imagine being the first ancient person to realize that the ocean and their tears taste the same. imagine realizing that your sorrow and the waves share a taste. i wouldve gone crazy
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@dearestpoets
imagine being the first ancient person to realize that the ocean and their tears taste the same. imagine realizing that your sorrow and the waves share a taste. i wouldve gone crazy
these gentle earth contributions are giving me life,,, quite literally.
José Olivarez - "Let's get married"
there is no version in which you and i donât meet, e.t.
Ok if you had to pick a favorite literary device... what is it
oh baby it has GOT to be foreshadowing my friend foreshadowing.. i love a literary device that is not bound by the straightforward temporal logic that places cause before effect ; an event whose shockwaves ripple through a work with such force that they become unmoored from time and move backwards towards the storyâs beginning ; a shadow that precedes and therefore announces that from which it takes its form. <3
i killed a plant once because i gave it too much water. lord, i worry that love is violence.
â JosĂ© Olivarez, from âGetting Ready to Say I Love You to My Dad, It Rains,â Citizen Illegal
David Mitchell, Slade House
"A ship can never truly love an anchor." dude shut up. a ship without an anchor gets dashed against the rocks. it's useless, completely at the whim of the currents. a ship loves an anchor so much it carries it everywhere it goes. the anchor gives the ship the world to love. dude.
DUDE DON'T YOU DO THIS TO ME
And a world with fewer languages isnât only a world with more limited means of communication. Itâs also a world with fewer stories and folk tales, fewer hagiographies, fewer poems, myths, and recipes, fewer remedies, fewer memories.
Fennelly, Beth Ann. âFruits Weâll Never Taste, Languages Weâll Never Hear: The Need for Needless Complexityâ
ever wanted to know what your epithet would be if you were a character in greek mythology? now you can! you could be the next wine-dark sea, or maybe youâll be unlucky and end up as the phallic gecko, because everything is possible in greek mythology
she asked me if i believed in god and i told her that when i was four i almost drowned in a public pool and in my panic mistook a stranger for my father. i clawed my way up his leg. four years later heâd send my parents a picture of the scars alongside a tin of cookies. he said, âi hope sheâs still okay. i carry her with me. it isnât every day you save a life. it isnât every day you feel like you were here for a reason. when it does happen, you have to cherish that memory. for once, i had a purpose. just being there was enough. she tore me open but she taught me a lot about love.â
sometimes iâm sick with it likeâŠ.. the, i wish i knew you as a kid i wish we could have run in the field together and sat in the dirt and i wish i couldâve heard you sing at the top of your lungs and maybe we wouldâve ridden bikes togetherâŠ. itâs the, i love you so much itâs spilling over so iâm loving you in the past present and future ohhh i wish i knew you when we were kids
Joan Didion writes, in On Keeping a Notebook, that the purpose of keeping a notebook, or a journal for that matter, isnât because you simply want keep a personal record of things; but because you want to remember the person you were at that specific moment. we write things down on our notebook/journal/diary (whichever one of those you keep) because we want to remember. we want to remember what specific people meant to us on a particular day or hour. or minute. we want to remember our first impression of something (or of doing that something), possibly of someone, too. sometimes we think weâll âalways rememberâ important events: âIâll make a mental note of thatâ etc etc. but in reality everything is fleeting. so Didion says write it down. keep a journal. that way, people, places, and certain events will always be there in case you ever want to come back to them sometime in the future. but also so that they donât ever haunt you.
âGive me books, French wine, fruit, fine weather and a little music played out of doors by somebody I do not know.â
â John Keats
e.e. cummings, from âbeing to timelessness as itâs to timeâ (in 95 Poems), Complete Poems: 1904-1962
[Text ID: âlove is the voice under all silences, the hope which has no opposite in fear; the strength so strong mere force is feebleness: the truth more first than sun more last than star.â]
Chen Chen