Indianapolis, Indiana // 1912 on Wallace
Sade Olutola
KIROKAZE
sheepfilms
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祝日 / Permanent Vacation
art blog(derogatory)

Kiana Khansmith
d e v o n
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❣ Chile in a Photography ❣

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#extradirty
dirt enthusiast
cherry valley forever
Sweet Seals For You, Always
trying on a metaphor
i don't do bad sauce passes

roma★

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@dejaloin
Indianapolis, Indiana // 1912 on Wallace
yeah sorry that’s a load bearing green neck ribbon. it’s up to you boss i mean take it off if you want but it’s very much a structural necessity.
Snowy Victorian Houses
Sometimes as a woman it’s important for you to wake up late and be alone in the house on a cloudy cold day with your feelings.
theseus can get fucked
Respectfully, Ireland is the best country on the planet
from the same thread:
I love Ireland
You can always tell when an author is trying to "deconstruct" something that they think is stupid or boring or otherwise beneath them because they're unwilling or unable to develop the necessary understanding of the source material to properly rip into it and the end result invariably fucking sucks. You need to love a genre in order to truly do it violence.
The worst part of human adulthood is being your own zookeeper
Like... i have to make sure my meals are nutritionally balanced... i have to make sure that the space i occupy is big enough, and interesting enough, and provide enrichment to make up for the lack of novelty... i have to make sure i get exercise... i'm not qualified for this
Why would you abandon this in the tags?
photos by mohammad reza domiri ganji in iran of: (1,7) the nasir al mulk mosque, or pink mosque, in shiraz; (2,3) the vakil mosque in shiraz; (4) the ceiling of the fifth floor of alighapu in isfahan; (5,9) the vakil bathhouse in shiraz; (6) the imam mosque in isfahan; (8) the jame mosque of yazd
“The real moral of Hadestown to me is, yes, we’re fucked, but we still have to try with all our might. We have to love hard and make beauty in the face of futility. That’s the essence of what Persephone sings at the end of the show: “Some birds sing when the sun shines bright / my praise is not for them, but the one who sings in the dead of night / I raise my cup to him.””
— Anais Mitchell (via theredshoes)
I like art that depicts women not posing seductively or gracefully but simply existing as human beings.
the artist
“chancellor palpatine, sith lords are our speciality.” funniest fucking line in star wars history. obi-wan, who has never killed a sith and knows he has never killed a sith, talking about himself and a guy who is going to become a sith lord within half a week, and speaking directly to the sith lord who is going to make that guy a sith lord, with FULL fucking confidence: “sith lords are our speciality.” he says this to palpatine’s face. to his face. to darth sidious’ face. in the most condescending fucking voice. completely unaware that he is speaking directly to the sith lord, to THE sith lord, who before the week is out is going to directly fuck over his entire life’s work and everything he loves and believes in: “sith lords are our speciality.” could you be any more cringefail. actually palpatine deserved his whole victory for not bursting into laughter then and there
i cannot emphasise enough that there is exactly sixty seconds between him saying this and him getting knocked fully unconscious. by a sith lord.
to everyone in the notes saying “he cut darth maul in half!” sure. yeah. i’m aware. let’s review. he literally cut a sith lord in half and still couldn’t kill him. “oh tcw hadn’t happened yet when this line was written so he DID kill maul” if star wars is going to fuck up its own timelines then that’s simply not my problem. if star wars is going to make it canon that literally as obi-wan says this line, the only sith he has ever defeated is not only still alive but is getting defeated by a teenage girl, then i am absolutely going to make posts about how that’s funny as hell. filoni killed this line i’m just putting flowers on its grave
Everything is Fine. Art by Lisa Sterle, from the Modern Witch Tarot.
every day i wake up and drink my silly little coffee while God eats my heart like a pomegranate in front of me
In the Mood for Love / Wong Kar-wai (2000)
Central to the film is a reclamation of the Orpheus myth, a version of which the three young women read aloud together one night. Sophie registers distress at Orpheus’s fatal, selfish incompetence in looking back at Eurydice when he was told not to, and Marianne suggests he may have done it on purpose, preferring to lose the woman and savor, instead, the romance of his grief, making not “the lover’s choice, but the poet’s.” But it’s Héloïse who removes, for once, the fixation on Orpheus, his failings, and his loss. What if, she says to Marianne with an edge of defiance, it was Eurydice herself who chose art over staying together, who rather than leave the underworld with Orpheus, stopped and called out “Turn around,” preferring to remain down there and be preserved in poetry. A kind of freedom and a kind of permanence, rather than, as eighteenth-century marriage looks to be, an unwilling exchange of one for the other. — In Portrait of a Lady on Fire, Love is a Work of Art