Kiarra Elliot and the Afrocentric Keyy....
1.    Was there a pivotal moment that made you follow your path as an artist?
I would have to say the pivotal moment in my life that made me want to follow my path as an artist was in my last year in undergrad. I was taking my last courses for my BA in arts and I had a really in-depth conversation with one of my professors about exploring what art means to me and challenging the status quo. This sparked an internal question I have had for many years around the art world and the lack of imagery diversity, especially when it came to fine art in museums and galleries. At this moment I was also introduced to the idea of painting on wood as my canvas instead of the traditional canvas material. By changing my canvas material and also taking it a step further by using recycled material my eyes were open to a new way of creating. That same year I produced my first solo exhibition at a local gallery space showcasing art through my eyes. It also was the first time I showcase my artwork publicly.
2.    What is the process of making your work?
I start by asking myself what my intentions are for the painting and/or series Iâm starting. After I figure out my intentions I do some figure research on lighting so I can ensure I capture the right shadows and highlights. After I finalize what portrait I want to create I go through my animal pairing process and figure out the right position that creates a seamless connection between the figure and animal.
3.    Describe your work in two words.
Unique portraits
4.    What is your favorite art movement?
Futurism movement
5.    What is your least favorite art movement?
Cubism movement
6.    How has your process changed over time?
My process hasnât changed too drastically since I first started painting in my unique style. I have gotten more clarity on how I want to portray my artwork and become more intentional with my message.
7.    What themes do you pursue? And what themes do you want to pursue in the future?
I try and stay connected with the current environment and use that as inspiration.
8.    Do you have any advice for young artists?
Make sure that you take time to really develop your personal artistic style and research which medium fits you. Once you figure that out stick with it and practice often. Set realistic goals for yourself and donât be hard on yourself when things donât seem to work out how you initially thought. Your career will be like a rollercoaster and will have lots of up and down moments but if you can get past those hard times and use art as an extension of yourself you will always feel fulfilled.
9.    Could you talk about the training you receive for becoming an artist? Do you think the training exerts a deep influence on your creative activities?
I received most of my training in school during my high school days; I attended a performing art high school with a visual arts focus and continued in college. Both school trainings allowed me to explore different mediums and materials. This also laid down the foundation for me to find my own style and fall in love with painting on wood. Being able to explore multiple art mediums in a school setting helped speed up my process of finding what type of artmaking I wanted to produce. It also gave me full access to active established artists/professors who could help guide in the right direction. I do believe having this extra access to working artists in my field did provide additional benefits I wouldnât have had if I didnât study in school.
10.  Do you think there is a close relationship between your living circumstance and your artworks? If so, how do you think the circumstance influence your works?
Yes, I believe there is a massive relationship between your living circumstance and artwork because it is the most personal connection an artist has. Depending on how your creative space is and if you have space to create will impact not only what you create but the frequency of you making art. Currently, I am able to work in the same space I live in and I feel it gives me a sense of ownership to practice my craft more and focus on how I can take my art to the next level.
11.  How do you know when it is time to completely stop working on one artwork? Are you satisfied with your creation when you leave off it?
I donât really ever know when a piece is 100% done. I feel like there is always something that can be added or adjusted on a piece but I do feel a sense of completion on a piece once I am able to step away from it, stare for a few moments, and can feel a smile appear on my face. That sense of peace is my confirmation that I have âfinishedâ a piece.