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through-a-historic-lens

Salvador Dali Kisses The Hand Of Raquel Welch After Finishing His Famous Portrait Of Her, 1965

elmundodelily

destroymylife

atomic-chronoscaph

art by Doug P’gosh

thebackgroundworld

Milk!

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Esquire magazine 1946 and 1948.

"Protect yourself" by Frederick Smith

"How to kill two birds" by E. Simms Campbell.

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This is one of the most classic of Brigitte Bardot's movie posters, with the smiling superstar holding an Eiffel Tower in her hands, implying that all France is her plaything. That much is undeniable. It was originally titled Une parisenne, but for its English language release it was given the slightly different title La Parisienne, and in it Bardot does what Bardot always does—stops traffic, generates previously undiscovered quantum states of chaos, and flips reality upside down. This time around she plays Brigitte Laurier, the prime minister's stubborn daughter, in love her father's assistant, who tries as hard as he can not to get involved with her. Why would he resist Bardot? Because she's too young, and he already has a (married) girlfriend. He finally marries Bardot through a set of crazy circumstances, but refuses to give up his mistress, which of course leads to a jealous Brigitte taking matters into her own hands. This is a classic French style sex comedy, with confusion, mistaken assumptions, and people sneaking into each other's beds, all in service of teaching the lesson that what's good for the goose is good for the gander.

(All credit to pulpinternational.com)