You said I’m sorry, I said I’m sorry too.
Aqua Utopia|海の底で記憶を紡ぐ

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Keni
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@daisy-rabbit-cringe
You said I’m sorry, I said I’m sorry too.
Good damage.
I have never related to a tv character as much as I’ve related to Diane Nguyen. She’s so afraid of being happy because she wants her trauma to mean something. Only to realize that trauma doesn’t have to be for anything. You’re allowed to just be happy.
a guide to wlw period pieces (tv edition)
a guide to wlw period pieces on tv (film edition)
Taylor: turns down the halftime show again
The universe: “you’re going to the Super Bowl and that’s FINAL”
More incorrect quotes (pt who knows at this point. I have too much time on my hands lol)
Katniss is like Lucy Gray this, Katniss is like Sejanus that, and yes find that's all good and true and lovely but Katniss Everdeen is also a direct parallel to Coriolanus Snow and people NEED to start talking about this because it's driving me crazy.
Think about it: they both grew up poor and deeply vulnerable, losing parents at a very young age, with a matriarchal adult (Katniss' mother and Coriolanus' Grandma'am) who fails to provide for them emotionally and physically. They intimately understand the threat of starvation, even developing with stunted growth because of it, and their narrations in the books share a fixation on food. Throughout their childhoods, both experienced constant fear and suffered a fundamental lack of control over their circumstances. Because of this, they're inherently suspicious of the people around them. They resent feeling indebted to others, especially those who have saved their lives. They're motivated almost entirely by family and deeply connected to their communities. Both are used and manipulated by the Capitol, both are forced to perform to survive and despise every inch of it, both are thrown into the Arena and made to kill. Both have a self-sacrificial, genuinely sweet sister figure acting as their conscience. Peeta and Lucy Gray - performers and love interests with a fundamental kindness and sense of hope about them - fulfill markedly similar roles in their narrative. Both contribute to the development of the future Hunger Games, Snow throughout tbosas and Katniss towards the end of Mockingjay.
It's easy to ignore these similarities because, as mirrors of each other, they are exact opposites. Katniss is from District 12, viewed and treated as less than human; Snow is the cream of the Capitol crop, given the privilege of a name with social weight, an ancestral home, and the opportunity of the Academy despite having no more money than a miner from 12. Katniss has no agency over her life, and responds by being kind whenever she's able, while Snow justifies horrendous evils in order to continue his quest for complete control. Katniss does everything she can to protect her family; Snow does everything he can to protect his family's image as an extension of his own ego. Katniss loves her District and connects with its inhabitants on a meaningful level, but Snow is indifferent at best to his peers - the apparent "superior people" - and only engages with his community for personal gain. Katniss emerges from the Arena horrified at herself and the system, but Snow takes his trauma and turns it into an excuse to perpetuate the violence with himself at the top. Katniss cares for Prim until her death and then snaps at the loss of her little sister, while Snow survives on Tigris' blood, sweat, and tears and then torments and abandons her, presumably because she calls him out on his insanity. Snow actively adds to and popularizes the Hunger Games because of his vendetta against the Districts following his childhood wartime trauma - Katniss briefly agrees to a new Hunger Games in the pursuit of vengeance, but later stops them from happening by killing Coin and choosing a life of peace and privacy. Snow is obsessed with revenge, but Katniss empathizes with the Capitolites and does what she can to keep them from suffering. He exists in a cruel system and selfishly upholds it; she exists in a cruel system and works to dismantle it for the good of her family and community, at great personal cost. And Peeta and Lucy Gray are incredibly similar, but Katniss and Peeta forge a relationship of genuine love and understanding that shines in comparison to Coriolanus' obsessive projection onto Lucy Gray.
So, yeah, Katniss is Lucy Gray haunting Coriolanus. But I bet you anything that eighty-something year old President Snow looks at her, the girl on fire, bright and young and brilliant, emerging from a childhood of starvation with a relentless hunger for success, a talented and charming performer helping her win the Games, and he sees the ghost of his own past. And that's why he's so afraid of her! Because if he sees himself in her, then he's up against his own cunning, his own talent for manipulation, his own charisma, his own genius. He's up against the version of himself that he once wished to be, with the nightmare army of his childhood at her back and her star-crossed lover at her side, spewing Sejanus' truths in his own voice. This isn't to say that Katniss ever achieved the level of power and agency that Coriolanus did during her time with the rebellion, but it is to say that Snow was taken down by what truly terrified him - his own morality, come to finish the job.
The more I think about TBOSAS, the more I completely agree with this take. Katniss and Coriolanus are very alike, and yet so utterly different, and that’s totally on purpose. @petruchio your inverted trio theory scratches my brain in such a particular way, as does this meta, OP.
Katniss, during almost the entirety of the trilogy: I don't want kids but I want Peeta to have children so much. He is so dad-shaped it hurts, Imagining his kids running in the meadow in 12 brings me so much joy..
Peeta: has never, not once,expressed any desire to have kids before the epilogue
modern social media should stop offering "sync with your phone contacts to follow them" options and start offering "block all your phone contacts so they never see your account" options
Writing Vampires
AKA What SarahN Kinda-Sorta Learned from Trying to Write Vampire Characters and Blowing it Several Times, Then Kinda Getting It Right Later
As someone who spent years rebooting one vampire comic, only to finally move on and create a different vampire comic that I’m actually relatively proud of (Daniel), I thought I’d drop some suggestions for any would-be vampire writers or webcomickers so that they may not repeat some of my mistakes and find themselves in an endless loop of self-questioning and rebooting.
Obviously, I learned quite a bit about more than just writing a vampire story, but also about writing and webcomicking in general and my best ways to go about it, but this is mostly about how I decided to approach vampires.
This is mainly directed at people who want to write a vampire story, but I’m hoping some of this may be helpful to people who just have vampire characters in a story full of other types of mythological creatures or what-have-you as well.
For everyone else, perhaps it’ll just be an amusing read. XD
Anyway, I’m just gonna jump right into this. Click “Keep Reading” to check out all of this giant, rambly mess of a post.
Keep reading
This shit was better than whatever the fuck we have going on today ngl
thinking about the fact that they made a point to tell us that there are no cameras in the vents. like- lucy gray is a performer, she is always performing, it is her calling and her survival mechanism and when we meet her she literally cannot stop performing because she is always on camera or being perceived- by coriolanus, by the capital, by her fellow tributes and the folks back at 12. but for that one, awful moment, in the vents, watching dill drink the poisoned water she laid as a trap- for that one moment in the whole entire movie, lucy gray isn’t being observed. that is the only moment in the entire movie she isn’t performing for someone else, and she uses it to grieve
Can you blow my whistle baby, whistle baby
Suzanne Collins has me deranged.
We know from the Ballad of Song Birds and Snakes that many of the features of the modern Hunger Games are Snow's invention, including those that motivate the districts, like prizes. It's fair to assume he likely came up with the idea for tesserae, it's an easy way to keep the districts well fed while encouraging/forcing participation and general involvement in the games. It's a great reminder, even the food you eat is linked to the games themselves. Tesserae is a type of tile work commonly associated with Romans which Collins draws a lot of inspiration from in her depiction of the Capital. It has also in the past been used as a token. In this case, you take the token of food in exchange for extra names in the bowl. Now that's fucking excellent on it's own, real neat bit of linguistic worldbuilding.
BUT what really gets me, what truly fucks me up is that Snow didn't name it that because he's like a language nerd. Tigris had to use tile buttons, tesserae buttons on his shirt during songbirds because they couldn't afford anything else. Snow inherently associates that material with poverty, specifically with the lack of food he had during that time. As a result tesserae represents poverty starvation and desperation to everyone in the districts. Snow is so god dam self obsessed he imbedded ,intentionally or not , personal fucking references to himself within the districts.
AND THAT is why Collins is so crazy to me that detail is tiny, you truly would not notice and in the grand scheme it's not that important but that's woman is on her shit and she's fucking thinking her thoughts and its genius. HER MIND UGH. truly has me messed.
so unserious