Takato Yamamoto - Paradise Dissection (2008).
noise dept.
$LAYYYTER
todays bird
we're not kids anymore.

⁂
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tumblr dot com
ojovivo
Sade Olutola
Alisa U Zemlji Chuda
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"I'm Dorothy Gale from Kansas"
Aqua Utopia|海の底で記憶を紡ぐ

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hello vonnie

oozey mess
TVSTRANGERTHINGS

izzy's playlists!
Misplaced Lens Cap
NASA

seen from Malaysia

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from Malaysia

seen from Malaysia

seen from Germany

seen from T1
seen from Germany

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@d1vinedog
Takato Yamamoto - Paradise Dissection (2008).
getting a lot of questions about the blood splatter on my "I <3 making sadists hurt me" t-shirt that should already be answered by the shirt
i need to be eaten out so fucking bad. like i need someone to tie me down and spread my legs and start violently sucking my boy cunt until i start shaking and crying. even after i cum over and over and start crying and trying to push you off i still want you to lick and suck and rub my cunt until my brain shuts off and i can’t form coherent thoughts. i want to cum over and over again and each time it’s messy and loud and you go right back in to make it happen again. all while degrading me yet praising me for being the most perfect little whore.
BITE RISK Collar
blood cast in resin
stop with that nonchalant shit and bark for me
good morning i need to be fucked
Tightening its lusts, 2005, oil on linen (8.25 x 6.25 inches) by Jenn Mazza, from the project ‘scarlet intent’
from the artist’s statement:
In constructing a painting I look for ways that objects, images and marks can be combined to form conjunctions and disjunctions; to build a painting which is conceptually in motion; in the process of becoming // becoming meaning // becoming meaning-full. Sometimes this involves a correspondence, a conversation or an intervention within a chosen image-subject. Other times the images are found already in the world, and my role is to presence the existing tension through a selective translation into paint. But a painting is never a ‘one night stand’ to misquote Jack Spicer. I am particularly interested in the way that meaning evolves within a body of work…
other works:
Peripety (1), 2008, oil on linen (6.75 x 7.75 inches) by Jen Mazza
Red Letter No. 4, 2007, oil on linen (9 x 9.5 inches) by Jen Mazza
Acquiesce by Jen Mazza
ive made a grave mistake i massacred my bush and now my coochie looks scary
@korinawray on instagram
a boot is a kind of sex toy if you think about it