dannyfaria𖦹MOVESMOOD | Digital Content Curation

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JiyongKim 24 S/S Exhibition, Space ISU • 2023.7.14 - 8.13, Seoul, Korea

@jiyongkim_official @jiyongkim_ https://jiyongkim.net/article/_project/8/8

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GREGORY CREWDSON, Untitled, 1998-2002, Digital C-print, Image size: 48 x 60 in. © Gregory Crewdson @crewdsonstudio

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Ilê Sartuzi, to vanish, 23 May — 30 July, 2026 Madrid, Galeria Pedro Cera

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淵上 直斗 Naoto Fuchigami  @naoto_fuchigami_

ℏ - triple particle / interaction #2 455×455×25mm Silicon wafer, epoxy resin, wooden panel 2026

ℏ- observed パネル、半導体、樹脂 500×727×30mm 2023

ℏ- particle / decay 2024 Panel, epoxy resin, silicon wafer 530×530×30mm

ℏ - particle / decay #2 パネル、半導体、エポキシ樹脂 455×455×30mm 2024

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Studio Iron by Isamaya ffrench @saatchiyates, XANAX TRIPTYCH, ON DISPLAY AT SAATCHI GALLERY CURATED BY ISAMAYA FFRENCH FOR STUDIO IRON, LEATHER ON BIRCH PLYWOOD, 225 X 174 CM.

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Kingsley Ifill (kingsleyifill.com), ‘Floating on the Silence’, 2023 Acrylic on linen in aluminium frame 43.5 x 32.5cm / 17 1/4 x 12 1/2 in

Part of ‘Hyperborea’ group exhibition at @hallen_kunstfestival opening this week in Berlin curated by @schatzshelly.

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Łukasz Stokłosa, Schloss Charlottenburg 2017, oil on canvas 50x60cm

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Fuga, from the Fall series, Resistance of Fog: Fujiko Nakaya installation view in the Contemporary Art Gallery, Art Tower Mito (2018). Photo by Shintaro Yamanaka (Qsyum!); courtesy of Contemporary Art Center, Art Tower Mito

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Robert Rauschenberg, Untitled (Interior of an Old Carriage), 1949 | Gelatin silver print, 10 1/8 × 9 5/8 in | 25.7 × 24.4 cm. Robert Rauschenberg Foundation, New York.

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Rose König (@youremykiller), THE CLOSEST THAT WHAT YOU WANT, Photo transfer on canvas, 80x80 cm, 12 mugshots of Gucci Mane and grasse landscape.

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Yan Pei-Ming, Wild Game: The Way of The Crocodiles, © Yan Pei-Ming, ADAGP, Paris, 2019

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Ambera Wellmann, Clay Pigeon, 2016 [1. Clay Pigeon 26" x 27" Oil on Wood | 2. Clay Pigeon II 26" x 27" Oil on Wood]

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MR⬤ 0001 WELCOMING SPRING 0:52:17

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Jack Butcher, ’Self Checkout’, Art Basel Miami, 12 4-7 2025

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Sean Weisgerber, In the Red (March 2-17, 2016), acrylic on linen, 56 x 35 inches, 2016.

"This painting turns the receipts for its own creation into the artwork itself, exposing the economic realities behind artistic production. Referencing the common financial idiom “in the red” and Baldessari’s “A Painting That Is Its Own Documentation”, it merges self-reference with financial critique. " via: @seanweisgerber

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Anna Clegg, Untitled, 2024 oil on canvas, 30 × 35 × 4 cm

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Ludwig Moser, 1833 – 1916