David Barbarino
taylor price
Aqua Utopia|海の底で記憶を紡ぐ

if i look back, i am lost

Andulka
hello vonnie
Misplaced Lens Cap
we're not kids anymore.
Mike Driver
d e v o n
NASA
"I'm Dorothy Gale from Kansas"

izzy's playlists!
Monterey Bay Aquarium
RMH
2025 on Tumblr: Trends That Defined the Year

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祝日 / Permanent Vacation
Cosimo Galluzzi

JBB: An Artblog!
KIROKAZE
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@davidbarbarino
David Barbarino
Spirit of Stampa
Spirit of Stampa
Yasujiro Ozu and Setsuko Hara.
Howard Hodgkin
Thinking Aloud in the Museum of Art, 1979
A film-screening event held by Bitai Thoan, exact date unknown.
日治時代台灣文化協會「美台團」舉辦之「活動寫真大會」,時間不詳。
see: Chen Chieh-jen on Bitai Thoan
Michael Powell and Emeric Pressburger, writers and directors of The Red Shoes, Black Narcissus, A Matter of Life and Death, et al., some of the most beautiful films to come out of the classic period
first posted by craigfernandez
Milton Avery
Francis Picabia (French, 1879-1953), Portrait d'homme, 1932. Sanguine, charcoal, India ink and black chalk on paper, 62.5 x 48 cm.
Robert Rauschenberg, Bantam
1.
Frank Auerbach
Head of E.O.W.
Leon Golub
via The Battle of Algiers (1965, dir. Gillo Pontecorvo)
"Challenged by terrorist tactics and guerrilla warfare in Iraq, the Pentagon recently held a screening of The Battle of Algiers, the film that in the late 1960’s was required viewing and something of a teaching tool for radicalized Americans and revolutionary wannabes opposing the Vietnam War.
Back in those days the young audiences that often sat through several showings of Gillo Pontecorvo’s 1965 re-enactment of the urban struggle between French troops and Algerian nationalists, shared the director’s sympathies for the guerrillas of the F.L.N., Algeria’s National Liberation Front.
The Pentagon’s showing drew a more professionally detached audience of about 40 officers and civilian experts who were urged to consider and discuss the implicit issues at the core of the film — the problematic but alluring efficacy of brutal and repressive means in fighting clandestine terrorists in places like Algeria and Iraq. Or more specifically, the advantages and costs of resorting to torture and intimidation in seeking vital human intelligence about enemy plans.
As the flier inviting guests to the Pentagon screening declared: ‘How to win a battle against terrorism and lose the war of ideas. Children shoot soldiers at point-blank range. Women plant bombs in cafes. Soon the entire Arab population builds to a mad fervor. Sound familiar? The French have a plan. It succeeds tactically, but fails strategically. To understand why, come to a rare showing of this film.’”
-“What Does the Pentagon See in Battle of Algiers?”, The New York Times (via) (photo via)
Alberto Giacometti
Francis Bacon
Kwaidan
ARNULF RAINER, BIRD SCRATCHES 1968
Oilstick on synthetic polymer sheet taped to paper