Waking up with hypocrisy
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Waking up with hypocrisy
So, I know there are plenty of iconic nicknames for Dick — particularly “the Boy Wonder” — during his time as Robin. All of those are great. Very cute. Very wholesome.
However, I think we need to bring back “devil-child with the laughing eyes”.
Is it a mouthful? Yes. Does it convey every single aspect of Dick’s character at that age? Immaculately so. He’s mischievous. He’s dangerous. But he’s silly and gleeful while doing it, and always laughing. Just… hopefully not at you.
(And, if he isn’t silly or gleeful, if he isn’t laughing… run.)
It's Bruce's love language ☺️
i love the ways that under the red hood shows that this is not just some petty revenge scheme for jason. this is not just about getting back at joker or at bruce. this is about enforcing a new definition of justice that prioritizes the suffering of victims over the possible redemption of evil people.
this is why takes that characterize jason as being motivated solely by personal vendettas are missing my favorite read of his character. i mean make no mistake, it is personal for him. but this fight was personal even before he died, and only more so since his resurrection. jason has always held a righteous anger toward systemic injustice, and he’s consistently motivated by empathy for those that unjust systems leave behind.
when he confronts garzonas in batman #424, for example, he is motivated by a palpable empathy for garzonas’s victim, who ultimately kills herself after he gets out of jail and threatens her over the phone (at the police station, in front of bruce, jason, and gordon). his empathy gets expressed both as clear distress upon finding her body, and more frequently as a righteous anger toward garzonas and at the systems that allowed all of this to happen— including batman’s way of only abiding by legal procedures. jason understands his role as a vigilante to be one who circumvents the systems in place when they fail to bring justice to people, and that’s exactly what he does by taking the fight to garzonas (whether you think he’s the one who pushed garzonas or not).
in utrh, jason also places his victimization at the hands of joker within a much larger pattern of systemic injustice— and when the system doesn’t work, as we’ve established, jason is more than willing to go around it. reform is not his gig because waiting for the system to do its job delays justice, sometimes with dire consequences (see again #424, and also everything that’s ever happened with joker since jason died). so when jason makes his appeals to bruce on the grounds of what happened to him specifically, it is also an appeal to finally take the larger problems at hand just as personally as he does, and to handle them his way. from #641:
jason’s primary aim is to establish a way of doing things that will eliminate those who do harm from the equation entirely, and in doing so he will remake batman (and gotham) in his image. whether that is something that jason, bruce, or anyone else could ever actually achieve is an entirely different question. but we still see these larger, system-oriented goals come out in his very personal final monologue when he tells bruce, “i thought i’d be the last one you ever let him hurt.”
the first time i read this, i misunderstood it as “i thought you’d do anything to make sure he didn’t hurt me,” but that’s not it. it's not about the fact that bruce didn't save him. it's about the fact that jason thought that when it finally hit home for bruce, when joker's chaos and violence and killing finally showed up at his front door, that bruce would stop trusting the system to take care of it, that he would stop prioritizing one person’s possible redemption over the real suffering of everyone else. he thought that bruce would make sure jason was joker’s last victim, the “last one he ever let him hurt,” and what wounds jason to his core is that not even his death was enough to radicalize bruce to his way of doing things.
jason’s angry that joker is still alive, not just because that’s his killer, but because that’s a killer. but even this isn’t specific enough, because jason clearly doesn’t think that every killer or criminal is worthy of death:
in jason's idea of a just world, bruce doesn’t need to kill any of his other rogues, many of whom also have blood on their hands. he just needs to kill joker, he insists, because he keeps hurting people, because he’s not sorry, because he has absolutely no desire to reform and thus no capability to do so, and, at the personal level, “because he took me away from you.” again, the fact that even being robbed of jason was not enough to make bruce see what must be done is what drives him to this extreme. much like bruce thinks he can force joker to reform, jason thinks that he can force bruce to change his understanding of justice by cornering him, by forcing him to choose him or joker then and there. and somehow, it still turns out worse for jason than it ever has for joker (i will spare us all the image of The Incident).
tl;dr jason's personal vendettas are inseparable from his larger commitments to a completely different regime of justice that will prioritize the prevention of suffering rather than the reform of rogues. to make it only about his desire for revenge or proof of bruce's love obscures the empathy (often expressed as righteous anger on others’ behalf) that drives him and flattens some of his character’s most interesting complexities.
jason todd should never ever interact with characters who can break the fourth wall because if he does, he might find out that the world VOTED to kill him for the crime of not being dick grayson, and i fear the power of friendship will not be able to bring him out of the killing spree he’d go on
the only jason resurrection story i accept is superboy prime punching a hole in the universe wherein jason is forced to wake up and then dig himself out of his own grave because its both funny (universe punch) and tragic (grave crawl) and I think thats the kind of life jason should be living
who tf is cracking down on COMIC PIRACY. oh god sorry for not paying before reading this issue from the 60s that DC doesn't even offer on DCUI and costs a hundred dollars on the second hand market. fuuuck
AU where Garfield Logan mauled Donald Trump to death in the 80s
Me when Supergirl convinces the 13 year old not to kill the irredeemable villain because it would retraumatize her: yeah ok fair enough :/
Me when Supergirl kills the irredeemable villain herself the second Ruthye’s back is turned, thus ending the cycle of abuse without involving the terrified grieving child: YEAH OK FAIR ENOUGH :D
One thing I especially loved about Supergirl is that they didn’t make her have a “sexy” or “sensual” scene that shows off how stunning and desirable she is. Obviously Milly Alcock is beautiful, but the fact that they let her be and stay a mess and have her ugly, unattractive moments inside of her grief really made the movie feel real to me.
Even in the screen caps where she’s having her big superhero moments and she’s shown in her suit for the first time, she’s not being sexualized when many other movies would’ve taken this opportunity to do so. Her suit gets to be form-fitting with a fun skirt without being a skin-tight sexy number. It’s so incredibly refreshing and forces viewers to respect her strength as a character and not just view her as the dominating woman of their wet dreams.
Superman says no gacha
Superwoke 🤝 Super-bisexual
Look I don't think Supergirl (2026) is secretly a perfect masterpiece or anything (I personally thought it was like. a 6/10 fun time) but I do think it's wild that Tumblr isn't going crazy for it because this Kara is one coattailed suit away from being a Tumblr sexyman. she is the flawed messy female character people have supposedly been clamouring for. she's the popular archetype of a gruff self-destructive alcoholic middle-aged man begrudgingly having to look after a kid and growing fond of them but genderswapped and also 23. she's allowed to be visibly messy and kind of gross and her hair is constantly all over the place and she literally cries, screams, throws up, and pisses onscreen. she's caustic and mean and puts up an act of carelessness but has a heart of gold. she's heavily traumatised and coping with it terribly. if anything happens to her dog she will kill everyone in this room and then herself. she spends most of the movie in a trench coat and baggy band T-shirt. she gets into bar brawls and breaks a guy's hand. she is Going Through It 24/7 and looks the part. she stabs a guy in the throat. how is everyone else not obsessed with her.
A thing I really appreciate about supergirl is that Kara is never shown to be pretty. Yeha she is pretty regardless because they casted milly fucking alcock but the never show her to be put together. They let her be messy. They let her be rude. They let her fuck up. Every time we see strong confident women in media they are always wearing the tightest bodysuit and look beautiful even when they have been beaten to shit. Not here. Every scene Kara is in she looks like a car had run over her. And they don't "transform" her and make her look prettier by the end to show that she has started to heal. Nah they keep her like that and they change how she acts. I love supergirl.
Of course they don’t like Milly Alcock’s Supergirl. She’s a grown ass woman with zero love interests who spends the movie saving her dog, casually dismantling a sex trafficking ring while she’s at it, and preaching the importance of being good, not nice or smiley or cheerful but good. I for one adored the movie and I really hope I’ll get to see more of Alcock’s Supergirl she’s now my favorite iteration of her and I love her so dearly.
I’m not saying that disliking Supergirl (2026) means being misogynistic. I’m just saying that of fucking course the film about a woman who loses her shit, becomes a hero because her dog is dying, and ends up saving dozens of women and girls who were bought to be (child) brides is heavily criticized.