Czeslaw Milosz, New and Collected Poems: 1931-2001
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cherry valley forever

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almost home

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will byers stan first human second

@theartofmadeline

pixel skylines
NASA
Monterey Bay Aquarium
styofa doing anything
Not today Justin
Keni
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AnasAbdin

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$LAYYYTER
One Nice Bug Per Day

if i look back, i am lost
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@deersandtears
Czeslaw Milosz, New and Collected Poems: 1931-2001
Historic black and white pictures of Ezidis colorized
November 1938, Demonstration of Ezidis in honor of the October Revolution in Tbilisi
Meeting between Ezidi and Chaldean clerics, ca. between the end of the 19th century and early 20th century in Nineveh
Ezidis in Surmalu, early 20th century
An Ezidi woman and two Ezidi girls, 1950s in Georgia
Ezidi and Armenian resistance fighters under the leadership of Jangir Agha, ca. 1914 in Wan
A. Kalantar and Ûsif Beg, 1912
Ezidi women and girls dancing, early 1950s
Taking in a Buzkashi match, prayer beads in hand. Near Kolkhozabad, southern Tajikistan
Nadia Waheed (Pakistani, 1992) - Nirvana (2019)
“I did not want to die, but I wanted to want death. / None of you ever knew how badly. I have practiced at it.”
— — Sumita Chakraborty, from “Dear, Beloved,” Arrow
WHISPER OF THE HEART ‘耳をすませば’ 1995 | dir. Yoshifumi Kondō
Puppy sleeping. 1955, Japan
O saisons, ô châteaux (Agnès Varda, 1958)
“Even when they did not look at each other or speak to each other, he could feel a powerful current between them.”
—Anaïs Nin, Delta of Venus
green's my colour.
“I was a woman in the usual way / I had no language but distress and duty”
— Chase Berggrun, from “Chapter I”
Tsuneo Enari, taken from his exhibition, “Japan and its Forgotten War”.
Jean Paul Gaultier haute couture s/s 2009
The North African Queer Film Festival is streaming films about queer experiences in North Africa for 2 more days, till August 20.
The films in this program serve as a window into the historical presence of queer people in the region who have always been here despite marginalization, criminalization and erasure by the current systems of oppression in North Africa inherited from colonization.
The films seem to be free to stream but you can donate of your own volition. From the website:
100% of the festival's proceeds will be distributed among organizations in the region that strive to provide essential aid and services to LGBTQ + people in North Africa with a portion of the proceeds will go to support cultural and artistic initiatives in the region that cater primarily to the local queer community.
Program | NAQFF
The Beaches of Agnès (2008) dir. Agnès Varda