At the end of the day and at the end of my wits,
Andrew didn't deserve the weight of bearing the family's burdens his entire life
And Ashley didn't deserve the guilt of feeling like a burden her entire life

Andulka

Love Begins
Aqua Utopia|海の底で記憶を紡ぐ
Misplaced Lens Cap
No title available
Keni
cherry valley forever

#extradirty

tannertan36
Sade Olutola
Stranger Things

Product Placement
taylor price
Lint Roller? I Barely Know Her
Cosimo Galluzzi
Show & Tell
The Stonewall Inn
No title available

ellievsbear
YOU ARE THE REASON
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@deadmanty
At the end of the day and at the end of my wits,
Andrew didn't deserve the weight of bearing the family's burdens his entire life
And Ashley didn't deserve the guilt of feeling like a burden her entire life
guilty big brother x enabler little sister
tell me about all the fantasies you have about me. yes, no matter how gross they are. no, dont stop even when i look disgusted. i wanna hear all about it ♡
🩷: Wren Patrick Graves! Are you using a Ouija board?
🐦⬛: Ah! Mom! I'm sorry!
🩷: I can't believe my own son would try to talk to demons...
🐦⬛: Please don't ground me!
🩷: ...with this piece of shit Made in Taiwan board game. Come with me, it's time you meet Uncle Entity.
It's okay to not tell others what origins of your identity are. There's nothing wrong with keeping that information for yourself. You don't own anybody any information about your identity's origins.
Latching onto every single character who shows any signs of mental illness is my favorite coping mechanism
carve away
This or nothing
Im Bad at talking you should just shoot me if I talk to you ever
This is literally *exactly* my humour
ultimate character development template
basics
name: meaning of name: nicknames/titles: age: gender: location: birthday: strengths + example where it's shown: weaknesses + example where it's shown: how it affects others:
emotional depth
attachment style + how it manifests in the story: physical fear: emotional/abstract fear: happy memory: sad memory: object of significance: philosophical outlook/belief: what characters are ignorant about themselves: how confident are they: goal: long-term dreams: what they're embarrassed/ashamed to tell others about: regrets: source of pride: source of misery: what they admire above all else: do they believe in fate:
personality
mbti: enneagram: big five: character archetype: star sign: who they pretend to be on the outside: who they actually are/how they feel towards the mask: mental health conditions: how it manifests for them: iq: eq: humour: reputation:
habits
bad habits: mannerisms when stressed: mannerisms when content: mannerisms when scared: mannerisms normally: verbal mannerisms/distinctive speaking style: how do they move across a room: what do they say and what remains unsaid: how they express love: hobbies:
appearance
defining features: eye shape + colour: hair texture + colour: skin texture + tone: vibe: height: build: clothing: any bodily disfigurement (scars, etc.): overall attractiveness: their opinion on their appearance: appeals to:
relationships
who they trust most: what they wish they could do for them: what's holding them back: who they hate most: what they wish they could do to them: what's holding them back: relationship with the protagonist: relationship with the antagonist: siblings: relationship with them: parents/step-parents: relationship with them: previous broken relationships: why did it break: what others expect of them: who believes in them: their mentor character/who they look up to: political/religious/other affiliations: what makes them different from every other character: non-human relationships + why: romantic "type" + why: relationship dynamics:
backstory/background
primary emotion towards their past: primary feelings while in their past: where did they grow up: defining incidents: earliest childhood memory: saddest memory: happiest memory: major accomplishments: their opinion on it: notable people in their backstory: effect on them today: trauma: what have they already lost: financial circumstance:
progression
why are they important (eg. why're they the only one able to do something?): what do they learn about themselves throughout the story: what do they learn about the world: how do they feel towards their newfound knowledge: character arc (positive, negative, neutral): how relationships change because of their actions: what mistakes do they make: what scene is their character highlighted: do they get what they want: why or why not: what happens to them after the story ends:
enemies-to-lovers is about power, actually
I think a lot of people misunderstand why enemies to lovers is so popular. It’s quickly become one of the most pervasive tropes in many novels. Is it the banter, the tension? That’s definitely part of it. But if that were true, then friends-to-lovers and literally any romance with good dialogue and characterization would scratch the same itch. For some, it does, but for many…enemies-to-lovers just hits different.
My theory is that it isn’t actually about love, not really. I think it fulfils a fantasy that no other trope can provide: the fantasy of being seen as an equal.
Think about what specifically makes someone an enemy in fiction. It’s not just someone the MC dislikes, it’s someone who can affect them in tangible ways, maybe even have the power to ruin them, challenge their worldview, expose their weaknesses, etc. The relationship begins with conflict because the characters are fundamentally opposed in some way. It doesn’t matter why, but they’re fighting. There is a struggle for dominance.
I would argue that the most impactful enemies-to-lovers moments are never the romantic moments, they’re the scenes where power shifts. They BOTH lose: they’re forced into a position that would have horrified them at the beginning of the story. They end up needing (or wanting) each other.
That’s why I think people are often disappointed when a supposed enemies-to-lovers story turns out to be a milquetoast attempt where they’re just kinda mean to each other for a few pages, and then immediately start making out. Where’s the risk, the actual threat? If the characters aren’t capable of genuinely affecting one another, then the relationship isn’t actually transforming in a satisfying way. The appeal is in the fact that they have power over each other, because the eventual trust they build requires real surrender.
Because here’s the thing about enemies; they pay attention, and usually more attention than anyone else. They notice weaknesses because they’re actively looking for them, they notice strengths because they need to account for them. They notice habits, blind spots, ambitions, fears.
They study the MC with a level of scrutiny that borders (and later crosses) intimate, but unlike friends (or supporting characters in the MC’s corner) they’re not willing to give them the benefit of the doubt, they don’t overlook flaws out of affection. Which is exactly what makes the eventual romance so satisfying. It feels earned.
It’s easy to imagine being loved by someone who sees the best version of you, but it’s an entirely different thing to be loved by someone who has seen you at your worst. That’s why this dynamic often feels more convincing than romances where the characters are immediately into each other.
I imagine there are many who go through life feeling misunderstood, or worse, that the people who love them only love the polished, perfect version they present to the world, almost like impostor syndrome. But what if there was someone who couldn’t be fooled by this carefully constructed image?
When someone more powerful chooses someone, maybe the fantasy is protection. When it’s someone less powerful, the fantasy might be admiration. But if there’s someone intelligent and observant enough to see the MC as an equal, the fantasy there is the most intense and honest validation.
Which means enemies to lovers was never about turning hate/annoyance into love, it was about turning power into vulnerability – which is a terrifying loss of power, which THEN leads to intimacy.
Underused Ways to Show Two Characters Have History
Everyone writes: “We’ve known each other for years!"
But we can do better than that—let's make things actually interesting.
Here are some quick tips for writing two characters with history (without saying, "we've known each for years"):
• They reach for the same object at the same time without looking
• One of them uses a nickname no one else is allowed to use
• They start arguing mid-conversation like the first half already happened
• They move closer when the other looks uncomfortable
• One of them says, “Don’t start,” before the other has said anything
• They know exactly which buttons to press (and press them immediately)
• They unconsciously drift toward each other in crowded spaces
• They anticipate each other’s reactions before they happen
• One quietly moves something (a drink, weapon, chair) because they know the other will reach for it
• Someone might say something, and the other immediately responds with: “You’re still doing that?”
• They suppress laughter at the same time over something no one else noticed
• One character still treats the other based on who they used to be
• A certain place, smell, or song causes them to exchange a look
• Their arguments sound rehearsed, like they’ve had them before
• They touch each other casually without asking (fixing clothing, nudging, taking something from their hand)
• They stand closer than strangers normally would
• They borrow items from each other
• They bring up something embarrassing from ten years ago
• They sit in silence together and it’s either very comfortable or extremely tense
• One of them automatically orders the other’s drink
• They interrupt each other and still somehow finish the same sentence
• One starts a story and the other finishes it automatically
• They argue about the details of shared memories
• They mention people or events without explaining them
• A simple phrase or nickname triggers an entire inside joke
• They notice tiny things about each other no one else would catch
Real history sounds like unfinished conversations, old habits, and arguments that never really ended. When you show shared history (instead of telling) your characters seem that much more alive and believable.
On a similar note: Not all shared history is comfortable. Sometimes shared history means unresolved tension or an old rivalry:
• They refer to something only as “that” or “before.”
• Someone says “You know why.” without explaining further
• Standing slightly farther apart than expected
• Fingers drumming or fidgeting when they’re forced to talk
• Avoiding eye contact for just a second too long.
• A small disagreement suddenly becomes heated.
• One character reacts sharply to something that shouldn’t matter anymore.
• A casual comment triggers silence or defensiveness.
• One character starts explaining themselves but trails off
• One character makes small, cutting remarks disguised as jokes
• They still know each other’s preferences or weaknesses
• They speak in fragments when the past comes up
• They fall into familiar conversations and then awkwardly break them
If you enjoy digging into character dynamics like this, my printable novel planner has detailed sections for relationships, character arcs, and story structure. It’s perfect for organizing a fanfic or mapping out an entire novel!
⤷ my printable novel planner
This is all great!!