Michael Joo. Visible, 1999-2000. Urethane, nylon, plastic, glass, walnut, patinated steel, 152.4 x 121.9 x 121.9 cm (60 x 48 x 48 in).

if i look back, i am lost
h
🩵 avery cochrane 🩵

Kaledo Art
"I'm Dorothy Gale from Kansas"
wallacepolsom
Sweet Seals For You, Always
DEAR READER
almost home
tumblr dot com

titsay
Stranger Things
No title available
hello vonnie

blake kathryn
Jules of Nature
we're not kids anymore.
cherry valley forever

❣ Chile in a Photography ❣
$LAYYYTER
seen from Brazil

seen from South Africa

seen from Brazil

seen from United States
seen from Costa Rica
seen from Brazil

seen from United States
seen from United States

seen from United States
seen from Germany

seen from United States

seen from Chile
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@cynophagia
Michael Joo. Visible, 1999-2000. Urethane, nylon, plastic, glass, walnut, patinated steel, 152.4 x 121.9 x 121.9 cm (60 x 48 x 48 in).
(via chetverge, larvalhex, larvalhex)
bead research scan
domestic dog - carlitoxli91
Ticks By: US Public Health Service From: Life Nature Library: The Forest 1961
Tibetan Tantric Rug – Woven in Nepal or China for Tibet, second quarter of 20th c.
Amazing creature art by Nat Hues based on my new novel Strange Animals.
Novel coming soon from Ballantine Books! Preorder info here.
Bernie Wrightson, 1971.
Lithograph from 1869 by William Fairland documenting the work of anatomist Francis Sibson. The two figures show the lungs after breathing out (above) and after breathing in (below)
FUUUUUZZZZ!
Source details and larger version.
Here’s my collection of vintage fauns, satyrs, and other woodland deities.
Between 1950 and 1951, Camel Cigarettes ran an ad campaign targeting American college students in response to the 1950 Wynder and Graham study linking tobacco consumption with lung cancer. The advertisements featured various campus-dwelling anthropomorphic animals smoking and quipping about the research. At least 41, but probably more, illustrations are scattered around student newspapers and magazines from the time.
Loyalty (1869)
— by Briton Rivière
Harry Fonseca 1979, “Coyote, When Coyote Leaves the Res”
Acrylic on canvas
Harry Fonseca began his art career using imagery from his Native American Maidu heritage in his art. His Coyote Series of paintings started in 1979. These works use the coyote as the trickster of Maidu ancestral stories, depicted in nontraditional clothing and settings. In this painting Coyote is dressed in black leather and other aspects of queer-dress experienced by the artist in San Francisco, expressing Fonseca's personal narrative as a gay Native American living off-reservation.
[source: Swann Galleries]