first thought, best thought đș
@zenivth
[đ”] Â Â he stands for hours.
       to truly appreciate a gallery, time is paramount. it would not do to merely glance at a work of art and walk away as tourists do. greedy, they are. they wish to drink in the sights, acting as though paintings will dissipate before their very eyes if not hoarded in their cameras. yet it is this very act that prevents them from realizing the essence of an artwork. for them, perhaps, it is enough to have merely been in its presence; to be able to say that theyâve seen it in person despite not seeing it at all.
       a womanâs voice effectively serves to ruin his contemplation. he regards her for mere moments, irritation flashing in his eyes before it is quickly dampened. critique before appreciation is far worse than tourists. did critics interrupt his playing to comment on his technique? no. (for he would surely throttle them). hands are shoved into the pockets of his trousers as he attempts to refocus onto the painting before him, but to no avail. a muted sigh, and he turns his head to face her fully.
       âis that so?â he asks in a dull tone. âyou would not agree that art is a process, then? your first thought is often rather banal. drafts did not come into existence without a reason.â
First thought, best thought. If sheâd bothered on following her own nugget of good-intended advice when it came to brooding-stranger-in-her-exhibition number 17, she would have skipped off into the sunset without looking back the moment he opened his mouth. His voice doesnât match his face. His dull and uninspired drawl, contrasted rather deeply with the sharp and attentive light behind his eyes, the light that had been studying her work relentlessly. She couldnât help but ask ââ he looked out of place in the midst of other guests, so young, no older than 25 surely, but also so at home in the haven of artistic bits and bobs, that her curiosity got the best of her. Needless to say, it spooks her, the unexpected discrepancy of what she sees and what she gets ââ so much so that she canât hide the flicker of alarm that causes her eyes to widen; itâs written all over her face.
How can she explain how she feels about processes? About art, a freeform, being Demoted to the label of a Process, a repetitive sequence of actions, and losing its magic along the way. Irregardless, all processes that begin with a First Thought produce the best work. Work with a flair. Without said thought, said feeling, the process couldnât blossom or grow. How could the prettiest flower-bud bloom without the boring brown seed being initially planted, without the original plant dying but leaving enough pieces behind to pick itself back up again and regenerate? A process without an original first thought, without a passion or bright idea... Merde, it could never be art.
"I was wondering about your first thought, on the piece...â Her two cents would never be succinct enough to utter aloud, so in a typical Dahui fashion she ignores his question completely and opts to fiddle with her bracelet aimlessly instead. Her head cocks as she studies the familiar painting, as she remembers how it took seven months to groom that first thought enough to start expressing it. Itâs mixed media on canvas, a messy mix of gouache and shredded newspaper forming shade and light in a monochromatic scheme of red. Simultaneously bloody and treacherous but also light and hopeful, different emotions for different people. âHow does it make you feel?âÂ













