| hana | she/her | 21 | requests: closed | taglist: open |
✦ i am very bad at texting and getting back to people. i’m sorry.
✦ status: semi-active
✦ free palestine, click here
✦ this IS a safe place for all genders, all sexualities, and all races. i do NOT tolerate racists, homophobics, trans phobics, bi phobics, ableists, islamaphobics, or zionists.
✦ i do not give my consent for my work to be redistributed to other platforms to be reposted, translated, or re-worked by any means. i do not give consent for my work to be used in any form of artificial intelligence (ai) training.
✦ MY RULES ✦ TAGLIST ✦ MY AO3
about ;
✦ my writing is all f!reader and i used to write for haikyuu, currently i am only writing when inspiration hits, there is no schedule
✦ this is a sfw & nsfw blog, so, 17+ only (dni otherwise)
✦ i will and do write 18+ content, however, there are certain things i refuse to write about
✦ check out my blog for kpop (specifically enhypen) here
writing ;
✦ Haikyuu Masterlist
✦ Loving Khaos & Greek Mythology Masterlist
✦ Criminal Minds Masterlist
✦ Moon Knight Masterlist
✦ The Sandman Masterlist
✦ Marvel Masterlist
small drabbles & poetry ;
✦ Run girl, run
✦ Walking away from the best thing he could have had
✮ synopsis: he's the winter soldier, and you're just you. but when your skin touches his, he becomes bucky barnes again.
(or: the soulmate fic where touch is everything and bucky barnes will fight his way back to you, one broken memory at a time.)
✮ pairing: ca:tws!bucky x soulmate!reader
✮ disclaimers: fem!reader, soulmates, violence/action sequences, graphic descriptions of torture/memory wiping, PTSD, panic attacks, dissociation, past torture, brainwashing, heavy angst, touch deprivation, references to past violence/assassinations, hurt/comfort, fluff, eventual happy ending, bucky is down horrendously bad
✮ warnings: (18+) MDNI, explicit sexual content, unprotected sex, p in v, oral (f receiving), overstimulation, multiple orgasms, soul bond sex (enhanced sensations), touch-starved bucky, possessive behavior, marking/bruising, praise kink, body worship, emotional sex, crying during sex (in a good way), size kink if you squint, bucky has a dirty filthy mouth
✮ word count: 14.3k
✮ a/n: re-uploading all my fics to this blog so i'm posting a ca:tws-era oldie but goodie (the last 4k of this is straight smut, so if that's not your cup of tea feel free to stop at the **)
bonus drabble 1
bonus drabble 2
series masterlist
The library basement feels like a crypt tonight—all dead air and fluorescent buzz that makes your molars ache.
You've been down here so long your bones have started to match the temperature of the concrete, cold seeping through your jeans where you've been sitting cross-legged on the floor, surrounded by a semi-circle of photocopied articles that all essentially say the same nothing in different ways.
3:17 AM according to your phone, which you check compulsively every twenty minutes like maybe time will take pity and skip forward to your deadline. The security guard made his last round two hours ago—Gerald? Gary? Something with a G—his whistling fading up the stairwell along with any pretense that you're not completely alone down here.
Your neck cracks when you roll it, vertebrae protesting the last six hours of hunching over sources that shouldn't be this hard to parse. But your advisor had smiled that sharp little smile when assigning this topic, the one that says let's see if you're really cut out for this, and spite is a hell of a motivator.
Even if your eyes are burning. Even if the coffee tastes like battery acid. Even if your soul bond has been aching since midnight with that peculiar emptiness you've learned to ignore.
The lights flicker—building's older than sin, held together by asbestos and prayer—but the air changes with it. Shifts. Like all the oxygen just remembered it had somewhere else to be.
Your fingers still on the keyboard mid-sentence.
Don't be stupid. It's a basement. In a library. The scariest thing down here is your browser history.
But your body knows things your mind pretends it doesn't. Every hair follicle suddenly awake, skin prickling with the kind of ancient warning that kept humans from being eaten in the dark. Your heartbeat kicks up, stuttering from normal to concerned between one breath and the next.
You turn.
He stands at the edge of the stacks like violence in human form.
Black tactical gear eats the light, makes him look like someone cut a hole in reality and taught it how to hunt. The mask covering the lower half of his face should make him less human, but somehow it's worse—forces you to focus on the eyes that track your movement with the kind of empty precision that makes your hindbrain scream predator predator predator.
"Oh." The sound punches out of you, high and strangled.
He doesn't speak. Doesn't need to. Just moves toward you with the kind of lethal economy that makes you understand, suddenly and completely, why rabbits freeze when hawks circle overhead. No wasted motion. No hesitation. Just purpose distilled into muscle and intent.
Your body tries—God, it tries. Scrambling backward, papers scattering, laptop sliding off your thighs to crack against the floor in what feels like slow motion. Three months of work fracturing into digital garbage as you crab-walk backward, palms slipping on photocopies, knee catching on your backpack hard enough to send you sprawling.
He crosses the space between you like it's nothing.
Like you're nothing.
His hand finds your throat before you've even processed standing, leather and pressure sending you backward into the wall hard enough to knock the air from your lungs. Old brick catches your hair, pulls it, but that barely registers against the feeling of being pinned like an insect, specimen for examination before disposal.
Both your hands fly to his wrist, fingernails catching on tactical fabric that won't give, won't move, won't budge. He's not crushing your windpipe—not yet—but the promise is there in the careful placement of his thumb, the calculated pressure that says I could, if I wanted to.
"Please—" It comes out thin, reedy. Your right hand abandons his wrist to push against his chest, trying to create distance that doesn't exist, will never exist. "I don't know what you—I'm nobody, I'm just—"
His head tilts. Minute. Considering. The eyes stay empty, stay cold, but something flickers there—assessment, maybe. Calculation. How long it will take. How quiet you'll be.
Your left hand keeps clawing at his grip while your right slides up his chest, finds the edge of his tactical vest, pushes uselessly at a shoulder that might as well be carved from stone. But the movement makes you stretch, makes your hand slip higher, past the collar of his gear, past the edge of the mask, until—
Your fingertips brush his jaw.
Skin against skin.
The world breaks apart.
Heat races from that point of contact like lightning seeking ground, if lightning could rewrite your DNA as it traveled. Every nerve ending lights up at once, not with pain but with recognition so profound it feels like drowning in reverse. Like every cell in your body suddenly remembers how to breathe.
His entire body locks. The hand at your throat spasms, loosens, and you hear him make a sound—sharp, bitten off, like someone just slid a knife between his ribs. Those empty eyes blow wide, pupils expanding until there's barely any gray left, and his chest heaves against your palm like he's just broken the surface after being underwater too long.
He rips the mask off with his free hand. Tears it away like it's burning him, revealing a face that makes your chest cavity feel too small. Sharp jaw, soft mouth, stubble that catches the shit fluorescent lighting and turns it into shadow. Beautiful in the way broken things can be beautiful, in the way that makes you want to cut yourself on the edges.
The leather glove at your throat disappears—he tears it off with his teeth, movements gone jerky and desperate where they were smooth before. Then his bare hand is cupping your face, thumb brushing your cheekbone with the kind of reverence reserved for holy things, impossible things, things that might disappear if you breathe wrong.
He pulls you forward, or maybe he falls into you—either way, your foreheads meet in the space between one heartbeat and the next. His breath fans across your face, ragged and hot, and you can feel him shaking. This man who moved like death incarnate thirty seconds ago is shaking.
"Oh," he breathes, and his voice—Christ, his voice is nothing like you imagined during those empty nights when the bond ached worst. Rough like he hasn't used it in years. Soft like he's afraid it'll break something. Accent pulling at the vowels in ways that make your chest hurt. "Oh, no. No, not—not like this."
You can't move. Can't think. Can't process anything beyond the electricity still racing through your veins, the place where his thumb traces your cheekbone like he's trying to memorize the architecture of your face through touch alone. Your hands are caught between you, one still fisted in his tactical vest, the other pressed flat against his chest where you can feel his heart hammering out a rhythm that matches yours.
He pulls back just enough to look at you, and the devastation in his eyes makes your throat close for reasons that have nothing to do with violence. Gray like winter mornings, like grief, like the moment before the sky breaks open.
"I'm sorry," he whispers, wrecked. His thumb catches the tear you didn't realize was sliding down your cheek, and the tenderness of it makes you want to scream. "I'm so fucking sorry, I didn't—I couldn't—"
"Who are you?" Your voice comes out destroyed, barely recognizable. The soul bond hums between you like a live wire, like coming home to a place that's on fire, and you don't know whether to run toward it or away.
His jaw works, muscles tightening and releasing like he's fighting something immense. When he speaks again, it's careful. Measured. Like each word costs him something irreplaceable.
"Someone who's going to disappear." His forehead presses against yours again, harder this time, desperate. Both hands frame your face now, holding you like something precious, something he's about to lose. "Someone who needs you to run. Now. Before—"
A sound echoes down the stairwell. Footsteps. Multiple sets.
The change in him is instant and terrible. The softness vanishes like it was never there, replaced by the same lethal efficiency that brought him here, but now there's something else in his eyes. Something that looks like anguish.
"Forgive me," he says, and before you can ask for what, his thumb finds a spot behind your jaw.
The world tilts. Your legs go liquid. But he catches you—of course he catches you—lowers you to the ground like you're made of spun glass while your vision tunnels to nothing.
The last thing you feel is his mouth pressed to your forehead, words whispered against your skin in a language you don't recognize but somehow understand.
I'll find you again.
I promise.
I'm sorry.
When security finds you four hours later, you have bruises on your throat that look like purple-black fingerprints, a concussion that makes the world swim, and no memory the EMTs will accept of how you ended up unconscious in a locked basement.
But you remember.
You remember the way his hands shook when he held your face. You remember the devastation in winter-gray eyes. You remember the electricity of recognition, the soul bond snapping into place only to be severed, leaving you with a phantom ache that feels like dying in slow motion.
There's a leather glove clutched in your fist that no one can pry from your fingers.
You tell them you don't remember where it came from.
You lie.
The world had always been divided into two types of people: those who'd found their match and those still waiting.
You'd grown up watching the found ones move through life with that particular brand of settled confidence, like they'd discovered some fundamental truth the rest of you were still stumbling toward.
Your mother used to tell the story at dinner parties, after her second glass of wine made her sentimental. How she'd been twenty-three, working at a bank in downtown Brooklyn, when a man came in to dispute an overdraft fee. Their hands touched when she passed back his paperwork. The bond snapped into place like a rubber band that had been stretched across decades, just waiting to contract.
She'd knocked over her coffee. He'd forgotten his own name for thirty seconds. They'd been married six months later.
"You just know," she'd say, fingers intertwined with your father's across the table. "It's like every cell in your body suddenly remembers what it was made for."
You'd wanted to believe her. Spent your eighteenth birthday waiting for that recognition to hit, for your body to suddenly make sense in a way it never had before.
But days turned to weeks turned to months, and all you felt was the same low-grade emptiness everyone without a bond carried—that constant, quiet ache of incompleteness.
By twenty-one, you'd stopped looking for it in every accidental touch.
By twenty-three, you'd convinced yourself you were one of the statistical anomalies. No bond. No match. Just you and your dissertation and a future that looked exactly like your present, only with better coffee and maybe tenure if you played your cards right.
The bruises have faded to sick yellow-green by the time you make it back to campus. Two weeks of medical leave that you spent staring at your apartment ceiling, trying to make sense of something that refuses to be made sensible. The official report sits in your email, cc'd to your advisor and the department head and probably half the university's legal team: Student found unconscious in library basement. Possible assault. No cameras functioning. Investigation ongoing.
You don't correct them. Don't mention the glove hidden in your nightstand drawer. Don't explain that the bruises on your throat match the exact span of fingers that had held your face like you were something holy, something worth breaking for.
Your body remembers even when your mind tries to forget. The soul bond, severed as quickly as it formed, has left you feeling like someone hollowed out your chest cavity with a melon baller. It's worse than before—before was just absence. This is active loss. This is knowing exactly what you're missing.
The dreams start the first night home from the hospital.
Not nightmares—that would be easier. These are soft things that leave you gasping awake at 3 AM with tears on your face and your hand pressed to your cheek where he'd touched you. Dreams where those gray eyes find yours across impossible distances. Where his hands shake as they frame your face. Where he whispers apologies in languages you don't speak but somehow understand.
Sometimes you dream of snow. Of cold so profound it burns. Of a voice saying his name—names?—until there's nothing left but the mission.
Sometimes you dream of falling. Of a train that screams through mountain passes. Of reaching for something—someone—who's always just beyond your fingertips.
But mostly you dream of that moment. The mask coming off. The devastating gentleness of his forehead against yours. The way he breathed you in like his lungs hadn't recognized oxygen until then, like you were the first real thing he'd touched in decades.
You become an expert in lying about the nightmares. "Trauma response," you tell the university-mandated therapist. "Yes, I'm processing. No, I don't remember details. Yes, I feel safe on campus."
Lies. All lies.
You remember everything. The weight of him. The contrast between violence and tenderness that shouldn't have existed in the same person. The way the soul bond had sung between you for those impossible seconds—not the gentle hum your mother described, but something desperate and raw, like two halves of something broken trying to fuse back together.
The research starts three weeks after the incident. You tell yourself it's academic curiosity. Tell yourself you're not the first person to lose a soulmate before really finding them. There are support groups. Statistics. An entire subset of psychology dedicated to severed bonds and what they do to the human psyche.
Increased rates of depression. Anxiety. Insomnia. Some subjects report physical pain at the site of initial contact. Others experience what researchers call "phantom bond syndrome"—the persistent sensation of a connection that no longer exists.
You check every box. Feel him in every room you enter, just a second too late. Wake up with your hand pressed to your face, trying to hold onto the ghost of leather and gunpowder and something metallic you couldn't place then but can't stop tasting now.
The databases give you nothing. Facial recognition software turns up empty. You sketch what you remember of his face—strong jaw, soft mouth, eyes like winter—but it feels like trying to draw music, like something essential gets lost in translation.
"Maybe he was military," Katrina suggests over coffee that tastes like disappointment. She's trying to help, your best friend since undergrad, but she looks at you with the kind of careful concern reserved for people about to break. "Special ops or something. That would explain the tactical gear."
You don't tell her about the way he moved. Don't mention that special ops soldiers don't usually have metal arms—you'd felt it when he caught you, the strange whir of plates adjusting beneath the fabric. Don't explain that whatever he was, military doesn't quite cover it.
December bleeds into January. You submit your dissertation proposal late, blame the incident, receive an extension wrapped in sympathetic looks. The bruises are long gone but you wear scarves anyway, can't stand the feeling of air against your throat where his thumb had pressed.
Your google search history becomes a testament to obsession:
But late at night, when the world sleeps and you're alone with the ache that lives between your ribs, you pull out the glove. Run your fingers over worn leather that's been softened by use and something else—care, maybe. The kind of attention that comes from having nothing else to focus on.
It smells like winter. Like violence. Like the ghost of cologne that might have been nice once, before it mixed with gunpowder and fear and whatever else clings to people who move through the world like weapons.
You press it to your face and breathe deep, eyes closed, trying to summon those impossible seconds when he'd looked at you like you were salvation and damnation all at once. When his voice had broken on an apology for something you didn't understand. When he'd promised to find you again in words you shouldn't have been able to translate but did.
The bond throbs. Phantom pain for a phantom connection.
You fold the glove carefully. Place it back in the drawer. Go to bed knowing you'll dream of gray eyes and the kind of gentleness that only comes from people who've forgotten they deserve it.
Tomorrow you'll get up. Go to class. Pretend your chest doesn't feel like someone excavated it with rusty tools. Pretend you don't scan every face on campus, looking for winter eyes and a jaw that could cut glass.
But tonight, you let yourself remember. Let yourself feel the echo of his forehead against yours, the desperate press of his mouth to your skin, the way he'd held you like you were worth breaking the world for.
I'll find you again.
You touch your throat, the memory of leather and promise.
I'm waiting.
The asset doesn't fight anymore.
Hasn't for years. Learned the hard way that resistance only makes it worse—more voltage, longer sessions, deeper cuts into whatever remains of the person he might have been.
Better to go limp. Better to let them position him like a doll, open his mouth for the rubber guard, wait for the electricity to wash it all away.
The asset craves it sometimes. The blankness. The nothing. Easier than carrying the weight of what his hands have done.
But Bucky Barnes fights.
Screams himself raw before they get the guard between his teeth. Thrashes against the restraints hard enough to bend the metal table, to make the technicians step back with wide eyes because the asset never does this, hasn't done this in fifteen years, not since they perfected the chair's calibration.
"Hold him!" Pierce's voice cuts through the chaos, sharp with irritation. "Get those restraints tightened before—"
Bucky's metal arm tears through the leather strap like tissue paper. Swings wild, catches a handler across the jaw with a crack that sends him spinning into medical equipment. Two more rush forward and he fights them with everything he has, everything he'd forgotten he could be.
Soft hands on his face. Bright eyes wide with recognition. The soul bond singing between them like coming home—
"No!" The word tears out of him, accent thick with desperation. Russian, English, something older—he doesn't know anymore, doesn't care. "Please—please, I can't—"
A needle finds his neck. Sedative, fast-acting, enough to drop an elephant. His knees buckle but he keeps fighting, keeps reaching for—what? The memory's already going slippery, falling through his fingers like water.
Someone. There was someone. Wasn't there?
"Interesting." Pierce circles him as four handlers wrestle him into the chair, voice clinical. "What happened on the mission? You terminated the target, but something affected you. The timeline's off by forty-three minutes."
Bucky's jaw works around the guard they're shoving between his teeth. Can't tell them. Won't tell them. But what is he protecting? The feeling's there—urgent, desperate, worth dying for—but the shape of it keeps shifting.
A face. Soft mouth parted in shock. The way she'd—
The electricity hits before he can finish the thought.
White-hot agony races through every nerve ending, bows his back against the restraints they've doubled, tripled. The scream locks in his throat, comes out as a sound that doesn't belong to anything human. But underneath the pain, worse than the pain, is the feeling of something essential being carved out of him.
Don't take her, some part of him begs. Take everything else, but not her, not this—
But the machine doesn't care about please. Doesn't care that he's crying—when did he start crying? The asset doesn't cry. The asset doesn't feel. But Bucky Barnes is sobbing, choking on the rubber guard as memories start to fracture and fade.
Her hand against his jaw. The world breaking open. Recognition so profound it rewrote thirty years of programming in seconds—
Another pulse. Stronger. Pierce has turned the dial past safety parameters, past sanity, past anything they've done before.
"Sir," one of the technicians ventures, nervous. "The readings—"
"Continue."
Forehead to forehead. Breathing her in. The apology scraping his throat raw because he'd never wanted to meet her like this, never wanted her to know him as a weapon first and a man second—
Gone. It's gone. He reaches for it, desperate, but there's only white noise where her face should be. Only the echo of something precious he'd held for minutes—hours?—seconds?—he doesn't know anymore.
The machine winds down. Silence except for his ragged breathing, the drip of something (blood? tears?) hitting the concrete floor.
"Asset."
He doesn't respond. Can't. There's something wrong with his chest, like someone reached in and scooped out everything that mattered.
"Asset."
Training kicks in where consciousness fails. His head lifts, eyes focusing with effort on the man in the suit. Pierce. Handler. The one who holds the leash.
"Ready to comply." The words come out broken. Mechanical. But correct.
"Mission report."
"Target eliminated. No witnesses." A pause. Something scratches at the back of his mind, urgent, important. But when he reaches for it there's nothing but static. "Extraction successful."
Pierce studies him, pale eyes narrowed. "And the deviation? You were off-schedule."
The asset blinks. Searches the white noise of his mind for an answer that makes sense. "Unexpected resistance. Handled."
"I see." Pierce doesn't look convinced, but he waves to the technicians. "Run a full cognitive recalibration. I want him stable before the next deployment."
They unstrap him eventually. He doesn't fight. Doesn't do anything but stare at his metal hand, trying to understand why it feels wrong. Why everything feels wrong. There's an ache in his chest that wasn't there before—or was it always there? He can't remember. Can't remember anything but the mission, the chair, the readiness to comply.
But that night, locked in cryo-prep, he dreams.
Fragments. Glimpses. A basement that smells like old paper and fear. Someone pressed against a wall, hands pushing at his chest. The feeling of skin against skin and the world exploding into color he didn't know existed.
He wakes with her ghost on his lips—no name, no face, just the shape of an apology in a language he's not supposed to know.
The asset reports for cryo on schedule. Lies still as they prep the chamber, ice already forming in the tubes that will freeze him until the next time he's needed. But as consciousness fades, as the cold takes him under, one thought persists:
Someone. There was someone. And I've lost them.
The machine hisses. Frost spreads across the glass.
The asset sleeps.
Bucky Barnes screams.
The Starbucks on 42nd doesn't have soul bonds on the menu, but they do have overpriced lattes and witnesses, which is why you're here instead of home, staring at your bedroom ceiling and trying to parse nightmares from memories.
Six months.
Six months of the glove under your pillow losing his scent. Six months of your advisor asking pointed questions about your "lack of focus" and your therapist prescribing sleeping pills that don't work because how do you medicate a severed soul bond?
How do you explain that you're mourning someone you knew for less than five minutes?
You're arguing with yourself about the merits of a fourth shot of espresso when the world explodes.
Glass shatters inward, the windows becoming a thousand diamonds catching afternoon light. Your coffee hits the floor—there goes eight dollars you don't have—as your body moves on instinct, dropping behind the counter with five other people who smell like fear and pumpkin spice.
Screaming. So much screaming. Cars screeching outside, the percussion of something that might be gunfire but sounds too wrong, too close, too real for a Tuesday afternoon in Manhattan.
You peek around the espresso machine and your heart forgets how to beat.
He's standing in the middle of the street like death dressed for winter. Same tactical gear, same casual violence, same way of moving that makes everyone else look like they're traveling through molasses. The mask covers the lower half of his face again, but you'd know those eyes anywhere. Have been seeing them every night for six months, after all.
A cop raises his weapon. The soldier—your soulmate, your ghost, your nightly torment—disarms him with an economy of motion that's almost beautiful. The crack of breaking fingers carries even through the shattered windows.
Get up, your brain screams. Run. Move. Do something that isn't standing here like a deer watching headlights come to claim it.
But your body has other plans. Your treacherous, soul-bonded body that recognizes his even across thirty feet of chaos and broken glass. You're moving before conscious thought catches up, stumbling through the destroyed storefront on legs that feel like they belong to someone else.
This is stupid. Monumentally stupid. The kind of stupid that gets psychology PhD candidates killed in broad daylight. But your hand is already reaching, already grasping, because maybe—
Your fingers close around his wrist.
The barest slip of skin where his sleeve has ridden up, your thumb finding his pulse like it was made for nothing else. The connection slams through you—heat and recognition and yes, finally, yes—
The gun clatters to the asphalt.
His whole body goes rigid, that same terrible stillness from before. You watch his pupils dilate, watch six months of careful nothing shatter in his eyes as a stranger crashes back into existence.
He moves so fast you don't process it. One second you're standing there, thumb on his pulse, the next you're spinning, back slamming into his chest as his metal arm locks across your body. The gun—when did he pick it up?—presses cold against your temple.
You stop breathing.
Around you, cops and civilians alike freeze. Weapons lower incrementally because now there's a hostage situation, now there's a girl who was stupid enough to touch the Winter Soldier and—
"Name." His voice in your ear, so quiet you almost miss it under the sirens. That sound that had haunted your dreams, rougher now, desperate. "Your name. Please."
Your lips barely move, sound threading between heartbeats. You tell him, soft as a whisper.
The gun doesn't waver. To everyone watching, he's perfectly still, a predator considering prey. But his metal thumb moves against your bare arm where your shirt has ridden up. Gentle. Deliberate. Tracing letters maybe, or just feeling, and you wonder if he can—if there are sensors in the metal that let him—
"My name is James Buchanan Barnes." Each word careful, precious, pressed into the space below your ear like a secret. Like a gift. "Bucky. My name is Bucky. I won't remember, so I need you to—you have to remember for me."
James Buchanan Barnes.
It tickles something in your memory. A history class, maybe. Something about World War II, about Captain America, about—
"What have they done to you?" The words slip out, horrified, because the pieces are trying to fit together but the picture they're making can't be right, can't be possible—
"Find me." Urgent now. His realness, his hereness makes your chest ache with completion even as your mind screams danger. "When I—after they—find me. Please. I can't—"
His voice cracks.
The gun leaves your temple.
The crack of the shot makes you flinch, but it's the cop to your left who goes down, clutching his knee, screaming. Bucky shoves you—not hard, but enough to send you stumbling into the crowd as he moves the opposite direction, using the chaos as cover.
You hit the ground hard, knees cracking against asphalt, palms scraped raw. Around you, people scatter like startled birds. Someone's hands on your shoulders, pulling you back, asking if you're hurt, if you need medical attention.
You can't answer. Can't do anything but stare at the place where he'd stood, where he'd held you, where he'd given you his name like it was the only thing he had left to give.
Your arm throbs where his metal thumb had traced patterns. When you look down, you can see the faint red marks—not bruises, just pressure. Just proof.
"Miss? Miss, we need to get you checked out—"
"I'm fine." You're not. You're the opposite of fine. You're shattering in slow motion, held together by adrenaline and the phantom feeling of his chest against your back. "I'm—he didn't hurt me."
The EMT looks skeptical. "He held a gun to your head."
"He didn't hurt me," you repeat, and you're not sure who you're trying to convince.
They take you anyway. St. Luke's emergency room, where you spend four hours being poked and prodded and questioned by people who look at you like you might break or explode. The FBI shows up eventually, two agents in bad suits who ask the same questions fifteen different ways.
"Did he say anything to you?"
My name is James Buchanan Barnes.
"No."
"Are you sure? Even something small could help."
Find me.
"He didn't say anything."
They don't believe you. You can see it in the way they exchange glances, the way their pens hover over notepads. But what are you supposed to tell them? That the most wanted man in America is your soulmate? That he gave you his name like a prayer? That even now, hours later, you can still feel the phantom press of metal against your skin?
They release you near midnight with a card and instructions to call if you remember anything. You take a cab home because the subway feels too exposed, too dangerous, like maybe he'll be there in the shadows between stops.
Your apartment is exactly as you left it. Laptop open on the counter, half a cup of cold coffee growing something ambitious by the sink. Normal. Safe.
Empty.
You sink onto your bed, still fully dressed, and pull out your phone. Your search history is already damning, but what's one more nail in the coffin?
James Buchanan Barnes
The results make your stomach drop.
Born 1917. Best friend of Steve Rogers, Captain America. Sergeant in the 107th Infantry Regiment. Fell from a train in the Alps in 1945. Presumed dead.
Except he's not dead. He's not dead because you touched him today, felt his pulse under your thumb, heard him breathing in your ear as he held you like something breakable and precious all at once.
You dig deeper. Past the official records, past the Wikipedia entries, into the conspiracy forums and leaked documents that only half-load on your shitty wifi.
The Winter Soldier.
HYDRA.
Seventy years of ghost stories.
An assassin who appears and disappears like smoke, leaving bodies in his wake.
Your soulmate is a century-old brainwashed assassin. Your soulmate is Bucky Barnes, who died in 1945. Who didn't die. Who was turned into something else, something violent and beautiful and dangerous.
Who fights back to consciousness every time you touch him only to be dragged under again.
What have they done to you?
You close your laptop. Lie back on your bed, fully clothed, and stare at the water stain on your ceiling that looks like a rabbit if you squint. Your arm still throbs where he touched you. Traced letters, maybe, or just—
You bolt upright.
Grab a pen, try to recreate the pattern from memory on your other arm. It takes three tries before the movements feel right, before the shapes resolve into something recognizable.
Numbers.
He'd traced numbers on your skin. Coordinates.
Find me, he'd said.
Your hands shake as you type them into your phone. A location upstate, middle of nowhere, the kind of place where no one would look twice at an abandoned building or hear the screams from underground.
You should leave it alone. Should forget his name, forget the numbers, forget the feeling of being whole for thirty seconds in the middle of chaos. Should be smart and safe and boring and alive.
Instead, you screenshot the location. Book a rental car for tomorrow. Pack a bag with things that might matter—the glove, pepper spray that won't do shit against a super soldier but makes you feel better, a first aid kit you probably won't get the chance to use.
Find me.
You're going to. God help you, you're going to find James Buchanan Barnes.
Even if it kills you.
(It probably will.)
(You're going anyway.)
The HYDRA facility squats in the pre-dawn darkness like something that crawled out of the Cold War and forgot to die. You're crammed in the back of a tactical van between enough weaponry to level a city block and Captain America's guilt, which somehow takes up more space.
Forty-eight hours. That's all it took from wine-drunk-email-to-vague-Avengers-PR-listing to this—body armor that doesn't fit right, your heart hammering against ceramic plates, and the ghost of coordinates still throbbing on your arm where he'd traced them.
"Two minutes to insertion." Natasha's voice crackles through comms you're not supposed to have. But Steve had insisted, jaw set in that way that apparently nobody argues with. Not even Fury.
Steve Rogers had shown up at your door with Natasha Romanoff and Nick Fury, your roommate had screamed in her towel, and you'd told them everything. About the library. About the way Bucky's entire being had shifted when you touched him, like watching someone break the surface after drowning.
About how he'd held you in that Starbucks, whispered his name against your ear like a secret, like salvation, like the only thing he had left that was his.
Steve had gone very, very still. Then: "We're finding him. We're bringing him home."
Now he's sitting across from you, shield balanced against his knee, and you can see why people follow him into impossible situations. It's not the shoulders or the jaw or the way he fills out tactical gear like he was born to it. It's the way he looks at you—not through you, not around you, but at you. Like you matter. Like your connection to his best friend makes you worth protecting.
"Remember," he says quietly, pitched below the engine noise. "The moment we find him, the moment you make contact—"
"I know." Your fingers won't stop moving, tracing and retracing the numbers Bucky left on your skin. "Skin contact. Bring him back." Don't let go."
What you don't say: What if it doesn't work this time? What if they've wiped him too many times? What if whatever's left isn't enough to—
The van stops.
Everything happens too fast after that. Doors flying open, bodies moving with practiced precision, you stumbling to keep up as Steve's hand on your elbow guides you through pre-dawn shadows toward a concrete mouth that looks like it's waiting to swallow you whole.
The facility is worse inside. All industrial fluorescents and that particular kind of silence that sounds like screaming if you listen too hard. Your soul bond, quiet for months, starts to ache with proximity—a deep, bone-level recognition that makes your teeth chatter.
"Southwest clear." Someone else, call sign you didn't catch.
"Movement in the lower levels." Another voice. "Looks like they're mobilizing—"
A sound cuts through the chatter. Not quite human. Not quite animal. Something between a scream and static that makes your hindbrain light up with warnings to run.
Steve's already moving. "That's him."
You follow because what else can you do? Down stairs that smell like rust and terror, through corridors that branch like diseased arteries. The ache in your chest intensifies with each level down, soul bond pulling taut as piano wire.
Then—
The room opens before you like a wound. Medical equipment that belongs in museums next to things that belong in nightmares. And in the center, strapped to a chair that looks more like an electric chair than anything medical—
"Bucky." Steve's voice breaks on it.
He's shirtless, sweat-slick and shaking, with enough electricity running through him to light up half of Brooklyn. His hair hangs limp around his face, and even from here you can see the way his muscles lock and release in waves as current pulses through the chair. Fresh burn marks lattice across his chest where the nodes attach, and there's blood—so much blood—dripping from where he's fought against the restraints.
There are bodies on the floor. Technicians, by their white coats. The blood is fresh enough to still be spreading.
"Stay back." Natasha has her weapon trained on him, all business. "He's still the Winter—"
Bucky's head snaps up.
His eyes find yours across twenty feet of blood and machinery.
Time stops.
Those aren't the empty eyes from the library. Aren't the desperate clarity from the coffee shop. These are something else entirely—feral and frightened and so fucking broken under all that damage. He looks like something that's been torn apart and reassembled wrong, like an animal that's been in a cage so long it's forgotten what sky looks like.
You're moving before conscious thought catches up. Dodging Steve's reaching hand, slipping past Natasha's outstretched arm. Your feet slip in blood—whose blood? His? Theirs?—but you don't stop. Can't stop. The soul bond is screaming, every cell in your body reaching for its other half.
"Don't—" Someone shouts. Might be Steve. Might be God himself. Doesn't matter.
Because Bucky's watching you approach with the kind of stillness that precedes violence. His metal arm—and this close you can see how it's grafted to flesh, red and raw and infected at the edges—flexes against the restraints. The leather creaks. His chest heaves with each breath, and there's a wild look in his eyes like he can't decide if you're real or another torture.
You collapse on the arm of the chair. His breathing is ragged, chest heaving, and this close you can see old scars layered on new ones, a roadmap of decades of damage. Seventy years of this. Seventy years of being unmade and remade into something sharp and wrong.
Your hand reaches up, slow as you'd approach a wounded animal.
He flinches.
Actually flinches, this assassin who's probably felt every kind of pain there is. A sound escapes him—small, wounded, barely human. But when your fingertips brush his cheek—skin to skin, that electric recognition—his whole body convulses.
"Oh," you breathe, and it's inadequate, it's nothing, it's everything. Because the bond slots into place like coming home if home was a person who'd been carved hollow and filled with ghosts.
His eyes clear incrementally. Pupil contraction, focus sharpening, and then—
The noise that tears out of him is inhuman. Seventy years of grief and rage and desperate loneliness condensed into a single sound that makes your bones ache. His metal hand shatters the restraint like tissue paper, then the flesh one, and before you can process the movement he's dragging you up, up, into his lap, crushing you against his chest with desperate strength.
"You," he's saying, over and over, voice wrecked beyond recognition. "You, you, you—real, you're real, you're—"
His hands are everywhere at once. Metal fingers tangling in your hair, flesh hand splayed across your back hard enough to bruise, holding you like you might dissolve if he loosens his grip for even a second. He buries his face in the curve of your neck and the sob that escapes him is pure agony, seventy years of touch starvation hitting him all at once.
You can feel him shaking—no, not shaking, convulsing, like his body doesn't know how to process gentle touch anymore. Doesn't know what to do with softness after decades of nothing but pain.
"I'm here," you whisper against his temple, your own tears falling freely. "I'm real. I found you. I've got you."
His response is to hold you tighter, tight enough that breathing becomes difficult, but you don't care. Can't care when he's falling apart in your arms like this. The metal hand fists in your tactical vest and you hear fabric tear, but he doesn't seem to notice. He's pressing his face harder into your throat, breathing you in like you're air and he's been suffocating for seventy years.
"Thought I dreamed you." The words come out destroyed, muffled against your skin. "They said—they said I made you up. That the pain was making me see things. But you smell real. You feel—" His flesh hand slides up to cup the back of your head, holding you in place. "Please be real. Please, please be real."
"I'm real." You press your lips to his temple, just a brief touch of comfort. "James Buchanan Barnes, you're real and I'm real and I found you."
His breath hitches at his full name, and suddenly he's pulling back just enough to look at you. This close, you can see everything—the burst blood vessels in his eyes, the way his pupils can't quite focus, the decades of accumulated scars. He looks ancient. He looks young. He looks absolutely shattered.
"Don't know who that is anymore." Raw honesty, delivered while his thumbs trace your cheekbones with desperate reverence. "Don't know who I am when I'm not killing. When they're not—" He breaks off, jaw working. "I've been empty for so long. So fucking long. And then you touched me and I remembered what it felt like to be human and they took it away—"
"They can't take it away again." You frame his face with your hands, forcing him to meet your eyes. "We're leaving. Right now. Together."
"You don't understand." He's crying openly now, no shame in it, just pure emotional overflow. "Seventy years. Seventy fucking years of this chair, this room, these walls. They put me in the dark and take me out to kill and put me back and I can't—when they say the words, I disappear. Everything disappears."
"Then we don't let them say the words."
"I've killed so many people." He presses his forehead to yours hard enough to hurt, but the contact seems to calm something in him. "Children. Civilians. Good people. Bad people. So many I lost count. The things they made me do—the things I did—"
"I don't care."
"You should." His metal hand comes up to wrap around your throat, gentle but present. "This hand has strangled innocent people. These fingers have pulled triggers that ended lives. I'm not—I'm not good. I'm not worth—"
"Stop." You turn your head to press your lips to his metal palm, and the sound he makes is pure agony. "You're worth everything. You're my soulmate. You're—"
He makes a broken noise and crushes you against him again, like he's trying to crawl inside your skin. His whole body trembles with the effort of holding you close enough, like no amount of contact will ever be sufficient after seventy years of nothing.
"They're gonna wipe me again." Matter-of-fact. Resigned. "Soon as they realize what happened here. They always do. And I'll forget you again. Forget this. And next time—" His voice breaks. "Next time they'll make sure I can't touch you. They'll find ways to hurt you through me. They'll make me—"
"No." Your hands tighten on his face. "No, they won't. We're leaving. Steve's here. Natasha. We're getting you out."
"Stevie?" For the first time, his eyes flicker past you, landing on his best friend. The confusion there is heartbreaking. "But you're—you're supposed to be—"
"Hey, Buck." Steve's voice is thick with emotion. "It's me. It's really me. We're taking you home."
But Bucky's already looking back at you, like he can't bear to look away for more than seconds. His flesh hand hasn't stopped moving—tracing your face, your neck, tangling in your hair like he's trying to memorize you through touch alone.
"I don't want to forget again." It comes out small, broken. "Please. I can't do it again. Can't lose you again. It'll kill me. It'll—"
"You won't forget." You shift in his lap, wrap your arms around his neck, and he makes a sound like you've given him salvation. "I won't let them take you. I won't let them hurt you anymore. I promise."
"We need to move." Natasha's voice, soft but urgent. "Security response in two minutes."
Steve's at your side instantly, but when he reaches for Bucky, the soldier flinches back violently, metal arm coming up in defense. The only thing that keeps him from lashing out is your hand on his chest, your voice in his ear.
"It's okay. It's Steve. He's safe. He's here to help."
"Can you walk?" Steve asks, careful to keep his distance.
Bucky nods against your shoulder, but when you try to move off his lap, his arms lock around you with desperate strength.
"No." Panicked. "No, please. Need to—need to touch—"
"I'm not going anywhere." You run your fingers through his hair, and he leans into it like a cat. "We're walking out of here together. But you have to let me stand up."
It takes visible effort for him to loosen his grip. When you stand, he follows immediately, swaying slightly. He towers over you even hunched with exhaustion, and when his hand finds yours, it's with the grip of a drowning man finding driftwood.
You start moving as a unit, but Bucky can't stop touching you. His free hand keeps finding your face, your hair, your shoulder, like he needs constant confirmation you're real. At one point he stops entirely, pulls you back against his chest, and just breathes you in for several seconds while Steve and Natasha stand guard.
"Left," he says suddenly as you reach a junction, pulling you down a side corridor. "Service tunnel. I've—I've tried before. Three times. No. Four? They always—" His free hand comes up to his head, pressing against his temple.
"Hey." You squeeze his hand. "Doesn't matter. Which way?"
The service tunnel is narrow and dark. Bucky pulls you through it like muscle memory, but halfway through he stops, pressing you against the wall. His hands frame your face in the darkness.
"What if this isn't real?" Desperate. "What if I'm still in the chair? What if this is just another way they're breaking me?"
You reach up to cradle his face in return, thumbs brushing over his cheekbones. "Does this feel like a dream?"
"No." He breathes the word against your mouth. "No, it feels—it feels like waking up."
The exit spills you out into pre-dawn forest. The quinjet looms out of the darkness, and for the first time in seventy years, Bucky Barnes runs toward freedom instead of away from it.
But even on the jet, even safe, he can't stop holding you. He pulls you into his lap on the bench seats, ignoring the medical team, ignoring everyone, and just holds on. His face stays buried in your neck during takeoff, his arms locked around you like prison bars in reverse—keeping the world out instead of keeping him in.
"You're free," you whisper, over and over, like a prayer. "You're free. You're safe. You're mine."
"Yours," he agrees, and finally, finally, his death grip loosens just enough for you to breathe. "Yours. Always yours. Even when I couldn't remember. Even in the dark. Somehow I was always yours."
The sun breaks the horizon as you fly toward home, and for the first time in seventy years, Bucky Barnes believes he might actually make it there.
The first time Bucky Barnes calls you at 3 AM, your body knows it's him before your mind catches up.
The phone vibrates against your nightstand, and your hand's already reaching, heart already racing—not with fear but with recognition. That soul-deep pull that's been your compass for three months now.
"Bucky?" Your voice comes out sleep-rough, concerned.
Just breathing on the other end. Ragged, like he's been running. Or fighting. The sound makes your chest tight.
"Can't—" His voice cracks like splintered wood. "Can't remember if the blood on my hands is from yesterday or a decade ago."
You're already moving, sheets tangling around your legs as you hunt for clothes in the dark. "Where are you?"
"Steve's. The Tower. I'm—" A shaky exhale that you feel in your own lungs. "I'm safe. Everyone's safe. Just needed—"
"Me." Not a question. The bond thrums with his distress, a phantom ache under your ribs. "I'm coming."
"You don't have to—"
"I'm coming."
Twenty minutes later, Happy's pulling up to the Tower's private entrance. You're wearing the first things your hands found—pajama shorts with snowflakes on them that you stole from your roommate, one of Bucky's hoodies that still smells like him (cedar and gunpowder and something indefinably him).
The elevator ride feels eternal. Your skin prickles with proximity, the bond pulling taut as you rise through the floors. By the time JARVIS deposits you on the residential level, your hands are shaking with the need to touch him, to soothe whatever's tearing him apart.
You find him on the couch, knees drawn up to his chest like he's trying to make himself smaller. His metal hand is clenched so tight you can hear the recalibration whirs, flesh hand buried in his hair. Steve hovers nearby, hands opening and closing like he wants to help but doesn't know how.
"Buck," you breathe.
His head snaps up, and oh—his eyes are winter-wild, pupils blown with panic, caught in some liminal space between then and now. You watch him catalog you in pieces: face, voice, the way you're already moving toward him like gravity's reversed its pull.
You don't speak. Don't need to. Just fold yourself onto the couch beside him, close enough that the line of your body presses against his from shoulder to hip. His flesh hand finds yours immediately, desperate, fingers lacing between yours like maybe if he holds tight enough he won't drift away.
The effect is immediate—a full-body shudder, his breathing starting to sync with yours. The bond hums, warm honey spreading through your veins. Steve makes a sound—relief wrapped in something more complicated—and quietly retreats.
"Sorry," Bucky murmurs after a moment. His thumb finds your pulse point, traces it like he's counting heartbeats. "Shouldn't have woken you."
"Yes, you should have." No reproach, just fact. "That's what this is."
He turns to look at you then, really look, and you watch him surface by degrees. His metal hand comes up without conscious thought, fingertips ghosting along your jaw with impossible gentleness. The cool metal makes you shiver, but you lean into it, letting him map the reality of you.
"There you are," he whispers.
Something fractures inside you. He pulls you in—careful, always so careful with you—until your foreheads touch. His breathing ghosts across your lips, and you stay suspended in that space, sharing air and warmth and the indescribable thing that ties soul to soul.
It becomes your new normal.
The calls come at all hours. Sometimes Steve's the one calling, voice carefully controlled: "Can you come? He's asking for you." Sometimes it's Natasha, brusque but not unkind: "Barnes needs you." Once, memorably, it's Tony: "Your touch-starved assassin is having a moment. Also, he may have broken my espresso machine."
You always go.
The team adapts to your presence like you're a new piece of furniture—necessary, functional, occasionally in the way. You learn to read Bucky's tells from across a room: the way his eyes go distant when memory bleeds through, the micro-flinches when sound becomes too much, the careful way he holds himself when he's fragmenting.
But more than that, you learn the language his body speaks when it's seeking yours.
He's always careful at first, tentative as a feral cat learning to accept kindness. A brush of fingers, testing. The barest press of his palm to yours. But once that first contact is made, something in him unravels.
He touches you like he's mapping a new world.
It starts innocuous enough—fingers tangled together during movie nights, his thumb painting absent patterns on your wrist. His hand finds the small of your back when you walk, not possessive but anchoring, like he needs proof you're real. He pulls you between his knees when he's sitting, arms banding around your waist, chin notching over your shoulder while you chat with Sam about nothing important.
But as weeks become months, the touches grow bolder. Hungrier.
"Does it bother you?" he asks one afternoon.
He's had a brutal therapy session—three hours of guided recall that left him shaking and grey-faced. You'd spent the past hour with his head in your lap, your fingers carding through his hair while he pieced himself back together. His flesh hand has found its way under your shirt, palm spread wide over your ribs, and his metal fingers trace delicate patterns on the inside of your wrist.
"Does what bother me?"
"This." He gestures vaguely at the negative space between you that stopped existing weeks ago. "How much I need—" He stops. Swallows. Tries again. "How I can't stop touching you."
The question deserves honesty, so you give it consideration. Think about how your life has restructured itself around these points of contact. How you've started wearing layers just so there's always fabric to push aside, skin to find. How your body anticipates his touch now, turns toward him without conscious thought.
"No," you say finally. "It doesn't bother me."
He studies your face with those searching eyes, looking for the polite lie. You let him look, keeping your expression open.
"I've been thinking," you continue, adjusting so you can see him better. His hand immediately shifts, fingers splaying wider across your ribs like he needs more contact to make up for the movement. "About touch. About deprivation."
A muscle in his jaw ticks.
"Seventy years," you say softly. "Seventy years where touch meant pain. Programming. Violence. Where hands on you meant—"
"Stop." Rough. His hand presses harder against your ribs, feeling your heartbeat.
"—so is it any wonder you're hungry for something else? Something good?"
His exhale shudders out of him. "The doctors say it's codependence."
"The doctors haven't had their souls systematically unmade and remade." You cover his flesh hand with yours, pressing it more firmly against your skin. "You're not codependent, Bucky. You're human. You're healing. And if touch helps—"
"It's not just that it helps." The words come out jagged, confessional. "I want—" His metal hand comes up, traces the line of your throat with one careful finger. "I want to touch you all the time. Want to know the texture of every inch of your skin. Want to map you like territory, like—" He cuts himself off, jaw clenching.
Heat pools low in your stomach, but you keep your voice steady. "Like what?"
"Like you're mine." Barely audible. His eyes won't meet yours. "Like I have any right to—"
"You do." You turn into him more fully, catch his face between your palms. His eyes flutter closed, and he leans into the touch like a man starved. "You have every right. We're soulmates, Bucky. That means something."
"What if I never get better?" Raw, honest. "What if I always need this? Need you?"
"Then you'll always have me."
His eyes snap open, winter-blue and desperate. "You can't promise that."
"Watch me."
The trial is excruciating. You watch from designated seating as Bucky sits statue-still, hair pulled back severe, wearing a suit that makes him look like someone else entirely. They read names, show photographs, detail missions that exist in his memory like shattered glass—some pieces clear, others reflecting nothing but blood.
The days he testifies, he comes to you after.
Never speaks about it. Just shows up at your door looking hollowed out, and you let him in without questions. He wraps himself around you like you're the only solid thing in a tilting world, face buried in the curve of your neck, breathing you in like oxygen.
These are the times his hands grow bold.
Not inappropriate—never that. But searching. He maps you like a cartographer charting new territory. Palms skimming your sides, memorizing the curve of waist to hip. Fingers tracing the ladder of your ribs through thin fabric. Metal thumb finding the hollow of your throat where your pulse flutters hummingbird-quick.
"I need—" he'll say against your skin, words muffled and desperate.
"I know," you always answer. "Take what you need."
So he does. His flesh hand slips under your shirt, finds the warm plane of your stomach, spreads wide like he's trying to absorb your steadiness through osmosis. His metal fingers trace patterns on whatever skin he can find—the inside of your wrist, the nape of your neck, the sensitive spot behind your ear that makes you shiver.
Sometimes you'll find his hand at your sternum, metal fingers splayed over your heartbeat like he's using it to calibrate his own. Sometimes he'll trace the boundary where clothing meets skin, fingertips ghosting under hems and necklines but never pushing further, just needing to know there's softness underneath, that not everything in the world has sharp edges.
"Is this okay?" he asks every time, even as his touch grows more familiar, more certain.
"Yes," you answer every time, even as your skin heats and your breath catches and you want—
You want.
"So are you two fucking yet?"
You choke on your coffee, hot liquid searing your throat. Across the kitchen, Bucky's shoulders go rigid where he's making eggs with the kind of focus usually reserved for defusing explosives.
"Tony," Steve says, warning clear in his voice.
"What? It's a legitimate question. All that touching, the eye-fucking across every room, the way Barnes goes feral if anyone else so much as—"
"We're not." Your face burns. "That's not—we haven't—"
Tony's eyebrows achieve escape velocity. "You're telling me you've been playing the world's most intense game of grabass for three months and haven't—"
"Stark." Bucky's voice is winter-quiet, dangerous in the way that makes smart people reevaluate their life choices.
But Tony's never been accused of survival instincts. "I'm just saying, that level of sexual tension could power—"
The plate in Bucky's metal hand shatters.
Silence rings out, broken only by the drip of egg yolk hitting tile.
"I'll just." Tony backs toward the door, hands raised. "Workshop. Important things. Very important things."
He's gone before anyone can blink, leaving you, Bucky, and Steve in a kitchen that suddenly feels airless. Bucky stares at the ceramic shards in his hand like they've personally betrayed him.
"Buck—" Steve starts.
"I need air."
He's out the door before you can process the movement, leaving you with cooling eggs and Tony's words hanging in the air like smoke.
Steve sighs, the sound of a man who's aged a century in the last minute. "He's an idiot. Tony, I mean. Though Buck's also—" He stops. Runs a hand through his hair. "This is none of my business."
"But?"
"But." Steve fixes you with those earnest eyes that probably ended wars. "He thinks he's protecting you. From himself. From what he's done. He doesn't think he deserves—" A gesture encompasses you, the kitchen, the entire situation.
"That's not his decision to make."
"No," Steve agrees. "But when has that ever stopped him?"
You find Bucky on the roof because of course that's where he goes. He's sitting on the edge, legs dangling over nothing, and your heart does something complicated in your chest.
"Most people have their existential crises at ground level," you say, settling beside him carefully.
His mouth twitches—not quite a smile, but close. "Most people haven't fallen off a train."
"Fair point."
The city spreads below like a circuit board, all light and movement and life. Without looking, his hand finds yours, fingers interlacing with the ease of long practice. The bond settles, that constant thrum of rightness that comes with skin meeting skin.
"Tony's not wrong," he says eventually.
You wait, let him find the words in his own time.
"I think about it." His voice is carefully controlled, but you can feel the tremor in his hand. "Touching you. Not just—not just to ground myself. Not for the bond. I think about touching you because I want to. Because you're—"
He stops. His throat works, and when he speaks again, his voice is rougher. "Because you're beautiful. And kind. And you laugh at my terrible jokes even when they're not funny. You come when I call at 3 AM. You let me put my hands on you even though these same hands have—"
"Bucky—"
"I dream about it." The confession comes out raw. "Dream about kissing you. About how you'd taste. How you'd feel. Wake up with your name in my mouth and my hands reaching for you, and it's not about the bond, it's about—" He turns to look at you then, eyes dark with something that makes your breath catch. "It's about how much I want you. How much I want things I have no right to want."
"What if," you say, voice steadier than your pulse, "I want those same things?"
His breathing stutters. "You don't. You can't."
"Don't tell me what I want." You turn toward him fully, free hand coming up to his jaw. He leans into it helplessly, eyes falling closed. "I know exactly what I want. Who I want."
"I'm held together with duct tape and trauma," he says, but his resolve is crumbling. You can see it in the way he presses harder into your palm. "I can't take you on normal dates. Can't promise I won't have panic attacks. Can't even sleep through the night without—"
"I don't want normal." Your thumb traces his cheekbone, feels him shudder. "I want you. Every piece, every edge, every nightmare and bad day. I want the man who hums old songs when he thinks no one's listening. Who makes terrible eggs but keeps trying. Who touches me like I'm something precious and looks at me like I'm a miracle."
"You are," he breathes. "You're—"
You kiss him.
Or maybe he kisses you.
Maybe you meet in the middle, drawn together by forces older than choice.
The first press of lips is tentative, a question asked and answered in the same breath. His flesh hand comes up to cradle your face, and the tenderness of it makes your chest ache. But then you make a sound—small, needy—and something in him breaks.
Or maybe something in him finally fixes itself.
His metal arm bands around your waist, pulls you against him with desperate strength. The kiss deepens, and oh, you understand now why people write symphonies and wage wars. Because Bucky Barnes kisses like he's drowning and you're air, like he's been starving for seventy years and you're sustenance, like maybe the universe knew exactly what it was doing when it tied your souls together.
He kisses you like he's trying to crawl inside your skin.
His tongue traces the seam of your lips and you open for him without thought, and the sound he makes—broken, grateful—sends heat racing down your spine. He tastes like coffee and something indefinably him, and you chase that taste deeper, hands fisting in his shirt.
He doesn't surface for air. Doesn't pause. Just tilts his head to find a better angle and kisses you deeper, harder, like he's trying to memorize the shape of your mouth, the texture of your sighs. His metal hand spans your lower back, pulling you impossibly closer, while his flesh hand maps your face, thumb stroking your cheek even as his mouth devastates you.
You're half in his lap now, twisted awkwardly on the ledge, and you don't care. Can't care about anything beyond the heat of his mouth, the way he groans when you nip at his lower lip, the way his hands shake where they hold you.
"Wanted this," he gasps against your mouth, not pulling back enough to actually stop kissing you. "Wanted you. Before I even knew you. So long, so fucking long—"
You answer by sliding your hands into his hair, nails scraping his scalp, and he shudders against you, kiss going a little sloppy and desperate. He's not cold, not controlled, not careful. He's burning, pressing against you like he wants to fuse at the molecular level, like the soul bond isn't enough and never could be.
When you finally break apart—only because oxygen is apparently necessary—you're both wrecked. His lips are swollen, eyes dark and dazed. You probably look the same. His forehead drops to yours, and you can feel him trembling against you, all that careful control finally, beautifully shattered.
"Okay?" His voice is destroyed, rough like he's been screaming.
"So far past okay," you manage. "Though your timing—we're on a roof, Barnes."
He laughs, the sound surprised out of him, and presses kisses to your cheeks, your jaw, the corner of your mouth like he can't quite stop now that he's started. "Sorry. I'll plan better next time."
"Next time?" You're going for teasing but it comes out breathless, hopeful.
His eyes find yours, and the intensity there steals any words you might have had. "Every time. Any time. All the time, if you'll—if you want—"
You press your mouth to his again, swallowing whatever self-deprecating thing he was about to say. He makes a noise of pure relief and hauls you closer, and you think maybe Tony Stark has exactly one good point in his entire existence.
Not that you'll ever tell him.
**
The science had been clinical, sterile words on a page that you'd skimmed in college while nursing a hangover and trying to make sense of your Behavioral Psych reading.
Academic language that utterly failed to capture this—Bucky's mouth hot and slick and desperate against your throat while his hands relearn territory they've been mapping under cotton and denim for months, each touch sending electricity racing down your spine like lightning seeking ground.
"Fucking finally," he growls against your pulse point, and you feel the words more than hear them, vibrating through skin into bone, into the very marrow of you. His metal hand spans your ribs, each individual plate recalibrating against your skin with tiny whirs and clicks, like even the machinery of him is trying to get closer.
"You know what it's been like? Having you close enough to smell, to taste in the air, but not—Christ, the way you tremble each time I touch you, like you're starving for it—"
You try to form words but he's already peeling your shirt away with hands that shake despite their practiced efficiency, and the first full press of his bare chest to yours—scarred skin against soft, furnace heat against cool air—whites out anything resembling higher thought.
The soul bond doesn't just sing—it screams, every nerve ending recognizing its other half and lighting up like a constellation, like a neural map catching fire.
"Oh," you gasp, and it's inadequate, it's nothing, but Bucky goes rigid above you like you've shot electricity straight through his spine.
"Yeah," he agrees, voice absolutely wrecked. His forehead drops to your shoulder, dog tags dragging cold metal across your overheated chest as he pants against your skin, each exhale making you shiver. "Yeah, that's—fuck, is it always gonna feel like this? Like touching a live wire, just—"
"More," you manage, arching into him until there's no space left between your bodies, and you feel his control splinter like ice under pressure.
His mouth finds yours again, hungry and graceless, all that careful restraint from months of chaste touches finally, blessedly gone. His tongue slides against yours and you taste coffee and something metallic—blood maybe, from where he's been biting his lip. When you nip at his bottom lip he makes a sound like something wounded, something primal, hips rolling into yours with zero finesse, just pure need, his cock hard and insistent through too many layers of fabric.
"Sensitive," he warns against your mouth, but it comes out more like a plea, like he's begging you to understand. "Everything's dialed up to eleven, I can—I can hear your blood moving in your veins. Can feel every place you're warm and wet and—fuck—" His whole body shudders when you rake your nails down his back.
Your fingers find the scarred terrain of his back and he actually whimpers, muscles rolling under your touch like water, like something liquid and desperate. That's when the second revelation hits: whatever you're feeling, he's feeling it magnified. Seventy years of sensory deprivation plus enhanced everything plus a soul bond that's been stretched taut for months—
"Gonna lose my mind," he mutters, mouthing at your jaw, your throat, anywhere he can reach, leaving wet trails that cool in the air and make you shiver. His stubble scrapes against sensitive skin and you gasp, hips bucking up involuntarily. "Already lost it. Lost it the second you touched me in that library. Do you know? Do you have any fucking idea what it's like, having someone reach inside your skull and turn all the lights on? Like going from black and white to color, like—Jesus—"
His flesh hand fumbles with your pants, clumsy with urgency, while his metal hand grips your hip hard enough to leave marks—and god, you hope it does, hope you wear his fingerprints for days. The button pops free and he makes a victorious sound that might be funny if you weren't so desperate, if you weren't already so wet you can feel it soaking through your underwear.
His hand slides lower, fingers slipping beneath elastic, and when he finds you soaked and swollen, the noise that punches out of him is pure animal—a growl that starts in his chest and rumbles through both your bodies where they're pressed together.
"Christ." His fingers slip through wetness, exploratory and reverent, and you can feel the tremor in his hand. "This is—this is for me? You get like this just from—" He circles your clit with his thumb and you cry out, hips jerking. "Fuck, you're dripping. Can feel your pulse in your cunt, baby. So swollen, so ready—"
"From you," you gasp, grinding down against his hand as he slides two fingers inside without warning. The stretch makes you moan, makes your walls clench around him immediately. "Always from you. Only from you."
Something fractures in his expression—something raw and possessive and desperately vulnerable all at once. He hooks his fingers, finding that spot that makes your vision white out, and watches your face like he's cataloging miracles, like he's mapping the geography of your pleasure. "Say that again."
"Only you." It comes out breathless, edged with desperation as he finds a rhythm that has your thighs shaking, has wet sounds filling the air between you. "Only ever you, Bucky, please—"
"No." His thumb finds your clit and circles with devastating precision, pressure just the right side of too much. "Not yet. Not when I've been imagining this for—do you know how many times I've jerked off in the shower thinking about this? About how you'd sound when you're desperate? How you'd taste?" He adds a third finger, stretching you wider, and grins dark and feral when you sob. "Bet you thought about it too. Bet you touched yourself thinking about me, didn't you? Tell me."
"Yes," you admit, face burning, and his pupils blow even wider.
He drops to his knees between your thighs suddenly, metal hand holding you open like something precious, like an offering. The first swipe of his tongue has you jackknifing off the bed, but he just pins you down with his metal arm across your hips and does it again, slower, a long drag from entrance to clit that has you seeing stars.
"Fuckin' knew it," he groans against you, and the vibration of his voice makes you clench around nothing. "Knew you'd taste like heaven. Like mine. Knew you'd shake for me just like this." He spreads you wider with his fingers, looking at you with dark eyes. "So pretty. So perfect." He spits on your cunt, watching it mix with your wetness, and the filthy intimacy of it makes you moan. "Gonna ruin you for anyone else. Gonna make it so you can't come without thinking of my mouth, my fingers, my cock."
His words dissolve into action, mouth working you over with single-minded focus. He eats you out like he's starving, like he's dying, all lips and tongue and just the edge of teeth. The soul bond makes it devastating—you don't just feel the physical sensation, you feel his hunger, his satisfaction at finally being allowed to give pleasure instead of pain. His metal fingers dig into your thigh hard enough to bruise and you hope they do, hope you wear his marks for days, hope everyone who sees them knows exactly who put them there.
"Close," you warn, though he probably knows—can probably taste it in the way your cunt's clenching, feel it in the bond that's gone molten between you. Your thighs are shaking, muscles pulled so tight they hurt, and there's a sound filling the room that you distantly realize is you, making noises you've never made before.
He pulls back just enough to speak, lips glossy with your wetness, chin soaked, eyes wild. "Yeah? You gonna come on my tongue? Gonna let me taste it?" He slides three fingers in, curling with devastating intent, and your back arches off the bed. "Come on, sweetheart. Give it up. Let me have it, don't be greedy."
You shatter with a sound that might be his name, might be pure noise. The orgasm rolls through you in waves, each crest higher than the last, and he works you through it mercilessly, not letting up even when you try to squirm away from oversensitivity. Through the bond you feel his echoing pleasure—not physical, not yet, but something bone-deep and satisfied and proud.
"Atta girl," he murmurs against your inner thigh, pressing kisses to sweat-slick skin while his fingers still move lazily inside you, drawing out aftershocks. "So fucking beautiful. Look at you, all fucked out and soft and mine. Could do this for hours. Will do this for hours. Keep you here, coming apart on my hands, my mouth, until you're so sensitive you cry, until you forget there was ever a time we weren't—"
"Bucky." You tug at his hair, need making your voice rough despite the orgasm still sparking through your nerves. "Get up here. Need you inside me. Need—"
He's moving before you finish, shucking his pants with graceless efficiency. The first glimpse of his cock—thick and long and leaking steadily—makes your mouth water and your cunt clench with fresh want. When you reach for him he catches your wrist, gentle but firm.
"Next time," he promises, reading your intent with unnerving accuracy. His voice is strained, like he's hanging on by a thread. "Let you taste me next time. Let you choke on it, fuck that pretty mouth until you're drooling, until—" He cuts himself off with visible effort, chest heaving. "But right now I need—if I don't get inside you in the next ten seconds I'm gonna fucking die—"
"So do it." You spread your legs wider, shameless, showing him how wet and open you are, how ready. "Come on, sergeant. Follow through."
His control snaps audibly. He's on you between one breath and the next, pinning you down with his weight, cock nudging at your entrance. The head catches on your rim and you both groan, but he stops there, trembling with effort, forehead pressed to yours.
"Look at me." It's not a request—it's a command, rough and desperate. You force your eyes open, meet his gaze—winter blue swallowed by black, raw and vulnerable and fierce. "Need to see you when I—need to know you're here, that you're real, that this is—"
"Real," you confirm, wrapping your legs around his waist, heels digging into his ass to urge him forward. "I'm real. You're real. This is—oh fuck—"
He pushes inside in one long, devastating slide, and the world reconstitutes itself around this moment. Around the stretch and burn and perfect fullness of him, around the broken sound he makes against your throat—half sob, half growl—around the soul bond lighting up like a supernova, like every nerve ending suddenly discovering what it was made for.
"Fuck." His metal hand grips the headboard hard enough to crack wood, splinters raining down. "Fuck, you're—tight. So fucking tight. Hot. Perfect. Can feel—God fucking damn, I can feel everything. Can feel how good it is for you, can feel how your cunt's trying to pull me deeper—" He shifts his hips and hits something devastating inside you, makes you clench around him involuntarily.
He laughs, breathless. "Yeah, right there. That's it, isn't it, baby? Right fucking there."
He moves experimentally, just a slow roll of hips, and you both moan at the drag of him inside you, at how your bodies fit together like they were made for this, only this. The angle is perfect—he's reading your body's responses in real-time, adjusting until every thrust has you climbing higher, until you're making noises that would embarrass you if you could think.
"Not gonna last," he warns, rhythm already getting ragged, desperate. Sweat drips from his forehead onto your chest, mixing with the sheen already there. "Not this time. Too much, too long waiting, too—the way you feel—" His flesh hand finds your throat, rests there warm and possessive, thumb pressing just enough to make your pulse flutter. "Like velvet. Like coming home. Like I could fuck you forever and it would never be enough—"
"Don't care." You pull his head down, bite at his jaw hard enough to leave marks just to feel him shudder, to watch his control fracture further. "Just want you. Just need—"
"Tell me." His grip on your throat tightens fractionally, not enough to restrict breathing but enough to make you aware, to make you feel it. "Tell me what you need. Want to give you everything. Want to be so good for you, sweetheart. Want to make up for every night you went to bed empty when you should've been—"
"Full of you," you finish, and his hips stutter, lose rhythm entirely for a moment.
"Yeah?" His thumb presses against your pulse, feeling how fast your heart's racing. "That what you need? Need me to fill you up? Keep you full and fucked out and dripping with my come? Make sure everyone knows you're mine, that I'm the only one who gets to—"
"Yes." You're beyond shame, beyond anything but the building pressure where he's driving into you harder now, each thrust shoving you up the bed. The wet sounds of your bodies meeting fill the room, obscene and perfect. "Yes, Bucky, please—"
"Say my name again." He's fucking you harder now, chasing his release with single-minded intensity. The bed frame creaks ominously with each thrust. "Want to hear it when you come. Want to feel it when you—fuck, you're clenching around me, baby. You close? You gonna come on my cock? Gonna be good for me?"
You nod frantically, words lost to the slide of him inside you, the relentless pressure against that perfect spot, the way his pubic bone grinds against your clit with each thrust. His metal fingers find your clit, cold against overheated flesh, and the contrast makes you scream.
"That's it," he growls, working your clit in tight circles while maintaining that punishing rhythm. "Come for me. Come on my cock like a good girl. Let me feel it, let me—fuck, there it is, I can feel it starting, you're getting so tight—"
You come with his name on your lips, back arching off the bed so hard you think you might snap in half. The orgasm slams through you like a freight train, like dying and being reborn, every muscle locking up as pleasure whites out your vision. The bond makes it circular—your pleasure slamming into him and reflecting back, amplified, until you're both shaking with it, until you can't tell where you end and he begins.
"Oh fuck—" His rhythm breaks entirely, becomes something desperate and animal. "Fuck, I'm gonna—gonna fill you up, gonna—"
"Inside." You dig your nails into his shoulders hard enough to draw blood, hold him deep even as oversensitivity makes you want to squirm away. "Want to feel it. Want all of it."
He comes with a sound that's half your name, half prayer, half roar, hips grinding deep as he spills inside you. You feel it all—not just the physical sensation of his cock pulsing, filling you with warmth, but the emotional avalanche through the bond. Relief and want and mine mine mine and something that feels dangerously close to devotion, to worship, to complete and utter belonging.
He fucks you through it, shallow little thrusts like he can't help himself, like his body won't stop even though he's already given you everything. Each movement makes more come leak out around his cock, makes wet sounds that have you hiding your face in his shoulder, embarrassed and aroused in equal measure.
The aftershocks last forever, little sparks of shared pleasure that have you both gasping, twitching, clutching at each other like lifelines. When he finally stills, he doesn't pull out, just shifts enough that his weight isn't crushing you, keeping you plugged full of him.
"Stay," he mumbles into your neck, words slurred like he's drunk. "Just—stay exactly like this. Please. Need to—need to keep you full. Need to know you're here, that this is real, that I get to—"
"Not going anywhere." You card your fingers through his sweat-damp hair, feel him shiver at the gentle touch after all that intensity. "Never going anywhere. You're stuck with me, Barnes."
His arms tighten around you, and you can feel his smile against your skin, feel the way his cock twitches inside you with renewed interest. "Good. Because now that I know what this feels like, what you feel like—" He rocks his hips experimentally, and you both groan as you feel his come shift inside you, feel how wet and open you are. "We're not leaving this bed for a week. Gonna fuck you in every position I've imagined. Gonna map every inch of your body with my mouth. Gonna find out exactly how many times I can make you come before you beg me to stop—"
"What about—"
He kisses you quiet, slow and thorough and filthy, tongue fucking into your mouth in a pale imitation of what his cock just did. When he pulls back, his eyes are dark with promise and his cock is fully hard inside you again, enhanced recovery time making itself known.
"Nothing else matters," he says simply, starting to move again, slow and deep and devastating. You're so sensitive it borders on too much, but the soul bond floods you with his pleasure, his desperate need, and suddenly you're right there with him again. "Just this. Just us. Just how many times I can make you come before sunrise. How full I can keep you. How loud I can make you scream."
You clench around him involuntarily and his eyes flutter closed, hips stuttering.
"Gonna kill me," he mutters, picking up speed, the wet sounds even more obscene now with his come easing the way. "Seventy years of nothing and now—" A particularly deep thrust has you seeing stars. "Now I've got a soulmate who looks at me like I'm worth something, who touches me like I'm not a weapon, who lets me use her however I need—"
"Who loves you," you interrupt, watching his face crumble and rebuild itself, watching him fight back what looks suspiciously like tears.
"Yeah?" Barely a whisper, so vulnerable it makes your chest ache.
"Yeah." You pull him down for another kiss, pouring everything you can't say into the contact, letting him feel it through the bond. "So much. So long. Even before I knew you, I think I loved you. Think I was waiting for you."
He makes a broken sound and starts fucking you in earnest, like a man possessed, like he's trying to climb inside you and never leave. "Say it again."
"I love you."
"Again." Harder now, each thrust shoving you up the bed.
"I love you, Bucky Barnes."
He fucks you like a promise, like a prayer, like maybe if he does it right the universe will let him keep this. You come apart under him again and again, until time becomes meaningless, until the only reality is where you're joined, where the soul bond burns brightest, where his come leaks out of you with each thrust only to be fucked back in, marking you inside and out as his.
When exhaustion finally claims you both, he's still inside you, still hard, wrapped around you like armor and apology all at once. You're going to be sore tomorrow—hell, you're sore now—but you wouldn't move for anything.
The last thing you feel before sleep takes you is his lips against your temple, his voice rough with wonder and satisfaction:
"Love you too, sweetheart. More than I've got words for. More than I probably should. Gonna spend the rest of my life showing you, if you'll let me. Gonna take such good care of you. My girl. My soulmate. Mine."
"Yours," you mumble, already drifting, clenching around him one last time just to feel him shudder.
His arms tighten, and you feel his smile against your skin, feel the way his cock twitches inside you with interest despite everything.
"Forever," he promises.
"Forever."
Outside, Brooklyn wakes to another morning, unaware that two souls have finally, fully, found their way home.
**read touch and go here**
✮ synopsis: steve rogers has spent two years keeping you at arm’s length. but when a mission goes wrong and his skin meets yours, suddenly every wall he’s built starts crumbling.
(or: the soulmate fic where touch is the one thing captain america can’t fight.)
✮ pairing: steve rogers x soulmate!reader
✮ warnings: gunshot wound, severe blood loss, near-death experience, touch starvation/deprivation, PTSD, panic attacks, grief, hospitalization, steve's crippling self-destructive tendencies, some bone-deep yearning, angst with HEA, explicit sexual content
✮ word count: 17.2k (ur girl doesn't know how to shut up)
✮ a/n: this was supposed to be a drabble. like. idk. (I think I might like it more than 'touch and go' WHO SAID THAT)
series masterlist
bonus drabble 1
bonus drabble 2
The first time you see Steve Rogers cry, you're not supposed to be there.
The SHIELD medical bay at 2:47 AM is meant to be empty—just you, a dislocated shoulder from a mission gone sideways in Prague, and the ice pack you're too stubborn to ask someone else to help you position. But there he is, Captain America himself, hunched forward in the uncomfortable plastic chair beside bed seven with his face in his hands, shoulders shaking in that particular way that says everything hurts and I'm trying to be quiet about it.
You freeze in the doorway, good arm holding your bad arm, heart suddenly hammering against your ribs like it's trying to break free. The fluorescent lights hum overhead, too bright, making everything look sharp-edged and surreal. Your mouth goes dry. There's a metallic taste on your tongue—adrenaline, maybe, or just the copper-tang of exhaustion that's been following you since your transport touched down six hours ago.
He's still in his tactical gear—dirt-streaked and blood-spattered from wherever he's been. You'd heard whispers in the hallways. A Hydra facility. The Winter Soldier, recovered. Captain Rogers, who never fails, who never breaks, bringing his best friend home after seventy years. You'd seen him from a distance when they'd brought Barnes in, shield on his back like it weighed a thousand pounds, and thought what you always think: beautiful and untouchable as a monument.
Now, though. Now he's just a man in a room that smells like antiseptic and grief, crying over—
The bed. There's someone in the bed.
Barnes. James Barnes. The Winter Soldier. Bucky. Whatever name he's wearing today. This is your first time seeing him up close, seeing him as something other than a ghost story whispered in SHIELD corridors. He looks smaller than the legends suggest, more human than weapon.
He's unconscious, or close to it, hooked to machines that beep in rhythms that must mean something to someone who isn't you. But what catches your attention—what makes your stomach twist and drop like you've missed a step going downstairs—is the woman curled against his side.
You don't know her, have never seen her before, but you know what she is. It's in the way she fits against him, like two pieces of something broken made whole. The way even unconscious, his body angles toward hers, his metal arm—and God, that's the arm that's killed presidents—draped protectively across her waist. The way her hand rests over his heart, monitoring his breathing even in sleep.
His soulmate. The Winter Soldier has a soulmate.
And Steve Rogers is crying over them.
Your shoulder throbs, sending white-hot spikes down your arm, and you bite the inside of your cheek hard enough to taste blood. You should leave. This is private, sacred, none of your business. But when you try to shift backward, your shoulder screams—a sharp, electric agony that races down your spine and makes your vision go spotty at the edges. The small sound that escapes your throat—half-gasp, half-whimper—cuts through the quiet like a gunshot.
Steve's head snaps up.
His eyes are red-rimmed, devastated, the blue of them turned dark and stormy with an emotion so raw it feels like looking directly at an exposed nerve. There are tear tracks on his cheeks, catching the harsh fluorescent light, and his lips are parted like he's forgotten how to breathe properly. For a second, neither of you moves. You're caught in the doorway like a deer in headlights, your pulse thundering in your ears, and he's frozen mid-grief, and the moment stretches taut as wire between you.
The air feels charged, like the moment before lightning strikes. Your skin prickles with it, every hair on your arms standing at attention.
Then his face closes off. All that naked emotion disappears behind the Captain America mask, so fast you'd think you imagined it if your heart wasn't still trying to claw its way out of your chest from the impact of seeing it.
"You need help?" His voice comes out rough, scraped raw, gravel and exhaustion and something else threaded through it. He clears his throat, stands, and suddenly the room feels smaller, the walls pressing in. He's always so much—six feet of genetically enhanced perfection that makes your body confused about whether it wants to fight or flee or something else entirely that you refuse to examine.
"I—" Your voice catches, sticks in your throat like you've swallowed glass. You force yourself to look at your shoulder instead of his face, but that means looking at the way his hands flex at his sides, the way his weight shifts like he's fighting the urge to move toward you. "Dislocated. From Prague. I can manage."
"You can't." Matter-of-fact, not unkind, but there's something underneath it—a tension that makes your stomach flip. He crosses the room in three strides, and you have that thought again—monument—but monuments don't usually smell like gunpowder and sweat and something cedar-sharp that makes your hindbrain light up with interest you absolutely cannot afford.
He stops just short of you, close enough that you can feel the heat radiating off him, close enough that you have to tilt your head back to meet his eyes. The movement makes your shoulder scream, and you can't quite suppress the way your breath hitches.
"Really, I'm—"
"Stubborn?" There's something almost like amusement flickering across his face, just a twitch at the corner of his mouth, but it makes your chest go tight and warm. "I know. You once tried to extract yourself from a building collapse with three broken ribs and a concussion."
You blink, stomach doing something complicated and uncomfortable. He knows that? He noticed that? Your skin feels too tight, like your body's trying to contain something that won't fit.
"Sit." He gestures to one of the beds, and when you don't move immediately—frozen by the way he's looking at you, intent and focused like you're a problem he needs to solve—his head tilts slightly. "That's an order, agent."
"You're not my CO," you point out, but you're already moving, because arguing with Steve Rogers while your shoulder feels like it's full of ground glass and your body is betraying you with all these inconvenient reactions seems like a losing proposition.
He follows, and you're hyperaware of him in that way you always are—the space he takes up, the way air seems to bend around him, the way your skin prickles with awareness even though he hasn't touched you. When you sit on the bed's edge, the paper crinkles beneath you, too loud in the quiet. He stands in front of you, and you have to focus on the SHIELD logo on his chest because looking at his face feels dangerous right now, like staring directly into the sun.
"This is going to hurt," he says, and his voice is lower now, closer. You can feel it rumble through the space between you.
"I know." Your good hand is gripping the edge of the bed so hard your knuckles have gone white. Your heart is doing something irregular and concerning in your chest.
"I mean it's going to—"
"Captain Rogers." You finally look up at him, find him watching you with an expression you can't parse—something intense and careful and guarded all at once. The fluorescent light catches in his hair, turns it more gold than blonde. There's a smudge of dirt on his jaw. "I've been in the field for six years. I know what a shoulder reduction feels like."
Something shifts in his jaw, that little muscle tick you've catalogued along with a hundred other Steve Rogers tells. Your breathing has gone shallow, and you don't know if it's from the pain or the way he's looking at you—like you're something he needs to be careful with.
Finally, he reaches for your arm.
He's wearing tactical gloves.
Of course he is. Steve Rogers always wears gloves on missions, black leather that make his already large hands look even more capable. You've never thought about it before—lots of agents wear gloves. Protection, grip, a hundred practical reasons.
But now, with him this close, with his hands carefully bracketing your injured arm, you notice the deliberateness of it. The way the leather covers every inch of skin from fingertip to wrist. The way he's careful, even now, not to let any exposed skin above the glove brush against you. There's a gap, barely an inch, where his sleeve has ridden up, revealing a strip of pale skin. You stare at it, pulse jumping in your throat for reasons you don't understand.
"On three," he says, and his voice is closer now, quieter. You can feel the heat of him, the solid presence that makes your good hand want to reach out and—
Your fingers twitch on the bed. The paper crinkles.
"One."
He adjusts his grip, and even through the leather, even through your tactical shirt, your nerve endings light up like a circuit board. Your breath catches, stops, starts again too fast.
"Two."
You're watching his face because you have to look somewhere, and that's when you see it—a flicker of something that looks like resignation. Like loss. Like he's steeling himself for something that's going to hurt. The tendons in his neck are taut, and there's a bead of sweat trailing down from his temple despite the cool air.
"Three."
The world whites out. Pain floods your system, sharp and immediate, and your vision goes sparkly at the edges. Your good hand flies up instinctively, searching for something to anchor you, and finds—
His vest. Your fingers curl into the tactical fabric, knuckles brushing against the solid wall of his chest beneath. You're falling forward, or maybe he's moving closer, and suddenly your forehead is almost touching his chest, and his hands have shifted to your shoulders—careful, still gloved, but holding you steady.
"Breathe," he says, and maybe it's the pain, but his voice sounds different. Softer. Rougher. His thumb moves in a small circle against your shoulder, probably meant to be soothing, but it sends electricity racing down your spine. "You're okay. Just breathe."
You realize you're making small, hurt sounds into his vest, and his body has curved around you slightly, protective, blocking you from the rest of the room. Your working hand has somehow fisted completely in his tactical vest, and you can feel the rise and fall of his breathing, too controlled to be natural. His heart beats against your knuckles, faster than you'd expect for someone with enhanced everything.
"I'm good," you manage, though your voice comes out embarrassingly breathy, wrecked. "I'm—thank you."
You pull back, look up, and freeze.
He's so close. Close enough that you can see the flecks of green in his blue eyes, the way his pupils have dilated slightly. Close enough to count individual eyelashes, to see the faint scar on his lower lip. Close enough that when his lips part slightly, you feel his exhale ghost across your face.
His eyes drop to where your hand grips his vest, and there's something almost stricken in his expression. His throat works as he swallows, and you track the movement helplessly.
Then his gaze snaps to your face, and for a second—just a second—his eyes drop to your mouth.
The air between you goes electric.
His hand on your shoulder tightens infinitesimally, leather creaking, and you're suddenly aware that your bodies are still curved toward each other, that if you just leaned forward an inch—
He jerks back. Takes three full steps back, actually, like he needs the distance. Like proximity to you is somehow dangerous. His breathing is slightly uneven, and there's a flush high on his cheeks that wasn't there before.
"You should get that x-rayed," he says, and his voice is too loud in the quiet room, just slightly unsteady. He's Captain America again, professional and distant, but his hands are clenched at his sides and he won't quite meet your eyes. "And ice. Twenty minutes on, twenty off."
"I know the drill." Your voice sounds strange to your own ears, throaty and affected. Your good hand is still raised slightly, fingers tingling from where they'd gripped his vest.
He nods, sharp and efficient. Turns to go back to his vigil beside Barnes's bed. But something makes you speak, words tumbling out before your brain can catch up with your mouth.
"He's lucky."
Steve stops. His shoulders go rigid, the line of his spine straightening like someone's put electricity through it.
"Barnes," you clarify, though you shouldn't. Your tongue feels thick in your mouth, clumsy. "To have someone who—to have her. His soulmate. They're both lucky."
When he turns to look at you, there's something hollow in his eyes, something that makes your chest ache with recognition you don't want to examine. The muscle in his jaw is working again, and his gloved hands clench and unclench at his sides.
"Yeah," he says quietly, and the word comes out like it's been dragged over broken glass. "Lucky."
He says it like the word tastes like ash, like something burned and bitter on his tongue.
"Steve—" You don't know what you're going to say, don't know why his name feels like something precious in your mouth, why your body is still leaning toward him like a plant toward sunlight.
"You should rest." He cuts you off, gentle but firm, and there's something almost desperate in the way he's not looking at you. "That shoulder needs—"
An alarm goes off. Not the gentle chime of a normal medical alert, but the sharp, angry wail that means something's wrong. Steve's already moving, heading for Barnes's bed where machines are screaming and the woman—his soulmate—is sitting up, hands pressed to her temples, saying "Something's wrong, something's—"
Barnes jackknifes upright with a sound that isn't quite human, metal arm swinging blindly, and his soulmate catches his hand without flinching. The moment their skin connects, some of the wildness bleeds out of his eyes.
"Bucky." Her voice is steady despite the chaos. "You're in medical. You're safe. I'm here."
You should leave. This is definitely not for you to witness. But you're frozen, watching how Barnes's entire being reorganizes itself around her touch, how his breathing slows to match hers, how the machines gradually stop their shrieking as his vitals stabilize. The way she runs her fingers through his hair, and he melts into it, face pressing into her palm like he's trying to absorb her through skin contact alone.
And you watch Steve watch them, standing two feet away but somehow miles distant, his gloved hands clenched so tight at his sides that the leather creaks.
You've never wanted a soulmate. The odds are astronomical, the chance of finding them slim to none, and you've seen what happens to people who lose them—the hollow-eyed grief that never quite fades. Better to never have one than to lose them. Better to be whole on your own than broken in half of a pair.
But watching Barnes fold into his soulmate's arms like coming home, watching her hold him together with nothing but touch and presence and fierce, protective love—
Your chest aches with want so sharp it steals your breath. Your skin feels too tight, too hot, like your body is trying to tell you something your mind won't acknowledge.
When you look at Steve, he's already looking at you. For just a second, you see your own longing reflected in his eyes, the same hollow ache of watching others have what you'll never possess. His gaze drops to your hand—the one that had gripped his vest—and something flickers across his face, too fast to read.
Then he looks away, jaw tight, and the moment breaks, and you're just an injured agent who needs to stop projecting feelings onto a superior officer who barely knows you exist.
"Get some rest," he says without looking at you, voice carefully controlled. "That's an order."
This time, you don't argue. You leave him to his vigil, to his grief, to whatever it is that makes Captain America cry in hospital chairs over other people's happy endings.
Your shoulder throbs in time with your heartbeat as you walk away, and you tell yourself that's the only reason your chest hurts. That's the only reason your skin feels like it's burning where he almost touched you. That's the only reason you can still feel the ghost of his vest under your fingers, the phantom heat of him curved around you.
You're very good at lying to yourself at 3 AM.
But your traitorous body remembers the way he'd jerked back from you, the way his eyes had gone wide with something that looked like fear when he'd realized how close you were.
Whatever Steve Rogers is afraid of, you're starting to think it might be you.
The next time you see him is three days later, and your body knows he's in the room before your brain catches up.
You're bent over a terminal in the east wing surveillance room, trying to make sense of intel that feels like it's been encrypted in ancient Sumerian, when every hair on the back of your neck stands at attention. Your spine straightens involuntarily, muscles tensing like an animal sensing a predator—or worse, like iron filings responding to a magnet.
"Agent."
Just that. Just your title in his Captain America voice, all professional distance and careful neutrality. But your treacherous body reacts like he's whispered something filthy in your ear—pulse jumping, skin flushing hot, stomach doing that uncomfortable flip that's becoming alarmingly familiar.
You don't turn around. Can't. Not when you know what you look like right now—haven't slept in thirty-six hours, hair in a messy bun that's listing severely to the left, yesterday's coffee staining your SHIELD-issued crewneck. Not when you can feel him taking up all the oxygen in the room just by existing in it.
"Captain Rogers." You're proud of how steady your voice comes out, even as your fingers have gone white-knuckled on the edge of the desk. "Something I can help you with?"
Silence. Long enough that you almost turn, almost give in to the gravitational pull of him. Then: footsteps. Measured, deliberate. He's moving closer, and your body tracks his approach like sonar, every nerve ending pinging with proximity alerts.
He stops just outside your peripheral vision—close enough that you can smell him (soap, leather, that cedar-sharp scent that makes your hindbrain whimper), far enough that there's no chance of accidental contact. You notice he does that a lot. Maintains exact distances like he's calculated the precise minimum safe zone between bodies.
"The Brussels intel." A pause. You hear him shift, leather jacket creaking. "Fury wants us to run point together."
Your hands still on the keyboard.
Us.
Together.
Run point.
"Us," you repeat, carefully neutral, still not turning around because if you look at him right now your face will do something stupid. Something that reveals how your stomach just dropped through the floor at the prospect of working closely with him. Of being in proximity to Steve Rogers for an extended period when just standing in the same room makes you feel like you're about to vibrate out of your skin.
"Is that a problem?"
There's something in his voice—a challenge maybe, or a test. Like he's waiting for you to admit what you both know: that whatever this thick, electric tension between you is, it's becoming harder to ignore.
"No, sir." You turn then, because not looking is starting to feel more obvious than looking, and immediately regret it.
He's in civilian clothes—dark jeans that shouldn't be legal on someone with his thighs, a navy shirt that clings to his chest in ways that make your mouth go dry. The leather jacket that does things to his shoulders that ought to be classified. But it's his face that kills you—that careful, composed expression that doesn't quite hide the way his eyes darken when they meet yours, the way his jaw ticks when you unconsciously wet your lips.
"Good." He steps closer—just half a step, but your body reacts like he's pressed you against the wall. Your breathing goes shallow, chest rising and falling too fast, and his eyes track the movement before snapping back to your face. "Briefing's at 0800."
"I'll be there."
He should leave. The conversation's over, message delivered. But he doesn't move. Just stands there, looking at you with an expression you can't read, and the air between you feels like it's getting thicker, harder to breathe. Your skin prickles with heat despite the aggressive air conditioning, and you can feel your pulse in your throat, your wrists, between your legs—
"Your shoulder." The words come out rough, like he's had to drag them from somewhere deep. "How is it?"
"Fine." Your voice sounds breathy, affected. You clear your throat, try again. "Good. It's good. Thanks to you."
Something flickers across his face at that—almost pained, like you've said something that hurts. His hand comes up, and for a heart-stopping second you think he's going to touch you. Your whole body goes still, waiting, wanting, every cell screaming yes, finally, please—
But he just runs it through his hair, a gesture that's so uncharacteristically unguarded it makes your chest ache.
"Steve—"
"I should go." He cuts you off, already stepping back, and the loss of proximity feels like someone's turned off the sun. "Early morning."
He's halfway to the door when you speak, words tumbling out without permission.
"Why do you do that?"
He stops. Doesn't turn. "Do what?"
"Pull back." Your heart is hammering so hard you're sure he can hear it with his enhanced everything. "You get close, and then you just—" You make a frustrated gesture he can't see. "It's like you're afraid of me."
His shoulders tense, and when he turns to look at you, there's something raw in his eyes for just a second before he shutters it away.
"I'm not afraid of you."
"Then what—"
"I'm afraid of what I want from you."
The words hang in the air between you like a grenade with the pin pulled. Your breath catches, stops entirely. Your body goes hot and cold at once, skin too tight, like you're having an allergic reaction to honesty.
He looks as surprised as you feel, like the admission escaped without his permission. His hands clench at his sides—you notice he's not wearing gloves, and for some reason that feels significant. Dangerous. His fingers are long, elegant despite their strength, and you have the sudden, visceral thought of what they'd feel like on your skin.
"Captain—"
"Steve." His voice is rough, wrecked. "Just... when it's just us, call me Steve."
Your throat feels like you've swallowed glass. "Steve."
He makes a sound—small, strangled—and takes a step toward you before catching himself. The muscle in his jaw is working overtime, and his hands—Jesus, his hands are actually trembling.
"This isn't—" He stops. Tries again. "I can't—"
"Can't what?" You stand, and your legs feel like water but you need to be closer to him, need to understand what's happening in the space between his words. "Steve, what—"
"0800," he says, and it sounds like surrender. "Don't be late."
He's gone before you can respond, leaving you alone in a room that feels too cold without him in it. Your skin feels raw, oversensitized, like you've been flayed open and exposed to the elements. You sink back into your chair, legs finally giving out, and press your palms against your burning cheeks.
I'm afraid of what I want from you.
Your body is still humming, vibrating at some frequency that feels like it's going to shake you apart. You can still smell him in the air—leather and soap and something unmistakably Steve that makes your hindbrain want to follow him down the hall, pin him against a wall, and find out exactly what he wants from you.
But you don't. You sit in your chair, stare at intel you can't process, and try to convince yourself that whatever's happening between you and Steve Rogers is just chemistry. Just proximity and adrenaline and two people spending too much time dancing around each other in small spaces.
You're getting better at lying to yourself.
But your body remembers the way his eyes had gone dark when he watched you breathe. The way his hands had trembled. The way he'd said your name like it was being torn out of him.
0800 can't come fast enough.
The briefing room is too small.
That's your first thought when you walk in at 0755, coffee clutched like a lifeline, to find Steve already there. He's studying a holographic map of Brussels, one hand braced on the table, the other holding a tablet. The morning light from the floor-to-ceiling windows turns his hair gold and throws his profile into sharp relief, and your step falters in the doorway because he looks like something out of a Renaissance painting—all strong lines and perfect angles and terrible beauty.
He doesn't look up, but his shoulders tense slightly. He knows you're there.
"Morning," you manage, proud when your voice doesn't crack.
"Agent." Back to titles, then. Back to distance. But when he glances up, his eyes catch yours and hold for a beat too long, and you see him swallow.
You take your seat—across from him, with the whole width of the table between you like a demilitarized zone. But it's not enough. The room's too small, the air too thin. You can see the rise and fall of his chest, the way his thumb taps against the tablet in a rhythm that matches your elevated pulse.
"The target's a bioweapon," he says without preamble, swiping something on his tablet that makes the hologram shift and expand. "Hydra remnants, we think. They're moving it through Brussels tomorrow night."
You force yourself to focus on the intel, not on the way his hands move when he talks, precise and economical. Not on the fact that his sleeves are rolled up, revealing forearms that make your mouth water—all corded muscle and prominent veins and a dusting of hair that catches the light.
"Extraction point?"
"Here." He rounds the table to point at a specific building, and suddenly he's beside you, close enough that you can feel the heat radiating off him. Close enough that when you breathe in, you get a lungful of his scent that makes your head spin. "Warehouse district. Minimal civilian presence after dark."
You turn your head to look at the map, but that's a mistake because now his face is inches from yours. You can see the barely-there freckles across his nose, the way his lips part slightly when he breathes. His eyes drop to your mouth for a fraction of a second before he jerks back, stepping away so fast you feel the displacement of air.
"We'll go in quiet," he says, voice rougher than before. His hand comes up to rub the back of his neck, a gesture you're starting to recognize as his tell for when he's affected. "Two-person infiltration. Quick and clean."
"Just the two of us?" The words come out more breathless than you intended.
He nods, still not looking at you. "Fury wants it kept small. Discreet."
Discreet. Right. You can be discreet. You can be professional. You can absolutely handle being alone with Steve Rogers on a mission without doing something stupid like wondering what his hands would feel like in your hair, or how his voice would sound saying your actual name in the dark, or—
"Questions?"
You realize you've been staring at him, and your face goes hot. "No. No questions."
"Good." He's already moving toward the door, eager to escape, but he pauses at the threshold. When he looks back, there's something almost vulnerable in his expression. "We leave at 1400. Quinjet bay three."
"I'll be there."
He nods, starts to go, then stops again. His hand tightens on the doorframe, knuckles going white.
"You should wear tactical gear," he says without turning around. "Full coverage. It's going to be cold."
There's something about the way he says it—careful, deliberate—that makes you think he's not really talking about the temperature. But before you can respond, he's gone, leaving you alone in a room that still smells like him.
You spend the rest of the morning trying to focus on mission prep, but your mind keeps circling back to the way he'd looked at your mouth. The way he'd jerked back like you'd burned him. The way he'd specified full coverage like he was trying to minimize the chance of—what? Of skin contact? Of touching?
By 1400, you're wound so tight you feel like you might snap. The tactical gear feels heavy, constrictive, like it's pressing all your sensitivity inward. Every brush of fabric against skin feels amplified, every movement hyperaware.
You find him in the quinjet, running preflight checks with the kind of focus that suggests he's trying very hard not to think about something. He's in his Captain America suit—the deep blue that somehow makes his shoulders look even broader, red and white accents catching the cabin lights. No skin visible except his face and that thin strip at his neck where the cowl doesn't quite meet the collar, every inch of him covered like armor against something more than physical threats.
"Ready?" He doesn't look at you when he asks.
"Always."
The flight to Brussels takes six hours. Six hours of sitting across from each other in a quinjet that suddenly feels impossibly small. Six hours of trying not to stare at the way his hands move over the controls, sure and competent. Six hours of him studiously avoiding your gaze while the tension ratchets higher with every passing minute.
Halfway through, you shift in your seat, and your knee brushes his under the table. It's barely contact—layers of fabric between you—but you both freeze. His hands still on the tablet he's holding. Your breath catches in your throat. For a moment, neither of you moves, like you're both waiting to see what the other will do.
He pulls his leg back.
You curl your hands into fists and stare out the window at clouds that look soft enough to touch, trying to ignore the way your knee burns where it brushed his, trying to ignore the way he's breathing just a little too carefully across from you.
"You should get some rest," he says finally, voice neutral. "It's going to be a long night."
You don't tell him there's no way you could sleep, not when every cell in your body is hyperaware of his presence. Not when you can feel the weight of his carefully maintained distance like a physical thing.
Instead, you close your eyes and pretend, counting your breaths, trying to ignore the way your body hums with proximity to him. Trying to ignore the fact that in a few hours, you'll be alone with him in the dark, dependent on each other in the way that missions make necessary.
Trying to ignore the way your skin already aches for something you've never had.
When you fake-wake an hour later, he's watching you.
The look on his face—unguarded, soft, almost pained—makes your chest tight. But the second he realizes you're awake, his expression shutters, locks down, becomes Captain America again.
"Descending in twenty," he says, all business.
You nod, start checking your gear, and pretend you didn't see the way he was looking at you like you're something he wants but can't have. Pretend your heart isn't racing from that single, stolen moment of his true face.
Twenty minutes to Brussels.
Twenty minutes until you're alone with him in the dark.
Twenty minutes until whatever this is either snaps or shatters.
Your hands shake as you load your weapons, and you tell yourself it's just pre-mission adrenaline.
You're getting worse at lying to yourself.
The warehouse district in Brussels looks like every other warehouse district you've ever infiltrated—all concrete and shadows and too many places for things to go wrong. Your breath mists in the December air, visible for half a second before disappearing, and you're hyperaware of Steve beside you, the way his body heat seems to radiate even from three feet away.
Three feet. Always three feet.
You've been in position for forty minutes, watching the target building through night vision, and the tension between you has ratcheted so high you can practically taste it—metallic, electric, like the air before lightning strikes.
"Two guards, northwest corner," you murmur into comms, watching them through your scope. Your finger rests against the trigger guard, steady despite the way your whole body feels attuned to Steve's presence. "Rotation in approximately ninety seconds."
"Copy." His voice in your ear makes your stomach flip, low and authoritative. Through your peripheral vision, you catch him adjusting his shield, the movement precise, controlled. Everything about him is controlled. Has been since you touched down three hours ago. Maybe since before that. Maybe since that moment in the briefing room when he'd told you to wear full tactical gear like he was trying to armor you against something more than bullets.
The silence stretches, fills with things unsaid. Your skin prickles beneath the kevlar, every nerve ending hyperalert. Not from danger—not yet—but from proximity to him that feels more intimate than touch. You can hear him breathe, steady and measured. Can smell that cedar-sharp scent that cuts through the industrial stink of the district. Can feel the weight of his attention even when he's not looking at you.
"You know," you say quietly, because the silence is becoming unbearable, "for a stealth mission, you're thinking very loudly."
A pause. Then: "I'm not thinking anything."
"Liar." The word slips out before you can stop it, soft and knowing, and you feel him go still beside you.
"Agent—"
"You said when it's just us, I could—" You swallow, throat suddenly dry. "We're alone, Steve. You can use my name."
Another pause, longer this time. When he speaks, his voice is rougher. "The guards are moving."
He's right. You track them through your scope, watching them disappear around the corner, and try to ignore the way your name apparently burns in his throat, the way he can't seem to say it even when you've given him permission.
"Window's open," you confirm. "Ninety seconds, like clockwork."
"Let's move."
You're up and moving before the words finish forming, bodies falling into perfect synchronization. He goes high, you go low, covering angles with the kind of wordless communication that feels like dancing, like inevitability. Your breath syncs with his as you cross the open ground, and you tell yourself it's just tactical breathing, just professional compatibility.
You're getting worse at lying to yourself.
The side entrance is exactly where intel said it would be. Steve makes quick work of the lock while you cover him, and the domestic intimacy of it—you protecting his back while he works—makes something twist in your chest.
"Got it." The lock clicks open, and he pulls the door wide, weapon raised.
You follow him into darkness.
The warehouse is a maze of shipping containers and scaffolding, all deep shadows and blind corners. Your night vision paints everything in shades of green, turning Steve into something otherworldly as he moves ahead of you, all lethal grace and coiled power. You've seen him fight before, but there's something different about moving with him like this, just the two of you in the dark. Something that makes your body hyperaware of every gesture, every signal.
He holds up a fist—stop. You freeze instantly, trusting him implicitly. He tilts his head, listening to something you can't hear, and you watch the line of his throat, the way his pulse beats steady and strong beneath the skin.
Then you hear it too—footsteps, multiple sets, coming from the east corridor.
Steve looks back at you, and even through the night vision, you can see something pass across his face. He points to himself, then forward. Points to you, then to a stack of crates that would provide cover.
You shake your head. You're not letting him go alone.
His jaw ticks—that tell you've catalogued along with all his others. But there's no time to argue. The footsteps are getting closer.
You move together, silent as shadows, until the first hostile rounds the corner.
Steve takes him down in one fluid motion, shield connecting with a dull thud that the man doesn't get up from. But there are more—so many more—and suddenly the warehouse explodes into chaos.
"Contact!" you shout into comms that suddenly fill with static, jamming signals flooding the frequency. "Multiple hostiles—"
A muzzle flash in your peripheral. You pivot, fire twice, watch the figure drop. Steve's shield sings through the air, ricocheting off three targets in quick succession before returning to his hand. You move back to back without thinking, covering each other's blind spots, and the contact—even through layers of tactical gear—makes your skin burn.
"We need to move!" Steve shouts over the gunfire. "The bioweapon—"
"I know!" You drop two more hostiles, reload with practiced efficiency. "Northwest stairs, we can—"
The explosion knocks you sideways.
Your shoulder hits concrete hard, night vision flickering, ears ringing. Through the smoke, you see Steve fighting like something out of legend—shield and fists and absolutely ruthless efficiency. But there are too many. They keep coming, and you're separated now, a wall of hostiles between you.
"Steve!" You fight toward him, muscle memory and desperation driving you forward.
"Get to the weapon!" His voice cuts through the chaos. "I'll hold them—"
"Like hell!"
But more fighters flood in, and you're forced back, forced to watch him disappear behind a wall of bodies. Your chest goes tight with something that's not quite panic but close—the thought of losing sight of him, of something happening while you're not there to cover his six.
You fight harder, brutal and efficient, trying to close the distance. Your body moves on autopilot while your mind tracks him through glimpses—the flash of his shield, the sound of his voice calling out positions.
Then you hear it. His sharp intake of breath, pained.
"Steve?"
"I'm fine." But his voice is strained, and you catch sight of him favoring his left side, blood dark on his tactical suit. "The weapon—"
"Fuck the weapon." You slam a new magazine home, determination crystallizing into something sharp and desperate. "I'm coming to you."
"No!" The authority in his voice stops you short. "That's an order—get the bioweapon. I'll meet you at extraction."
Every instinct screams against leaving him, but he's right. The mission. Always the mission.
You run.
The stairs are clear—too clear. Your instincts scream trap, but there's no time. You take them three at a time, hip protesting from the earlier fall, listening to the sounds of fighting below. Steve's still engaged, still fighting, and you track his progress through the warehouse by sound alone.
The lab is exactly where intel indicated—third floor, northeast corner. Also exactly as unguarded as you'd feared.
Trap. Definitely a trap.
But the bioweapon is there, contained in a small metal briefcase that seems too innocuous for something that could kill thousands. You grab it, already turning back toward the stairs when you hear Steve's voice crackle through the static.
Not "Agent." Your name, sharp and desperate, and the sound of it makes your blood freeze. "Get out. Now. They're—"
The static cuts him off.
"Steve? Steve!"
Nothing.
You're already running, taking the stairs so fast you nearly fall, the briefcase clutched tight against your chest. The warehouse has gone quiet—too quiet. No more gunfire. No more fighting.
Just silence.
You round the corner into the main warehouse floor and see him.
He's surrounded, on his knees, blood running from a cut above his eye. Six hostiles have weapons trained on him, and his shield is nowhere to be seen. But what makes your blood turn to ice is the seventh figure—a man in tactical gear holding something that looks like—
"No!" The word tears from your throat as you recognize the device. Sonic disruptor, strong enough to disorient even a super soldier.
The man's finger depresses the trigger.
Steve convulses, hands going to his ears, and the sound he makes—
You're moving before conscious thought catches up, pure instinct driving you forward. The briefcase clatters to the ground as you raise your weapon, laying down cover fire that sends three hostiles scrambling. But you're exposed now, in the open, no cover between you and—
The first shot catches you in the vest.
The impact slams you backward, driving all the air from your lungs in a whoosh that whites out your vision. Your body armor holds—SHIELD makes good gear—but the force spins you sideways, and before you can recover, before you can breathe—
The second shot finds the gap.
Right where your vest meets your hip, that vulnerable slice of space where mobility trumps protection. The bullet tears through tactical fabric and skin and muscle like tissue paper, and the pain—
The pain is exquisite.
White-hot agony blooms from your hip, spreading like wildfire through your nervous system until every cell is screaming. You hear yourself make a sound—sharp, breathless, more surprise than scream—and then your legs are failing, and you're falling, and the concrete rises up to meet you like an old friend.
Your name rips from Steve's throat like something being torn from his chest cavity.
Through blurring vision, you see him move.
The sonic disruptor doesn't matter. The six weapons trained on him don't matter. He erupts from his knees with a sound that's barely human, pure rage and desperation, and bodies go flying. He fights like something mythical, like something out of the stories they tell about Captain America, except there's nothing heroic about this.
This is brutality. Devastation.
Your hands shake as they try to find the wound, fingers slipping on something warm and wet that's spreading way too fast. The pain is enormous, eating at the edges of your consciousness, white-hot and pulsing with each heartbeat. Your tactical pants are already soaked, the fabric clinging to your skin, and when you lift your hand it's painted crimson in the warehouse's emergency lighting.
That's... that's too much blood. Way too much.
Your body starts to shake—shock, probably, or blood loss, or just the simple animal recognition that you're badly hurt. Your teeth start chattering, and you can't make them stop, jaw clenched so tight you taste blood from where you've bitten your tongue.
"No, no, no, no—"
Steve crashes to his knees beside you so hard the concrete cracks. His hands—his bare hands, when did he lose his gloves?—hover over you for a fraction of a second before pressing against the wound. The pressure makes you scream, body trying to curl away from the pain, but he holds you down, holds you still.
"Hey, hey, look at me." His voice cracks completely, nothing like Captain America's steady authority. This is just Steve, terrified and desperate. "Look at me. Stay with me."
You try to focus on his face, but it keeps fracturing, splitting into doubles and triples before reforming. Your eyes won't track right, keep sliding away like they're too heavy. His face is covered in blood—from the cut above his eye, from other wounds you can't catalog—and there's something wild in his expression, something that makes your chest tight for reasons that have nothing to do with the bullet.
"Steve—" Your voice comes out wrong, too wet, copper flooding your mouth. When you cough, something warm splatters across your lips.
"Don't talk, don't—just stay still. I've got you." He's pressing so hard against the wound that new pain blooms, sharp and bright, making your vision white out at the edges. But his hands—his hands are shaking where they press against you, and that seems wrong somehow. Steve Rogers's hands don't shake. "Med evac's coming. Two minutes. Just two minutes, you have to—"
His voice breaks completely, and you realize he's crying. Captain America is crying over you, tears cutting clean tracks through the blood and dirt on his face.
"'S okay," you slur, though it's not, though nothing is okay. Your tongue feels thick, clumsy. "'M okay."
"You're not okay." It comes out harsh, angry, but his hands on your wound are so careful, desperately trying to hold you together. "There's so much blood. Why is there so much—"
That's when you see it. His bare hands are pressed against your wound, skin to skin where your tactical gear has been torn away, and you wait for something—for warmth, for electricity, for whatever cosmic sign is supposed to indicate a soul bond. But there's just the cold creeping up your limbs and Steve's devastated face above you.
"Please," he's saying, over and over, like a prayer or a plea. "Please, just hold on. Just—"
He reaches for your face with one blood-slicked hand, maybe to check your pupils, maybe to keep you conscious, and that's when it happens.
His palm cups your cheek, and the world explodes.
Not with pain this time, but with something else entirely. Something that races through your dying body like lightning finding ground, like coming home, like every cell suddenly remembering what they're made for. The bond slams into place with the force of a freight train, decades of waiting condensed into a single moment of contact that rewrites everything you thought you knew about existence.
The warmth that floods through you has nothing to do with healing and everything to do with recognition. With rightness. With the soul bond that's singing in your bones, drowning out even the pain, making everything else fade to background noise. You can feel him—not just his hand on your face but him, his emotions crashing into yours like a tidal wave. Fear and longing and desperate denial and—
He rips his hand away like you've burned him.
"No." The word comes out strangled, broken. He's staring at his hand like it's betrayed him, then at your face with something that looks like pure horror. "No, not—not like this. Not now—"
The loss of his touch hits worse than the bullet did. Your body convulses, a sob ripping from your throat that you can't control, can't stop. The bond—new and raw and screaming—feels like someone's reached into your chest and started pulling things out. Every nerve ending is firing wrong, confused, desperate for the contact that just got ripped away.
"Steve." Your voice breaks on his name, barely human. The world is going fuzzy at the edges but this—this burning absence where his hand was—this is crystalline. "Steve, please—you're—we're—"
"Don't." He's pressing against the wound with just fabric between you now, using torn pieces of his uniform to maintain pressure without skin contact. His whole body is shaking, violent tremors that make his hands unsteady. "This can't—I can't—"
"Please." The word comes out slurred, desperate, all your walls crumbling with your blood pressure. Your body moves without permission, trying to arch toward him, and the movement sends agony through your hip but you don't care, can't care, not when every cell is screaming for him. "Need—need you t'touch me. Please. Hurts—hurts so much without—"
A whimper escapes, high and broken, and you're crying now—real tears mixing with blood from where you've bitten through your lip trying not to beg.
"I can't." He's sobbing openly, pressing harder against the wound as your blood soaks through the fabric barriers he's maintaining. His face is wrecked, destroyed, tears cutting tracks through dirt and blood. "I can't do this to you. I can't—everyone I touch—everyone I—"
"'M dying." It's matter-of-fact, clear even through the growing fog. Your body knows it, feels it in the way everything's going cold and distant.
Your hand lifts, trembling so hard it's more spasm than movement, reaching for his face. He catches your wrist with fabric-covered fingers, holding you back, and the sound you make—wounded, animal, barely human—seems to physically hurt him.
"You're not dying." Fierce, desperate, a lie that cracks in his throat. "You're not. Med evac's thirty seconds out. You're going to be fine, you're going to—"
"Hurts." The word is pure anguish. Not just the wound but the rejection, the bond screaming, tearing, dying in your chest. Your body's shutting down but somehow the ache of his denial cuts deeper. "Steve, please—am I—did I do something wrong? Am I not—not what you wanted—?"
"No." The word rips from him with enough force to echo off the warehouse walls. He's shaking so hard the fabric between you vibrates with it. "No, you're perfect. You're everything. You're—Christ, you're everything I never let myself want. That's why I can't—"
"Don' understand." Your vision is tunneling fast now, darkness eating the edges. Your body won't stop shaking, violent tremors that make your teeth chatter. "'S supposed to—soulmates supposed to—to help. To make it better. Why won't you—why won't you just—"
Another sob tears from your chest, weaker this time. Your reaching hand falls, fingers still twitching toward him.
"Because I'll destroy you." Raw, bleeding, the words torn from somewhere deep and wounded. "Because everyone I've ever—because I'm not meant for this. For you. You deserve someone who—someone whole. Someone who isn't—"
"Jus' wanted—" Your voice is fading, each word a monumental effort. Your body feels like it's floating and sinking at once. "Jus' wanted to know what it felt like. To be yours. Steve—'m so cold—”
Your eyes are sliding shut, but you force them open one more time, finding his face. He looks shattered. Broken. Like watching you die is killing him too.
"'M sorry," you whisper, and you don't know what you're apologizing for. For dying? For being his soulmate? For not being enough to make him want to hold you? "Sorry I'm not—not worth—"
"Stop." His voice breaks completely. "You're worth everything. You're worth—"
But you're already going under, the last sensation being the phantom burn of where his palm touched your cheek for those thirty-seven seconds. The bond screams and screams and screams, and then—
The med evac arrives in a thunder of sound and motion, but you can't process it anymore. Hands are moving you, lifting you, but all you can focus on is Steve's face, the way he's looking at you like you're taking his soul with you.
"I'm sorry," he's saying, over and over, his voice following you into the darkness. "I'm so fucking sorry. You deserve better. You deserve everything."
The last thing you see is him standing there, your blood painting his bare hands red, looking like a man who's just given up the one thing he wanted most in the world.
The last thing you feel is the phantom burn where his palm touched your cheek, the bond screaming for a connection that's been severed, your body trying to reach for something that's already gone.
The last thing you think, with the last conscious part of your mind, is that you would have been good to him. You would have been so good to him, if he'd let you.
But maybe that's why he pulled away.
Maybe he knows something you don't—that good things don't last, that soulmates are just another pretty lie the universe tells to make the dying easier.
Your hand falls limp, still reaching for him, and the darkness takes you under.
The medbay ceiling has exactly 247 tiles. You know because you've counted them approximately forty-three times since waking up, which was—what? Two weeks ago? Three? Time moves differently when your body is trying to rebuild itself from the inside out and your soul is trying to tear itself apart looking for someone who won't come.
The gunshot wound is healing. Slowly, methodically, with the kind of grinding precision that modern medicine excels at. They'd had to do surgery twice—once to stop the bleeding, once to repair the mess the bullet made of your intestines. The scar will be ugly, they tell you with professional sympathy, as if that's what you're worried about. As if the external scarring could possibly compare to whatever the fuck is happening inside your chest where the bond lives.
Or dies. You're not really sure which anymore.
Your nights follow a pattern now, predictable as clockwork. At 10 PM, the ward goes quiet, lights dimming to that particular hospital twilight that never quite achieves darkness. At 11:47 PM—always 11:47, like he's calculated the exact time the night nurse finishes rounds—you hear it.
Footsteps in the hallway. Careful, measured, but with that particular weight that only belongs to him. Your body recognizes them before your mind does, skin prickling with awareness, the bond flaring to life like struck kindling.
The first night, you'd opened your eyes.
He'd frozen in the doorway, silhouetted by hallway fluorescents, and for thirteen seconds (you counted), you just stared at each other. His face was—God, his face was something you'd never seen before. Raw. Destroyed. Like someone had reached inside him and rearranged everything until it no longer fit right.
"I—" he'd started.
You'd waited, heart hammering so hard the monitors had started alarming, bringing nurses running.
By the time they'd cleared out, satisfied you weren't dying, he was gone.
Now you know better. You keep your eyes closed, breathing deep and even, and let him have whatever this is. Whatever he needs.
He sits in the chair by the window—always the same chair, the one that creaks slightly when he shifts his weight. For the first ten minutes, he just sits there, breathing. You match your inhales to his, careful to keep them sleep-slow even though your heart is racing, even though every cell in your body is screaming to reach for him.
Sometimes he talks.
"They're releasing you tomorrow," he says tonight, voice barely above a whisper. "Fury told me. Said you're healing well. That you'll be able to—that you'll be fine."
Fine. The word sits between you like a lie neither of you believes.
"I know you're awake."
Your breath doesn't catch. You've gotten very good at this game.
"I know you're awake," he repeats, softer. "Your heartbeat changes when I'm here. Just a little, but—" A pause. The chair creaks. "I memorized it. Before. The sound of your heartbeat. Didn't mean to, it just—happened. Enhanced hearing and all."
You want to open your eyes so badly it's physical pain, but you don't. Can't. Because if you do, he'll leave, and even this—this careful distance, this monitored proximity—is better than nothing.
"I'm being reassigned."
Now your breath does catch, just slightly. You hear him shift forward.
"Fury thinks it's best. For both of us. Different divisions, different missions. Clean break." His voice cracks on 'clean' like the word itself is cutting him. "It's better this way. You can—you can find someone else. Someone who isn't—"
Broken, you want to finish. Scared. Frozen in a past that no longer exists.
But you keep your eyes closed, keep your breathing even, keep pretending that your chest isn't caving in with every word.
"I watched Bucky with his soulmate," he continues, and you've never heard him sound like this. Lost. "Watched how easy it was for them. How she touched him and suddenly he was whole again, was himself again. How the bond just—fixed things. Made sense of them."
The chair creaks again. Closer now. You can feel the heat of him, smell that cedar-sharp scent that makes your body ache with want.
"I thought—" He stops. Starts again. "I thought if I didn't have a soulmate, I could pretend I didn't belong here. Could keep one foot in the past, you know? Keep waiting to go home to a time that doesn't exist anymore. But then you—"
Silence. Long enough that you almost open your eyes, almost give up the pretense.
"You make me want to stay," he whispers, and it sounds like a confession. Like something torn from him against his will. "You make me want to belong here. In this century. In this life. And that fucking terrifies me."
Your eyes burn behind closed lids. Your throat aches with words you can't say.
"So I'm leaving. Because you deserve someone who isn't terrified of wanting you. Someone who can touch you without feeling like the universe is ending. Someone who—" His voice breaks completely. "Someone who didn't let you bleed out rather than accept a bond."
You hear him stand, the chair scraping slightly against linoleum. Feel him hesitate, that particular stillness that means he's fighting himself.
Then warmth. Just for a second. The ghost of fingers near your hand where it rests on the blanket, not quite touching but close enough that you can feel the heat of his skin, the way the air shifts between you.
"I'm sorry," he breathes. "I'm so fucking sorry."
Then he's gone, and you finally let yourself cry—silent, body-shaking sobs that you muffle in the pillow so the night nurse won't come. The bond aches like a severed limb, phantom pain for something you had for exactly thirty-seven seconds in a warehouse in Brussels.
Tomorrow, they release you.
Tomorrow, you go back to a life where Steve Rogers is just someone you pass in hallways, someone who looks through you like you're a ghost, someone who touched your face once while you were dying and then decided you weren't worth the risk.
Tonight, though. Tonight you lie in a hospital bed and count ceiling tiles and pretend you don't know that he stands outside your door for another twenty-three minutes before he finally makes himself leave.
Your apartment feels like a crime scene you're returning to.
Everything is exactly as you left it three weeks ago—coffee mug still in the sink, laptop still open on the counter, the ghost of your normal life preserved in amber. Except you're different now. Hollowed out and reconstructed wrong, like someone took you apart and lost a few crucial pieces in the reassembly.
The first night is the worst.
You'd thought the hospital was bad, with its antiseptic smell and endless fluorescent twilight. But at least there, you could pretend Steve might appear. Could lie to yourself that the footsteps in the hallway might be his.
Here, in your own space, there's no such illusion.
The bond aches constantly. Not the sharp, immediate pain of the first few days, but a bone-deep throb that makes everything feel wrong. Food tastes like ash. Sleep comes in fragments, always interrupted by dreams of warehouse floors and the phantom warmth of a palm against your cheek. Your skin feels too tight, like your body is rejecting itself in the absence of touch it's only had once.
You try to go back to work after a week.
Fury takes one look at you—hollow eyes, hands that won't stop shaking, the way you flinch when anyone gets too close—and sends you home.
"Medical leave," he says, not unkindly. "Take the time you need."
You want to tell him that time won't fix this. That you could take a year, a decade, and you'd still be searching every room for a ghost who won't appear. But you just nod, gather your things, and pretend you don't see the pity in his eye.
The second week is when the anger arrives.
It starts small—irritation at the barista who makes your coffee wrong, frustration with the TV remote that won't work properly. But it builds, feeds on itself, until you're standing in your kitchen at 2 AM, hurling the mug Steve never saw you drink from against the wall, watching it shatter into pieces that still somehow hold more cohesion than you do.
How dare he.
How fucking dare he.
To touch you, to activate a bond you didn't even know existed, and then rip himself away like you're something toxic. To visit you every night but never when you're awake to actually see him. To make decisions about your life, your future, your soul without even asking what you want.
You track his missions through the internal SHIELD networks you're not supposed to have access to anymore. London. Moscow. Cairo. Always moving, always running, like distance could somehow break what's already broken. Your clearance hasn't been revoked yet—an oversight, probably—so you read his reports, clinical and detached descriptions of operations that tell you nothing about whether he's eating. Whether he's sleeping. Whether his soul feels as flayed as yours.
Probably not. He chose this, after all.
The third week is when you see him.
You're not prepared. How could you be? You're just buying groceries, standing in the cereal aisle like a normal person pretending to care about fiber content, when you feel it—that familiar prickle of awareness, the bond flaring to life like muscle memory.
You turn, and there he is at the end of the aisle. Frozen, like he's been caught. He looks—
He looks like shit.
Hollow eyes, sharp cheekbones like he hasn't been eating, a carefulness to his movements that speaks of bone-deep exhaustion. His hands are shoved in his pockets, probably to stop himself from reaching for you. Or maybe just to hide how they're shaking.
For a moment, you both just stand there, two people separated by twenty feet of fluorescent lighting and an unbridgeable chasm of his making.
You watch his mouth form your name. Not quite speaking it, just shaping it, like even that much is more than he's allowed himself.
Your body moves without permission, taking one step toward him, and he takes a step back.
Right.
The message is clear. Crystal fucking clear.
You turn around, leave your half-full cart in the middle of the aisle, and walk out of the store with as much dignity as you can muster. Make it all the way to your car before the shaking starts, before you have to grip the steering wheel just to keep yourself anchored.
Twenty feet.
He couldn't even stand to be within twenty feet of you.
That night, you draft seven different resignation letters. Because fuck this. Fuck playing this game where you pretend you're okay, where you pretend that seeing him doesn't make you want to scream or cry or claw your own skin off just to escape the constant ache of the bond.
You don't send any of them.
But you keep them, just in case.
Week four is when Natasha shows up at your door.
"You look like hell," she says without preamble, pushing past you into your apartment.
"Thanks. Great pep talk. You can go now."
She ignores you, taking in the disaster you've let your living space become—dishes piled in the sink, curtains drawn against the afternoon sun, the general apocalyptic ambiance of someone who's given up.
"He's not doing any better, you know."
You laugh, bitter and sharp. "Good."
"He sits outside your building sometimes." She says it casually, like it's nothing, like it doesn't make your heart stutter and race. "At night. When he thinks no one will notice. Just sits in his car and stares up at your window like a fucking Victorian ghost."
"He made his choice."
"He made a stupid choice," she corrects. "Because he's a stupid, self-sacrificing idiot who thinks he's protecting you."
"From what?" The words explode out of you, months of frustration and hurt finally finding voice. "From having a soulmate? From being loved? From fucking touching another human being?"
"From him." Her voice goes soft, which is somehow worse than when she's being cutting. "From what he thinks he is. What he thinks he'll do to you."
"That's not his choice to make."
"No," she agrees. "It's not."
She leaves after that, but not before placing a small piece of paper on your counter. An address. A time. Tomorrow, 3 PM.
"He won't be there," she says. "But you should go anyway."
You stare at the paper for a long time after she's gone, memorizing numbers you'll probably never use.
But when tomorrow comes, you go anyway.
Because maybe you're just as much of a self-sacrificing idiot as he is.
Or maybe you're just tired of being angry.
Maybe you're just tired, period.
The address leads to a small gym in Brooklyn, the kind that smells like old leather and determination. You expect it to be empty—Natasha said he wouldn't be there—but there's someone in the ring.
Barnes.
He's working the heavy bag with mechanical precision, each punch measured and brutal. The sound echoes in the empty space—thud, thud, thud—rhythmic as a heartbeat. He doesn't look up when you enter, but his shoulders tense slightly, that particular stillness of someone who's hyperaware of their surroundings but pretending not to be.
Your stomach does something complicated. You've seen him around the Tower these past couple months since Steve brought him in, but always at a distance. Always with her—his soulmate, the one who somehow reached through seven decades of programming to find the man underneath. The one who touches him like it's breathing, casual and constant and necessary.
"Natasha send you?" His voice is flat, careful.
"Yeah."
He stops punching, turns to face you. Takes you in with those winter-gray eyes that see too much, catalog too much. There's still something unfinished about him, like he's a sketch someone's only halfway through shading. Two months of freedom haven't quite erased seventy years of being someone else's weapon.
"You look like shit," he says, which isn't what you expected.
"Thanks. Everyone keeps telling me that."
His mouth twitches—not quite a smile, but close. "Steve looks worse, if it helps."
"It does, actually."
This time he does almost smile, just a flash before his face settles back into its usual brooding. He unwraps his hands slowly, methodically, like he's buying time to figure out what to say. The motion is practiced, automatic—muscle memory that belongs to James Barnes, not the Winter Soldier. You wonder how many things like that he's had to relearn. How many small, human gestures he's had to excavate from under decades of conditioning.
"This is..." He stops. Runs a hand through his hair, leaving it sticking up at odd angles. The gesture is so remarkably normal it makes your chest tight. "I don't usually do this. The talking thing. That's more—" A pause, like he's trying to remember who handles these things now, in this new life where he has friends instead of handlers. "That's not really my thing."
"Then why—"
"Because Steve's an idiot," he says bluntly. "And someone needs to explain why he's being an idiot, and apparently that someone is me." He tosses you a pair of wraps. "You know how to use these?"
"I'm on medical leave."
"Not asking you to fight. Just asking if you know how to wrap your hands. Gives you something to do while I..." He makes a vague gesture that somehow encompasses the awkwardness of the entire situation.
You do know how to wrap your hands. The familiar ritual of it—loop around the wrist, between the fingers, across the knuckles—gives your body something to focus on besides the constant ache under your ribs where the bond lives. He watches you do it, noting the slight tremor in your fingers that hasn't gone away since Brussels.
"He ever tell you about Peggy?" Barnes asks suddenly, like ripping off a bandaid.
You pause, stomach twisting into something complicated. "No."
"Course not." He leans against the ropes, and for a moment looks older than whatever age he's supposed to be. "From what I remember—and my memory's not exactly..." He taps his temple with his metal finger, the soft whir of recalibrating plates filling the silence. "But from what I remember, and what I've been able to piece together since, he loved her. Real love, not just wartime desperation. Had her picture in his compass, carried it everywhere. Used to moon over her like she hung the goddamn stars."
Your chest tightens, ribs suddenly too small for your lungs. You focus on wrapping your hands, but the fabric keeps slipping because your palms have gone sweaty.
"But he knew they weren’t soulmates."
"Yeah. And it didn't matter to him. He chose her anyway." Barnes's jaw ticks, and you can see him working through memories that might be his or might be stories he's been told—the confusion of it flickers across his face. "I was already gone when he went into the ice. But from what I've learned, when he woke up, she'd lived a whole life without him. Found her actual soulmate. Got married. Had kids. The whole American dream he thought he was fighting for."
The words land like stones in your chest, each one heavier than the last.
Steve chose Peggy. Chose her without destiny, without the universe's intervention, without biological imperatives. Just looked at her and decided she was worth defying fate for.
And you?
You're just what the universe assigned him. The consolation prize. The participation trophy for surviving into a century he never wanted to see.
Your hands still on the wraps. "That's not—she couldn't have known he'd survive—"
"Doesn't matter. Logic doesn't factor into it." His metal hand flexes, a nervous tic you've noticed before. "I think—and look, this is just my theory, thrown together from bits and pieces—but I think Steve maybe saw it as proof. That the universe was right all along. That choosing her was just him being stubborn, going against what was meant to be."
The words settle heavy in your stomach like you've swallowed cement. "So when he found out I was his soulmate..."
"Proof he's supposed to be here. In this century he's never felt like he belongs in." Barnes's voice goes quiet, almost careful. You can see him choosing his words, this man who's spent two months relearning how to have opinions. "Look, I've only been... back... for a couple months. I'm still figuring out who Steve is now versus who he was then. Half my memories of him are probably more fantasy than fact at this point. But from what I can see, if he accepts you, then he has to accept that this is where he's meant to be. That this is home."
"And he doesn't want that."
"He wants it so much it terrifies him."
Barnes moves to the speed bag, starts a rhythm that's almost meditative. His metal arm moves differently than the flesh one—more precise, less natural, like he's still learning to inhabit it.
"When they brought me in, when I was still more Winter Soldier than anything else, my soulmate—she didn't give me a choice." The rhythm falters for a moment. "Just kept showing up. Kept touching me even when I tried to—" He stops. Restarts. The sound fills the gym like a heartbeat. "Even when I was dangerous. Even when I couldn't remember her name five minutes after she said it."
You know this story, or pieces of it. Everyone at SHIELD does. But the way he tells it—halting, like he's still surprised by it—makes it feel different. Raw. Like he still can't quite believe someone chose to love him through the worst of it.
"I could have killed her. Almost did, more than once those first few weeks. But she kept coming back." The speed bag stills. His hands drop to his sides, and for a moment he looks lost, like he's forgotten what to do with them when they're not fighting. "I didn't get to push her away. Didn't get to decide I was too broken or too dangerous. She made that choice for both of us."
"And it worked out."
"Yeah." His voice does something strange here—goes soft in a way you didn't think it could. Like even after decades of violence, there's still something in him capable of gentleness. "Yeah, it did. But Steve—Steve's got this idea that he's protecting you. From disappointment. From loss. From him."
"That's not his choice to make."
"No. It's not." Barnes looks at you directly, and there's something almost sympathetic in his expression. "But he's gonna make it anyway unless someone stops him. And I'm too fucked up myself to be giving relationship advice, but—"
The gym door opens, cutting him off, and Barnes's entire demeanor changes instantly. It's like watching winter thaw in fast-forward—his shoulders drop, his face loses that careful blankness, even his breathing seems to ease. You turn to see a young woman entering, all bright eyes and gentle energy that seems to fill the space with warmth.
"Hey," she says, and Barnes is already moving toward her like she's got her own gravitational pull, like his body just naturally orbits hers. "You ready to go?"
"Yeah, doll. Just—" He gestures vaguely at you, and she turns that warm attention your way.
"Oh! You must be the one Nat mentioned." She extends her hand, and her smile is so genuine it makes your chest hurt. There's something knowing in her eyes, something that says she understands what it's like to love someone who thinks they're unlovable. "I've heard about you."
"Hopefully not all bad."
"Never." She squeezes your hand gently before releasing it. "How are you holding up?"
The question is so earnest, so carefully kind, that you almost start crying right there in the gym. Your throat goes tight, eyes burning with tears you refuse to shed.
"I'm—" You stop, unable to lie to this person who radiates the kind of empathy that makes dishonesty impossible. "Managing."
She nods like she understands, and somehow you think she does. Then she turns back to Barnes, and it's like watching a completely different person emerge. He leans into her space without seeming to realize it, his hand finding the small of her back with the kind of casual intimacy that speaks of constant touch, constant contact. The metal hand, you notice. The one that's caused so much damage. She doesn't flinch from it.
"You eat today?" she asks him quietly, reaching up to brush his hair back from his face. The gesture is so tender it makes your chest ache.
"Yeah, sweetheart." His voice is impossibly soft, private.
"What did you eat?"
A pause. His mouth quirks slightly—a ghost of whoever James Barnes was before the war, before the fall, before everything. "You."
She smacks his chest. "That doesn't count as food, James."
"Seemed pretty filling to me."
"Oh my god." She turns to you, cheeks pink but biting back a smile. "Six decades as an international assassin and he thinks he's a comedian now."
"I'm hilarious," Barnes says, completely deadpan, but his hand is rubbing small circles on her back, and the look she gives him—fond and exasperated and completely besotted—makes something crack in your chest.
Because this is what choosing looks like. This is what wanting looks like when it's not forced by biology or destiny or the universe's sick sense of humor.
Steve chose Peggy like this. Without destiny. Without force. Just looked at her and knew she was worth everything.
And you? You're just the assignment. The universe's way of telling him he can't go home. The anchor keeping him in a century he never asked for.
Your hands curl into fists inside the wraps, nails digging into your palms hard enough to hurt.
"We're gonna grab dinner," Barnes's soulmate says to you, still tucked against his side like she belongs there. "Real food," she adds with a pointed look at him. "You should come."
"I—no, thank you. I should—" You gesture vaguely at nothing, at the door, at escape.
"Think about what I said," Barnes interjects, not unkindly. His eyes are serious, understanding in a way that makes you want to run. "And..." He pauses, seems to wrestle with something. "Steve's an idiot. But he's an idiot who's been looking at you like you hung the moon since before Brussels. That's not the bond. That's just him."
They leave together, her hand in his, talking quietly about dinner plans and everyday things. You watch them go, Barnes letting her guide him toward something as simple as a meal, and the comparison burns in your throat like acid.
He never pushed her away. Even when he was dangerous, even when he was broken, even when he couldn't remember her name. He let her choose him.
But Steve? Steve took one look at the bond between you and ran.
Because with Peggy, he had a choice. He chose to love her.
With you, he doesn't. You're just what he's stuck with.
Your phone buzzes. A text from an unknown number.
He has a mission briefing tomorrow at 0900. Conference room C. Just saying.
You delete the text, but the information burns in your brain.
Maybe it's time to stop letting Steve Rogers make all the choices.
Even if you're just the consolation prize.
Even if you'll never be Peggy Carter.
Maybe especially then.
Conference Room C is empty.
You stand in the doorway like an idiot, staring at the polished table and empty chairs, at the blank whiteboard that mocks you with its pristine surface. The digital clock on the wall reads 09:07. You've been lurking in the hallway since 08:45, watching people filter in and out of different rooms, none of them Steve.
Of course.
Of course Natasha's intel was wrong, or maybe it was right and he changed locations when he realized you might—
Fuck this.
Fuck all of this.
The anger that's been simmering for weeks boils over, hot and sudden.
You're done.
Done waiting, done hoping, done letting Steve Rogers dictate the terms of your existence with his absence. Your hands shake as you turn to leave, the bond aching with fresh disappointment, and you're so focused on not crying that you don't hear the footsteps until—
A hand wraps around your elbow.
Even through the fabric of your shirt, you know it's him. Your body recognizes his touch like a key in a lock, every nerve ending suddenly alive, suddenly screaming. You're yanked sideways—not roughly, but with desperate efficiency—into a supply closet that smells like printer toner and industrial cleaner.
The door clicks shut, and you're plunged into darkness cut only by the thin strip of light under the door.
Your eyes adjust slowly, and when they do—
Jesus Christ.
Steve looks destroyed.
No, destroyed doesn't cover it.
He looks like someone reached inside him and hollowed him out with a rusted spoon. His uniform is torn—actually torn, with what looks suspiciously like blood staining the blue fabric black. There's a cut on his cheekbone that's already healing, but slowly, like even his enhanced body is too exhausted to properly function. His hair is matted with ash and something darker. His eyes are wild, pupils blown wide in the darkness, and he's breathing like he can't get enough air, like his lungs have forgotten how to work properly.
"Steve?" Your voice comes out tentative, barely a whisper.
He makes a sound—broken, animal, completely unintelligible. His hand is still on your elbow, grip tight enough that it should hurt but doesn't, and you can feel him trembling. Not just his hand. All of him. Vibrating with something that looks like shock but feels like barely contained devastation.
For a moment, you just stare at each other in the dim light. His chest heaves with each breath, and you can smell the mission on him—gunpowder and smoke and something else, something that makes your stomach turn. Death. He smells like death.
"Steve, what—"
He breaks.
With a deep, shuddering breath that sounds like it's being torn from the very center of him, Steve pulls you against him. It's not gentle. It's desperate, consuming, like a drowning man finding solid ground. One hand tangles in your hair, fingers twisting in the strands hard enough to make your scalp sing with that perfect edge of pain-pleasure. The other arm bands around your waist, and then—
His hand slides up under your shirt, fingers splaying wide against the bare skin of your back, and you both gasp.
The bond roars to life.
It's not the gentle warmth you'd imagined soulbonds to feel like. It's a flood, a tidal wave, every point of contact sending liquid heat through your veins like you're mainlining pure sensation. Your knees buckle, but he's got you, holding you up with desperate strength as he buries his face in the crook of your shoulder.
The noise he makes then—God, you'll hear it forever. Half sob, half relief, muffled against your neck as he breathes you in like you're the only thing keeping him tethered to earth. His body curves around yours, too tall, too broad, trying to eliminate every millimeter of space between you.
"Had to—" His voice is wrecked, barely recognizable, words pressed hot against your throat. "Had to find you. Couldn't—fuck, I couldn't breathe—"
His hand on your back moves restlessly, seeking more skin, and when his fingertips brush the edge of your bra, you shiver so hard he groans. The sound vibrates through your chest where you're pressed together, and you can feel his control fracturing, feel the way his hands shake with the effort of not taking more.
But he does take more.
His hand in your hair tightens, tilts your head back to expose your throat, and his mouth presses to your pulse point—not kissing, just resting there, feeling your heartbeat against his lips. The hand under your shirt spreads wider, slides higher, until his thumb brushes your ribs and you make a sound you've never made before.
"The mission," he says against your skin, and you feel more than hear it. "There was—Christ, there was this couple. Shopping for groceries when the building came down."
His whole body shudders, and he presses closer, pins you against the door with his weight like he needs the contact to stay upright. You can feel every line of him through the torn uniform—the hard planes of his chest, the way his stomach muscles clench with each ragged breath, the thick press of his thighs against yours.
"She died instantly." The words come out broken, wet. "But he—he lived long enough to feel the bond break. Have you ever—" His voice cracks. "I've never heard anyone scream like that. Like his soul was being ripped out through his chest."
"Steve—"
"All I could think about was you." His confession comes with another full-body shudder, and suddenly his mouth is moving against your throat, not kissing but talking, like he needs the contact to get the words out. "What it would feel like if—if I lost you before I ever—"
He pulls back just enough to look at you, and his eyes are wet, devastated, completely without walls. "I can't lose you. I can't. I'll die. I'll actually fucking die."
"You won't lose me," you breathe, but he's already shaking his head, already pulling you impossibly closer.
"You don't understand." His hand slides from your hair to cup your jaw, thumb brushing across your cheekbone with reverent desperation. "The bond—it's not—for normal people it's intense, but for me—" He makes a sound like he's in physical pain. "The serum amplifies everything. Every sensation, every emotion, every—"
He cuts himself off by pressing his forehead to yours, and you can feel him trembling with the effort of holding back.
"Steve."
"I need—" His hand at your back shifts, slides around to span your ribs, thumb brushing the underside of your breast through your bra, and you both freeze. The touch is electric, sends sparks racing down your spine, pooling low in your belly. "Fuck, I need to touch you. Need to—please. Please, just let me—"
"Yeah." The word comes out embarrassingly breathy, but you don't care because his hands are already moving, already taking.
He spins you suddenly, presses your back against the door, and then his hands are everywhere. One slides up to cradle your throat—not squeezing, just holding, feeling your pulse flutter against his palm. The other pushes your shirt up, fingertips tracing your ribs like he's memorizing you through touch alone.
"So soft," he murmurs, and it sounds like prayer. "How are you so fucking soft?"
His thumb finds the hollow of your throat, presses gently, and your head falls back against the door. He makes a sound like you've killed him, and then his mouth is on your neck, open and hot and desperate. Still not kissing exactly—more like tasting, like he needs to experience you with every sense.
Your hands come up to clutch at his shoulders, and he crowds closer, presses you harder against the door. His thigh slides between yours, and the pressure makes you gasp, makes your hips cant forward involuntarily.
"That's it," he breathes against your throat. "Let me feel you. Let me—"
His hand at your throat slides down, palms the curve of your breast through your bra, and the sound you make is embarrassing and needy and you don't care because he echoes it, his hips pressing forward to pin you completely.
"Been dying," he confesses against your collarbone, words muffled by skin and want. "Every day, dying by inches. Watching you walk past, smelling your shampoo in the hallways, hearing your laugh and knowing I couldn't—"
"You could have." Your hands find his hair, tangle in the sweat-damp strands, and he groans. "This whole time, you could have—"
"No." He pulls back to look at you, and his pupils are blown so wide there's barely any blue left. "Would've destroyed you. Consumed you. The bond, the way I need you—it's not normal. It's not healthy."
"I don't care."
"You should." But even as he says it, his hand is sliding up your ribs again, fingertips tracing patterns that make you shiver. "You should be terrified of how much I want you. How much I need to—"
He cuts himself off, jaw clenching, but his body betrays him. His hips press forward, and you can feel him hard against your hip, can feel the way he's shaking with want.
"Show me," you breathe, and he makes a sound like you've shot him.
"You don't know what you're asking."
"Then show me."
His control snaps like a rubber band stretched past its limit.
His mouth finds yours with the kind of desperation that makes your knees buckle, and it's nothing like you imagined during those long, empty nights. Nothing soft or careful or sweet. This is drowning. This is Steve Rogers trying to climb inside your skin through your mouth, one hand fisted in your hair to angle your head exactly how he needs it, the other pressed flat between your shoulder blades like he's trying to fuse your chest to his.
His tongue slides against yours, hot and demanding, and you taste copper—blood from where he's bitten his lip raw—mixed with something that's just fundamentally him. Something that makes your brain short-circuit, makes you grab at his shoulders just to stay upright. The bond roars to life under your skin, weeks of rejection suddenly reversed, and the whimper that escapes you would be embarrassing if you could think past the electricity racing through your veins.
"Fuck," he breathes against your mouth, not really pulling back, just speaking the word into you like he needs you to swallow it. His teeth catch your bottom lip, tug just hard enough to make you gasp, and he uses the opportunity to lick deeper into your mouth, thorough and filthy and completely at odds with Captain America's public persona.
Your back hits the door harder as he presses closer, and you can feel how affected he is—the way his chest heaves against yours, the tremor in his hands, the hard length of him pressed against your hip. It's overwhelming and not enough, too much and not nearly—
"Perfect," he growls, breaking away just long enough to trail his mouth down your jaw, teeth scraping in a way that's definitely going to leave marks. "You're so fucking perfect. Do you have any idea—" His hand slides under your shirt, fingertips tracing your ribs like he's mapping you for memory, "—what you do to me? How many meetings I've had to leave because you walked by and I could smell you?"
"Steve." Your voice comes out wrecked, barely recognizable. Your hands are in his hair now, tugging probably too hard, but he groans like you've given him a gift.
"I know, sweetheart. I know." His mouth finds your pulse point and sucks, and your vision whites out for a second. "I've got you. Let me—just let me—"
His hands shift with purpose now, one sliding down to grip your hip hard enough to bruise, the other pushing your shirt up, up, until cool air hits your stomach. And then—Jesus Christ—he's dropping to his knees with a fluidity that shouldn't be possible for someone his size, pressing his mouth to the skin above your waistband like communion.
You look down and nearly combust. Captain America—Steve—on his knees in a supply closet, eyes closed like he's praying, pressing open-mouthed kisses to your stomach that are somehow both worshipful and obscene. His tongue traces the line where your pants sit low on your hips, and your hands fly to his shoulders because your legs have forgotten how to work.
"Should've been doing this for months," he murmurs against your hipbone, and you feel the words more than hear them, vibrating through skin and muscle and straight to your core. "Should've been worshipping you. Should've—" His voice cracks, and suddenly his arms are banded around your waist, his forehead pressed to your stomach like he's hiding. "That man today, when his bond broke—the sound he made—"
"Steve." You card your fingers through his hair, gentle this time, trying to soothe whatever demon is riding him. He shudders against you, full-body, and presses closer.
"I can't lose you." The words come out muffled by your skin, but the desperation in them is crystal clear. "I can't. I won't survive it."
"You won't lose me."
It's probably a lie. You're both in a dangerous line of work. People die. Bonds break. But right now, with him on his knees looking like you're the answer to every prayer he's never let himself voice, you'd promise him anything.
"Promise." His hands tighten on your waist, and when he looks up at you, his eyes are wild, desperate, nothing like the composed soldier the world knows. "Promise me."
"I promise."
He surges up and kisses you again, different this time. Still desperate but searching, like he's trying to memorize you—the shape of your mouth, the sound you make when his tongue slides against yours, the way you shake when his thumb brushes the underside of your breast through your bra. It's overwhelming in a different way, intensity without hurry, and you're dizzy with it, drunk on the sensation of being wanted this badly by someone who's spent months pretending you don't exist.
When he finally pulls back, you're both wrecked. His lips are swollen, slick, and his pupils are blown so wide there's barely any blue left. You probably look worse—you can feel your hair sticking to your face with sweat, your mouth tender and used.
"I'm sorry," he whispers, thumbs stroking your cheekbones with a gentleness that makes your chest ache. "For Brussels. For after. For being such a fucking coward."
"I know." You do. It doesn't fix anything, not yet, but you know.
"I'll make it up to you." His thumb traces your lower lip, and you can't help the way your tongue darts out to taste it, salt and skin and Steve. His breath hitches. "However long it takes."
"You can start now." It comes out more breathless than the sultry suggestion you were aiming for, but something about your desperation makes his eyes go dark again.
He laughs, rough and ruined, and presses one more kiss to your mouth—this one soft, almost chaste, if not for the way his hand tightens possessively in your hair.
"Tonight," he says, and it sounds like a prayer. "Let me—let me shower, change, become human again. And then dinner. Real dinner. Where I pick you up and we go somewhere and I don't run when the bond makes me feel everything."
"And if you run?" You're trying for threatening but it comes out vulnerable, scared. Because he's run before. He's so good at running.
His hand slides to your throat, not squeezing, just holding, thumb pressed to where your pulse hammers against your skin. "You have my full permission to hunt me down and make my life hell."
"I will." And you mean it. You're done being the one left behind, the one reaching for someone who's already gone.
"I'm counting on it."
He steps back, and the loss of contact hits like cold water. Your skin feels too tight, too sensitive, nerve endings firing confused signals—where is he, why isn't he touching us, bring him back. You can see him feeling it too, the way his hands clench and unclench at his sides, the way his body sways toward you like you've got your own gravitational pull.
"Tonight. Eight o'clock."
"Steve?"
"Yeah?"
"Next time you have a bad mission, come find me. Don't wait. Don't hide. Just—come find me."
Something in his expression cracks open, vulnerable and raw and so un-Captain America it makes your heart skip. "Yeah?"
"Yeah."
He kisses you one more time—quick, fierce, a brand, a promise—and then he's gone, leaving you slumped against the door on legs that feel like jello. Your mouth is swollen, your skin still burning everywhere he touched, and you're pretty sure you've soaked through your underwear, but the bond...
For the first time in months, the bond doesn't ache.
It purrs.
It fucking purrs.
Tonight. Eight o'clock.
You're going to need a very long shower. And possibly a new pair of pants.
And maybe—just maybe—you're going to get what the universe has been trying to give you all along.
Even if you're not Peggy Carter. Even if you're just the consolation prize.
Right now, with the taste of him still on your tongue and bruises already forming on your hips in the shape of his fingers, you can't bring yourself to care.
"Tell me about Peggy," you say, and it comes out embarrassingly breathy because Steve's just shifted his hips in a way that makes stars explode behind your eyelids.
"Fuck." His hands tighten on your hips, fingers digging into soft flesh with bruising intensity. The pressure sends heat pooling low in your belly, makes your inner muscles flutter around him. "Can we... not?"
It's not the most unreasonable request in the world. He's inside you, after all, thick and perfect and stretching you in ways that make coherent thought impossible. You're straddling him on the couch, and he's maneuvering you exactly how he wants—one hand gripping your hip hard enough to leave fingerprints, the other splayed possessively across your lower back, controlling your rhythm with casual strength that makes you dizzy. Like you weigh nothing. Like you're his to position and please and wreck completely.
"Bucky says—"
A growl rumbles through his chest at the name, vibrating through your body where you're joined. His hand slides from your back to your throat in one fluid motion. Just resting there, feeling your pulse race beneath his palm. A reminder. A warning.
"Another man's name?" His voice is dark, edged with something primal that makes your stomach flip. "While I'm inside you?"
You gasp as he lifts you slightly, changes the angle, and your thighs shake with the effort of holding yourself up. "S-says she's the reason you stopped believing in soulmates."
Steve goes still. Not completely—he's still buried deep, still hard, still breathing like he's barely holding onto control—but his hands stop their restless movement, and his eyes snap to yours with something like exasperation mixed with disbelief.
"Are we really doing this?" His thumb presses against your pulse point, and you feel your heartbeat stutter. "You want to talk about someone else while I'm trying to fuck you through this couch?"
"I just—oh god—" Your train of thought derails as he rolls his hips up, deliberate and punishing, hitting that spot that makes your vision white out.
"What you need," he says, voice dropping to that Captain-giving-orders tone that should not work in this context but absolutely does, "is to stop overthinking and let me take care of you."
One hand slides up your spine to tangle in your hair, tugging just hard enough to make your neck arch, exposing your throat to his mouth. The other grips your hip, holding you still as he rolls his hips again, controlled and devastating.
"She wasn't my soulmate." The words are pressed hot against your throat between open-mouthed kisses that feel more like claims. "Loved her, yes. A long time ago. Thought I'd marry her if I survived the war. But she wasn't mine."
His teeth graze your collarbone, and your whole body shudders, nerve endings singing. The bond between you pulses with each heartbeat, amplifying every sensation until you can't tell if the pleasure is yours or his or some perfect fusion of both.
"Not the way you are." His hand in your hair tightens, forces you to meet his eyes. They're blown dark, barely any blue remaining. "Not even close to the way you are."
"But—"
"Sweetheart." He stops moving entirely, and you make a sound of protest that would mortify you if you could think past the need coiling tight in your belly. "Listen very carefully, because I'm only saying this once."
His hand leaves your throat to frame your face, thumb stroking across your cheekbone with gentleness that contrasts sharply with the possessive grip in your hair.
"She chose someone else. Her actual soulmate. And yeah, it messed me up. Made me think the universe was laughing at me." His hips flex slightly, involuntarily, and you both gasp. "But you know what I realized?"
"What?" The word comes out wrecked, barely audible.
"The universe wasn't wrong. I was." He releases your hair only to grip the back of your neck, holding you steady as he starts to move again, slow and deep and deliberate and exquisite. "I wasn't meant for that time. If she'd been my soulmate, I'd have stayed in the forties. Lived a quiet life. Had the house and the kids and the picket fence."
"That sounds—"
"Like everything I thought I wanted," he agrees, punctuating the words with a particularly deep thrust that has you seeing stars. "Until I woke up here. Until you walked into that briefing room two years ago, looking so goddamn competent and untouchable, and my body knew you were mine before my brain could catch up."
Your nails dig into his shoulders as he picks up the pace, and you feel his pleasure spike through the bond, mixing with yours until you can't separate them.
"I fought belonging here for so long," he continues, voice getting rougher, more breathless. "But you—Christ, you make me want to stay. Make me grateful the ice gave me you instead of her."
"Steve—"
"That’s it, sweetheart. No more names but mine," he commands, and then he's kissing you, deep and claiming and filthy. His tongue slides against yours, and you taste desperation and possession and something that feels dangerously close to devotion. When he pulls back, you're both panting. "And I want to keep hearing it. Preferably screamed."
You nod, words beyond you, and something dark and satisfied flashes across his face.
"Good girl."
The praise shoots straight through you, makes your cunt clench around him. He groans, forehead dropping to your shoulder, and his control finally, blessedly shatters.
He fucks up into you with purpose now, each thrust deliberate and devastating. His hands are everywhere—gripping your hips, sliding up your ribs, palming your breasts with possessive familiarity. Every touch feels magnified, the soul bond amplifying sensation until you're drowning in it. You can feel his pleasure mixing with yours, feeding back on itself in an endless loop that has you both gasping, clutching at each other like you might dissolve without the anchor of skin on skin.
"This is what I think about," he confesses against your throat, words punctuated by the snap of his hips. "Not the past. Not her. You. Always you. How you feel around me, how you taste, the sounds you make when you're close."
Your nails rake down his back hard enough to leave marks, and he hisses, the pain-pleasure bleeding through the bond making you both groan.
"The serum," he pants, rhythm getting erratic. "Fuck, the goddamn serum makes everything more intense. Every touch, every—I can feel you everywhere. In my blood, in my bones. Under my skin where I couldn't get you out even if I wanted to."
"Don't want you to," you manage, chasing your release, that coil in your belly wound so tight you might shatter.
"Never." It's a vow pressed into your skin with teeth and tongue. "Never letting you go. Mine. My soulmate, my—fuck, I'm close—"
His hand slides between your bodies, thumb finding your clit with unerring accuracy, and you're gone. The orgasm crashes over you like a tidal wave, pleasure so intense it borders on transcendent. You do scream his name, just like he wanted, and he follows you over, your name on his lips like a prayer, his hands holding you against him like you might evaporate if he loosens his grip.
You collapse against his chest, both of you panting, sweat-slick and trembling. The bond hums between you, satisfied and warm, and for the first time in months, you feel whole.
"So," you say once you can form words again, unable to help yourself, "just to be clear—"
He flips you suddenly, pressing your back into the couch cushions, and the predatory look in his eyes makes your breath catch. He's still hard, still inside you, and when he rolls his hips experimentally, you both groan.
"You want clarity?" His voice is dark, promising. He hitches your leg higher around his waist, slides deeper, and your head falls back. "Let me be very, very clear."
He pulls almost all the way out, then slides back in with devastating slowness, making you feel every inch.
"You are the only person I think about," he says, setting a rhythm that's slow and deep and intentional. "The only person I want. The only person who's ever made me grateful to be exactly where I am, when I am."
His hand slides up your thigh, grips behind your knee to open you wider, and the new angle has you gasping, clutching at his shoulders.
"The past is the past," he continues, voice steady despite the way his control is visibly fraying, tendons standing out in his neck. "And I plan to spend my future making up for lost time. Starting now."
"Steve—"
"That's it," he praises when you say his name, and rewards you with a particularly deep thrust that has your back arching off the couch. "Just like that. Let me show you exactly how not hung up on the past I am."
And he does.
Thoroughly.
By the time he's finally satisfied you understand, you've forgotten not just her name, but your own. The only thing that exists is him, the bond between you singing with contentment, and the absolute certainty that the universe knew exactly what it was doing.
Even if it took Steve Rogers seven decades to appreciate the gift.
lady macbeth’s “to bed, to bed, to bed” and ophelia’s “good night, sweet ladies, good night, good night” just before both of their deaths. what’s that post that is like pain is stored in the shakespearean woman
alright, i'll be the one to say it. ao3 and tumblr becoming "mainstream" did so much damage to the community and the writers. i have seen loads of videos and posts about:
1. people hating on writers and fics. writing is something we do for free and for fun. if you stumble upon a fanfic that isn't necessarily your cup of tea or you just don't like, scroll. dont read it. literally leave their page. you don't know if this could be the author's first work that they're so excited about, you dont know if the language they're writing in isn't their first language, you dont know that the writer could be a literal teen and loads of other reasons. fanfictions don't HAVE to be perfect. you write what you want to write because we do it for fun and enjoyment and we want to share that to the world. seriously, what is the wrong with that?..
2. x reader consumers getting WAY too entitled. the number of tiktoks i've seen that say "i run a strict program when it comes to reading fanfics." girl you aint running shit. this is FAN FICTION you're reading. F A N F I C T I O N. there is no denying that most fanfiction writes are beyond talented but just because you read one fanfic that exceeds your expectations doesn't give you the right to talk down on others that don't. people have their own personal writing style, their way of doing things and you talking shit on that isn't right.
at the end of the day, we are all humans, reading and writing is what we do and what we're meant to do. and for you to talk shit about a person WRITING is so insane. we are humans. not some robots that you can tell what to do so you can consume it.
i've seen so so many authors take down their fanfics and losing all motivation to write because of a hate comment. DONT LIKE DONT READ‼️
and to every author reading this, this community values your work and your contribution. we love u and, please, never let anyone's negative words have an effect on you.
summary: you've spent years convincing the bau that your love life is chaotic, casual, and completely detached—while quietly dying every time aaron hotchner looks at you. but when your dating profile attracts the wrong kind of attention and your unit chief is forced to look a little closer, it turns out there are very few things more dangerous than being profiled by the man you're hopelessly in love with.
notes: i've been a little conflicted about posting lately, but... it's my birthday, and i want aaron hotchner—so here you go! i've been working on this for a while and had a very very smart friend help me with the "profiling" parts (especially reid) so i hope y'all enjoy! i also really wanted to actually write the smut, but this fic hit the block limit so hard and fast it actually hurt. as always, please please let me know what you think!
warnings: swearing / cursing, blushing, italics, reader wears a skirt (and heels), reader has a cat, implied age gap, best friend!reid, some pretentious ranting, horny thoughts, likely incorrect behavioural and psychoanalytical information, likely incorrect technical information (sorry garcia), canon-typical themes (homicide, etc. referred to off page), stalker / stalking behaviour, ambiguous use of "online dating" (because i tried to keep it vaguely around s6/s7 era), kind of rushed ending? and... fade to black / implied sex (i’m so sorry) 18+ only still, mdni.
word count: 19001
MONDAY 9:25AM
Working for the FBI means having secrets is difficult. Working with the BAU makes it downright impossible.
Not because your colleagues are nosy—no, they’re just… perceptive. Which means if you want to keep something to yourself, you need to know how to manipulate their perception. Even if it doesn’t work on all of them—you glance at Reid, already seated at the round table with his nose buried in a book—at least it works on most of them.
At least, it works on Aaron Hotchner.
Your boss. Your unit chief. The man who absolutely cannot find out about your big, fat, massively inconvenient, deeply inappropriate crush on him.
Reid glances up from his book as you drop into the seat beside him. “You’re wearing a skirt.”
You cross your legs and lean back. “Excellent observation, Reid.”
“It’s impractical,” he says simply. “Especially with heels. Your centre of gravity shifts forward by almost fifteen degrees, which shortens your stride length and reduces balance recovery time. You’re significantly more likely to trip while running.”
You roll your eyes. “Good thing I’m not planning on fleeing the scene of a crime today.”
“Ignore boy genius, baby girl,” Morgan says as he steps into the room, heading straight for the espresso machine. “You look good.”
You flash him a grin. “See? Somebody appreciates me.”
Reid hums as he glances back down at his book. “Interesting how your clothing choices become statistically less practical in direct correlation to Hotch’s proximity.”
Your stomach flips. “Spence.”
He lifts one shoulder. “What? He’s not listening.”
You glance back at Morgan, whose eyes are glued to his phone, brow furrowed just slightly as he waits for the whirring coffee machine to fill his cup.
“That’s not the point, Spencer,” you mutter, turning back to him. “You need to—”
The conference room door swings open again and Hotch walks in—files tucked under one arm, the rest of the team trailing behind him.
“Morning,” he says, dropping the files on the table. “Hope everyone had a good weekend.”
Morgan snorts. “What weekend?”
“Yeah,” Prentiss mutters, dropping into the seat beside Reid. “I was here until five on Saturday finishing geographical profiles.”
“That’s because you alphabetise your paperwork,” you point out.
She gives you a look. “I enjoy being proficient.”
“Well,” you say lightly, leaning back in your chair “some of us managed to finish our paperwork on Friday and still have a very enjoyable weekend.”
Garcia gasps dramatically as she falls into the last empty chair, coffee in hand. “Ooh, look at you. Was there a man involved?”
You shrug one shoulder, biting back a smile. “I’m choosing to plead the fifth.”
Morgan points across the table. “That means yes.”
“Or,” Reid says without looking up from his book, “it means she enjoys making people speculate.”
“Aw, Spence,” you tease. “Don’t sound so bitter.”
He finally looks up from his book and fixes you with a look so flat it borders on threatening—because he knows what you’re doing. It’s what you always do. It’s how you manipulate their perception. How you keep your secret.
You perform.
You scroll through dating profiles, talk about men, brag about your weekends without ever being too specific. You flirt with almost everyone on the team—Reid more than the rest, because he’s your scapegoat... and your best friend.
He’s the only one who can see through the charade. Not because he’s emotionally perceptive, but because he did the math. He noticed the pattern. He realised very quickly that every time Hotch walks into a room or says your name, you react in a way that can only mean one thing:
Hotch is the secret you’re trying so hard to hide.
Because if you give a team of profilers an easy explanation—harmless flirting with a messy dating life and a weakness for attention—they won’t notice the way your entire body betrays you whenever your infuriatingly gorgeous boss gets too close.
Hotch clears his throat. “Well, lucky for all of you, it’s a quiet week.”
Reid shuts his book and sets it on the table.
“No active cases as of this morning,” Hotch continues. “Which means we’ll be catching up on consults, court reports, and the mountain of paperwork everyone’s apparently been neglecting.”
His eyes meet yours for the briefest second, and your pulse skitters.
“I’m bored already,” Morgan sighs, leaning back in his chair.
Hotch ignores him. “We’ve got two local consult requests from Fairfax County and a follow-up review from the Richardson case. Dave, I’ll need your notes finalised by this afternoon.”
Rossi nods once. “You’ll have them.”
“Garcia,” Hotch continues, “the Milwaukee office wants that digital forensic review by Wednesday.”
Garcia gasps softly, pressing a hand to her chest. “But I already colour-coded my entire week. That review wasn’t supposed to be due for another fortnight.”
Morgan blinks. “You colour-code your schedule?”
“Obviously,” Garcia says. “How else would I maintain my sparkling personality under crushing institutional pressure?”
Reid straightens. “Technically, organising information activates the same reward pathways as—”
“Don’t,” Prentiss says immediately.
Reid frowns slightly. “I was just going to say gambling.”
You snort softly before you can stop yourself, covering it quickly with your hand. Reid shoots you a look. Prentiss just shakes her head. And when your eyes finally flick back to the front of the room, Hotch is already watching you.
Not the team. You.
Your stomach twists.
That signature Hotchner scowl should not be as hot as it is. It shouldn’t make you cross your legs a little tighter or make your heart race the way it does. You should be used to that scowl by now. You’re on the receiving end of it often enough—whenever you crack a poorly timed joke or flirt a little too hard with Morgan.
Yet somehow, you still feel like you can’t breathe until his gaze finally shifts.
“Moving on,” he says evenly, “JJ will forward the consult details after the meeting.”
He spends the next thirty minutes briefing the team on consults and court appearances while you do your best to stay focused—but it’s hard. It’s hard because every time you look at him, your gaze drops to his mouth and your mind fills with all sorts of filthy ideas. Then he starts moving his hands as he explains something and you can’t help but wonder what they might feel like wrapped around your waist, your thighs, your throat.
His voice is a low rumble at the back of your mind, warm and firm, but you have no idea what he’s actually saying. All you can do is think about how that voice might sound, wrecked and rough, telling you how pretty you look when you—
“The briefing ended three minutes ago,” Reid says.
You blink hard. “What?”
He closes his notebook with a sigh. “The meeting’s over. You can stop internally monologuing now.”
You frown. “I’m not—”
He gives you a look.
“Ugh,” you groan. “You’re so annoying.”
You push up from your chair and walk out of the conference room without waiting for him, but you’re not surprised that he’s right behind you by the time you reach the bullpen. You drop down at your desk with another indignant huff, watching Reid do the same from the corner of your eye.
Everyone else is already settled at their desks—keyboards clicking, pens scribbling—and there’s a fresh stack of files next to your computer with a sticky note on top that reads: Fairfax files. Prioritize pages 12–18. – Hotch.
You want to laugh at the little sign-off, as if anyone else would have put these files on your desk. Your fingers trace over the note once before you peel it off and stick it to the bottom corner of your computer screen.
Reid snorts. “You know most people throw those away, right?”
You glance sideways at him. “I don’t want to forget the page numbers.”
He hums. “Sure.”
“You know,” you say, turning your chair to properly face him, “you’re being particularly judgemental today. What’s your problem?”
He stares at you for a moment, then glances back at the sticky note still attached to your monitor.
“I’m experiencing prolonged second-hand embarrassment,” he says plainly. “And repeated exposure tends to increase irritability.”
You roll your eyes. “Yeah, well—you’re increasing my irritability.”
“Exactly,” he says, already turning back to his computer.
You glare at the side of his head for a long moment, searching for a comeback—but your mind is completely blank. So with another irritated sigh, you turn back to your own screen, scoot your chair into the desk a little harder than necessary, and settle in for what’s shaping up to be a very boring Monday.
The next two hours pass by in a blur of interview transcripts, witness statements, and crime scene photos. The Fairfax County PD files detail the death of a woman in her late thirties who accidentally overdosed in her Reston home early last week. No prior history of substance abuse, financial instability, or high-risk behaviour—until forty-eight hours before her death.
In just two days, she withdrew a large amount of money, missed work without explanation, visited several bars she’d never been to before, and bought herself thousands of dollars’ worth of expensive jewellery and lingerie.
To anyone else, it might look like some sort of breakdown—an impulsive spiral that led to the kind of recklessness you can’t come back from. But to you, the behaviour feels too... artificial. As if someone is trying to construct the narrative of a troubled woman—checking all the right boxes to give investigators an easy explanation for a tragic overdose.
Only there isn’t enough concrete evidence to support your instinct. No stalker. No ex. No clear unsub who could have orchestrated this kind of ruse to cover what might actually be homicide.
You sigh. “Reid.”
“Hm?”
“Tell me if I’m overthinking this.”
Reid pushes back from his desk and scoots across the narrow stretch of carpet between your workstations. He doesn’t stop until his chair bumps the side of your desk, causing your pen cup to topple over and spill across the files you’ve got carefully laid out.
“Oops,” he says absently, pushing the pens aside.
You roll your eyes and start gathering them while he scans the files.
“The behavioural shift feels manufactured,” you say, dropping the pens back into their cup. “But there’s enough legitimate stressors here that I can’t tell if I’m forcing a pattern because it’s too clean.”
Reid examines the highlighted timeline for another few seconds.
“You’re focusing too much on the existence of the stressors,” he says. “Stress explains escalation. It doesn’t explain inconsistency.”
You frown slightly.
“She suddenly becomes impulsive socially, financially, and sexually, but her organisational habits never change.” He taps the timeline. “She still pays bills early. Still meal preps. Still attends a dentist appointment two days before her death. Real behavioural deterioration isn’t usually selective.”
Your brows lift. “So, I’m right?”
Reid nods, leaning back in his chair. “You’re right.”
“What’s she right about?”
You nearly jump at the sound of Hotch’s voice—low and even, a little rough around the edges in that way that always makes your stomach tighten.
“She thinks the behavioural shift is staged,” Reid says. “And I agree.”
He scoots back slightly as Hotch leans in, one hand braced on the back of your chair while the other pulls the file closer so he can read it properly. His tie falls forward, brushing lightly against your thigh—and suddenly, you can’t breathe.
He’s close. Way too close. You can feel the heat of his breath on your skin. Smell the bitterness of coffee beneath his cologne. Hear the quiet creak of leather from his belt as he leans in further.
“It’s too compartmentalised,” Reid says, his voice more distant than it was just a second ago. “Real behavioural spirals usually bleed into every aspect of a person’s routine. Sleep disruption, missed payments, changes in grooming habits, social withdrawal—something.”
Hotch lifts his hand off the desk and presses his thumb to the tip of his tongue—then flips the page.
Your pulse jumps so hard it almost hurts. Heat crawls up the back of your neck. Your whole body feels too hot, your clothes suddenly too tight, the bullpen too small—but you can’t move. Not with Hotch’s hand still on the back of your chair.
“But this is curated,” Reid goes on, tapping the timeline with the end of his pen. “The impulsive behaviour escalates while the foundational routines stay completely intact, which suggests intentional narrative construction.”
Hotch turns his head just slightly, dark eyes finding yours. “You caught that?”
You clear your throat. “I just... thought the escalation pattern felt off.”
“Her behavioural analysis is spot on, actually,” Reid says. “I can’t find a flaw in it.”
Hotch hums quietly as his eyes move back over the file.
“Good girl,” he says absently.
Your entire nervous system short-circuits.
“Keep it up,” he adds, smoothing his tie as he straightens.
You don’t say anything as he turns and walks away. You couldn’t even if you wanted to.
Reid just sits there, hands folded in his lap as he watches Hotch disappear into his office before slowly turning back toward you.
“You know,” he says thoughtfully, “the age-gap preference is actually more interesting than the authority fixation.”
You finally blink. “What?”
“Because the authority thing makes perfect sense. High-pressure careers tend to reinforce attraction to competence, decisiveness, emotional restraint—especially in workplace environments where leadership qualities become psychologically linked with safety and stability over long periods of exposure.”
You frown. “What are you—”
“But the older man preference is statistically more complicated because you don’t actually display the attachment markers usually associated with paternal absence or instability.”
Your eyes go wide. “Spencer—”
“You have a healthy relationship with your father, no documented authority issues, and relatively secure interpersonal attachment patterns, which suggests the preference is less psychologically compensatory and more rooted in behavioural reinforcement.”
“Reid.”
“For example,” he goes on, ignoring you completely, “you spent your formative professional years surrounded almost exclusively by older men in positions of intellectual and behavioural authority. Gideon, Rossi, Hotch—which likely created a reinforcement pattern where emotional competence became unconsciously associated with attraction, arousal, and sexual interest.”
You freeze. “Reid, I swear to—”
“You don’t react this strongly to older men generally,” he continues. “You react strongly to Hotch because he’s emotionally controlled, professionally authoritative, intellectually intimidating, and—”
He pauses, tilting his head.
“Very obviously your type.”
You glance frantically around the bullpen, scanning the desks for the rest of your team.
Morgan has his headphones on, completely focused on whatever report he’s typing. JJ’s desk is empty, as usual—she’s probably with Garcia. And Prentiss is only halfway back from the kitchen, still stirring her fresh cup of coffee.
Your gaze cuts back to Reid. “You are so lucky no one heard that, Spencer.”
He shrugs. “Wouldn’t matter if they did.”
Your brows pull together. “What’s that mean?”
“You’re good at redirecting attention,” he says, slowly pushing his chair back toward his desk. “You’re less good at hiding physiological responses.”
Your hand flies up to your cheek, palm pressing flat against the burning skin.
“Whatever,” you mutter. “It’s warm in here.”
Reid glances around the bullpen. “It’s sixty-eight degrees.”
“I hate you.”
“No you don’t.”
You shoot him one last glare before turning back toward your computer, aggressively waking up the monitor with your mouse.
You stay chained to your desk for the next few hours, finishing up the victimology report for the Fairfax files before taking them to Rossi for final review. Then you head out with JJ to grab a late lunch from the deli down the street, and when you get back, there’s a brand-new stack of files on your desk—only this time, with a tall takeaway cup of coffee set on top.
“Hotch got dragged into some last-minute Section Chief meeting across town,” Morgan says, pushing his headphones down. “Said he needs those cross-referenced before tomorrow morning.”
“Great,” you mutter, dropping into your chair.
Morgan chuckles softly as he pulls his headphones back up, turning back to his own pile of reports.
You grab the coffee from the top of the files and find a sticky note stuck beneath it—written quickly but still in his unmistakable handwriting: I owe you one. – Hotch.
Your stomach flips.
God. That’s pathetic.
You peel the note off and drop it into the top drawer of your desk, not wanting another psychoanalytic lecture from Reid if he were to spot that note stuck to your monitor.
The rest of the day passes the way every other caseless Monday afternoon does. JJ’s the first to head out—not long after five—taking advantage of the slow week to spend a little extra time with Henry. Rossi leaves about an hour later, announcing to the bullpen that he’s got a date with a bottle of wine and reruns of his favourite medical drama. Morgan manages to clear the files on his desk before seven, finally putting his headphones away before bidding the rest of the team farewell.
Prentiss and Reid linger until nearly nine, and only when the motion sensor lights blink out does Prentiss finally glance up, realising how late it is. She gathers her things and nudges Reid, who’s been firmly stuck in hyperfocus mode despite the rest of the world quietly slowing down around him.
“You coming?” he asks, adjusting the strap of his satchel.
You look up slowly, your brain buffering as it untangles itself from the files spread across your desk.
“Not yet,” you reply, blinking tiredly. “Hotch needs these by morning.”
Reid tilts his head. “Want me to wait?”
You wave a hand. “Nah, go ahead. I’ll get security to walk me to my car.”
“Alright,” he says, already turning away. “Just remember that positive reinforcement loses effectiveness when the subject becomes emotionally dependent on it.”
You glare at his back. “I’m reporting you to HR.”
“You’d have to explain the context,” he calls over his shoulder.
You roll your eyes as you turn back to the last file on your desk, taking a deep breath and flipping it open.
With the bullpen almost completely silent and the promise of sleep so close you can taste it, you manage to get through it in record time. You even give it a quick second pass to make sure you didn’t miss anything glaringly obvious in your tired state—but you’re used to working through sleep deprivation, and by ten p.m., you finally start packing up.
You organise the files back into a neat pile, then open the top drawer of your desk for Hotch’s note. You stick it to the top file and grab a pen, scribbling just below the words he wrote: Dangerous thing to promise me.
And, just as he did, you sign off with your name.
Then you gather the whole stack in your arms and cross the bullpen toward his office. Unlocked, as usual. You nudge the door open with your foot, warm lamplight casting an orange glow over the quiet space. It smells faintly like coffee and his cologne—enough to make your heart start racing the second you step inside.
You set the files neatly on his desk, trying not to linger on the quiet traces of him scattered throughout the room.
There’s still half a mug of cold coffee abandoned beside some paperwork, and the cashmere sweater he’d been wearing beneath his jacket this morning is draped haphazardly over the back of his chair. Quiet evidence of just how suddenly he’d been called away.
It makes you feel a little better knowing you really have helped him out.
You adjust the files until they’re perfectly straight, then take the sweater from the back of his chair and fold it neatly before setting it on the chest of drawers beside his desk. You hesitate for just a second before grabbing the mug of cold coffee and heading out of his office, straight for the break room. You empty it, wash it, dry it, then return to his office, placing it back on his desk exactly where you found it. Then you switch the lamp off on your way out, pulling the door most of the way shut behind you—the way it’d been before you stepped inside.
It doesn’t take long for you to gather your things, head down to security, and badge out. One of the guards escorts you to the parking garage, waiting until you’re safely inside your car with the engine running before he takes the elevator back up.
Once home, you quickly feed the yowling Leia—your cat, who’s very unimpressed by your late arrival—take a quick shower, change into your comfiest, threadbare sleep shirt, then crawl into bed with your laptop balanced on your knees. You know you should just try to get some sleep, but you’ve been ignoring a few personal messages and emails for a couple days now, and you know that if you don’t get to them soon, you’ll start to feel guilty.
You open your emails, reply to a couple, then pull up a new browser tab and type in the login address for the dating site Garcia set you up for. Not that you couldn’t have set up your own profile if you’d really wanted to.
No—this profile is just the unintentional byproduct of your ongoing attempt to redirect attention.
One slow Thursday evening in the bullpen, while you’d been loudly complaining about how impossible it was to meet men with a job like yours, Morgan had the brilliant idea of making you a dating profile. Garcia immediately lit up at the idea, pulling the site up on her computer while Reid launched into a rambling statistical analysis about the probability of finding genuine compatibility online.
Hotch hadn’t contributed to the conversation, but you’d known he was listening.
That had been the whole point. You always perform a little harder when Hotch can hear.
The site finally loads and you type in your credentials, waiting a few seconds for your profile to pop up.
Twelve notifications.
You click on the ‘messages’ tab and start scrolling. There are a few old conversations that fizzled out and you’ve long since decided not to reply to. There are a couple of messages from people you never intend on starting a conversation with. Then there are two new messages—ones you’d seen pop up on your phone but couldn’t be bothered to engage with over the weekend.
After all, you’re not actually looking to date anyone.
But one of the messages catches your eye.
DCRunner00: You seem like the kind of person who’s either very funny or very mean. I’m willing to risk it.
You snort, then type out a reply.
You: Unfortunately for you, those traits aren’t mutually exclusive.
Just as you hit enter, Leia leaps up onto the bed.
“Hey, sassy girl,” you coo, moving your laptop to reach for her.
Your fingers graze her soft coat, and she gives you an incredibly disapproving look.
You roll your eyes. “Alright. Sorry for loving you.”
You settle back against the pillows as she makes her way to the other side of the bed, curling up as far as she can possibly get from you.
Ping! Ping! Two more messages pop up.
DCRunner00: That’s probably the best possible answer you could’ve given.
DCRunner00: So what’s your worst personality trait? I feel like that’s more interesting than hobbies.
That answer comes a little too easily.
You: Workaholic. You?
DCRunner00: I get bored easily.
DCRunner00: Which usually means I either start running or annoying people for entertainment.
You: Sounds like a public safety issue.
DCRunner00: Depends who you ask.
DCRunner00: You should probably get some sleep, Workaholic. It’s late.
You glance over at Leia as she rolls onto her side, stretching her front legs, and only then do you realise you were actually smiling at your screen.
You shake your head, typing quickly.
You: Yeah, I should.
You: Night, Running Man.
Then you shut your laptop before he can send another message.
TUESDAY 9:50AM
“Morgan, you’re with me at district court this afternoon,” Hotch says, closing the file in front of him. “The defence attorney’s pushing back on the Richardson testimony, so we’ll need to review our timeline before the hearing.”
He’s wearing a grey suit today.
You can never think straight when he’s wearing a grey suit.
Morgan sighs dramatically. “Nothing says excitement like four hours in a courthouse basement.”
Hotch ignores him completely.
“JJ, I want the media requests filtered through Strauss’s office before lunch. Reid, finish the geographic overlays from the Fairfax case and send them to Rossi when you’re done.”
He glances once around the table.
“If anything urgent comes in, you’ll be notified. Otherwise, continue using this downtime to catch up on reports.”
Then he gathers the files into a neat stack and stands, turning toward the door.
The rest of the room starts moving slowly. Morgan mutters something to JJ about the court hearing, Prentiss turns to Reid, asking something about a case you don’t quite catch, and Garcia is already explaining something on her laptop to Rossi, who’s watching the screen with quiet concentration.
Which leaves you to shamelessly stare at your boss’ ass as he walks out of the room.
“You should probably blink.”
Your head snaps toward Reid, frown already forming. “I’ll blink when I want to blink.”
He presses his lips together to keep from laughing, and you know he’s fighting the urge to launch into some deeply unwanted psychoanalysis of your behaviour—but thankfully, the rest of the team is still too close for him to risk it.
Eventually, everyone starts filing out of the conference room and back into the bullpen. You end up being the last to leave, behind Reid and Garcia who are chatting animatedly about some new phone app they’re both obsessed with.
You’re just about to pass Hotch’s office door when—you hear your name.
You turn your head, and he gestures for you to come in.
Reid glances briefly over his shoulder, an irritatingly knowing look on his face as you turn and step into Hotch’s office.
You clear your throat, stopping a few feet from the desk. “Sir?”
“How late were you here last night?” he asks.
You lift a shoulder. “About ten.”
His jaw shifts as he leans back in his chair. “That’s late.”
“Morgan said you needed them done by the morning.”
“I didn’t mean first thing,” he says, smoothing the end of his tie. “You could’ve finished the rest before lunch.”
You blink. “Oh.”
His gaze holds yours for a second too long.
“You don’t need to stay late to impress me.”
Your eyes widen slightly before you force out a small, awkward laugh. “Oh—uh—good to know.”
He glances briefly at the navy-blue cashmere sweater still folded neatly on the chest of drawers.
“Still,” he says, lower this time. “I appreciated it. The files, and… everything else.”
Your breath catches softly in your throat.
“Anytime, sir,” you manage.
He nods once, then drops his gaze back to the paperwork on his desk.
You don’t need any more of a dismissal than that, so you turn quickly and step out, pulling the door shut behind you. He prefers it closed, even if he won’t admit it because he doesn’t want the team to think he’s shutting them out. He’s just more comfortable in private—it helps him focus.
By the time you get back to your desk, everyone else is already settled and working quietly. Not even Reid glances up or offers a teasing remark.
You drop into your chair and wriggle your mouse, grabbing your phone while you wait for the screen to wake up.
Two new messages from DCRunner00.
DCRunner00: Running Man?
DCRunner00: Great book. Slightly concerning nickname, though.
You can’t help yourself, so you type out a quick reply.
You: Better than ‘Workaholic’.
You: You read Stephen King?
“Hey, you busy?”
You glance over at Reid. “Aren’t we all?”
He tilts his head. “You’re on your phone.”
“I could be working.”
“Are you?”
“No.”
“Good,” he says, shuffling the files on his desk. “Hotch wants us to prep the full geographic and timeline package for the Fairfax files in case it turns into an active investigation.”
You sigh, already pushing back from your desk. “And by ‘us’ you mean...?”
“I could use your help.”
“Fine,” you mutter, setting your phone down.
He scoots over as you roll your chair toward his desk, settling in beside him. The files are all laid out, including your victimology report with Rossi’s few annotations. There are crime scene reports, autopsy summaries, witness statements, geographic overlays, and maps—everything needed to justify escalating the case into a full BAU investigation.
“Where do you want to start?”
“I’m trying to rebuild the geographic timeline digitally,” he says, “but half the field reports were logged out of sequence and now the movement patterns don’t align.”
You nod. “Okay, walk me through where it stops making sense.”
Three hours later, you feel like your eyeballs are bleeding. You’ve read the same witness statement at least twenty times now, but with every pass it only makes less sense. How could Annabelle Hutton possibly be placed in two different counties less than forty minutes apart?
“It’s physically impossible,” you mutter, rubbing your eyes.
Reid hums quietly beside you. “Not necessarily.”
You stare at him. “Care to elaborate?”
“Well, depending on traffic conditions, inaccurate timestamp reporting, and the reliability of eyewitness memory retention, there are at least four scenarios where the timeline could still technically work.”
You sigh, leaning back in your chair and staring up at the ceiling. “If you know so much, then why can’t you figure this out?”
He still doesn’t turn away from his screen. “I will. Eventually.”
You groan softly, dragging both hands down your face just as a familiar voice cuts through the quiet bullpen.
“No, listen to me carefully.”
Both you and Reid glance up automatically.
Hotch is walking slowly past the desks with his phone pressed to his ear, expression calm but impossibly stern in a way that immediately makes heat crawl beneath your skin.
“You don’t need to explain the problem again,” he says evenly. “You need to tell me how you’re fixing it.”
He pauses briefly beside Reid’s desk, listening.
“Then prioritise the transfer first,” he says. “If the paperwork isn’t filed before opposing counsel reviews discovery, the timeline becomes vulnerable and the entire testimony gets picked apart.”
He rests a hand on the partition between the desks, gaze fixed somewhere distant as he listens to the person on the other end.
“No,” he says after a moment, voice lower now. “I’m not asking you to stay late. I’m telling you this needs to be finished tonight.”
Your stomach flips.
This absolutely should not be as hot as it is.
“Good,” he says calmly into the phone, straightening again. “Call me when it’s done.”
Then he keeps walking, cutting through the bullpen before turning sharply toward his office.
You stare after him, the thought slipping out before you can stop it. “Do you think he talks you through it?”
“Probably,” Reid says, turning back to his screen. “High-control personalities usually prefer maintaining verbal direction in intimate situations because it reinforces predictability and compliance dynamics.”
You go still. You hadn’t actually expected an answer.
“Someone like Hotch would probably place a pretty high psychological value on responsiveness,” Reid continues. “The immediate compliance aspect reinforces authority, which means verbal direction would likely become part of the overall intimacy dynamic rather than just communication.”
Your face heats.
“Especially because he’s not impulsive enough to rely on unpredictability. He’d want constant awareness of how the other person is responding emotionally and physically, so talking them through things would help maintain control of the situation while also reinforcing trust.”
Oh my God.
“And honestly,” Reid goes on, “people with highly structured leadership personalities usually develop pretty strong positive associations with obedience because it confirms stability, attentiveness, emotional investment—” He pauses briefly. “Which means he’d probably find it disproportionately attractive when someone follows instructions immediately or responds well to praise because it validates both the authority dynamic and the emotional trust beneath it, so statistically speaking he’d—”
He stops.
Then slowly turns toward you.
“...I crossed a social boundary somewhere in there, didn’t I?”
You nod slowly, your voice coming out unnaturally high. “Just a couple.”
He sighs, dropping his chin slightly as he turns back to his screen.
You huff out a breathless laugh and lean back in your chair again. You need a minute to recover from that, because now you’re hot all over and the only thing you can think about is your boss hovering over you, praising you in that low, steady voice while his hand settles around your throat—
Fortunately, it doesn’t take Reid long to start rambling about geographic overlays again. You do your best to focus on what he’s saying, but after another hour of scrutinising the timeline inconsistencies, you decide you need an actual break.
You grab your phone and your jacket and head out of the office, sending a quick text to the team chat asking if anyone else would like a coffee from the cafe down the road. It’s a thousand times better than break room coffee.
When you step out of the elevator on the ground floor, you bring up your messages with DCRunner00. You’re not sure why, because normally you only check your profile when you feel like you need to keep up the act, but something about this guy keeps making you want to reply.
DCRunner00: I’ve read a few.
DCRunner00: What does a workaholic do for fun?
You type your reply as you step out of the building.
You: Work, mostly.
You: And sleep.
By the time you return to the office with a tray of four coffees, you have two new messages—but you can’t reply to them until you set the tray down at your desk.
“Thanks, pretty girl,” Morgan says as he takes one, flashing you a grin.
You smile back. “Anything for you, gorgeous.”
Then you pull your phone out of your pocket and bring up the message thread.
DCRunner00: What’s your schedule even like?
DCRunner00: You strike me as an “answers emails at midnight” type of person.
You: Nah. That’s my boss.
You: My schedule is chaos, though.
“Thanks,” Reid says as he takes his coffee, leaving only two.
You set your phone down and take the last two coffees out of the tray, leaving one at your desk before taking the other to Hotch’s office. You can see through the window that he’s not on the phone—for once—so you knock twice on the slightly ajar door before stepping inside.
He glances up, his brows pulling together slightly. “I didn’t ask for coffee.”
“I know,” you say quickly. “But it’s almost three, and you always need another coffee around three, and I figured you probably didn’t answer the team message because you still feel bad about me staying so late last night, which you shouldn’t, by the way.”
He straightens, brows drawing tighter.
“And I know you’ve got court with Morgan this afternoon, and you’re going to try to leave early, but someone’s definitely going to call at the last second and derail that plan, so you’ll only have enough time to get to the courthouse—not enough time to stop for coffee.”
You set the cup down in front of him.
“So,” you tilt your head, “coffee.”
He leans back in his chair, studying you for a second.
“That’s some pretty solid profiling, Agent.”
Your face heats instantly.
“Well,” you say, backing slowly toward the door, “maybe now you owe me two.”
The corner of his mouth lifts, just slightly, but it’s enough for the butterflies in your stomach to explode. You can’t help but grin as you turn away, slipping quickly out the door before your lungs forget how to work entirely.
You spend the rest of the day at Reid’s desk, finishing the case package for the Fairfax files and complaining about unreliable witnesses. Hotch and Morgan head off to court just after three, announcing to the rest of the team that they won’t be back. JJ is the first to head home again around five, followed by Prentiss, then Rossi—then you and Reid finally decide to call it a day just after six.
Which is also when you finally check your messages again.
DCRunner00: Chaos how?
You type a quick reply while you wait for your car’s AC to warm up.
You: Long hours.
You: Weird hours.
You: And a deeply unhealthy relationship with caffeine.
Then you tuck your phone away and head out of the parking garage.
Leia is already yowling by the time you step through your apartment door. She’s always hungry, even though she has an automatic feeder for dry food—but apparently that isn’t good enough. She prefers the wet stuff.
You quickly peel open a packet of fishy-smelling chicken jelly sludge and drop it into her bowl before washing your hands and moving into your bedroom. You flip the ensuite light on and start the shower, pulling your phone out of your pocket while you wait for the water to warm.
DCRunner00: Ah. So you’re one of those people.
You: Rude.
He replies almost immediately.
DCRunner00: Accurate, though?
You: Unfortunately.
You drop your phone on the bed and start undressing.
Ping!
DCRunner00: What do you actually do?
You hesitate. It’s not like you can just say you’re in the FBI. Contrary to what some people might think, real FBI agents can’t just go around bragging about their highly classified work status. It’s dangerous.
You: Mostly admin.
You: Governmental stuff.
You toss your phone back onto the bed and turn into the steamy ensuite. You shower quickly, dry off, run product through your damp hair, then pull on a shirt and a pair of sweatpants before heading back out into the kitchen.
You’re not in the mood to cook tonight, so you grab a protein bar out of the cupboard and start boiling the kettle while you check your phone for what feels like the hundredth time.
DCRunner00: Sounds boring.
DCRunner00: Do you get days off, though?
You drop a teabag into your mug before typing out a reply.
You: Sort of.
You: But if my boss calls, I answer.
He replies instantly again.
DCRunner00: I’m starting to think you secretly enjoy being overworked.
You: I think I’d get bored otherwise.
You pour the boiling water into your mug and watch his next reply pop up.
DCRunner00: That sounds suspiciously unhealthy.
You: Probably.
What about you? What do you do?
You tuck your phone into your pocket, then grab your tea and protein bar and head to the couch. There’s nothing you’re really interested in watching—since you don’t usually have the time to keep up with any shows—so you turn on the nightly news before grabbing your laptop and pulling up a new browser.
He’s already replied by the time you log in.
DCRunner00: Run.
DCRunner00: Read.
DCRunner00: Annoy people professionally.
You: That sounds made up.
You open your protein bar.
DCRunner00: It mostly is.
DCRunner00: So your boss actually calls you outside work hours?
You hesitate at the sudden redirection. Most men on dating apps prefer talking about themselves. Their jobs, hobbies, gym routines, childhood dogs—whatever makes them seem interesting—but this guy seems far more interested in observing than being observed.
You type out a vague response.
You: Sometimes.
You: Occupational hazard, I guess.
DCRunner00: And you always answer?
You: Pretty much.
You: He’d only call if it mattered.
His next reply takes almost two minutes to come through.
DCRunner00: Hm.
DCRunner00: I’m starting to think your boss gets more attention than I do.
You almost choke on your tea.
That’s... weird.
Maybe you have mentioned your boss a little more than strictly necessary, but he’s the one asking all the questions about your job. It’s a little hard not to mention your boss when your life practically revolves around him—in more ways than you care to admit.
You: Jealous already, Running Man?
DCRunner00: Should I be?
You sit up straighter, suddenly a little nauseous.
You: I think you’re spending too much time talking to strangers online.
DCRunner00: Maybe.
DCRunner00: You still replied, though.
“Okay,” you say, startling Leia who was half-asleep on the other end of the couch. “That’s enough.”
You: I’m going to sleep.
You: Try not to spiral while I’m gone.
His last message pops up just before you shut your laptop.
DCRunner00: No promises.
WEDNESDAY 8:10AM
“Come on,” you mutter, mashing the elevator button for the doors to close.
You’re a whole thirty minutes earlier than usual this morning. You didn’t even make a coffee in your travel mug before running out the door. You just woke up, brushed your teeth, checked your messages—and decided you needed to talk to Garcia immediately.
“Hey—woah.” Reid steps out of your way as you rush into the bullpen. “You’re early.”
You drop your bag on your desk and quickly shrug off your jacket.
“Is Garcia in yet?”
He frowns slightly. “I think so. Why?”
You pull your laptop out of your bag.
“I just—I need her.”
You’re already walking away before he can press any further, moving back through the bullpen with your laptop hugged against your chest. You’re just about to round the corner toward the elevators when—
“Hey—” Hotch stops short just as you nearly run into him. “Slow down. You alright?”
His hand is hovering near your waist—not quite touching, but close enough for you to feel its warmth.
You blink up at him. “Sorry. Yeah. Uh—totally fine. Just going to see Garcia about... a case.”
His brows pull together slightly.
“Alright, well, Garcia’s not going anywhere,” he says evenly. “Take a breath.”
You nod slowly, already stepping around him.
“Right,” you mutter. “Breathing. Got it. Sorry, sir.”
You can almost swear you see the corner of his mouth lift—but then the elevator dings behind you, and you have to hurry to slip through the doors before they slide shut.
It feels like an eternity before they finally open again, but once they do you practically sprint down the hall to Garcia’s lair and burst through the door without warning.
She startles so hard she nearly drops her coffee. “Sweet mother of encryption, knock first!”
“Sorry,” you say, breathless. “I need you.”
“Well, obviously,” she mutters, checking her shirt for any spills. “I’m the backbone of this entire operation.”
You drop down into the spare chair and open your laptop, setting it on her desk.
“You cannot judge me for what I’m about to show you.”
She glances up, brows lifting. “Oh. So this is serious?”
You grimace. “I don’t know.”
“Okay,” she says slowly. “Slightly less reassuring than I was hoping for. Tell me what’s happened.”
You take a deep breath, then let it out in a rush.
“You remember the dating profile you set up for me?”
She nods.
“Alright, so, I won’t lie, I haven’t really met anyone on there yet, but I check the messages occasionally. When I’ve got time, you know? And I don’t have a whole lot of ongoing conversations, but this one guy sent me something that was kind of funny, so I responded, and the conversation was pretty normal for the most part. I couldn’t reply all that quickly, but he didn’t seem to mind.”
You shift awkwardly, scooting your chair closer to her desk.
“Nothing really felt out of place until—well, he wouldn’t talk about himself much, which is strange because most people on dating apps are usually more interested in presenting themselves than gathering information. He kept asking questions about my job, actually. Not that my job is on my profile, but he was really curious about my schedule, or—I guess—lack of schedule.”
You wince.
“So now that I think about it, that was probably the second sign something might be off. Or maybe he just wanted to meet up, I don’t know.”
You hesitate.
“But then he sent me this message at like... two a.m.”
She squints at the screen.
DCRunner00: Bet you answer your boss faster than you answer anyone else.
“Mmm. Nope. Don’t love that,” she says, shaking her head. “That is not a normal amount of emotional investment for a stranger.”
You sink back in your chair. “That’s what I thought.”
She starts scrolling back through the messages.
“Have you told Hotch?”
“Nope.”
She glances at you from the corner of her eye. “You answered way too fast for that to be a normal response.”
“Because the answer is no,” you say firmly, leaning forward again.
“Mm-hm.” She keeps scrolling. “Okay, well... technically this could still be nothing. He could just be some lonely basement cryptid with Wi-Fi and poor social skills.”
You groan, dragging both hands over your face.
“You do mention Hotch kind of a lot.”
Your head snaps up. “He’s my boss.”
Garcia gives you a long look.
“Okay,” she says slowly. “Sure.”
“Garcia.”
“I’m just saying, if a man talked about a woman this much online, we’d all be making faces.”
You point at the screen. “Focus.”
“Right. Yes. Creepy internet man. Sorry.”
Her expression settles into something more focused as she turns back toward her array of monitors.
“Okay. Here’s what we’re going to do. Don’t block him yet.”
You sigh. “I don’t love that idea.”
“Neither do I, babycakes, but if he’s routing through the website normally, I might be able to pull connection data if we keep him talking long enough.”
You frown. “In English?”
She gives you another look. “Timestamps, login patterns, regional pings, possible VPN usage, device signatures if he slips up—basic digital stalking fun.”
“Oh, of course,” you say sarcastically. “Normal stuff.”
“For me, it is normal.” She points toward the laptop. “Now reply to him. Something casual. I want to see if he responds immediately again.”
Your fingers hover over the keys for a second before you type out your reply.
You: I thought I told you not to spiral.
He replies so fast that even Garcia flinches.
DCRunner00: Relax. It was a joke.
DCRunner00: Mostly.
She stares at the screen. “Okay, I officially don’t like him.”
You lean back in your chair again, nausea twisting low in your gut. “I feel sick.”
Garcia’s expression softens slightly. “Maybe you should tell—”
“No.”
She sighs quietly. “Okay. Fine. Can you keep replying from your phone?”
You nod.
“Good. Don’t overdo it, just enough to keep him engaged.” Her fingers start flying across the keyboard. “I’ll work my magic down here and call you if I find anything.”
You push yourself out of the chair, clutching your phone a little tighter.
“You’re the best, Pen.”
“I know.” She waves a hand without looking away from her screens. “Now go pretend to be emotionally stable upstairs.”
By the time you get back to your desk, almost everyone is already in the conference room ready for the morning briefing. You drop your phone beside your keyboard—too anxious to have it with you during the meeting—then quickly unpack your things and grab a notebook before making your way up.
Reid nods at you from his usual seat, gesturing to the empty one beside him.
“Hey,” you mutter as you drop down next to him.
His brows pull together. “Everything alright?”
You nod. “Yeah. Fine. I’ll explain later.”
Hotch keeps the morning briefing quick. He goes over yesterday’s court hearing, outlines the Fairfax briefing package in case it escalates into an active investigation, then gets JJ to run through the highest priority consultation requests.
You spend most of it toying with a loose thread on the cuff of your blouse. You’re pretty sure it’s the first briefing in years where you haven’t spent at least part of it staring at Hotch instead of your notes—and when the room finally relaxes and everyone starts to filter out, Reid turns to you.
“Okay, now I’m concerned,” he says.
You glance at him. “Why?”
“You didn’t look at Hotch once during that entire meeting.”
You roll your eyes. “Spence—”
“Something must be seriously wrong.”
You let out a long exhale, glancing briefly around the almost empty room. Only Morgan and Rossi are left, halfway to the door, deep in discussion about something that happened at the court hearing yesterday afternoon.
“Okay,” you say quietly, turning back to Reid. “I’m having some... trouble, I guess, with a guy.”
His brows shoot up. “A guy—”
“Online,” you add quickly.
He tilts his head. “I’m confused again.”
You sigh. “Remember that dating profile Garcia set up for me?”
“You mean the profile you allowed Garcia to create as part of your increasingly unsustainable performative dating strategy?”
You glare at him. “Yes. That one.”
“Then yes, I remember it very clearly.”
“Well,” you mutter, pinching the bridge of your nose, “I had this guy message me a couple days ago. It was normal at first but now it’s gotten... weird. So, I’m getting Garcia to look into it.”
His forehead creases. “Have you told—”
“No.”
“Maybe you should—”
“I said no.”
“Alright.” He raises both hands in surrender. “Okay. I’m dropping it. It’s just…”
You narrow your eyes at him.
“Well, statistically speaking, the majority of uncomfortable online interactions don’t escalate into actual stalking behaviour. Most people displaying premature emotional fixation online are socially isolated rather than violent.”
You lift a brow, waiting for the punchline.
“However,” he adds, “cyberstalking offenders also tend to develop parasocial attachments disproportionately quickly because the perceived emotional intimacy bypasses a lot of normal social barriers, which means escalation patterns can become highly personalised in a very short period of time.”
You stare at him.
“In cases where the fixation becomes grievance-oriented, the offender is usually highly organised rather than impulsive, so the behaviour tends to be significantly more deliberate and psychologically targeted.”
He pauses, frowning faintly.
“That was supposed to be reassuring.”
“…Thanks, Reid,” you mutter, turning away from him slowly. “Now I feel so much better.”
When you get back to your desk, you decide it’s time to reply again. You grab your phone and bring up the messages, taking a minute to think about what to type—knowing Garcia will be seeing the conversation too.
You type out the only mildly casual response you can think of.
You: You’re weird.
He replies just as fast as usual.
DCRunner00: You disappear a lot.
You: Workaholic, remember.
You: I told you my schedule was chaos.
You’re about to turn your phone over on your desk when a different notification pops up—from Garcia.
Garcia: If this is your version of flirting, baby girl, I think I just figured out why you’re still single.
You snort softly, typing out a quick reply.
You: Trust me, that’s not the reason.
Garcia: So there IS a reason?
You: Shh. I’m working.
Garcia: Boo!
You huff another quiet laugh as you turn your phone over, nudging it toward the edge of your desk in the hopes that you might be able to focus on work rather than creepy internet man for at least a few hours.
It doesn’t work.
Barely half an hour later, you lift your phone to check for another notification—but there’s nothing there. You pull up the message thread again and scroll up, checking the timestamps to see if he’s ever gone quiet on you before—but he hasn’t. Not really. So you type another message.
You: You went quiet. Should I be concerned?
It’s a calculated move. If he’s paying attention to response patterns—and at this point you’re pretty sure he is—then following up first helps maintain the illusion that nothing has changed. No sudden distance. No obvious discomfort. No reason for him to think you’re pulling away.
If he is dangerous, the last thing you want is for him to feel rejected.
An hour later, Rossi drops a legal pad onto your desk, asking you to take another look at a witness timeline that doesn’t feel right—which keeps you occupied for a good forty-five minutes. Then Morgan leans over the partition between your desks, asking if you can translate Reid into English. That takes up another hour of your day, and by the time you grab your first afternoon coffee, you’ve got three notifications.
One is a missed call from Garcia. The other two are from creepy internet man.
DCRunner00: Depends. Are you worried about me?
DCRunner00: Blue looks good on you, by the way.
Your stomach drops. “Oh my God.”
You immediately call Garcia back.
She answers on half a ring. “Are you wearing blue?”
“You saw me this morning.”
“I can’t remember,” she says. “Are you?”
You drag a hand through your hair. “Yes.”
“Holy shit,” she whispers. “You’ve got to tell—”
“No.”
“Are you insane?”
“Maybe, but—” You squeeze your eyes shut for a second. “Okay, just—hear me out. Blue is a statistically safe guess. It’s a neutral professional colour with high frequency in workplace attire, especially in government buildings.”
Garcia goes quiet for a second.
“And does this unsub know you work in a government building?”
“Don’t call him that,” you snap. “And—well, kind of. I didn’t tell him exactly, but I said... government adjacent.”
“I swear to God,” she mutters, “if I have to identify your body next week, I’m going to kill you.”
You press your free hand against your forehead.
“You won’t,” you say firmly. “Alright? We’re getting ahead of ourselves.”
Garcia scoffs loudly.
“Seriously,” you insist. “It could still be nothing. A weird coincidence, maybe an awkward guy with boundary issues and too much free time. We deal with actual predators every day. I can handle a few creepy messages.”
The line goes quiet again—then she sighs.
“Why are you so against telling Hotch?”
“Because I don’t want to bother him,” you say quickly. “We’ve got a quiet week, he finally seems slightly less stressed, and I don’t want to cause a whole fuss over something that might turn out to be nothing.”
She sighs again, louder this time. “Fine. I won’t go to Hotch.”
Your shoulders sag. “Thank you.”
“On one condition,” she adds. “I’m sleeping over tonight.”
You nearly choke. “What?”
“Non-negotiable.”
“Penelope, that’s insane.”
“No,” Garcia says firmly, “what’s insane is you trying to casually explain away potential stalking behaviour while actively refusing to inform your unit chief.”
“He is not stalking me,” you protest, keeping your voice low.
“Mm-hm.”
“You’re overreacting.”
“And yet,” Garcia says, “if you die, I become morally complicit because I knew about creepy internet man and failed to intervene.”
You frown. “…Morally complicit?”
“Accessory to murder-adjacent,” she corrects. “And my guilty conscience requires eight hours of sleep minimum, so congratulations. We’re having a slumber party.”
You let out a long sigh. “Okay. Fine.”
She hums, satisfied.
“I need to reply to him again.”
“Well, don’t ask me,” she mutters. “You’re the one who’s apparently fluent in creepy internet freak.”
You laugh despite yourself. “Thanks, Pen.”
“Mm-hm. And just so we’re clear, tonight we are watching wholesome romantic comedies and eating enough sugar to kill a Victorian child.”
“I was actually thinking psychological thriller marathon.”
“Absolutely not.”
You smile faintly, leaning back in your chair. “Fine. Romantic comedies it is.”
“Good,” Garcia says firmly. “Now hang up before I change my mind and march upstairs to Hotch’s office myself.”
You roll your eyes as you hang up, then open the message thread again. You don’t have to think too hard about what to type. You don’t want to escalate or accuse him, but you need him to stay engaged. You want him to explain himself to see how he reframes the behaviour.
You: Lucky guess.
The next few hours slip by in a strange blur of routine tasks and fragmented conversations.
At about three o’clock, Prentiss drops a file on your desk and asks if you can double-check a victim timeline while she’s stuck on the phone with Chicago. Then Rossi calls you into his office to sanity-check a profile theory he’s working through out loud—which means fifteen minutes of listening to him argue with himself while you sit there trying not to focus on Hotch’s voice through the wall.
When you finally get back to your desk, Reid spends twenty minutes walking you through a probability model nobody asked for but everyone somehow ends up listening to anyway. He only stops when Hotch appears, carrying a stack of files from the Richardson case he wants Morgan to look over before he signs them off—and for the first time in God knows how long, you don’t stare shamelessly at his ass as he walks out of the bullpen.
By six p.m., JJ and Rossi are gone, Prentiss is helping Morgan with the Richardson files, and Reid is building a tiny tower out of paperclips while he reads over a file Rossi dropped on his desk before he left.
At exactly six-fifteen, your desk phone rings.
“Hello?”
“Pack your things, baby girl. Your government-issued sleepover is about to begin.”
You snort softly. “Alright. I’ll see you soon.”
You hang up the phone and start clearing your desk, organising paperwork into piles and packing away stationery while you wait for your computer to shut down.
“See who soon?” Reid asks.
You glance at him. “Garcia.”
He tilts his head.
“She’s staying over tonight.”
His brows lift. “Because of your stalk—”
“Girl’s night,” you interrupt, eyes widening. “That’s all.”
His gaze narrows. “Should I be worried?”
You scoff. “About me? Never.”
You slide your arms into your jacket then finally pick up your phone, finding two new notifications from creepy internet man waiting for you.
“Really?” Reid asks, turning his chair to face you. “Because you’ve spent most of the day staring at your phone like it’s a bomb, you spent most of Rossi’s profile discussion peeling the label off your water bottle instead of contributing, and you reorganised the same stack of paperwork three separate times.”
You pause mid-motion.
“Also,” he continues, “you usually correct Morgan when he misquotes case statistics and today you let him do it twice, which honestly might be the most concerning—”
“Okay!” you cut in quickly, slinging your bag over your shoulder. “Good talk. Love the observational skills. Bye.”
He doesn’t say anything else as you walk away, murmuring goodbyes to Morgan and Prentiss as you pass, but you can still feel him watching you. You’re just about to press the button for the elevator when—
“Agent.”
You stop automatically, turning to find Hotch with a file tucked under one arm and that signature frown etched between his brows. Only this time it isn’t frustrated or disapproving—it’s curious.
You force a small smile. “Sir.”
His eyes move over your face briefly. “You alright?”
You nod once. “Of course.”
He takes a step forward, his voice dropping lower. “You sure?”
Your breath catches.
He’s close now. Too close. You have to tilt your head back to meet his eyes. You can smell his cologne, feel his warmth, count the beauty marks dotted across his cheek.
“You’ve seemed distracted today,” he says.
You swallow hard. “Uh—no. No. Sorry, I just—I didn’t get much sleep last night.”
His brows draw a little tighter, and he opens his mouth as if he’s about to say something else—press harder, maybe—but then seems to think better of it.
“Alright,” he murmurs. “Get some rest tonight.”
Then he nods once and steps back, his jaw tightening for just a second before he turns away.
You don’t move immediately. You can’t. Your mind is reeling, your pulse is still hammering, and your breath is caught somewhere between your ribs while your lungs try to remember how to work.
“Hello?” Garcia calls from behind you. “I cannot hold these doors forever, babycakes.”
You shake your head. “Shit. Sorry.”
You turn and hurry into the elevator, slipping in beside her just before the doors slide shut.
For a moment, neither of you says anything.
Then—
“So, that thing you said earlier about there being a reason you’re still single…”
You shut your eyes. “Penelope.”
“I’m just saying,” she continues lightly, “unless I hallucinated whatever just happened in that hallway, I’m starting to develop theories.”
You ignore her, watching the numbers on the elevator slowly descend like counting down the days you have before the entire team figures out your secret. Because if this guy really is a creep, if you do have to tell Hotch, then it’s only a matter of time before the BAU are dissecting your dating life and realising what a ruse it really is.
And you know better than anyone that once these profilers start looking too closely at something, they rarely stop until they’ve pulled it apart completely.
The second you step through the door to your apartment, Garcia rushes past you to sweep the place. Leia startles almost immediately, running from the couch to your bedroom while Garcia complains about the fact that Leia is the only cat she’s ever met that doesn’t like her.
“Leia hates everyone,” you tell her, kicking your shoes off by the door. “Even me.”
Garcia just rolls her eyes, continuing from room to room to check the window locks and balcony doors.
Once she’s satisfied that everything is secure, she sets her laptop up on your kitchen counter and starts running a program that looks like hieroglyphics to you.
“Have you seen his latest messages?” she asks.
You shake your head, setting your phone on the counter. “No.”
She opens your laptop and logs into the dating site—because apparently she knows your password now.
DCRunner00: Maybe.
DCRunner00: Or maybe you’re just easier to read than you think.
You type out the first response you can think of, not wanting to seem like you’re overanalysing this.
You: Or maybe I’m just not trying so hard to be mysterious.
Garcia then spends the next ten minutes trying to explain her process to you in terms that almost make sense. So far she’s managed to narrow him down to a general region through login patterns and routing behaviour, but she still can’t lock onto a direct IP address. Not because she can’t—apparently that part would actually be pretty easy—but because doing it properly would mean running requests through systems that leave a trail. And right now, this definitely isn’t an official investigation.
“The second I start pulling the fun federal strings,” Garcia says, typing furiously, “there’s paperwork, access logs, oversight, and approximately twelve thousand ways for this to become a whole thing.”
You lean against the counter. “We don’t want that.”
“Not yet.” Her expression sharpens slightly. “Also, if creepy internet man is more sophisticated than he seems, there’s always a chance he’s monitoring for targeted tracing attempts. If he realises someone’s looking too closely at him before we know who he is, he could disappear completely.”
Your stomach twists. “Or escalate.”
You spend the next couple of hours keeping creepy internet man engaged while Garcia rambles tech jargon that makes less sense the longer the night wears on. At some point, you order pizza, then you migrate to the couch, and eventually you both end up sitting through the credits of Two Weeks Notice while waiting for one last reply in the hopes that he might finally answer something about himself.
DCRunner00: Refreshing
DCRunner00: Most people hide too much.
You: Depends what they’re trying to hide.
DCRunner00: What are you trying to hide?
You: Besides the fact that I’m exhausted? Nothing.
DCRunner00: You seem distracted tonight.
You: Long day.
DCRunner00: I noticed.
You: How was yours?
You wait until almost midnight before finally deciding to call it a night.
Garcia checks all the windows and doors again while you brush your teeth and change into pyjamas. When you step back out of your bedroom to say goodnight, Garcia is trying her hardest to lure Leia onto the couch with her, but Leia is very stubbornly curled up beneath the TV unit.
“Night, Pen,” you murmur, rubbing your eyes. “Thanks again... for everything.”
“Night, gorgeous,” she calls, peering over the back of the couch. “Wake me up if you hear literally anything suspicious. Or if Leia finally decides it’s my time.”
You laugh softly, blinking slowly as you turn back into your room and fall face first into bed.
THURSDAY 6:45AM
You’re not sure whether to be relieved or concerned when you wake up to no new messages from creepy internet man. He hasn’t gone quiet for this long before—but if he is just a normal, slightly awkward guy with boundary issues and an internet connection, well... it’s not that hard to believe he might just be sleeping.
Garcia is already up making coffee by the time you step out of your room, trying to bribe Leia out from under the couch with a tube of tuna paste.
The second she sees you, she jumps up and launches into another long-winded explanation about login activity and movement patterns across different access points. Apparently, creepy internet man logged in from three different geographical locations over the course of a few hours last night—which is normal, right? That means he was out doing normal human things, not just lurking in his mother’s basement, stalking women online.
Garcia isn’t entirely convinced that him moving locations is enough to get him off the hook as the BAU’s next unsub, but it at least shuts her up until you’re both back at the office.
“Hey,” Reid says as soon as you walk into the bullpen. “You haven’t been murdered.”
You frown slightly. “Good morning to you too, Spence.”
Morgan glances up from the file on his desk. “Uh—why are we getting murdered?”
Reid gestures vaguely in your direction. “Because she’s potentially being cyberstalked by a—”
“Oh, wow, look at the time,” you interrupt, glaring at Reid. “Wouldn’t it be such a shame if we all started minding our own business right about now.”
Prentiss turns in her chair, brows raised. “Cyberstalked?”
“Nobody is cyberstalking anybody,” you say as you drop into your chair. “And nobody’s getting murdered—but great start to the morning, everyone. Love the energy. Now leave me alone.”
Morgan chuckles quietly. “Damn. Thought you said you got laid last weekend.”
Your hands slip off the desk as you try to pull yourself closer.
“Technically,” Reid says, “she only implied it by refusing to answer Garcia’s question during Monday morning’s briefing.”
“Ah.” Morgan leans back in his chair. “I knew this was a drought issue.”
You scowl at him. “A drought issue?”
“Statistically speaking,” Reid adds, “people experiencing prolonged romantic or sexual dissatisfaction often display lower frustration tolerance and increased agitation in familiar social environments.”
Morgan looks at him. “Man, just say she needs to get laid.”
“Oh my God,” you snap. “I do not need to get laid. I am having a completely normal amount of sex already, thank you very much—and frankly I think it’s deeply inappropriate that you’re all this invested in whether or not I’m orgasming regularly.”
Reid tilts his head. “You’re having sex?”
Morgan’s brows shoot up, Prentiss chokes on her coffee, and you open your mouth to fire back at him when—
Someone clears their throat behind you.
Heat crawls violently up your neck—but you don’t turn around. You can’t.
“Briefing room. Five minutes,” Hotch says, his voice dangerously even. “JJ’s got an update on the custodial interview with Wallace.”
Morgan presses a fist against his mouth, trying—and failing—to smother the strangled sound of laughter.
Very slowly, you turn in your chair.
Hotch is standing at the edge of the bullpen with a coffee in one hand and a file in the other. His expression is almost perfectly composed, but there’s something dangerous lurking beneath it—something suspiciously close to amusement in the tightness of his mouth.
“Be right there, sir,” you blurt, lifting two fingers to your forehead in the most ill-timed attempt at a salute the FBI has ever seen.
Hotch just looks at you, the muscle in his jaw jumping once before he turns away.
You want to die.
The second his office door clicks shut behind him, Morgan drops his fist and smacks his palm flat against the desk with a choked laugh.
“Oh, you are never recovering from that,” Prentiss mutters, smirking behind her coffee cup.
Morgan leans back in his chair, grinning. “Baby girl, that was painful to watch.”
You drop your head into your hands.
“You somehow escalated the situation at every possible opportunity,” Reid says thoughtfully.
“I hate you all,” you mumble into your palms.
You spend the next half hour with your nose buried in your notebook, avoiding eye contact with the entire team while JJ explains the month-long back-and-forth that it took to finally get approval for the Wallace interview.
Apparently, the prison is limiting the interview to a single hour and reserving the right to terminate it early if the inmate becomes uncooperative—which Rossi thinks is less about policy and more about Wallace trying to dictate the terms of the interaction.
It’s not ideal, especially considering you were the one who convinced Hotch to push for the interview before Wallace is transferred to death row. His case was one of the first you ever studied during the BAU training programme, and there isn’t much you wouldn’t give to pick the sociopath’s brains. One hour with him feels dangerously short—that is, assuming Hotch actually picks you to be in the interview with him.
“We don’t have enough time to waste managing personalities in the room,” Hotch says, gathering the files in front of him. “I’ll decide on a second agent and send out the interview schedule later today.”
Chairs start scraping back almost immediately, files and notebooks snapping shut as everyone gathers their things and starts filtering out of the room—but you don’t move. You stay firmly planted in your seat, chewing thoughtfully on the inside of your cheek while you debate whether to follow Hotch into his office and ask to be part of the interview. You don’t even have to be asking the questions, you just want to be there. You were the one pushing for it in the first place.
But then your brain very helpfully reminds you that Aaron Hotchner heard you say the word orgasming less than an hour ago and suddenly, being on death row yourself feels infinitely preferable to making eye contact with your unit chief.
“You alright?” Reid asks, lingering beside you.
You sigh heavily, finally closing your notebook. “Yep. Just thinking about how I’ll probably have to fake my own death and change my name after this morning.”
He shrugs. “Hotch probably isn’t even thinking about it anymore.”
You glance up at him hopefully.
“Morgan definitely is, though.”
You roll your eyes, letting out another resigned sigh as you stand up and follow him out of the briefing room.
The rest of the morning manages to pass without incident. You stay chained to your desk, reviewing reports and processing any files that come your way while very deliberately not glancing up any time Hotch steps out of his office. At around eleven, Morgan and JJ head out to the cafe down the street and come back with coffees for the whole team. Then there’s a printer jam that gives the rest of the office a rare glimpse at just how angry Emily Prentiss can get when frustrated.
It isn’t until just before midday that you finally get up to go to the bathroom, and when you return to your desk, there’s one new notification in your inbox.
From: Aaron Hotchner
Subject: Wallace Interview
You’re with me next Thursday. We leave at 0700.
Your stomach flips.
“Wow,” Reid says, suddenly standing right beside your desk. “He picked you pretty quickly.”
You shoot him a warning look. “Spence.”
“I’m just saying, he usually deliberates longer.”
You glance back at the screen, rereading the first five words that make your pulse skip a little faster.
“You and Hotch do work unusually well together in confined conversational environments,” Reid adds.
You turn back to him, frowning.
He tilts his head. “That sounded more suggestive than I intended.”
You open your mouth to tell him how deeply unhelpful he’s being when your phone buzzes twice against your desk—like it does several times a day, but something about it feels different this time. Wrong.
You reach for it slowly, your stomach twisting tighter as you turn it over.
Two new notifications from creepy internet man. The first since last night.
You open the message thread—and your stomach drops.
DCRunner00: [Image attachment]
DCRunner00: Did you and your friend have fun last night?
The image is of your apartment building. It’s grainy, slightly crooked, clearly taken from somewhere across the street—but your living room windows are unmistakable. Warm light glowing through the glass. The blurred silhouette of someone inside.
Ice floods your bloodstream.
You stop breathing.
“Is that... your apartment?” Reid asks, leaning over your shoulder.
You don’t answer him. You can’t.
The bullpen dissolves into white noise around you.
Until—
“I’m done!” Garcia’s voice cuts through the static. “I can’t do this anymore!”
She’s marching right toward you, your laptop—that she’d still been monitoring—tucked under one arm.
Reid gasps. “Wait. Is that—”
Morgan straightens in his chair. “What’s happening?”
“Hotch’s office,” Garcia says, her expression dangerously stern as she stops beside your desk. “Now.”
You nod slowly, your shoes almost slipping against the carpet as you push your chair back. Reid steps aside just enough to let you stand, but before he can get too far, you reach out and wrap your fingers around his wrist, silently dragging him with you as you follow Garcia back through the bullpen.
Hotch glances up the second Garcia pushes open his office door.
“What’s going on?”
His tone is calm, automatic, already slipping into that low, calculated cadence he uses when he’s trying to talk someone down from the ledge. His gaze moves from her to you—and something in his expression shifts. Hardens. That muscle in his jaw ticking just once before he turns back to Garcia.
“What happened?” he asks, sharper now.
Garcia crosses the room quickly, opening your laptop and sitting it on his desk while you hover uselessly in the doorway with Reid still caught in your grip.
Hotch glances at the screen, his eyes flicking through the messages.
Then he looks back up—right at you—and something unreadable settles across his face. Something dangerous.
“Who sent this?”
Garcia spends the next five minutes explaining the entire situation at hyper speed while you just... stand there, leaning slightly against Reid like the whole world has tilted on its axis.
It’s funny how you can spend years building a career around finding bad people. Thinking like them. Predicting them. Profiling them. But the moment something happens to you—something real—that’s when all the theory suddenly stops feeling theoretical. And maybe it’s because you know exactly what people like this are capable of, or how quickly situations like this can escalate once someone decides they’re emotionally invested in you.
Or maybe it’s just the horrifying realisation that some part of you knew where this was heading all along. And you still didn’t do anything about it until now. Not until you put yourself—and your friend—in danger.
“Get everyone in the briefing room,” Hotch says the second Garcia finishes. “Now.”
Garcia nods once before slipping back out the door, and only then do you finally let go of Reid’s wrist—making a mental note to apologise later for the excessive physical contact.
Hotch’s eyes drop down briefly, following the movement almost automatically. Something tightens in his expression for half a second before his attention snaps back to the laptop still open in front of him.
“Reid,” he says. “Print the entire message history and document everything. Full timeline, screenshots, attachments—all of it. I want copies ready for the team in ten.”
You swallow hard. “The—the entire message history?”
“Yes,” Hotch says simply. “Every message.”
Could this day get any worse?
Fifteen minutes later, you’re back in the briefing room with the entire team flipping through printed copies of your dating profile and messages. It almost feels like an out-of-body experience. Like one of those mortifying dreams where you watch everything unfold from above without any real ability to stop it.
“Okay,” Prentiss says. “Where do we start?”
“Victimology,” Morgan answers immediately—then he glances at you. “Sorry, baby girl.”
You wave him off. “Reid’s been profiling me all week. Go for it.”
There’s a quiet ripple of laughter around the table, but Hotch barely blinks. He’s sitting on the opposite side, between Prentiss and JJ, with his arms folded tightly across his chest and gaze fixed on the copies spread out in front of him like he’s trying very hard not to look directly at you.
“We need to be careful building a victimology this early,” he says evenly. “Especially considering how well we know the victim. Personal familiarity creates bias.”
Reid tilts his head. “Normally, yes. But stalking crimes are often highly individualised.” He starts flipping through the printed messages as he talks. “Statistically speaking, stalking victims are usually targeted for a very specific reason. The motivation is generally rooted in either resentment, fixation, revenge, or romantic obsession.”
You grimace. “Fantastic.”
“Most victims also know their stalkers,” Reid continues. “Approximately seventy-five percent of stalking cases involve some form of prior relationship or perceived emotional connection.”
“Okay,” JJ says carefully, looking toward you. “Is there anyone you can think of who might hold a grudge against you? Someone you arrested, rejected, testified against—anything like that?”
You snort quietly. “Does every criminal I’ve ever interviewed count?”
The room goes still for half a second.
“Wait,” Prentiss says, sitting forward slightly. “Actually, that makes sense.”
Hotch’s eyes flick up as Prentiss pushes one of the printouts into the middle of the table, tapping the page.
“This escalation happened fast. Less than a week. That’s not somebody slowly building emotional trust from scratch—that’s somebody who already came into this interaction emotionally invested.”
“Or angry,” Morgan adds.
“Exactly,” Prentiss says. “He doesn’t lash out until she has Garcia over. That’s jealousy. Possessiveness.”
You sink lower in your chair.
“And he starts reacting every time she brings up her boss,” Rossi says, flipping through the printouts. “That’s territorial behaviour. He’s fixating on a prominent male figure in her life.”
“Not the only one fixating on him,” Reid murmurs beside you.
You elbow him immediately.
“Ow.”
Hotch glances up sharply. “Something to add, Reid?”
Reid straightens. “Uh—no. No, I think Rossi covered it.”
Hotch’s eyes narrow slightly, like he knows there’s something he’s missing, but he lets it go.
“Garcia,” he says instead, “tell me you found something useful.”
“Oh, I found things,” Garcia says immediately, the rapid clacking of her keyboard echoing loudly through the conference room speaker. “Deeply unsettling things. Our creepy little internet goblin has been very busy.”
Prentiss frowns slightly, mouthing ‘internet goblin’ across the table to JJ.
“Okay, so—profile was created nine days ago using a burner email and a VPN bouncing between three different states, which normally would make me want to set my computer on fire, but our boy got sloppy.”
Hotch leans forward slightly. “How sloppy?”
“Sloppy enough that one login pinged off a public Wi-Fi network less than six blocks from her apartment last night,” she says. “And before anybody asks, yes, I’m already pulling traffic cams.”
Hotch nods once, already shifting into command mode.
“Morgan, Prentiss—start canvassing within a ten-block radius of her apartment. Garcia will feed you anything useful from the traffic cams. JJ, coordinate with local PD and see if there’ve been any complaints of suspicious activity in the area. Peeping, prowlers, stalking complaints—anything that fits this escalation pattern. Rossi, start pulling names from old cases. Anybody with a history of fixation, stalking behaviour, or inappropriate attachment to investigators. Garcia, keep digging and keep me posted.”
Everyone starts moving immediately, papers shuffling and chairs scraping back as the room shifts into motion.
“I want to help,” you say suddenly. “This is my mess, let me fix it.”
“You can help,” he says evenly, “by going home, locking your doors, and staying there until we know exactly what we’re dealing with.”
You open your mouth to argue.
“I mean it,” he adds, voice low.
“I’ll take her,” Reid offers immediately.
“No,” Hotch says, gathering the printouts into one neat pile. “You go with Morgan and Prentiss.”
Then his eyes flick up, meeting yours.
“I’m taking her home.”
The next hour is one of the strangest of your life.
Hotch tells you to take your laptop back down to Garcia, who’s already in full FBI investigation mode—her screens covered in maps, metadata, CCTV stills, and enlarged screenshots of your own dating profile staring back at you in horrifying definition. When you finally make it back to your desk, Rossi spends twenty straight minutes walking you through every violent offender you’ve interviewed in the last three years, forcing you to revisit dozens of interactions you’d long since filed away as routine.
Somewhere in the middle of it all, Morgan drops a schematic of your apartment building onto your desk and starts questioning you about entrances, exits, blind spots, and security cameras while Reid quietly replaces the coffee you forgot existed an hour ago. It isn’t until Morgan leaves and JJ immediately takes his place beside you that you realise nobody has let you out of their sight for more than a few minutes at a time.
Then, finally, Hotch steps out of his office—files in one hand and his go-bag in the other, like he fully intends on staying the night if necessary.
“Ready?” he asks, stopping beside your desk.
You stare at the go-bag for one long, deeply horrified second.
“Yep,” you manage, voice tight as you slowly push out of your chair.
Hotch drives. You don’t even try to argue. You just sit in the passenger seat with your knees pressed together and your heart beating out of your chest. It’s not like you haven’t been in the car with him before. You have, plenty of times. This just feels... different.
Neither of you speak until he cuts the engine in the parking garage of your building, and you have to try very hard not to dwell on the fact that he hadn’t asked for directions the whole way here.
“Wait,” he mutters before climbing out of the car.
He grabs his bag from the back, then moves around the car and opens your door.
It takes an embarrassingly long time for you to unbuckle your seatbelt—your hands are shaking and your pulse is still pounding hard enough to make you dizzy—but once you finally do, you slip out of the car and lead him toward the fire stairs.
He never leaves more than a foot of distance between you. Never checks his phone. Never glances down. He stays glued to your side like a real protection detail. And thanks to your avid and wildly inappropriate imagination, you’ve already mentally written an entire bodyguard romance plot starring Aaron Hotchner and yours truly by the time you finally reach your apartment door.
“I—uh—wasn’t really expecting company,” you say as you push the door open. “Sorry.”
The second you step inside, Leia leaps off the couch with a loud, rumbling trill—probably wondering why you’re home before dark for the first time in years.
Hotch pauses, his brow furrowing slightly. “You have a cat.”
You glance back at him as you kick your shoes off and nudge them out of the way. “Is that really the most surprising thing you’ve learned about me today?”
He watches Leia for another second before glancing back at you. “It’s unexpected.”
You roll your eyes, trying to ignore the way your heart skips when he quietly toes off his shoes beside the door without even asking. Like he already expects to stay awhile.
Leia chirrups again as she pads through the living room toward you, no doubt about to demand an early dinner—until she catches sight of Hotch and abruptly stops short. Her ears flicker, her tail waving from side to side as she assesses the new man in her apartment.
Hotch crouches slightly, holding one hand out toward her.
“Oh, she doesn’t really like people,” you say quickly. “So don’t take it personally if she—”
Leia immediately walks straight up to him. She sniffs his hand once before pressing directly into his palm with a loud purr rumbling through her entire body.
Your eyes go wide.
Traitor.
Hotch’s mouth twitches faintly as Leia leans harder into his hand.
Oh my God. Are you jealous of your cat right now?
He gives Leia one final scratch behind the ears before straightening, the softness in his expression fading almost immediately as he slips back into work mode. He scans the apartment briefly before setting the files down on your tiny dining table and shrugging his jacket off, draping it over the back of a chair.
You stand there for a second longer than you probably should, watching him move through your apartment with the same calm focus he brings to crime scenes and briefing rooms and interrogation tables. He checks the windows, the balcony doors, glances briefly—thank God—into your bedroom, then double-checks the locks on the front door.
The whole thing feels weirdly surreal. You’ve imagined Aaron Hotchner inside your apartment a thousand times in a thousand different ways—just not like this. And nothing you imagined could have possibly prepared you for the reality of it. The way everything feels so much smaller. Warmer. More exposed.
Every object in every room suddenly feels mortifyingly personal.
If he lingers long enough in your kitchen, he’s going to notice the unusually empty trash can and realise you survive almost entirely on caffeine and convenience. If he looks too closely at your bookshelf, he’s going to find an unhealthy collection of romance novels with more trigger warnings than plot points. And if he looks into your bedroom again and turns his head just a little more to the right, he’s going to see your vibrator sitting on the nightstand—and then you’ll actually have to fake your own death.
Because you’ve spent years carefully curating a version of yourself that keeps people from looking too closely. Flirty. Casual. Detached enough to joke about bad dates and hookups and sex without anybody ever realising that none of it means anything. It’s easier that way. Easier to let everyone assume your attention is scattered in every direction instead of fixed very specifically on the one person you absolutely cannot have.
But this?
This feels dangerously close to being found out.
The next couple of hours pass in strange, uneven waves of normalcy and low-grade psychological torture.
Hotch sits at your tiny dining table without complaint, dwarfing it as he hunches over files and asks careful questions about your routines, your neighbours, and whether anyone in the building has seemed overly interested in you recently. His phone rings a lot, which isn’t unusual, and every time he answers it you spend almost the entire conversation staring unashamed at the way his shirt pulls tight across his back when he reaches for another printout.
Which is wildly inappropriate considering the circumstances, but you can’t really help it. You’re strung out, on edge, and, as Morgan so helpfully pointed out this morning, severely under-fucked.
And Leia, unfortunately—but not unsurprisingly—remains no help whatsoever.
By seven o’clock she’s fully abandoned you in favour of draping herself across Hotch’s lap while he reviews new data from Garcia, completely oblivious to the fact that you haven’t been able to breathe normally since he walked through the door.
“Are you hungry?” you ask eventually, moving back into the kitchen as if you have anything in there to offer.
Hotch glances up from his laptop, one hand resting absently against Leia’s back while she purrs in his lap.
“I’m fine.”
You lean a hip against the kitchen counter, folding your arms tightly across your chest. “Any updates?”
He glances back down at his screen. “Garcia narrowed the traffic footage down to three vehicles that stayed in the area longer than they should have—Morgan and Prentiss are running the plates now. And Rossi’s pulling relatives connected to your previous cases. Family members who attended trials, sentencing hearings, interviews. Anyone who might’ve had access to your name outside the official reports.”
You nod slowly, silence settling again for a moment before you exhale sharply.
“Are you sure sitting here doing absolutely nothing is really the best use of me right now?”
His eyes flick back up, that signature Hotchner scowl set between his brows.
“You think this is nothing?”
His voice stays calm, but there’s something firmer underneath it now.
“You’ve spent the last four days being threatened, surveilled, and followed by someone we still haven’t identified,” he says. “Morgan, Prentiss, and Reid are out chasing leads because somebody targeted you. Rossi’s pulling case files because somebody targeted you. Garcia’s been at her desk for six straight hours because somebody targeted you.”
His jaw tightens slightly.
“My job right now is making sure nothing happens to you,” he says quietly. “Let me do that.”
Your breath catches, something warm and uncomfortably familiar twisting in your chest as Aaron Hotchner just sits there watching you like he hasn’t said anything unusual at all.
Which, to him, maybe he hasn’t.
He’s just doing his job. Looking out for his team. He’s not here because he wants to be. He’s here because someone threatened one of his agents.
That’s all.
You clear your throat, pushing away from the counter before the silence stretches too long. “I’m—uh—I’m just going to shower quickly. If that’s alright.”
He nods once. “Want me to clear the—”
“No,” you say immediately. “God, no. No. It’s fine. Totally fine.”
His brows pull together slightly, confusion flickering briefly across his face before you turn and hurry into your bedroom, shutting the door a little harder than necessary behind you.
Then you take the longest shower known to mankind. You stand beneath the scalding spray for at least ten minutes before even touching anything. Then you scrub, exfoliate, shave, condition, rinse twice, and stand there for just a little longer before finally gathering the courage to step out. All the while trying desperately not to think about the fact that your unit chief is only two thin walls away while you’re dripping wet and completely naked.
You rummage through your dresser until you find an oversized sweater that isn’t totally threadbare and a clean pair of pyjama shorts. Technically, they’re just striped flannel pants you cut into shorts, but at least they’re not as short as the rest of your pyjama collection that definitely needs replacing.
If only you actually had time for things like shopping... and emotional stability.
“No, wait for Morgan before you approach,” Hotch says as you step quietly back into the living room, phone pressed against his ear while he paces slowly beside the dining table. “If the registration’s fake, I don’t want you making contact until we know exactly who’s inside.”
He pauses, expression sharpening slightly.
“Alright. Keep me updated.”
He lowers the phone slowly before looking over at you for the first time since you re-emerged—and for half a second, he visibly loses his train of thought. It’s only tiny. Barely there. Just a brief pause before his expression shutters back into place.
“Garcia tracked one of the vehicles from the traffic footage to a motel outside Arlington,” he says, glancing back down at the files scattered across the table. “The driver’s been masking his activity through multiple VPNs, so she couldn’t pull a clean trace from the motel Wi-Fi, but only one room in the motel was actively using the network.”
Your stomach tightens.
“The name on the reservation was fake,” he continues, “but the room was paid for using a credit card belonging to Daniel Mercer.”
The name hits you immediately.
“Ethan Mercer’s brother,” you say quietly.
Hotch nods. “Rossi confirmed it about twenty minutes ago. Morgan and Prentiss are waiting for local PD before they move in.”
You nod slowly, your pulse fluttering anxiously in your throat as you move toward the kitchen. Not because you actually need anything in there, but because standing still feels almost impossible right now.
“Ethan barely spoke during the trial,” you murmur, folding your arms as you lean back against the counter. “I don’t think I ever even met his brother.”
“You wouldn’t need to,” Hotch says, already gathering the files into a neat pile. “People build attachments to investigators without ever interacting directly. Especially when they’re looking for someone to blame.”
Your skin prickles. “You really think it’s him?”
“It fits,” Hotch replies evenly. “Established emotional investment, personal motive, no prior record. Which explains the inconsistency. The escalation without follow-through. The long gaps between contact attempts. He knows enough to be cautious, but not enough to stay controlled.”
He straightens, turning back toward you—and for the briefest second, his eyes drop to your bare legs before snapping back up to your face almost immediately.
He clears his throat. “This probably isn’t something he’s done before. But his brother has.”
The apartment falls quiet again after that. Hotch returns to collecting files while you stare absently toward the dark balcony doors, your pulse still refusing to settle beneath your skin.
“Well,” you mutter eventually, gripping the edge of the counter to hoist yourself up. “On the bright side, I still think I’ve dated worse.”
The joke leaves your lips lightly enough, the same way they always do—easy, detached, halfway between genuine and ironic so nobody ever pauses long enough to look too closely.
Except this time Hotch does pause.
“Why do you do that?”
You frown. “Do what?”
“Deflect.” He straightens again, one hand still holding a stack of printouts. “Every time something gets too serious, you make a joke. Or you flirt. Or you say something just inappropriate enough to throw people off balance.”
You lift a shoulder. “Maybe I’m just charming.”
“No.” His eyes narrow slightly, brows pulling together. “No, because it changes depending on the situation.”
Your pulse stutters.
“With Morgan it’s competitive,” he continues, setting the papers back on the table. “You tease him because he pushes back and it keeps conversations superficial. Garcia gets exaggerated stories because she responds emotionally instead of analytically. Half the things you say to Reid are specifically designed to make him flustered enough to stop examining what you actually mean.”
“Wow,” you murmur, shifting your weight against the countertop. “Starting to feel a little attacked here.”
But Hotch doesn’t seem to hear you.
“The dating profile doesn’t fit,” he says, almost to himself. “Neither does the apartment.”
Your stomach twists as his gaze moves briefly across the room. The bookshelves. The carefully organised clutter. Leia now curled up asleep on the couch.
“You project someone impulsive. Social. Sexually confident. But nothing in here supports that.” His eyes flick back toward you again. “You live like someone who protects their space carefully. Even the cat.”
“Leave Leia out of this.”
“She doesn’t like strangers.”
“She likes you.”
The words slip out too quickly, and something in his expression shifts.
“You keep people at a distance,” he continues slowly, close enough now that you can hear the quiet rasp beneath his voice. “Even the team. You let people think they know you because it keeps them from looking closer.” He hesitates, brow furrowing. “Except Reid.”
Your fingers tighten instinctively around the edge of the counter.
“You trust him,” Hotch says. “Not just socially. Behaviourally. You anchor yourself to him when you’re stressed. Physical proximity. Eye contact. Redirecting conversations through him.” He pauses, watching you carefully now. “And earlier you said he’d been profiling you all week.”
Oh God.
“Which means Reid already noticed the pattern.”
He goes quiet for a moment, his expression tightening almost imperceptibly as he looks back over the last few months—years—in real time. You can practically see it happening behind his eyes. Every interaction. Every joke. Every look you thought you’d hidden quickly enough.
“You track me.”
The words come quieter now. Less certain. Like he’s still realising them.
“You know my routines,” he continues slowly. “You anticipate questions before I ask them. You look up when you hear my office door open even when you can’t see me.” He steps closer again. “You know when I need coffee before I do. You watch my reactions before anyone else in the room.”
Your breath stutters.
And Hotch notices immediately.
His expression shifts slightly as his eyes flick across your face, your posture, your hands still locked around the edge of the counter hard enough that your knuckles have gone pale beneath the kitchen lights.
“Your breathing changes when I get too close to you,” he says quietly.
He takes another slow step forward, close enough now that you have to tilt your head back slightly to keep looking at him.
“You stop fidgeting,” he continues. “You go completely still.” His gaze drops briefly to your hands before lifting again. “Like you’re afraid movement alone is going to give you away.”
Your heart is beating so hard now you’re half-convinced he can hear it.
“You lose verbal fluency,” he says, voice lower now. “You trip over words you normally wouldn’t. Your pupils dilate. Your heart rate increases. And every single time I get close to noticing it—”
His eyes lock onto yours.
“You redirect.”
You can barely breathe now.
He’s standing right in front of you, close enough that the heat rolling off him sinks straight into your skin, close enough that one more step would put him between your knees where you’re perched on the counter.
And somehow the worst part is that he still sounds calm. Thoughtful. Like Aaron Hotchner is profiling you with the same careful focus he’d bring to an unsub—except this time the thing he’s slowly uncovering is the fact that you’ve been hopelessly in love with him this entire time.
You swallow hard, your gaze catching just briefly on his mouth before you drag it back up to his eyes, pulse hammering so hard you can barely think straight.
“Figured it out yet, Agent Hotchner?” you ask softly.
He goes still for half a second, something unreadable flickering across his face as his eyes drop to your mouth before lifting back to your eyes again.
The apartment suddenly feels oppressively quiet.
His throat shifts slightly.
And then—
His phone rings.
He steps back immediately, his expression shuttering back into something careful and unreadable.
“Hotchner,” he says, pressing his phone against his ear.
You don’t hear much after that. Not really. You recognise Morgan’s muffled voice, but you can’t quite hear what he’s saying. Not while Hotch slowly paces your living room. You catch fragments of the conversation. Questions. Short answers. The low, steady cadence of his voice slipping effortlessly back into work mode while your own nervous system continues actively collapsing in on itself.
Because holy fuck.
Holy fuck.
What the hell just happened?
“They got him.”
Your head snaps up. “They what?”
Hotch moves back to the dining table and starts gathering his things.
“It was him. Daniel Mercer,” he says. “Morgan and Prentiss found him in the motel room with multiple burner phones, printed screenshots from the dating profile, and enough surveillance material to establish intent.”
“Oh.”
“Local PD recovered notebooks too,” he continues. “Names, schedules, work addresses. Everyone connected to Ethan Mercer’s conviction. Judges, prosecutors, witnesses. You were first because you were the arresting agent.”
A cold shiver slips down your spine.
“Garcia also confirmed the motel Wi-Fi matched the same VPN chain used to access the dating profile,” Hotch adds. “Once Mercer realised the Bureau was involved, the direct contact stopped. After that he shifted to surveillance. Morgan said the room was covered in trial material. Photos. Notes. Newspaper clippings. He’d been building the grievance for months.”
He pauses, then looks at you.
“But they got him.”
“Good,” you say quietly.
Hotch nods once before turning back to the dining table, slipping his laptop into his bag with careful efficiency before gathering every file and printout into one neat pile.
“Local PD will hold Mercer overnight until federal transport clears,” he says, sliding the papers into his bag. “Garcia’s already started coordinating with the U.S. Attorney’s Office. You’ll need to give an additional statement tomorrow regarding the dating profile.”
You nod. “Okay.”
Hotch reaches for his jacket, draping it over one arm.
“There’ll still be additional officers patrolling the area tonight,” he says. “And if you don’t want to be alone, I can have Reid or Garcia stay here.”
“I’ll be fine,” you mutter, glancing down at the kitchen tiles. “You can stop babysitting me now.”
Hotch stills.
Then slowly, deliberately, sets his jacket on the table.
“Babysitting?” he repeats.
“You know what I mean.”
He steps toward you, brows drawn. “I don’t think I do.”
“You solved the case,” you mutter, heat crawling up the back of your neck. “You profiled me. Thoroughly. So congratulations, I guess. You figured out the whole sad little secret, the weird avoidance issues, the entire personality disorder cocktail—” You let out a short, humourless laugh. “You can go back to pretending none of this ever happened now.”
He closes the distance between you before you even fully realise he’s moving, stopping directly in front of the counter again. Exactly where he’d been when you asked him if he’d figured it out. Close enough that you can feel his warmth. Close enough that you can see the day-old shadow of stubble lining his jaw.
“You’re being deliberately provocative now because you’re embarrassed,” he says. “But embarrassment isn’t actually your primary response here.”
His gaze drops to your mouth again, and your pulse stumbles.
“If it was,” he adds quietly, “you wouldn’t still be looking at me like that.”
Your breath catches in your throat.
You want to say something. Anything. Another joke. Another deflection. Something sharp enough to cut through the tension in the air and stop him looking at you like this. Exposing you like this.
But you can’t.
All you can do is stare at him. At the steady intensity in his eyes. At the way his tie has loosened slightly over the course of the night. At the slow rise and fall of his chest beneath the white shirt you’ve spent an embarrassing number of years picturing on your bedroom floor.
You swallow hard, and he notices. Of course he does.
Something shifts in his expression then. Something softer. Less guarded.
His hand comes up beneath your jaw, his thumb pressing gently into your chin as he pulls you closer. You fall forward without hesitation, and he leans in, dark eyes still searching yours as if he isn’t entirely sure he has permission yet.
Then he kisses you.
It’s not rushed. Not messy. If anything, the first press of his mouth against yours feels almost unbearably controlled, like he’s still holding himself back even now.
But the restraint doesn’t last long.
Your hand catches his tie, tugging him closer, and something rough slips from the back of his throat as he steps in, his hips slotting between your thighs. His hand slides from your jaw into your hair, fingers tightening just enough to tilt your head back exactly as far as he wants it.
Your lips part against his with a broken sound, and he deepens it slowly, his tongue moving against yours like he has all the time in the world. Tasting you. Learning you. Mapping every small sound and ragged exhale with the same focused intensity he brings to everything—and somehow that’s what undoes you the most. Not urgency. Attention.
His breath mingles with yours, hot and uneven, and when his teeth catch your bottom lip it’s deliberate, measured—a sharp little spark shooting straight through your spine. Your hips roll toward him without permission, and his answering groan rumbles through his chest, vibrating beneath your palm and making you ache everywhere you’ve been starving for him.
Then he pulls back just enough to look at you properly again. His hand still tangled in your hair. Thumb dragging once across your jaw. His eyes move over your face with the same intensity he uses in every debrief, every case, every crisis, except right now you are the thing he’s making sure of.
Like he needs to be absolutely certain this is real.
“Aaron—”
“Bedroom,” he says immediately, voice low and rough enough to send heat crashing straight through you. “Now.”
FRIDAY 6:15AM
Your alarm blares somewhere beside the bed, startling you awake hard enough that your heart immediately starts pounding. You reach for it blindly, determined to silence it before it wakes—
Oh God.
The second your hand hits the snooze button, you freeze.
Your heart is beating faster now, your pulse thrumming in your throat as you turn slowly—so slowly—toward the other side of the bed, where Aaron fucking Hotchner stirs sleepily.
Your stomach swoops.
You slept with your boss last night.
With a shallow, shaky breath, you carefully start to move. His arm is heavy at your waist, but you manage to slip out from underneath it without fully waking him. You shove the covers off and shiver at the sudden exposure, leaning over the side of the bed to find your discarded sweater. You pull it over your head before quietly padding toward the ensuite, refusing to glance back at your very hot, very naked unit chief still tangled in your sheets.
You only just make it around the other side of the bed before something tugs at the back of your sweater. You stop, glancing back to find Hotch half-awake, eyes half-lidded with one hand caught at the hem of your sweater.
“Do you really get up this early?” he asks, voice rough with sleep.
“Yeah,” you murmur. “Most days.”
His brows pull together slightly. “Why?”
You let out a small, breathless laugh. “Because my boss is kind of a hard ass about punctuality.”
Something that almost resembles amusement flickers across his face.
“Sounds like a terrible boss,” he murmurs.
Then he tugs on your sweater again—hard enough this time that you let out a startled laugh as you stumble backward onto the mattress and into him. He catches you easily, one arm wrapping around your waist before you can even fully recover, pulling you back against the warmth of his chest.
“Yeah,” you murmur, laughing softly as his mouth brushes beneath your ear. “He’s awful. Very demanding.”
He hums, breath warm against your skin.
“He’s really hot, though,” you add, smiling despite yourself. “So I like having time to put in a little effort, you know? Hope he notices.”
“Oh, he notices.”
Your stomach flips. “Really?”
“Mhm.”
His arm tightens around your waist. “He notices the skirts.”
Heat floods your face. “Aaron—”
“He notices the tights.” His mouth brushes against the nape of your neck. “The ones with the seam up the back.”
“Oh my God.”
You try to turn your face into the pillow, but he just holds you tighter, pressing his lips firm against your neck.
“And the red bra,” he murmurs.
Your breath catches.
“Noticed that so much I had to wait until everyone left the conference room before I could get up.”
You let out a strangled sound, squirming in his arms, but it’s no use. His chest vibrates against your back, something suspiciously close to laughter.
“My washing machine broke that week,” you whine. “It wasn’t my fault.”
“Mm, sure.”
You twist around immediately. “I’m not lying.”
The corner of his mouth twitches, like he doesn’t quite believe you, but before you can protest again—he kisses you. Warm, slow, sleep-soft. His mouth moves against yours almost lazily, his hand tightening slightly at your waist when a pathetic little whimper slips out before you can stop it.
“Careful,” you murmur, breathless against his mouth. “Don’t want to be late.”
You feel his lips curve.
“Good thing I’m the boss.”
10:35AM
You made it to work well on time. Even after three orgasms, a shower, and an awkward attempt at a ‘What Now?’ conversation—that ended in the aforementioned third orgasm. Because fortunately for your rapidly fraying nervous system, Hotch hadn’t even hesitated when you’d finally asked what happens next. In fact, he’d answered a little too quickly.
The first thing he’d asked was whether you’d be comfortable keeping things quiet for a while. Not because he’s worried about the team finding out—he trusts them. Trusts you. The concern is Strauss, and the Bureau, and keeping you in the BAU while he figures out exactly how much trouble the two of you have just created for yourselves. At some point he’d even started muttering about reporting structures and supervisory chains, half-thinking out loud while pulling on his tie. Something about possibly moving your reporting line over to Rossi. Something else about needing to review the Bureau’s fraternisation policies before making any moves.
That was when you kissed him—effectively, and very quickly, kicking off round three.
Because he’d clearly been thinking about this for a while, which means Aaron Hotchner has been noticing a lot more than just short skirts and inappropriately coloured underwear. It means that the second he decided to kiss you in your apartment last night, he’d already known exactly what he was getting himself into.
“Alright, gorgeous,” Morgan says, startling you as he raps a knuckle against your desk. “They’ll be ready for you downstairs in ten.”
You glance up at him, brows drawn—and it takes an embarrassingly long second for you to figure out what he’s talking about.
“Oh.” You blink. “Right. Yeah, I’ll head down soon. Thanks.”
Prentiss looks over from her desk. “You gonna be okay?”
You lift a shoulder. “Sure. What’s another case report?”
Morgan frowns, dropping into his chair. “It’s not exactly every day you’re the victim, baby girl.”
“Yeah, but nothing really happened.”
Morgan and Prentiss both stare at you.
“Because of the team,” you add quickly. “You guys caught him before he actually did anything. So... you know, nothing bad happened.” You plaster on a smile that feels reasonably convincing. “Thanks for that, by the way.”
Prentiss narrows her eyes, but before she can say anything else, Reid appears.
“You’re in a remarkably good mood for someone who was being actively cyberstalked twelve hours ago,” he says, stirring his second coffee of the day.
You turn back to your screen, trying to ignore the heat creeping into your cheeks. “Maybe I just have a newfound appreciation for life.”
Reid studies you for a moment, clearly unconvinced—but he doesn’t push. He just moves slowly back toward his desk, setting his coffee down with unnecessary care while the rest of the team turn away, finally deciding to mind their own business.
You force your attention back to the report in front of you, determined to at least look productive for the next ten minutes—when a familiar voice cuts through your concentration.
“Rossi’s taking Wallace with you next week,” Hotch says, setting the file down on your desk.
You blink up at him. “I thought you were leading the interview.”
“I was.”
Something in his expression tightens briefly before he lowers his voice.
“Wallace has a long history of using sex, intimidation, and emotional targeting to destabilise people during interviews,” he says. “Especially women.”
You frown. “Hotch, I—”
“And if he says something to you in that room,” he continues evenly, “or looks at you the wrong way, I need to know the agent sitting beside you is still capable of thinking objectively.”
Your stomach flips as his eyes meet yours—steady, intense, devastatingly honest.
“Right now,” he says quietly, “I’m not sure that’s me.”
Then he’s gone. Moving through the bullpen back toward his office like he hasn’t just set your pulse racing and your head spinning. You watch after him for a moment before shaking your head, glancing back at your computer screen as if you’d been focused on it at all in the first place.
“…Huh.”
You turn toward the sound and find Reid staring at you again. Not rudely. Just watching with the same focused curiosity he’d been wearing since your suspiciously cheerful comment about cyberstalking.
I have been mulling something over for a while and have decided to share.
As part of my job, I read a lot of fiction that's still in development. After a while, you start to see the same errors, misunderstandings and shortcuts crop up repeatedly with different creators and it gets me thinking what is the most elegant way possible I could explain the issues to someone wanting to improve?
The one that comes up the most often and is the hardest to explain is:
"Why don't people care about my characters and/or story".
It's always a thorny problem and I think I have a workable answer that applies in most cases:
A story is a series of revelations regarding compounding, unintentional consequences to character decisions.
The further you stray from this, the less people care.
It translates to:
1) characters have to make decisions otherwise there is no drama
2) Those decisions have to matter otherwise there are no stakes
2) The consequences have to interact with one another. A affects or causes B affects or causes C etc. otherwise there is no progression
3) There must be some unintended consequences otherwise there is no conflict
4) The consequences have to be revealed (even at least implied) otherwise there is no conclusion
This works at the micro scale in terms of dialogue:
The specific word/tone/movement a character uses affects how another character reacts in an unexpected or interesting way which in turn causes another reaction and these layer onto one another until a decision is reached and a consequence implied thereby completing the scene.
It also works at the macro scale in terms of plot:
The decisions characters made in a scene prompts/affects the characters and context of the scene that follows (even if we don't know it at first) and by the end those layered interactions have been revealed to us and we see the unexpected or interesting result.
In my anecdotal experience, most times people don't care about a work of fiction is not because of a technical issue with the execution but because the writer has subtly misunderstood what makes a story a story. Their main character doesn't make any decisions, the decisions don't seem to matter, it feels disjointed because consequences aren't layering, there's no conflict because there are no misunderstandings etc.
There countless technical aspects which affect the quality of a piece of fiction but most times when someone asks me to help them make people care about their story they first need to realise they have misunderstood what actually makes a story at a fundamental level and they need to recognise that before things can improve.
I dunno if this helps anyone. I hope it does. Sorry if it doesn't.
If anyone wants to use this to assess their own work let me know what you discover, I'm genuinely curious.
I think a lot of people misunderstand why enemies to lovers is so popular. It’s quickly become one of the most pervasive tropes in many novels. Is it the banter, the tension? That’s definitely part of it. But if that were true, then friends-to-lovers and literally any romance with good dialogue and characterization would scratch the same itch. For some, it does, but for many…enemies-to-lovers just hits different.
My theory is that it isn’t actually about love, not really. I think it fulfils a fantasy that no other trope can provide: the fantasy of being seen as an equal.
Think about what specifically makes someone an enemy in fiction. It’s not just someone the MC dislikes, it’s someone who can affect them in tangible ways, maybe even have the power to ruin them, challenge their worldview, expose their weaknesses, etc. The relationship begins with conflict because the characters are fundamentally opposed in some way. It doesn’t matter why, but they’re fighting. There is a struggle for dominance.
I would argue that the most impactful enemies-to-lovers moments are never the romantic moments, they’re the scenes where power shifts. They BOTH lose: they’re forced into a position that would have horrified them at the beginning of the story. They end up needing (or wanting) each other.
That’s why I think people are often disappointed when a supposed enemies-to-lovers story turns out to be a milquetoast attempt where they’re just kinda mean to each other for a few pages, and then immediately start making out. Where’s the risk, the actual threat? If the characters aren’t capable of genuinely affecting one another, then the relationship isn’t actually transforming in a satisfying way. The appeal is in the fact that they have power over each other, because the eventual trust they build requires real surrender.
Because here’s the thing about enemies; they pay attention, and usually more attention than anyone else. They notice weaknesses because they’re actively looking for them, they notice strengths because they need to account for them. They notice habits, blind spots, ambitions, fears.
They study the MC with a level of scrutiny that borders (and later crosses) intimate, but unlike friends (or supporting characters in the MC’s corner) they’re not willing to give them the benefit of the doubt, they don’t overlook flaws out of affection. Which is exactly what makes the eventual romance so satisfying. It feels earned.
It’s easy to imagine being loved by someone who sees the best version of you, but it’s an entirely different thing to be loved by someone who has seen you at your worst. That’s why this dynamic often feels more convincing than romances where the characters are immediately into each other.
I imagine there are many who go through life feeling misunderstood, or worse, that the people who love them only love the polished, perfect version they present to the world, almost like impostor syndrome. But what if there was someone who couldn’t be fooled by this carefully constructed image?
When someone more powerful chooses someone, maybe the fantasy is protection. When it’s someone less powerful, the fantasy might be admiration. But if there’s someone intelligent and observant enough to see the MC as an equal, the fantasy there is the most intense and honest validation.
Which means enemies to lovers was never about turning hate/annoyance into love, it was about turning power into vulnerability – which is a terrifying loss of power, which THEN leads to intimacy.
Summary: You came in to work every day with a fun fact, determined to catch the BAU's genius with one that he wouldn't know (friends to lovers, co-workers to lovers, mutual feelings, fluff, confession)
Note: my spencer reid debut fic <3 sorry if there are any inaccuracy, just started rewatching after 3 years
Word count: 10.9k (sorry)
“Small facts lead to great knowing” - Patrick Rothfuss (2011)
“I can’t believe anybody would do something like this,” you commented whilst looking down at the two documents in your hands—your thoroughly highlighted case dossier and your finished report. Every new case always exhibits unimaginable horror and unfortunately, there will always be something worse than your current worst.
You turned to Spencer whilst perched cross-legged on the edge of his table.
The corner of the genius’s mouth curled at your words. They were the very same ones that sprouted daily despite the nature of your job. But to Spencer, there was a strange comfort in such small repetitive murmurs of disbelief.
“I gotta agree with Rossi. This job really includes some of the worst lunatics out there.” You sighed before straightening up at a sudden thought. “Actually, fun fact…” You noticed the way your words peeled Spencer’s attention from his report. He finally glanced up, eager for the second half of that sentence.
“The word lunatic was invented based on the belief that mental illnesses were affected by moon phases.” You beamed at the idea of potentially providing your genius friend with new knowledge.
“Yeah, and it actually originated from the Latin word ‘lunaticus,’ which means moonstruck or influenced by the moon. The word was first used for conditions like epilepsy or overall just madness,” Spencer replied, perking up at the thought of a potential conversation about this.
The excited smile on your face instantly faltered and you groaned in feigned annoyance. Perhaps you should have known better than to think you could out-fact Spencer and say something he had not already known.
“Is there anything you don’t know, Spence?” you glowered jokingly.
“Well, it’s hard when you’re a child prodigy and genius.” You let out a scoff-like laugh at Spencer’s cocky admission, but you knew he was joking. Despite his IQ of 187, Spencer rarely ever announced himself a genius. It was a title dubbed by those around him. You knew if you had Spencer’s brain, though, you would hardly ever stay as humble as him.
“I’ll get you someday.”
Your declaration drew a snort from another work desk and you twisted around to face the source of such a faithless sound.
“You don’t believe in me, Derek?” You arched a brow, your competitiveness rising to the surface.
“Sweet girl, I believe in you for many things, but this is just not one of them.”
“But surely there is one single fact out there that Spencer doesn’t know about.” Penelope piped up from next to Derek, defending you.
“We’re talking about the same Spencer, right? Spencer Reid? Three PhDs and an IQ of Einstein?” JJ spoke as she made her way down the bullpen.
“Actually, there is no way of measuring Einstein’s IQ as he never took the test, so to say that—” Derek quickly interrupted Spencer.
“Come on, pretty boy. She’s backing you up.”
“Sounds like grounds to start a betting pool going,” Rossi spoke up as he approached the whole group, briefcase in one hand, car keys in the other. “$20 says she’ll do it within four months.”
“I think she can do it within three months.” Emily chimed up from her desk.
“I’m placing my bet on eight months,” Penelope added confidently.
“Alright, and if she can’t do it within one year, JJ and I will split the win,” Derek announced before directing his next words to you, “Stakes are on, sweetheart.” He winked.
“Yeah, yeah. I got it.” You rolled your eyes before turning towards Spencer, declaring to him with exaggerated cockiness, “I’m gonna get you real soon, just wait.”
“You’re welcome to try.” The challenging glint in Spencer’s eyes met your own. Again, you knew better than to think that you would know something Spencer did not already know. He was practically the master of facts. But, unfortunately, you were incredibly bad at quitting.
So, let the challenge begin.
﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏
“Did you know that Australia is wider than the moon?” you questioned the second you saw Spencer enter the office the next morning. “Fun fact.”
“Yes, diameter-wise. Australia is almost 4,000 kilometres wide, while the moon’s diameter is nearly 3,500 kilometres. However, in terms of their masses, the moon is still larger.” You sighed dramatically at Spencer’s reply before spinning your chair towards your computer, turning the device on.
“And day one status: unsuccessful,” you grunted to yourself, catching Spencer’s grin from your peripheral vision.
“Oh? It’s gonna be daily?”
“You bet your ass it’s gonna be. There’s a betting pool and I’m unfortunately too competitive for my own good.” You caught the amusement dancing in Spencer’s gaze.
“Well then, good luck.”
“Won’t need it.”
﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏
“Did you know a cloud can weigh like a million pounds?” You crossed your arms while peering at the cotton candy-like objects floating amidst the bright blue summer sky. “Fun fact.”
Both of you had your bulletproof vests on, leaning against a car while waiting for JJ to finish speaking to the press before driving back to the precinct. Another case wrapped. Another unsub locked up.
Under the nice weather, you had your cap and Spencer’s sunglasses on, having forgotten yours. He had heavily insisted so, even after you had declined a handful of times.
You turned and looked at Spencer briefly. Though, for a split second, your body stilled as the sun played in his favor, casting nice highlights to his woodsy colored locks. The light crinkle of his nose and his squinting eyes made your lips curl, cause once again, it showcased just how self-sacrificing Spencer can be when it came to the people close to him.
“Yeah, because they contain different states of matter like trillions of condensed water droplets and ice crystals. Its weight is equivalent to the world’s largest aircraft working at full capacity. Though despite its heaviness, clouds have lower density in comparison to the dry air around them, enabling them to float in the same way as oil floats on water.” Spencer tried to maintain eye contact with you despite the blaring sun shining into his eyes.
“Hmm…” you pursed your lips before removing your navy blue cap and placing it on your friend’s head. This cast a shadow over his eyes, blocking the harsh sun from blinding his vision. “Beautiful weather to fail at winning this fun fact thing again.”
Spencer didn’t reject the clothing item.
Some time in the history of human beings, the act of sporting others’ clothing items—especially of the opposite gender—had been made to seem important. Spencer has never understood the significance in such a small exchange. But as your hat landed on his head, Spencer felt an added weight that was beyond the small clothing item.
Neither did he have it in him to adjust how you had left the cap on him, even if it didn’t sit on his head perfectly.
“I still have time to get you,” you continued after a moment of silence.
“359 days left.”
“More than enough.”
﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏
The clock was close to hitting 11pm. The whole team was taking a short break for a fresh perspective. Most were on their phones or taking a quick nap, but Spencer and you were playing a round of cards.
“Did you know ketchup used to be medicine? Fun fact.”
Both Emily’s and Derek’s watchful gaze panned from you to Spencer, anticipating his reaction to your daily shot at winning the bet.
“Around the 1830s, yeah. They marketed it as a cure for various ailments such as indigestion and diarrhea.”
Emily instantly groaned at Spencer’s reply while Derek snickered. Once again, Spencer already knew the information you provided, just like the 13 previous times.
“See? Not a single thing he doesn’t know,” Derek chirped up, earning him a glare from the co-worker beside him.
You finally placed your next card down, instantly eying Spencer, wanting a read of his reaction to your play. There was a distant look in his eyes, a clear indication that he was taking this game just as seriously as you were.
Your eyes swept over the rest of your opponent. The un-neat edges in his usually tidy work attire and the way his hair stuck in different directions had your lips curling. They were details that only unveil during late work hours after a long day. But strangely enough, there was something endearing about the slight tiredness in his eyes and the way his cardigan hung disheveledly on him.
“I won.”
Your eyes snapped to the pile of cards on the table at Spencer’s declaration.
“What?! No way. You must have cheated.”
“Now, now, don’t be a sore loser just because pretty boy over here won,” Derek teased you, despite also highly suspecting that Reid had cheated.
“Are we talking about the same pretty boy who is banned from many Vegas casinos because of his expert skill in counting cards?” JJ countered, placing her phone down.
Your co-workers’ discourse began fading out of your focus as Spencer took out a ticket from his bag and handed it to you with a cheeky grin. With hesitation, you took the paper begrudgingly. You knew you had to hold your end of the deal. You had lost, after all.
You glanced back at the winner of the card game, catching his toothy grin at your sulking manners. Against all maturity, you poked your tongue out in petulance, but such childish action had Spencer laughing quietly in his spot, eyes gleaming with fondness.
“Sore loser.”
“Cheater.”
﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏
Hotch halted in his tracks upon spotting you and Reid in the break room.
Both of your heads were side by side, just a hair short from touching, fighting to have adequate sight of the newspaper that the two of you were sharing. Each of you also sported a pen in hand, scribbling hastily onto the delicate paper with vigorous competitiveness.
The unit chief entered to refill his coffee, though his eyes continued investigating you two. In the narrow gap between your heads, Hotch caught sight of Spencer rapidly filling out a crossword puzzle. Meanwhile, just as fast, you were solving a Sudoku piece that resided on the same page.
“Did you know, like fingerprints, people also have unique tongue prints?” you murmured, eyes still glued onto the puzzle in front of you. “Fun fact.”
“Yeah, humans have unique color, tongue shape, and textural features, therefore making it a great form of identification. However, we currently do not have the suitable technology to capture intricate surface details of tongue prints. Also, switching costs are high partially because the idea of having to stick one's tongue out in public for authentication can be seen as rather awkward, unhygienic, and undignifying.”
You pursed your lips at another unsuccessful day. But such expression vanished when you dropped your pen on the table and declared with unadulterated joy:
“Done!”
Your victory drew a defeated noise from Spencer.
“Imagine though, having to stick your tongue out at airport immigration and place it onto a public scanner or something like that.” You cackled at Spencer's grimace and the way his body slightly shivered from such a mental image. Eventually though, your laugh reduced to a teasing smile.
Spencer’s gaze lowered to the little crinkle that appeared around your eyes as you smiled, before holding eye contact with you. Spencer knew there was no such thing as “eyes twinkling,” but you had him doubting that scientifically established truth for a second. It was lighting and he knew that, but he had to admit that he could finally somewhat understand why poets and writers were so obsessed with dedicating lines towards such a tiny detail.
Because even though there was no reason for him to, his own lips began to curl, mirroring the smile on your face.
From behind you both, Aaron Hotchner took a sip of his coffee before departing the room. Though on his way out, his eyes glinted a knowing look, while his lips lifted just the slightest bit before schooling back to a neutral expression again.
﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏
“Did you know that back then, when raising a toast, people would literally drop a piece of toast into their wine?” you blurted out the second you slid yourself into the empty seat opposite Spencer at his breakfast table. Never have you ever skipped free hotel breakfast and today was no exception.
“Well, hello to you too.” Spencer grinned at your straight-to-business behavior.
He carefully placed the coffee he made for you into your hand—a casual daily routine. You took a good whiff of the comforting aroma before humming at the first taste. It was exactly how you liked it: a dash of milk along with two and a quarter teaspoon of sugar.
To date, Spencer has never asked how you liked your coffee.
He simply has always gotten it right.
It was not hard to guess that he had learnt your preferences from watching you make your coffee in the past. But you could not help but wonder if he took mental notes on others the same way he did with you. However, like every other time, you dismissed it as an occupational habit. Every member has been trained to be observant and notice little details. Spencer probably knew everybody’s coffee preferences.
“It actually originated from Ancient Rome, and back then, toast was an act to honor the gods and people would pour wine onto the floor. However, the custom evolved in many ways over time, depending on geographic regions. Around the 1600s, it became a common custom in England and this is where people would put a piece of spiced toast into their wine. They did it to improve the flavor of their beverage and also to “toast” to good health.”
Spencer caught your hum of satisfaction at the coffee and instantly felt pleased.
Science has long documented humans as naturally validation-seeking creatures. Your existence often humbled him from thinking he was not a recurring participant in that particular human instinct.
His eyes fell from you to your coffee—a particular mix that has ingrained itself into his memory since your first meeting. Funny that some time since then, he could no longer look at the beverage without ever thinking of you.
Neither could Spencer for the life of him recite the coffee order of anybody else at the BAU.
“36 days down…” you murmured, already picturing yourself rummaging the internet for more fun facts tonight.
“Maybe tomorrow.” The words came out softly, almost encouragingly. You hummed before matching his tone.
“Maybe.”
﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏
“Flies rub their hands as a sanitizing act, rather clean for an insect commonly associated with dirty places, no?” you murmured before peering up from your book whilst curled up in your seat on the BAU’s jet.
“Yes, it’s a self-grooming act. They do this primarily for two reasons. First and foremost, it’s because their legs are their flavour receptors, so they rub their front legs to ensure they can taste when eating. The other motivation is to remove dust and debris, therefore, ensuring survival.”
Your bottom lip jutted out slightly at another unsuccessful attempt.
“I’ll get you tomorrow…” you murmured with a teasing smile before re-immersing yourself in the fantasy world of your current novel.
Reading has become your escapism and method of self-grounding prior to any case. You tried to plunge into fictional worlds while flying to prepare yourself for the terrible realities that accompanied upcoming cases. Though at one point, Spencer started joining in. But instead of having his own book, he would lean over and scan your current page with unrealistic speed while you leisurely let each letter sink in. It became a routine that occupied your journey from Quantico, whereas on the way back, Spencer and you maintained your tradition of engaging in chess matches.
Spencer spotted your finger flipping the page once more and his eyes instantly swept over the printed words hastily.
Twenty thousand words per minute. That was Spencer’s known reading speed, which meant in merely two seconds or three, he was already done with the two pages in front of you both. As always, you were still reading at your own pace, unhurried. He knew he could adopt a slower speed to enjoy your chosen fictional literature. But lately, he found himself in a hurry, rushing himself to finish pages in a way that made him think maybe he was now above his previously established reading speed.
Why?
His gaze flicked over to you, mulling over the familiar details that made you, you. He studied the way your fingers trace the fore-edge of the book mindlessly, lingering on the way you tease your lips with your teeth as you registered the adventure that the story was taking you on. Spencer caught the slight shift in the space between your eyebrows and how they slightly twitch according to plot progression, displaying your commitment to your reading content.
Spencer would not classify himself as a people watcher, despite his necessary observant and analytical traits as a profiler. Yet, somehow, watching you had become one of his favorite quiet activities. In your little habits were his comfort. In moments when cases were overwhelming, his eyes have made a tendency to land on you. The spike in his heartbeat would normalize, whilst rapid thoughts would regulate. It was only in moments when Spencer would get caught by you that he would tear his gaze away sheepishly, before attempting to pretend that he was looking elsewhere instead.
The sound of paper rustling pulled Spencer out of his mind, and he instantly plunged himself into the same self-established cycle again.
And despite his fondness for literature, for once, it did not hold a candle in his eyes.
﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏
“Cows have best friends, how great is that?”
Spencer stopped eating his ice cream the second he spotted someone passing the two of you in a cow onesie, giving away why you decided on that particular fun fact. His eyes fell back on you, glimmering with amusement.
“Yes, cows do have a ‘best friend’ who they tend to share spaces and rest side by side with. Research shows that when separated, these cows would show signs of stress and anxiety with higher heart rates.”
You hummed at that. By now, you were used to his immediate expansion on your facts, no longer surprised or disappointed every time he added onto your words.
In fact, you fondly looked forward to hearing what he had to say about whatever fact you would sprout. There was a deep sense of appreciation that you have grown for this challenge. You felt like, intellectually, your general knowledge had expanded immensely, both from researching fun facts to tell Spencer and also from the informative responses that you would receive from him.
“You know, cows also can develop what some may refer to as ‘accents.’ Research observed variations in their moos based on different regions and herds.” Spencer leaned closer to you before adding cheekily, “Fun fact.”
“Nuh uh, don’t go stealing my line. You’re not allowed to put me out of business.”
This tore a laugh out of Spencer, and you immediately bit back a smile at such a sound.
If humans have the ability to bottle noises for keepsake, you know now what sound you would try to capture.
Surprisingly, this was only the second time that Spencer and you had spent time together one-on-one out of work.
With the working hours at the BAU that forced you and all your co-workers to be in close proximity for an extensive amount of time, you tend to allocate your scarce free time to those who were outside of your work circle. But something about spending time with Spencer today had struck you with an epiphany:
You really, really wanted to see Spencer outside of work more often.
Both your phones started ringing at the same time.
“Penelope, is everything okay?” you answered quietly.
“Emily?” Spencer whispered at the same time into his phone.
After a few seconds, you both ended your respective phone calls before slowly turning to face each other again. You scanned yours and Spencer’s outfit before sighing.
“There’s not enough time to go home and change.” The devastation in your voice was imminent.
“I know.”
A few minutes later, both of you entered the office, and almost instantly, the noise level declined significantly as the whole team paused their actions. You winced, knowing immediately that you two were about to be the butt of many incoming jokes.
“Whoa, what time period did you guys travel back from?” Emily teased.
“We were at a convention, okay?” You huffed, picking up your go-bag from under your desk for a change of clothes.
“And you two are dressed up as…?” Rossi crossed his arms, undoubtedly amused.
The team scanned over both of your outfits. Spencer was wearing a brown fedora hat, an oxblood colored corduroy jacket, and grey pants. Despite the only semi-chilly weather, he also sported a colorful striped knitted scarf around his neck. As for you, you were in an all pink attire, but what stood out was your long pink coat, high pink boots, and long white scarf.
“The fourth doctor and Romana II, from Doctor Who,” Spencer answered, grabbing his go bag.
Derek’s eyes comedically bulged out at that, and he immediately spun his chair towards you. “Blink twice if Reid is blackmailing you with something to make you go to this convention with him.” You laughed at his remark.
“Listen, remember the card game I lost two months ago? That’s why I had to go, but when I actually started the show, I really enjoyed it.” You raised your hands in surrender.
“Oh, we lost another one. She got Reid-ified,” Derek exclaimed dramatically before placing a hand on his chest in jest heartbreak, grinning at your eye roll.
By now, Spencer had returned to your side with his go-bag. Though just as you two turned around to head off and change, an abrupt flash halted you both in your steps. Blinking away the after-effect of the blinding light, you saw Penelope with her phone facing you two and a cheeky grin on her face.
“Whoa, whoa, whoa. Delete that,” you immediately instructed, hands on your hips while your brows furrowed in fussiness. You then sucked in a deep breath and used your hand to comb through your hair before a smile broke your feigned annoyed expression. “I was not ready.”
Then, with dramatic flair, you posed properly for the camera, grabbing Spencer’s scarf exaggeratedly with both hands while tugging him lightly.
Spencer was unsure if his knees had buckled due to a slight loss of balance or from your proximity. He glanced at the camera, face slightly flushed, before witnessing another flash go off, evidencing his blush and putting it on record.
Your hands were gone from his scarf like a breeze.
“Alright, I’m gonna go change now.” By the time Spencer registered your words, you were already gone. All that was left at the spot you previously occupied was his attention. Spencer's eyes eventually moved when he heard a quiet giggle from Penelope, who was indescribably entertained by the dazed look on his face.
The tech expert slowly angled her phone towards Spencer to show what she had captured, and she carefully observed Spencer’s contemplative gaze. His eyes landed on you first, and they softened at the sight of your beaming face. They then traced the slope of your smile and the crinkle of your eyes before reluctantly trailing down to your hands and the way they bossily clung onto his scarf.
The sentiment of pictures has always been just a concept to Spencer Reid. He does understand the logic behind people’s attachment to colored captures of moments and why people have ‘important’ photos in their wallets or have framed physical copies. But personally, he rarely ever practiced it. Yet, in this precise moment, he suddenly wanted to begin.
Without even looking at himself in the photo, Spencer murmured to Penelope:
“Can you send that to me, please? Thank you.”
﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏
“Where is she?” Derek’s gaze darted up to his friend. One glance at Spencer and the man already knew who he was referring to.
“Garcia said she called in sick this morning. Why?”
“Nothing.”
Derek scanned over Spencer from head to toe properly this time. Realisation flashed through his eyes before the man smirked as he looked back down at his work.
Ah, the perks of being a profiler.
“Sure, pretty boy.”
“What was that loo—”
The sound of Spencer’s phone ringing interrupted his question. He took the device out of his pocket, and the phone almost flew out of his hand when he saw your name flashing on the screen. He immediately picked up and placed the device beside his ear, breathing out your name in greeting.
Instead of your usual cheery tone, Spencer was met with a muffled voice and snifflings.
Immediately, his body stiffened.
“Are you okay?” He was by his desk within seconds. His fingers grazed over his jacket, as if prepared to scoop the clothing up and dash out of the office if your answer indicated any distress.
“My nose is blocked. Both sides. It’s horrendous,” then came a dramatic sigh, “I’m becoming a mouth breather, Spence.”
Your melodrama tore a laugh from Spencer’s throat.
Derek’s lips curled discreetly at the noise.
“Anyway, don’t think you can escape your daily fun fact just because I’m not physically in the office.” Spencer was glad you were not physically with him, because if you were, you would have seen the idiotic grin stretching his face. But how could he not smile at your stubborn resilience, and the cute sound of your nasally voice that was slightly more high-pitched than normal.
“You’re sick, and you took a day off work, but not off the fun fact thing?”
“In sickness and in health, as they say.”
Spencer accidentally snorted at your words and immediately cleared his throat in an attempt to cover it.
Derek’s brows scrunched at that.
“Apparently, while wired to specific scientific machines and whatnot, two lucid dreamers can have two-way communication in real time. How cool is that?” Spencer hummed fondly at your words before sitting down, his plan to flee from office hours long gone.
“That’s quite a recent fun fact. The study was recently concluded just about two years ago,” his voice came out soft as he focused on any sound that the technological device beside his ear could carry over from your end.
He caught your hum, though the sound resembled the same one you always did while sitting next to him on the jet as the team flew back to Quantico. The noise that often preceded the soft landing of your head on his shoulder and the way he’d sit straighter up to accommodate you entirely despite his germaphobia-led touch aversion.
“You should sleep and rest,” he whispered, despite wanting to hear your voice for longer. But selflessness came easy when you were in consideration.
Spencer carefully began listing all the things you ought to do later to get better. But halfway through, he noticed the lack of noise from the other end, except for your rhythmic breathing, signaling your sound asleep state. Spencer sighed before removing the phone from his ear. He stared at the device in long contemplation before clicking the end call button.
Finally placing down the device that signified his only contact with you today, Spencer flipped open today’s case dossier. However, he found himself re-reading the first sentence over and over again. His eyes kept scanning over the same words, and he felt the way they slid past his comprehension the same way small external details occasionally would escape his notice whenever he spent time with you.
Spencer’s mind kept trailing back to the phone call and to you.
It’s familiarity—he tried to tell himself. Humans were, afterall, creatures of habit, and considering you have been swirled into his daily routine like a necessity, it made sense that the lack of your presence had set him off balance.
Eventually, Spencer got up and went to the break room for coffee. But the second he opened the cupboard and his eyes landed on your mug, he felt his mouth run dry.
For the past one and a half years, he has always made two cups of coffee instead of one at the start of each day.
His eyes darted to his mug right next to yours. The idea of separating them sent some sort of ache in his heart, even if logically they were just ceramic vessels.
Perhaps he had mislabeled what missing someone meant all along, because your absence was bringing a hollowness that nobody had managed to carve out of him before. It was the kind of emptiness that made him feel incomplete, as if a piece of himself was not with him. Yet, as opposed to the expected numbness that often accompanied such a feeling, Spencer felt every second of your absence with a constant stinging ache that felt too akin to withdrawal symptoms.
Eventually, Spencer shut the cupboard and returned to his desk, coffee-less.
That evening after work, Spencer made a detour instead of going straight home, missing the way his friends huddled together, exchanging hushed whispers about his departure.
﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏
Twenty two hours, forty eight minutes, and thirty one seconds.
Spencer witnessed as time quietly slipped through the cracks of his remaining strength.
The whole bullpen lacked the life his work family usually colored in. The janitor had long shut off the main lights, so the only thing illuminating the space near Spencer was his desk lamp. Everybody else had gone home except for Hotch, but the unit chief was in his office, leaving Spencer as the last man standing in the bullpen.
After a few more ticks, Spencer finally tore his gaze from the timing instrument and glided his vision back down to the pen in his hand, forcing it to ink his unfinished report, but words refused to string together.
Spencer’s free hand began tapping his desk rhythmically in a pathetic attempt to comfort himself.
Twenty two hours, fifty one minutes, and twenty one seconds.
Spencer wanted to say that it didn’t matter. Why should it? But he knew damn well that the answer was because the team mattered to him.
However, perspective was truly a funny thing. Someone could be your number one priority, and you barely just made it in their list.
Spencer averted his gaze from the unfinished report to the brand new photo frame on his desk, where a captured version of the recent memory of you two as Doctor Who characters resided.
It did not take a genius to see that you two were closer to one another than with others on the team. However, the fun fact challenge had truly unlocked another level of bond. It was the kind of connection that meant he had started placing you above the others, a position that implied he also expected more from you, cause perhaps he thought you had also valued him just as much as he treasured you in his mind.
So as much as the whole team was the source of his dismay, there was a spotlight reserved for your absence, one that was beyond glaring and punched his guts in ways that others could not.
His eyes traced your face in the photograph again, like they had done every morning since he had gotten the picture framed.
Oftentimes, you could never be absolutely sure where you stand in someone’s life.
Twenty two hours, fifty nine minutes, and ten seconds.
A resigned breath escaped the narrow gap between his lips.
With more effort than it usually took, Spencer got on his feet, hoping that another cup of coffee would be the cure for his inefficiency. He slowly placed more weight on one side of his body to turn around. At the same time, Spencer began rubbing his face in hopes that exhaustion and melancholy would push themselves aside for a brief moment so that he could finish this impending task.
When Spencer finally reopened his eyes to navigate the darkness, he froze at the sight that was once behind him.
Eight steps away was you, looking like a deer caught in headlights.
Then came your escaped nervous laughter, like you were scared of screwing up, but that was only because you were unaware that you could almost never do wrong in Spencer’s eyes. His heart—which Spencer’s brain has been having a harder time controlling lately—provided you with a much larger margin for error than anybody else.
Your gentle tone filled the fragile silence that was intertwined with suspense.
“Fun fact, birthday cakes are traditionally round as an Ancient Greek tradition to resemble the moon for the goddess Artemis.” Your eyes crinkled as your lips curled into that familiar smile that had previously held Spencer powerless on numerous occasions. “Happy Birthday, Spence.”
There you were, cake in hand after a long day of work on a gruesome case.
There you were, with a homemade cake after a long day of him thinking everybody had forgotten his birthday, or more importantly, that you had forgotten.
But maybe his probability was not entirely against him.
“I know I’m quite late, but trust me, there’s an explanation. When I got to the office this morning, I realized that I had forgotten your cake at home. I was planning to grab it after work, but the case kept us all back so late, and then traffic was super bad because of a concert today. But hey, I got the cake now, and I really hope you like it.”
You peered down at your own baking product and the slightly wonky penmanship before turning your eyes back onto Spencer.
“Also, since it’s your birthday, I’ll give you a bonus fun fact. There are roughly 30,000 people who have their birthdays on October 12th in the States, but…”
Your voice fell quiet as your eyes diverted back to the cake again.
“You’re my favorite October 12th.”
And right at that second, all of Spencer’s previous attempts at rationalising his feelings via scientific explanations collapsed. For once, science could no longer shield him, because as much as it was a field built on facts of concrete evidence, there was also an undeniable truth: he liked you.
It might not be rational, but it was still a fact, and that alone terrified Spencer.
And while he was your favorite October 12th, you were his favorite every day.
Spencer glanced down at the handmade cake and the singular purple candle pierced in the center. The tiny flame provided just enough light for the space between you both. His eyes then flicked back onto you, and they softened.
God, you were so clueless about the effect your actions have on him and his whole world.
One breath extinguished the fire, and grey smoke fluttered into the air.
Then, for the first time since he saw you five minutes ago, Spencer managed to form the only words he felt were worthy enough of your time.
“Thank you.”
Even if the significance behind those words didn’t reach you today, it was okay. But they carry the weight of his whole heart and every unspoken reason behind his gratefulness.
Thank you for not forgetting about him today. Thank you for always being so kind and paying attention to the details about him. Thank you for being such an important part of his life. Thank you for choosing the exact career path that you did to lead you to him. Thank you for existing.
And someday, maybe Spencer Reid will gather enough courage to tell you all of this.
﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏
You halted in your step, and almost immediately Spencer followed suit. His eyesight followed yours, and he instantly knew what you were gonna ask from him.
“Come on, can you play for me? Please?” you urged, and it didn’t take more than your pleading face to make him approach the instrument that lay abandoned in the corner of the hotel where the whole team was staying.
Saying “no” became a significantly harder task for Spencer ever since he realised what kind of position his feelings were in when it came to you. It especially felt like an impossible task when your words came in that pleading tone and the smile that had him wishing stopping time was one of his abilities.
You followed Spencer and leaned against the instrument eagerly. You observed as he lightly cracked his knuckles, eying the mixture of ivory and ink-dark keys with a calculative gaze before placing his fingers delicately on them while his foot pressed gently on one of the pedals at the base.
For a moment, you wondered what Spencer would play. Maybe one of the classical pieces he liked a lot. Perhaps Bach? Or—
A familiar tune overtook the pleasant quietness in the empty hotel lobby, and recognition struck you with every flawless execution of each note.
First off, you knew he was a liar, saying he only dabbled in piano. But what caught you off-guard was hearing the piano version of your favorite song.
It was things like this that made you conclude that Spencer Reid was one of the sweetest individuals you have ever had the privilege to know. From making you coffee daily to hunting down first editions of your favorite books (the most recent one in which he handed over along with soup the day you got sick and were off work). Now, he was learning your favorite song on the piano.
Lucky felt like an inadequate word to describe your position in life when Spencer was in the equation.
Only when he finished the very modern composition did you speak up.
“I thought you only listened to classical?”
“I…did,” was all that came out of Spencer’s mouth, but it was enough for you to catch his implication that he had learnt this song specifically on the piano for you.
Spencer sniffled, diverting his gaze from you shyly as he inspected the keys in front of him again.
Ever since his birthday, Spencer could constantly feel the urge to confess right on the tip of his tongue while his lips trembled in self-control to keep them to himself for now. According to the internet and its various articles, he should try to ‘woo’ you first, and hence these actions instead of confessing right away. He wondered if you got his message. He wondered if you could tell this was his version of flirting. However, Spencer also knew that he had accidentally portrayed himself as an extremely sweet friend from your perspective, so thoughtful actions with the aim of impressing you romantically were most likely ruled as platonic gestures.
You began toying with the ring on your middle finger, the flattery from his sweet action manifested itself through the heat beneath your cheeks. For the first time in your almost three years of friendship with Spencer, you were struck by a minor nerve-wracking sensation. There was also a fleeting stutter in your chest that you decisively ignored.
You moved on with a quiet murmur.
“You know, humans owe squirrels a lot. They have planted at least thousands of trees.” You gave him a soft smile when his eyes met yours again. “It’s accidental, but no less a noble act contributing to the environment.”
“Yeah, they would bury nuts for later usage, but forget their locations. Many forgotten nuts can grow into trees, therefore, contributing to forest regeneration.”
“Anddd another fun fact failure.” You groaned, though your expression melted into a smile when you heard Spencer chuckle at that.
“We should head up. It’s getting late.”
You nodded in agreement and began walking, but looked back briefly at Spencer. “But it’s not too late for an episode of Doctor Who, right?”
An outstretched grin spread across Spencer’s face at your words.
“Never.”
﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏
“No way.” You were speechless as you made way out of Spencer’s car, staring at the building in front of you in disbelief. “Don’t tell me…”
“Yeah, it’s for your favorite film,” Spencer confirmed your suspicion.
“So, it didn’t matter that I had lost, huh?”
Shortly after your Doctor Who convention together, Spencer had invited you to this event that was two and a half months after. Though he insisted on keeping the details a secret, relaying only the dress code—smart casual, but whatever you were most comfortable with.
The secretive factor of the whole ordeal had you guessing in suspense for the entire two months, but now that you were here, you fully understood why.
This was the event that you both would have gone to instead of the Doctor Who convention if you had won that game of cards.
An orchestra movie concert of your favourite movie.
Spencer sucked in a deep breath, fingers toying with the loose threads of his cardigan. There he went again, attempting to present to you that he was an option—the best one, at that—and giving signals that he was pursuing you. He has read at least five hundred online articles on the art of flirting in the past week alone. If Derek ever found his online searching history, Reid would never live it down.
“God, this is the best thing ever.” Seeing how pleased you were with his action made Spencer want to physically preen with pride.
Once you two had settled down inside, you took a couple of photos and observed your surroundings. You looked around at your neighboring audiences before averting your gaze to the empty chairs that were soon to be filled by instrumental experts. Your body was flooded with excitement at the prospect of finally being at this event.
You decided to chime in with your daily fun fact just minutes before the concert was due to start.
“Did you know that there’s a planet that is ⅓ made of diamonds?” you whispered.
“55 Cancri e, right?” he matched your volume, shifting in the chair beside you to make himself comfortable.
“Yeah, that one,” you confirmed, turning your head back to him. “Go on, I know you have details on it.” You encouraged, shifting yourself into a comfortable position as well.
“55 Cancri e is a super-Earth exoplanet, approximately twice the size of Earth, though roughly eight times heavier in terms of mass. First sighted and discovered in 2004, scientists have found that it is a very hot and rocky planet with a molten lava ocean surface due to its incredibly close orbit to its star…”
You were leaning into your palm while listening to him, clinging onto every word as they absorbed into your brain. The space you left in between you both out of consideration for Spencer gradually lessened as he leaned in closer the more he talked. His tone, too, grew more quiet as he went on, as if the information he was telling you did not exist in some cyclopaedia, but a secret passed in full trust.
The corners of your lips curled at the twinkle in Spencer’s eyes as he detailed out knowledge that previously sat in the corner of his brain, collecting dust.
Spencer’s intellectual rambling will always be one of your favorite things about him. You loved hearing him talk and the way he enunciated each syllable so clearly, as well as his wordings and his tonal patterns. You should have gotten used to it by now, but it marvelled you every single time that you had the chance to listen to him talk about things you would rely on an internet search to know. Just like usual, today was no different.
Spencer Reid was remarkable. It was almost impossible to take your eyes off him when he talked. He was a bundle of many things that made him an individual worth a lifetime of getting to know.
You wondered if you were looking at him a little bit too fondly right now. But how could you not when he was whispering sweet facts to you as if he only wanted you to know of it? It felt almost as if this fun fact challenge had turned into a sacred tradition between you two.
“Even though it is widely said that the planet is ⅓ of diamond, this is actually still only a theory and yet to be proven. So, to dub it the Diamond Planet when they’re not even sure if there are diamonds on the planet itself is like…suspecting you are a quarter or half French and then introducing yourself as French to people anyway.”
Your laughter burst out unfiltered, and you instantly grounded yourself by clearing your throat and pulling yourself away from Spencer slightly, putting yourself on timeout.
That was kind of embarrassing.
The joke was slightly funny, but nowhere close to warranting that kind of laughter.
It sort of reminded you of the videos you have seen on the internet about the kind of laugh that people would let out in reaction to their crush’s jok—
Oh.
You subtly slid deeper into your chair as thoughts shot in your mind at a hundred miles per second. Your fingers immediately curled into your palms to dig at it. You could not look back at Spencer in fear that he would notice that something was wrong.
Oh God.
But were you really surprised though?
A part of you had seen it coming, because as much as you adore all your co-workers, you knew in the bottom of your heart that Spencer was the only one you were willing to lessen your sleeping hours to prolong hanging out and conversing with. Also, to be immune to such sweet actions, you would have to be some statue made of stone. For years now, Spencer had intently taken time to know you and go out of his way just to make you happy. If anything, you were grateful that your heart had picked someone so kind and worthy to give itself away to.
You glanced at Spencer from the corner of your eyes, and just the sight of him alone had your heart hiccupping in a way that you had become familiar with for the past month. It was the kind of stutter that you had outright been trying to ignore and written off as nothing. But unlike all the previous times, you knew you could no longer deny that man next to you was the reason for such palpitations.
And maybe it was also time to face it: you like Spencer Reid, your genius of a friend and very much also a profiler.
Your eyes snapped away from him the moment you realized the significance of playing it cool. You could not have him picking up the signs and figuring out that you have feelings for him. But then again, you have seen how clueless he was around women who were hitting on him and failing to pick up their signals. So, maybe he would not notice your current body language either.
Before you could think more on the matter, the lights dimmed and instruments began stringing together in a well-rehearsed manner. It was only then that you began breathing again, relieved that you had two hours to collect your thoughts and come to terms with the newly attained knowledge about yourself.
﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏ ﹏
“Alright, what’s the fun fact of today?” you heard Spencer’s voice before peering up and seeing him behind your chair, hands on the back of the furniture, looking down at you with a shy smile. The sight of his adorable expression made your cheeks heat up, and you had to avert your gaze to prevent him from spotting signs of your flustered state.
The other members just boarded the jet as well, settling into their own spots after a tiring case. You were much less the same, sporting the now more noticeable eye bags that matched Spencer’s. Yet, that does not deter his gaze from the warmth they hold.
You gestured to Spencer’s usual seat right next to you. Once he had settled down, you made your next move on his chessboard, resuming your current ongoing match with him. You could see the instant way the cogs in his brain started spinning. At that, you provided your fun fact of the day, hoping it would serve as a distraction.
“You know, I read that there are more possible variations of chess games than the number of atoms in the universe.”
“Yeah, it’s known as the Shannon number—the number of possible chess games, I mean, which is 10 to the power of 120. Meanwhile, the estimated number of atoms in the observable universe is 10 to the power of 80, to 10 to the power of 82.”
He made his move, catching your discreet yawn in the corner of his eyes.
“Fascinating, isn’t it?” The weight behind your eyes turned them half-lidded. They landed on the chessboard, trying to formulate the next best move, but your brain refused to cooperate as a fog of sleepiness overclouded your judgments.
“You don’t have to play now, you know. We can just play next time.”
“No, no. Give me a second, I’ll make my move.”
“You’re tired.”
You slowly turned your head towards Spencer, and there it was again. You caught the concern leaking from his gaze, and it instantly reminded you just how caring Spencer was to those in his life and especially you. Your mouth formed a tired yet grateful smile at his expressed worry.
You felt sorry for those who have never had the opportunity to be the subject of his affections.
For a split second, you pondered the kind of doting that Spencer would do if he were pursuing someone romantically. You have never seen him express interest in any woman during your time at the BAU, despite the advances he has gotten from various good-looking women. But if he was already this sweet platonically, you were fairly certain your heart would give out at what he had in mind as romance.
Your shoulders finally slumped before a truthful sigh escaped from you. “Yeah.”
Unlike usual, where you would fall asleep and land on his shoulder while you were knocked out, he outright shifted to sit up straighter for you, offering his shoulder.
Spencer never admitted it out loud, but he had foolishly started wanting the friction of your skin against his or the fabric of his belongings. It was an impossible he thought would never occur, but here he was, anticipating the next rare moment of physical touch beside the one where his shoulder would become your pillow.
Of course, he had noticed it—your lack of touch when it came to him. He was devastatingly aware of your mindfulness of his germaphobia, and Spencer was grateful, he really was. However, your reservation to accommodate his tendencies had begun feeling like deprivation. In fact, Spencer could count on one hand the amount of times you had ever touched him deliberately, with the last one being one hundred and sixty three days ago.
But it was that particular initiative factor that Spencer deeply yearned for. He craved and awaited for a touch made with purpose.
He wanted you to mean it.
You stilled at such a small action, gaze stopping on his shoulder. You did not want to over-interpret such a simple movement, but knowing Spencer, there were implications and significance in that little offering.
You knew it had become a recurring thing. As embarrassed as you were, you could not help the fact that you were the type to move around a lot in your sleep. You had tried using an airplane pillow, leaning against the wall, and so many other methods. However, most of the time, you would still wake up on Spencer’s shoulder before instantly jolting up and freeing him from the physical touch.
But the certainty on Spencer’s face left your rejection stuck in your throat.
Hesitantly, you began shifting closer, giving Spencer just enough time to retract the offer if he wanted to. But he stayed confidently still as your head started leaning down before finally landing on his shoulder.
One single small action had Spencer questioning how much longer he could go on like this. How much longer could he keep these feelings tightly locked and concealed? Because Spencer was utterly gone for you. Gone in the kind of way where one casual compliment from you about the cardigan he was wearing had him immediately putting the item into his clothing rotation a lot more frequently.
“I’m gonna get you some day, Spence…” Spencer watched as you drifted to sleep before closing his own eyes, all while he wished the flight back would last forever.
Unbeknownst to you both, the team exchanged knowing looks and discreet smiles at the sight they were witnessing. There had been nothing more obvious to them than this, but instead of intervening, they decided to let things play its course.
Because, despite the uncertain nature surrounding the occurrence of events in life, this was the one thing everybody was sure was inevitable.
﹏ ﹏ ﹏
The jet finally arrived back at Quantico around 11pm. Spencer had finished his report a few minutes before you did, but lingered behind as usual to wait for you. About two weeks ago, he had established a new routine between you both.
“Ready?” Spencer carefully peeled your bag from your hand, checking his watch to see that it was already past midnight, marking a new day.
“Yeah…” you breathed out tiredly, eager to collapse in bed. “More than ready.”
You like to think you have kept it cool well, in general. But Spencer’s new routine of walking you to your car after work had you a nail tip away from laying all your cards bare and revealing your feelings. Even on days when you finished your report first, he would walk you to your car before returning to the office. But the thing was:
Spencer Reid rarely ever drove to work, which meant he was going to the employee parking lot every day with you for no reason.
Well, for no reason but you.
The elevator began making its descent from the sixth floor with both of you inside. You were listening carefully as Spencer discussed an academic paper he had read last night. The doors soon jerked open, revealing the fairly empty parking lot. At the sight of your car, you subtly began slowing down your steps, biting back a smile when you noticed him mirroring your change of pace.
You observed as he animatedly gushed about the methodology of the research paper, paying particular attention to the tiny detail of his body language. The way his hands were passionately waving around, exaggerating certain points Spencer was trying to make. The flutter of his eyelashes as he blinked a bit faster than he usually would—a habit that often occurs when he speaks quickly, as you have learned. The smooth movements of his lips as his mouth tried to rush out words to match the pace of his incredibly brilliant brain.
Now that you were looking at his lips, you have to admit that it was kind of hard to look away.
Suddenly, an idea brewed in your mind, and it felt like the holy grail had finally landed in your lap. Who would have known that a random Thursday would be the day you ought to finally win this challenge and put Spencer in checkmate.
“Spence?” Your lips curled mischievously, observing the way Spencer halted in his steps at your tone.
God, despite being subjected to harsh and unflattering parking lot lights, Spencer still had the audacity to look good in a way that tugged at your heartstrings. The sight had you questioning if he was capable of ever looking bad. His warm eyes colored with interest as he eagerly awaited your next words. You took a couple more steps forward, wanting to hide the plotting expression on your face.
“Fun fact…” You paused before peering back at him. At those two words, you instantly caught the anticipation rolling off him. There was also a subtle confidence from him that signalled he was sure he already knew whatever you were planning to tell him. But you knew that this time, things would be different.
With a competitive glint in your eyes, you finally divulged today’s fun fact, your voice calm and stable.
“I like you.”
Just as you predicted, Spencer froze while his mouth fell agape. No words fell out of those talkative lips, a stark contrast to how fast he was speaking a couple of seconds ago. You practically beamed in victory at such a reaction. You wanted to celebrate, you really did. But you decided not to gloat about your win yet. Instead, you prioritised the better option: teasing your friend.
“I recalled you mentioning once that kissing spreads fewer germs than shaking hands?” You winked playfully, expecting nothing from it. It was simply a joke to make Spencer flustered for your entertainment, and there was zero expectation that he would somehow miraculously confess that he had been secretly liking you too and would actually kiss you at your workplace’s parking lot at 1am.
Because there was no way Doctor Spencer Reid liked you, right?
You observed as his lips slowly curled up in amusement as your words sunk in, and that partially made your shoulders relaxed. Well, at least your joke landed, and your friendship would make it out intact despite your confession.
But then, out of nowhere, that closed-mouth smile stretched into a full-on grin before a chuckle of disbelief escaped from Spencer.
Now, you were on alert. Instantly, you tried to read his reaction—was he in disbelief that he was finally stumped by a fact he had not yet known of? Was he amused by your clever trick of using your own feelings as a fun fact? But the elation on his face and the awestruck look in his eyes hardly aligned with someone who had just lost a long-term challenge.
Your lips parted as you continued assessing the man, but you caught the way his eyes flickered down at that small movement before he sucked in a deep breath.
Oh…?
Suspicion crept in, but confirmation came quicker.
In the blink of an eye, Spencer had completely eliminated the two steps between you both, sealing you two in a proximity that was closer than you had ever been with him. His palms found your face, and they cupped your cheeks in a careful yet certain way.
Spencer’s eyes darted all over your face, searching for all the clues that you were okay with what he had next in mind. He could see that your pupils were slightly dilated, as well as feel the way you were leaning into his touch and the heat that was transferring from your cheeks to his hands. Though it was only when you did not pull away and instead, had your tongue dart out to wet your lips, did Spencer kill the remaining space between your faces.
His lips slanted against yours in a desperate manner that outmatched his need for oxygen, kissing you like it was long overdue. He swallowed the gasp escaping your throat and the surprised noise that followed. There was an urgency he could not hide as his straining self-control snapped from your green light.
You began kissing him back just a second or two after, and almost instantly, you heard a sigh of relief. Your lips curled, but any trace of smugness vanished when his thumb began rubbing your cheek fondly. Suddenly, you were aware of just how close you two were. Every point of contact was sending a searing heat through your body, because despite his fears of germs, Spencer was touching your skin like it was a need, rather than an obligation for moments like these.
You pressed your lips harder against his.
Good lord, Spencer could do this forever.
He might have been able to count the number of times you have touched him on one hand, but even with the whole team, there were not enough fingers to account for the number of times he had glanced at your lips this week alone.
Your own hands touched the sides of his waist, and you instantly caught the longing noise that escaped from Spencer’s throat, echoing onto your lips. At such an encouraging sound, you curled your hands to the back of his body and snaked them up his back. Your lips smirked against his at the way he arched into your touch.
One hundred and sixty three days—Spencer reminded himself again, humming in utter satisfaction at the way those numbers spun down to zero. Finally, you were touching him on purpose and with purpose. He practically melted at the way your hands roamed so confidently without any trace of guilt that he was uncomfortable, because he was far from that.
In fact, he eagerly wanted to keep the number of days since the last time you touched him at zero permanently.
You picked that precise moment to pull away, documenting the way his eyes fluttered open and dawned into existence the unadulterated glimmer of yearning in them.
You have always thought he was gorgeous, but how he looked right then rendered the word inadequate. It was a vision exceeding all your daydreams, and to be the reason behind the look made you feel like you were an award winning fashion designer who had just invented a magnificent masterpiece. But unlike most, you had no intention of sharing this artwork with the world or with anybody else.
Spencer felt his heart squeeze at the sight of you again. Was it possible to miss someone so badly from not having a visual on them for approximately a minute? Maybe he was more screwed than he thought.
Breathlessly, he finally whispered the confession that he had long to say for a month.
“Despite all the facts I already know and have learnt during my whole entire life, you’re my favorite thing to study and know more about, and have been since you stepped into my life. Nothing I learnt after felt like it could outrank anything I learnt about you.” It was true. Every speck of information about you gets the forefront of his memory’s line-up, taking priority over every other knowledge. Spencer licked his own lips for remnants of you before continuing, “You’re my favorite fun fact, you know that?”
Your heart tugged at his words. You had no idea how you managed to compete with the vast amount of interesting information that existed in the world, but under Spencer’s stare, you truly could see he meant every word.
“But…” The smile on your face instantly dropped at that single word from Spencer. Good rarely ever followed that three-letter conjunction.
“But?”
“I do have to admit that, uhm…” The familiar sheepish glint in his eyes had one of your eyebrows shooting up. “I kinda already know that fun fact already, that you liked me.” Your hands on him stilled their movement before falling onto your sides in disbelief.
“Oh, come on. You can’t be serious.” He resisted the urge to whine at the lack of physical touch from you. “But you looked shocked.”
“I was shocked you actually said it. I didn't think you’d do it today…or tomorrow…or maybe ever–” You slapped his arm, but he gladly welcomed that contact. Anything was better than nothing.
“I thought you’re like highly oblivious to romantic signals? I’ve seen you being completely clueless and not picking up on the fact that women were flirting with you.”
“I think I wasn’t clueless when it came to you because my eyes were always on you.” Those words came out shamelessly. In fact, Spencer almost sounded proud of himself. You tried not to let his words make you flustered.
“When did you figure it out?”
“That you like me? At the orchestra.”
“How? I barely figured it out myself that I liked you then.”
“Yeah, I could tell.” Your huff drew a chuckle from him.
You finally peeled yourself completely away from Spencer, grabbing your bag from his hand before making your way to your car. As you unlocked the vehicle and swung the driver’s door open, you could hear his footsteps following. You crouched to lean into your car and place your bag onto the passenger seat. You could feel Spencer’s presence stopping just behind you, standing much closer than he had ever before tonight.
As you bent back up and leaned against your car, you didn't miss the way Spencer’s fingers twitched, giving away his urges for physical contact. You crossed your arms before tilting your head back teasingly.
“I’m still gonna get you someday.”
Spencer’s gaze melted to an even softer look than before at your declaration. There was a freeing component in his eyes, showcasing the joy from being able to openly look at you in the way he had really wanted to for a while. His voice lowered to a sweet, promising whisper.
“I’m counting on that.”
With that, Spencer leaned in again, wanting a second run of things before the two of you had to part ways for the night.
You grinned into the kiss and quickly wrapped your arms around him again. Quietly, your mind logged in today’s score.
Day 187 status: unsuccessful.
But it hardly matters when you think you’ve already won something a lot better.
link to: epilogue/bonus bit
・┈・┈・┈・┈・┈・
⟡ navigation ⭒ masterlist
⟡ spencer reid masterlist
⟡ join my spencer reid tag list (or to remove yourself from)
the best fanfiction you've ever read was written by a woman in her 40s before she made dinner for her kids. it was written by a teenager after school when they should've been studying for a history test. and a barista came up with the idea while they cleaned the espresso machine and busser fact-checked it on their break and the post-doc edited between writing grant proposals and the nurse apologized for typos in the notes after a long shift and behind every drabble and one-shot and multi-chapter fic there is a person with a wonderful and interesting and chaotic life and it is such a privilege that we get to be apart of it because they decided to do this thing we all share, for fun.
it would explain so much about Gotham economics if it turned out the only employers who pay a livable minimum wage are 1) Wayne Enterprises duh, but mainly 2) all of Gotham's assorted villains.
sure henching comes with shitty working conditions, but the benefits package is crazy competitive. they have dental
Gotham's villains are so engrained because supervillainy is the only thing propping up the local economy. henching requires no work experience, provides on-the-job training, and has a diversity hiring program (you're willing to commit crimes in tacky matching uniforms? great you're in, here's your gun and clownsuit)
Batman is constantly throwing money trying to compete but the fact remains that henchpeople are Gotham's largest workforce and will be until minimum wage laws catch up to reality
even educated jobs in environmental science are probably getting laundered money from poison Ivy. and a lab equipment tech might notice three different jobs are tied to pamela Isley and also happened to receive grants from "unrelated" shady shell orgs and the next one is setting up a temperature controled penguin habitat for some eccentric obvious mobster.
we need a new supervillain who gets drawn into villainy specifically to make money for funding grants. they come up with a theme and wacky outfit and loony backstory but at the end of the work day they change back into their alter ego (tired scientist with bags under their eyes and a hotpocket stuck in their labcoat). they're actually very mild mannered irl—the villain persona comes from their background in Theatre Arts
From director Rian Johnson, a collection of some of the screenplays of his movies & TV shows, including Wake Up Dead Man, Knives Out, Glass Onion, Looper, and the Poker Face pilot. “Print them, share them, act them out with your friends.”
summary: you thought moving in together would be cute and domestic. turns out it’s ruining you. spencer does the dishes, fixes a bookshelf, remembers to water the plants—and suddenly you’re ready to drop to your knees over basic responsibility.
includes: smut (MDNI), no use of y/n, soft dom!spencer, domestic fluff turned feral, acts of service as foreplay, praise kink, use of "good girl" and such, reader has zero chill, unholy levels of horniness over chores, hair pulling, oral (f receiving), he just loves you bro
based on requests: 1, 2
The day starts ordinary enough.
Spencer’s in his usual weekend rhythm—hair still mussed from sleep, sleeves pushed up, moving around the kitchen like it’s second nature. You watch from the couch as he empties the dishwasher, humming softly under his breath. He pauses to line the mugs neatly in the cabinet, then wipes his hands on a dish towel before reaching for the coffee pot.
It’s nothing flashy. Just him being… him. Thoughtful, careful, methodical.
And yet, every small thing he does sends a slow, molten warmth through your veins.
He glances over his shoulder to ask if you want sugar and you can’t even form a coherent answer. You nod, a little too quickly.
Later, he’s in the living room, glasses sliding down his nose as he fixes the leg on the wobbly bookshelf you’ve been complaining about. His hair keeps falling into his face, and he keeps huffing it away with a puff of air, muttering to himself like an old man. You should be helping. You’re not.
You’re watching the veins in his forearm flex every time he tightens a screw.
Then it’s the laundry—him methodically folding towels, matching socks like it’s a puzzle. Then it’s him remembering to water the plant on the windowsill.
And then, Christ, it’s the way he looks at you—his eyes soft and sweet and his voice so, so gentle when he tells you to go get ready.
“For what?” you ask.
He smiles. “I’m taking you out to dinner.”
He doesn’t phrase it like a question. He’s not asking permission.
And something about that makes your knees a little weak.
You take a quick shower, throw on a pretty sundress, do your makeup and hair, and when you’re about to step into your heels, he kneels down in front of you.
His fingers brush your ankle as he buckles the strap. Then he does the other foot.
It’s so simple. But it turns you on more than you can explain.
He stands and looks at you, brushes your hair behind your ear. “You okay?”
You can tell by the look on his face—gentle, knowing, a little amused—that he knows exactly where your mind has gone. But you just smile and say, “Yeah, I’m fine.”
He says, “Okay,” and the two of you walk out to his car.
Your hands are wrapped around his elbow like it’s 1942 and he’s taking you to the dance. He opens the door for you, and you freeze.
For a second, you're glad he can't hear your thoughts. The dirty ones. The ones where he bends you over the hood of his car and fucks you in broad daylight. But he’s just standing there, waiting for you to get in the car.
Then he raises a brow at you—a bold smirk on his lips and you wonder… maybe he can hear your thoughts.
“Let’s go back inside,” he says. And you nearly melt into the ground.
You’ve been living together for a couple of months now. And he’s finding out—little by little—how unbelievably, downright, unhinged horny you are. He leads you back upstairs. And as soon as the door falls closed behind you, you’re pinned against it, his soft lips on yours.
You can taste the toothpaste on his tongue.
You’re still in your heels and sundress, and he’s fully clothed, and he’s kissing you so hard you can’t catch your breath. His hands are in your hair, tugging, pulling, and your fingers are fumbling for his belt. You think how easy it would be to undo it, unbutton his pants, let them fall. You want them to pool around his ankles; you want him to kick them away and take you right here, up against the door.
“Tell me what you want,” he whispers. And even though his tone is loving and tender, he’s also a little rough. A little commanding.
You have to tell him. He won’t move until you do.
“I want you,” you breathe.
He shakes his head. “No. Tell me exactly what you want me to do.”
“I want you to fuck me,” you whisper. “I want you to bend me over the couch. I want you to pull my hair and make me come on your cock. I want it to hurt just a little bit.”
He nods. “Good girl.”
Then he spins you around, bends you over the arm of the couch, flips your dress up, and yanks your panties down to your knees.
And for a second it's embarrassing—the idea of him seeing you like that. It’s easier when it’s dark, when you can pretend he can’t really see you.
But it’s broad daylight and you know he can see everything. The way your thighs are shaking, the wet spot on your panties, the way your body is so, so ready for him.
“Spencer,” you whisper, trying to look over your shoulder at him. But he presses a hand to your back—keeps your face and chest pinned to the cushions.
“Don't move,” he tells you. “I’m going to take care of you.”
You feel his lips brush the back of your thigh.
He kisses a path from your knee to your ass. And when he reaches the soft flesh there, he sinks his teeth in.
“Ow,” you whine, even though it doesn’t really hurt.
He soothes the skin with his tongue, and you feel his hands on your thighs, spreading you wider for him. Then his tongue is on your pussy—licking a slow stripe up your center, and you nearly whimper.
“Shh,” he tells you.
And you don’t know why you have to be quiet. The two of you are alone in the apartment. But something about the command, about him shushing you, makes you bite your lip to stay quiet. You press your cheek into the couch cushions, muffling a moan.
“Good girl,” he praises. “You look so pretty like this.”
You can feel his tongue on your clit, lapping at your slick folds, dipping into your hole. He fucks you with it, pressing it inside you as he grips your ass, fingers digging into the soft flesh.
He hums against your pussy, and the vibrations make you shiver.
“God, you’re so wet. You’re making such a pretty mess, baby.”
His words send a shockwave through you. And you wonder if this is turning him on as much as it is turning you on. If it’s possible for him to be just as gone, just as crazy for you.
You hear the sound of his belt being undone, then his zipper coming down.
And then he’s pushing inside you, so slow, so careful—like you’re fragile.
You feel every inch of him stretching you, and you let out a gasp. He’s so hard. You can feel it in the way his cock twitches inside you. In the way he hisses when he bottoms out, and his fingers dig into your ass.
He pauses for a moment, lets you adjust, and then he’s pulling out, and thrusting back in—so hard you let out a cry.
“Does it hurt?” he whispers. “Tell me if it hurts.”
You shake your head, and he thrusts again.
It hurts just a little, but it feels good, too. Feels like you’re full. Like your body is being rearranged to fit him.
And you can’t help the way your walls clench around him.
He groans.
Even though he’s being dominant—even though he’s telling you what to do, fucking you from behind—he’s still so, so loving. He mutters soft compliments, tells you how good you feel, tells you he doesn’t deserve you.
And every time he’s all the way inside you, he sits there for a second—lets you clench around him, lets you feel every inch.
“You’re taking me so well,” he purrs, fingers tangling in your hair. He yanks, and you move with him, sitting up on your elbows. “Good girl.”
He reaches around to yank your dress down, freeing your tits. And his fingers are kneading, massaging, before he’s pinching and rolling your nipples between his fingers.
You let out a whimper.
“Tell me you want it,” he hisses. “Beg me to keep fucking you.”
“Please,” you cry, pressing back against him. “Please don’t stop.”
He keeps that deep, torturous pace—keeps toying with your nipples, pulling and rolling them between his fingers.
“What got you so horny for me, baby?”
And you have to tell him. You have to say the words out loud, even though they sound so dirty, so depraved.
“It was you helping me. Fixing the bookshelf. When you emptied the dishwasher. God, I wanted to drop to my knees and blow you right then.”
He moans and fucks into you—hard and fast.
You swear you feel him hit your fucking cervix. You let out a loud moan.
Then he pulls out, and you’re empty and cold and you whimper at the loss.
"Stand up."
You do, shaky legs and trembling thighs.
He sits down, looks up at you.
“Come here, ride me.”
He doesn’t have to ask twice.
You straddle him. Your knees sink into the soft cushions, and your hands find his shoulders. You raise up on your knees and position him at your center. And slowly—oh, so slowly—you sink down on him.
You can see his face now. The way he watches you like you’re a work of art. Like you’re something to be worshipped.
And it makes you feel powerful and sexy.
You raise up again, and slam back down. He lets out a hiss and bites his lip. So you do it again.
His hands are on your hips, helping you, guiding you. And it’s not long before the two of you find a rhythm. He thrusts up to meet you, and you fuck yourself on him—slow and deep. It’s so good. He’s so good.
“You’re so beautiful,” he whispers. His eyes haven’t left your face. He kisses your neck, your shoulder, the curve of your breast.
Then his lips find yours again.
And it’s sweet and gentle, the way he kisses you. The way his hands hold your face, his tongue licks at yours. He sucks on your bottom lip before he bites it. And it takes your breath away. It feels like a dream—the way he’s looking at you. Like you’re the only person in the world.
Like nothing else matters.
“I love you,” he breathes. “God, I love you so much.”
His voice is so soft, so sincere, you feel a lump form in your throat.
“I love you too,” you whisper back.
And he smiles—this little boyish grin that makes him look so young. Makes him look like the world isn’t weighing him down. And you press your forehead to his, feeling his breath on your lips, and then you’re riding him again.
“Touch yourself,” he tells you.
His voice is husky, and his eyes are on you—watching the way you bounce on his cock. You reach down between your legs, playing with your clit in slow circles as you fuck yourself on him.
He grips your hair, pulling your head back gently so he can look at you.
“I’ll always give you what you want,” he tells you softly. “Anything you ask for.”
“I love you,” you moan again.
“I love you, too.”
You’re still touching yourself like he asked you to. Like you promised. And he notices.
“Good girl,” he moans, and starts fucking up into you—harder. Faster. “My girl.”
“Spencer,” you're breathless as you say his name. “I’m gonna come.”
He’s thrusting up, hitting that spot inside you that feels so fucking good. “You feel so good, baby. So warm and tight.” He bites your neck softly, sucks the skin into his mouth.
“Please,” you whine. “Spencer, I can’t.” Your hands are gripping his shoulders, your nails are biting into his skin, and you can feel your orgasm building. “Please let me come.”
He kisses your lips—soft and gentle.
“Of course you can come, baby,” he murmurs against your lips. “Come on my cock. I want to feel it.”
You let out a moan and do exactly that. You clench around him and see white. You’re gasping for air and shaking and whimpering.
He keeps fucking you through it—slow and gentle, and it feels so good you think you might come again.
“That’s it,” he coos. “You did so good, sweetheart. You made yourself come on my cock.”
And you nod, biting your lip, still feeling the aftershocks of your orgasm as he fucks you. He’s going harder now. You know he’s close. He whispers how good you feel. How beautiful you are. And then he’s coming—groaning softly as he fills you. You can feel him pulsing inside you and you clench around him. It makes him moan and bury his face in your neck. You can feel him smiling against your skin. And the two of you sit there for a moment—him still inside you, his arms wrapped around you, holding you tight.
“You’re so pretty,” he whispers, smoothing your hair down. He pulls back to look at you and you smile. He kisses you again—so lovingly, so tenderly you melt into him.
And then you’re lying on the couch together. He’s holding you in his lap, your head on his chest. You’re tracing the lines of his chest as he strokes your hair. It’s quiet—save for the sound of your breathing.
You could fall asleep like this. With your head on his chest and his fingers in your hair.
