.
Again, I really hope I’m not upsetting you by asking this question. Thank you for everything, and I hope you’re having a great day!
Hi there - no offense taken whatsoever, in fact I think this is a very interesting and important question.
So. If you asked me this a few years ago, I would have said "I hate piracy and it is hurting creators, especially in the independent space." I used to get in Facebook arguments with fans early in my career when people would post about seeing my work on torrent sites, especially when that work was readily available for rent and purchase on VOD.
Back in 2014, my movie Before I Wake was pirated and leaked prior to any domestic release, and that was devastating to the project. It actually made it harder to find distribution for the film. By the time we were able to get distribution in the US, the film had already been so exposed online that the best we could hope for was a Netflix release. Netflix stepped in and saved that movie, and for that I will always be grateful to them.
However.
Working in streaming for the past few years has made me reconsider my position on piracy. You could say my feelings on the matter have "evolved."
In the years I worked at Netflix, I tried very hard to get them to release my work on blu-ray and DVD. They refused at every turn.
It became clear very fast that their only priority was subscriptions, and that they were actively hostile to the idea of physical media. While they had some lingering obligations on certain titles, or had partnerships who still valued physical media, and had flirted with releasing juggernaut hits like Stranger Things, that wasn't at all their priority. In fact, they were very actively trying to eliminate those kinds of releases from their business model.
This is a very dangerous point of view. While companies like Netflix pride themselves on being disruptors, and have proven that they can affect great change in the industry, they sometimes fail to see the difference between disruption and damage. So much that they can find themselves, intentionally or not, doing enormous harm to the very concept of film preservation.
The danger comes when a title is only available on one platform, and then - for whatever reason - is removed.
We have already seen this happen. And it is only going to happen more and more. Titles exclusively available on streaming services have essentially been erased from the world. If those titles existed on the marketplace on physical media, like HBO's Westworld, the loss is somewhat mitigated (though only somewhat.) But when titles do not exist elsewhere, they are potentially gone forever.
The list of titles that have been removed from streaming services is growing quickly, quietly, and insidiously.
When titles disappear without warning, the whole streaming space starts to seem less stable.
So to answer your question - today, I am very grateful that my Netflix originals are available through - uh - other means.
The issue of password sharing is a different one, but suffice to say I do not blame you one bit for considering canceling your subscription.
I still believe that where we put our dollars matters. Renting or buying a piece of work that you like is essential. It is casting a vote, encouraging studios - who only speak the language of money - to invest more effort into similar work. If we show up to support distinct, unique, exciting work, it encourages them to make more of it. It's as simple as that. If we don't show up, or if they can't hear our voice because we are casing our vote "silently" through torrent sites or other means - it makes it unlikely that they will take a chance to create that kind of work again.
Which is why I typically suggest that if you like a movie you've seen through - uh - other means, throw a few dollars at that title on a legitimate platform. Rent it. Purchase it. Support it.
But if services like Netflix offer no avenue for that kind of support, and can (and will) remove content from their platform forever... frankly, I think that changes the rules.
Netflix will likely never release the work I created for them on physical media. I've tried for years, but have met with the same apathy throughout.
Some of you may say "wait, aren't The Haunting of Hill House and The Haunting of Bly Manor available on blu-ray and DVD?" Yes, they are, because they were co-produced with Paramount. Paramount retained the physical media rights for those titles, and were permitted to release them (though they had to wait a calendar year after their launches on Netflix). I'm so, so grateful that Paramount was able to release and protect those titles. (I'm also grateful that those releases include extended cuts, deleted scenes, and commentary tracks. There are a number of fantastic benefits to physical media releases.)
But a lot of the other work I did there are Netflix originals, without any other studio involvement. Those titles - like Midnight Mass, The Midnight Club, and the upcoming Fall of the House of Usher - along with my Netflix exclusive and/or original movies Before I Wake and Gerald's Game - have no such protections. The physical media releases of those titles are entirely at Netflix's discretion, and unfortunately Netflix has made their position clear.
There was a brief, shining moment when Netflix told me they were going to release a "Flanaverse" (man I hate that word) blu-ray set - I was very excited. But as abruptly as they had told me they were going to do it, they retracted their offer with a casual, dismissive "oh, never mind." There was very little context offered, simply that the company had changed its mind and weren't interested in physical media for my stuff after all.
My movie Hush recently disappeared from the platform, and is currently not available anywhere in the world. That's a slightly different situation, as the reason it disappeared is that Netflix's license agreement ran out, which gave us the opportunity to shop it to new homes - hopefully homes with more support for physical media (and you better believe that's exactly what we're doing right now). But that's a fortunate case - Hush was not a Netflix original. A lot of my other work is, and we'll have no such opportunity to extract them.
As a result, I've gone looking for archival copies of Midnight Mass (and some other work) for myself. And that led me to some "bootleg" blu-rays created by people who operate through - uh - other means.
The result is that I now have three copies of Midnight Mass on blu-ray in my collection. The quality is excellent. The people who created these even went through the trouble to make animated menus and cover art - and I have to say they're quite good. I found these online, it wasn't difficult, and it wasn't expensive. I'm told the quality of torrent sites is pretty great. And honestly, at this point, given Netflix's position on the mater... I'm very glad they exist.
At the moment, Netflix seems content to leave Before I Wake, Gerald's Game, Midnight Mass, and The Midnight Club on the service, where they still draw audiences. I don't think there is a plan to remove any of them anytime soon. But plans change, the industry changes - hell, I've watched the executive structure at Netflix change so many times since I got there I don't even recognize the company anymore.
The point is things change, and each of those titles - should they be removed from the service for any reason - are not available anywhere else. If that day comes - if Netflix's servers are destroyed, if a meteor hits the building, if they are bought out by a competitor and their library is liquidated - I don't know what the circumstances might be, I just know that if that day comes, some of the work that means the most to me in the world would be entirely erased.
Or, what if we aren't so catastrophic in our thinking? What if it the change isn't so total? What if Netflix simply bumps into an issue with the license they paid for music (like the Neil Diamond songs that play such a crucial role in Midnight Mass), and decide to leave the show up but replace the songs?
This has happened before as well - fans of Northern Exposure can get the show on DVD and blu-ray, but the music they heard when the series aired has been replaced due to the licensing issues. And the replacements - chosen for their low cost, not for creative reasons - are not improvements. What if the shows are just changed, and not by creatives, but by business affairs executives?
All to say that physical media is critically important. Having redundancy in the marketplace is critically important. The more platforms a piece of work is available on, the more likely it is to survive and grow its audience. At this point, if a studio refuses to make them available, I am fully on board with any means that protect and archive the work, and to make the work available to an audience outside of that platform's exclusive base.
As I said, things change - my overall deal at Netflix ran its course, and I'm now at Amazon, who have a somewhat different perspective on physical media. Their business model is not built entirely on subscribers; far from it. I'm hoping very much that the work I create with them will meet a different fate, and be supported in a different manner.
As for Netflix, I hope sincerely that their thinking on this matter evolves, and that they value the content they spend so much money creating enough to protect it for posterity. That's up to them, it's their studio, it's their rules. But I like to think they may see that light eventually, and realize that exclusivity in a certain window is very cool... but exclusivity in perpetuity limits the audience and endangers the work.
All to say that if you decide to cancel your Netflix subscription, that's entirely your choice - I'm not here telling you to cancel it, or to keep it, for that matter. On that point, I am utterly agnostic.
But I will say that if you do cancel it, I am profoundly grateful that my work is available somewhere else. And if you take advantage of that, that is absolutely, positively, unequivocally fine with me.
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 11/11
Fandom: The Owl House (Cartoon)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Hunter | The Golden Guard & Luz Noceda, Eda Clawthorne & Lilith Clawthorne, Hunter | The Golden Guard & Camila Noceda, Darius Deamonne & Hunter | The Golden Guard, Darius Deamonne & Previous Golden Guard | Darius Deamonne’s Mentor
Characters: Hunter | The Golden Guard (The Owl House), Lilith Clawthorne, Luz Noceda, Eda Clawthorne, King (The Owl House), Camila Noceda, Vee (The Owl House), Gus Porter, Willow Park, Darius Deamonne, Raine Whispers, Kikimora (The Owl House)
Additional Tags: Politics, like a lot of politics, show trials, angst but of the political flavor, nobody dies and nobody’s hurt but everybody hurts anyway, mass graves and discussions of exhumation, you know the fun stuff, Lilith is trying and failing to be relevant again, Camila’s trying and failing to protect her kids, Hunter’s trying and failing to retain some dignity, Eda’s trying to make some snails and apparently not failing, an attempt at a realistic take on the Boiling Isles political transformation, References to Christianity, how do you put an entire country on trial?, Worldbuilding, Post-Canon, Implied/Referenced Child Abuse, but also graphic depictions of comic sans ms, not with a bang but with a whimper
Summary:
The view from the staircase is, well, not stunning, that’s definitely not the word. It’s just that “view” is supposed to be accompanied by “stunning,” and Luz can feel her brain coming to a screeching halt and refusing to process what they’re seeing.
It’s skeletons. Come on, they both knew it was going to be skeletons. The entire Isles know at this point.
(Or: despite what the stories would have you believe, in the aftermath, there are things to deal with. Those things include ruined infrastructure, electing new leaders, and prosecuting those responsible for the old regime. And apparently, also Grimwalker mass graves.)
(Image Description: a gray square with black and gray text that says "International Asexuality Day", below that is a rainbow in the colors of the Asexual pride flag inside a light gray abstract shape with the date "April 6th".)
[image id: a four-page comic. it is titled “immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]
a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”
I think we can all agree that Eda is Stan’s ex wife, they got married as part of a scam or con and they continue to scam and con to this day but like
Imagine if they made money from it and had assets to divide and can’t agree on how to split something and then have to go to divorce court
And they both don’t wanna pay a lawyer
So they have their uptight sibling represent them
This more me saying I want to see a debate between Lilith and Ford. Imagine them each trying to vouch for their sibling’s character and integrity and they think it’s pointless only to find they have finally met their match.
And also Eda can’t marry Raine until she’s divorced for some extra drama maybe
baratheonpilled
kianamaiart
annaxmalina
germansingergirl
dededos
romaincrisis
