Ice Dragon is the SHIT
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Ice Dragon is the SHIT
A "lyrical follow-up to a lifetime of marijuana enjoyment."
Another ripping dispatch from the boys up north!
RECORD OF THE WEEK
Monobrow - Big Sky, Black Horse (2014)
Are you, or is someone you know affected by clairvoyant premonitions and visions of the apocalypse? Damn, you weirdos are lucky. While I'm not "touched by the gift", as a tarot card reader I met outside of a mall once called it, I feel like I've got a pretty good idea of what the apocalypse is going to sound like: Really Fucking Fun! Or at least that's what Big Sky, Black Horse sounds like, and I'm pretty sure it's about the apocalypse, although I'm really only judging by the cover and the album title.
In any case, the record is great. We're talking heavy stoner-doom-proggery with a major emphasis on The Riff. The guitars sound almost too good. Take "The Surveillance" where the opening riff sounds like beefed up diesel powered synthesizers doing karate through a hallway of brains. Not sold yet? Think Mammatus, but instrumental, Canadian, and warriors vs wizards. So, basically, these three Ottawans fucking shred.
I'm going to keep this one short and sweet for now, and let the band speak for themselves when we interview them tonight!
Stream the album (and buy it in limited edition colored vinyl!) on their bandcamp page
El Dude Bartoño and I are super stoked, obviously
Fórn.
Solstice time bebe
RECORD OF THE WEEK
Paul Chain - Alkahest (Godhead Recordings, 1995)
The Goat of fire in me ablaze Oh cosmic furnace I behold In Hades summer you live there I've pulled you through the seven gates
Dude. You want to know who "gets" doom? Paul Fucking Chain, that's who. Chain, who was born Paolo Catena 6,000 years ago in what's now known as Italy, started off as a guitarist in the also-Italian Steve Sylvester's Death SS. Something tells me Chain was a little too out there for the rest of the bunch, and at some point our dark hero ventured off on his own and formed Paul Chain Violet Theater, an experimental doom outfit that balanced weird found sound samples and Sabbath worshipping doom pretty evenly.
Chain never really broke through, though, maybe because of his penchant for low-fi, long-form improvisations, maybe because he just didn't give a fuck. Maybe it's because he couldn't speak English, and rather than sing his (very good) lyrics in the language in which they were written, he sang what he thought they might sound like in English, peppered with a few words he did know: Hell, Animal, Satan, you get the picture. Listening to his catalogue chronologically, you can actually hear the dude get better at English, but he never gives up on singing around the words he has written, rather than actually singing them.
Which brings us to Alkahest, and "Voyage to Hell", the song I quoted above. Alkahest pretty much marks Chain's best work, both from a production and songwriting perspective. It also features one of many famous collaborators, one Lee Dorrian of epic doomsters Cathedral and, Napalm Death, who don't need an introduction. Dorrian sings "Voyage to Hell", and although Chain's original version on Detaching From Satan is great for all it's weirdness, it's Dorrian's vocals that really put Chain's excellent songwriting on display.
Chain is definitely the type of musician that does better in a collaborative environment--the EP he made with Wino is fucking incredible, too--and has to tighten up his ever expanding imagination. The songs on Alkahest are filled to the brim with super heavy, catchy riffs, and spooky themes ,making it pretty much a perfect doom record and a must have for anyone into traditional doom, the occult, or metal in general. Paul Chain is the type of necessary force a scene needs to keep going, an unsung hero we can all root for and pretend to've known about all along.
Listen to it here
Michael Whelan The White Dragon
Melting faces and not giving a shit about soccer!
RECORD OF THE WEEK
Spectral Lore - III (2014)
You're not supposed to judge books by their covers, but I don't think anyone ever said that about records. Take a minute to pour over the image above. Go for it, dig in. Yeah, so it's basically a lake in some mountains, presumably in and/or very close to space (I guess everything is...), and it's got a giant spiral fountain in the middle of it. There's a crane, or stork, or some other skinny bird, a guy standing on top of the fountain trying to hug a star, and a headless statue in the lake poised to club a fish with what might be another fish. Your guess is as good as mine as to what the fuck is going on here, but once you start listening to this record, everything just kind of clicks.
Greek cosmo-black-metallurgist Ayloss is the man (or being) behind Spectral Lore. I don't know what this guy had to do to get them, but there's some serious astral magic going on here. III is a pretty balanced blend of classic upbeat black metal tremmers, a la Windir, and moody, spaced out interludes that break up what could be--or likely is--one long piece of music. It's kind of a frosty album. Not like, nordic war blizzard cold, but like, oh shit space is fucking nippy.
I just realized what the album cover reminds me of! When I was a kid, I had a minor obsession with Anne McCaffrey's Dragonriders of Pern books. Why? Because they;re fucking tight, is why. Anyway. one of them, and I can't remember which, starts off with this guy climbing this incredibly tall mountain to do some cosmic shit at the top. The path is narrow, winding, and he;s so high in altitude that there's barely any oxygen, it's freezing, and it's both light and dark, because he's basically in space. THAT is what this record cover reminds me of, and this would make a fantastic fucking soundtrack to that book.
Lifehack Pro-tip: Get super baked, put this thing on real loud, and read Anne McCaffrey Books!
Stream it here, c/o bandcamp.
THRONE - "Tharsis Sleeps"
This is so fucking incredible, I would take ANY of the frames and put on my denim demon
JOIN US MORTALS! LIVE THE CEREMONY NOW!
RECORD OF THE WEEK
Deceptor - Chains of Delusion (Shadow King, 2013)
Chained in a dark temple, so cold the air turned a purplish blue, illuminated by a wizard's staff, a robotic demon 5 stories tall growls. The cover lets you know you are in for something special. A sure pleaser for contemporary and historically oriented metal fans, the 19 minute EP 'Chains of Delusion' from the UK's Deceptor is a roller-coaster built on 80's british steel.
Borrowing heavily across the NWOBHM spectrum from Priest to Coroner, but maintaining a knowing distance from the time period, this is a heavily conceived but not over-thought collection of serrated guitar riffs. The genre worship swings between sword weilding heroics (Maiden) to doomy thrash (Venom) to bay area freight train riffage (Testament) to Rush like prog often and quick but never feels out of place. This is also prevalent in the vocal spectrum, which is only comparable to King Diamond himself. Hi-Tech imagery with primal melodies, this is some evolutionary metal that deserves your attention.
Can't wait to see what these guys do with a little more time under their belt.
Stream it on Deceptor's Bandcamp page.
-BartonDude
People like this are scarier than any of their imaginary evils.
Hahahahaha, Pokemon, the video game about catching monsters and enslaving them as warriors is #2, and Satanism, the literal opposite of Christianity is #10
— Dean Ellis
lost continent (1972)
Otherwise known as the location for McGee Family Summer Jamboree '14