Stranger Things
TVSTRANGERTHINGS

if i look back, i am lost
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let's talk about Bridgerton tea, my ask is open

Product Placement

Janaina Medeiros
Misplaced Lens Cap
cherry valley forever
styofa doing anything

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Aqua Utopia|海の底で記憶を紡ぐ
hello vonnie
dirt enthusiast
h
NASA
trying on a metaphor
Jules of Nature

Kaledo Art
will byers stan first human second

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@deeversio
happy pride month to the official joshler black and white wedding pictures. i guess
same picture
whenever Dan says some sarcastic remark about how his soul is black it always just makes me think about how, technically, people call the night sky black all the time, but everyone knows it’s full of stars and so is he
3.33
(2011 / 2026)
you found me:,)
gay people can never say i love you normally, its always gonna be some bullshit about how they're mirrors shown by the first letter of their names and therefore should be next to each other on the alphabet
good evening clique nation
then i saw him, torch in hand
[ cue ‘Internet Girl - KATSEYE ]
Little josh study from AMA'S 🔷
can you find me?
I made the golden pig and pheal in my ceramics class<3
okay hear me out.
twenty one pilots have always used tempo changes methodically. ode to sleep, rawfear, guns for hands, overcompensate, next semester, they ALL slow down or speed up (or both) for a reason: to convey the fluctuation of energy. whether physical or emotional energy, it doesn't matter.
that's just a fact in music. a song at 80bpm will probably have a different feel than a song at 150bpm.
but what about when a song's tempo stays the same, and the time within the song changes? like drag path?
the original drag path from the breach digital remains has seventeen time signature changes (that i've identified without looking it up). SEVENTEEN.
the song begins in 4/4. almost every sixth measure from the start of the first verse until the first chorus, it switches from 4/4 to 2/4 for one measure and then back. 4/4 to 2/4 to 4/4 is two changes. that switch happens six times, so the count is already at twelve.
after the first chorus, it jumps into 6/8 (i'm pretty sure) for five measures before switching to 3/4 for "would you please hurry" with the word "would" as a pickup. it stays 3/4 for thirteen measures, then switches back to 4/4 for five measures, and THEN changes to 2/4 for one measure again. the rest of the song is in 4/4.
if you didn't understand, that's okay. the band kid in me is just geeking out. all you really need to know is there's seventeen fucking time signature changes in og drag path. the way you count the rhythm in the song changes seventeen times while the energy stays consistent.
but speaking of being a band kid, the first thing i was taught in band (besides how to play my instrument lol) is to always watch the conductor. ESPECIALLY when there are tempo or time signature changes because it's so SO incredibly easy to get lost if you're not paying attention.
so thinking about the song in terms of lore, would it be so far off to say that all the time signature changes in drag path is clancy "testing" torchbearer? seeing if he really WILL find him?
if those changes are metaphor'd into all the times clancy has been lost, or diverged from "the plan", or intentionally gone down an unexpected route just to see if torch follows, then josh's drums keeping up with every seamless change in the song proves that yes, torch WILL always follow. no matter how many times clancy "switches it up".
torch searches for clancy with the same steady determination no matter how many times he's thrown off. he will find him. because he always does.
tldr clancybearer is real and the complexity of how og drag path is played proves it. thank you for coming to my ted talk.
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