Dasychira

[xanaxfarts]

SONY: Japanese Exclusive ‘Pingu’ PS1 Controllers (1999)

[xxxorcise]

[nyc-looks]

Dasy Chira, 28

“I’m wearing wore friend’s Fey Fey Worldwide’s green wrap up inflatable dress from her 2023 spring summer collection. My current style is inspired by new age aesthetics, fantasy and 90s Harajuku looks.”

Aug 25, 2023 ∙ MoMA PS1

[august-sysex]

dasychira!!!!!

[s-elma]

We Will find it | Zoï Tatopoulos Sean Lew

[etrangersvoyageant]

music by Emily Glass & Dasychira

[d4sych1r4]

We are not always what we seem, and hardly ever what we dream.

[d4sych1r4]

[important-animal-images]

[kittycopter]

us

[syring3]

[arinewman7]

MamaRay

Sculpture by Wangechi Mutu

bronze, 2020

[autodiscipline]

Acne Studios SS22

[forages]

National Geographic   May  1976

[zegalba]

Now abandoned, La Petite Centure is a 19th century railway that loops over 30km around Paris

[d4sych1r4]

beach tech

[d4sych1r4]

mannequin in the 10th arrondissement

[constanz-za]

avon ‘sweet honesty’ perfume

[d4sych1r4]

anyone fancy a cup of teaooth?

[adarkrainbow]

Fairytales in French cinema

Pictures from "Kirikou et la Sorcière" (Kirikou and the Witch/Sorceress) by Michel Ocelot.

The mid-20th century was marked by Cocteau's Beauty and the Beast... Jacques Demy's Donkeyskin left its print on the latter half of the 20th century... And Michel Ocelot's Kirikou burst out of the dawn of the 21st century. As I said before, this movie could be compared in term of scope, effect and popularity, to what The Lion King was in America... (except this movie's better :p)

Adapting a West African folktale while sharing modern messages about issues such as the power of tyrants or the nature of discrimination, using all sorts of traditional African artstyles for its design ranging from Ancient Egypt to the Benin, this movie enormous success (it even was adapted as a world-renowned live-action musical) completely redefined the animation industry in France in the early 21st century.