Corner of a Garden (1879) by John Singer Sargent
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Corner of a Garden (1879) by John Singer Sargent
Adam Lupton (Canadian, b., 1987), Crush (Two You’s, a Bed, a Gun, an Escape), 2022
Oil and acrylic on canvas, 260 x 200 cm
Artem Rohovyi (Ukrainian, 1988) - Symphony of Branches
gouache on paper
Orpheus by John Macallan Swan (1896)
Hedda Sterne (Romanian-American, 1910–2011) - New York VIII (1954)
Liz Maw - Fairy Springs/Kaitawa (oil on board), 2022
Traditional stuff, tried to replicate my method for painting on digital here, putting down big blobs, thinking about values and light before most things.
Norbert Bisky (German, 1970), Wie immer [As Always], 2004. Oil on canvas, 150 × 210 cm.
According to Euripides, the message of Dionysus is to call to joy in communion with nature and simplicity of heart. Those who pretend to assert the superiority of reason and refuse to heed his call will be confounded. The god inspires into them the madness with which they destroy themselves. Alain Daniélou St John the Baptist in the desert or Bacchus, 1510-1515, attributed to by Leonardo da Vinci.
Architectural Relief Depicting the Gigantomachy. 3rd - 2nd century B.C., terracotta and pigment. The Art Institute of Chicago. (x)
[image description: photo of the sculpture described above, which depicts three headless figures: a god and goddess in flowing robes stand behind a kneeling giant with wings and serpent-like legs. end id.]
Ji Young Hong aka Jiyoung Hong aka 홍지영 (South Korean, b. 1987, based Seoul, South Korea) - With You 24, 2022, Paintings: Acrylic on Canvas
from "Chronopolis" (1982) dir: Piotr Kamler
Bri Galan, Lotte, 2024
Lars Theuerkauff
L'Origine Du Monde, 2010
François-Auguste Biard, The Exorcism of Madness of Charles VI or The Exorcism of Charles VI by two Augustinian monks, 1839. Oil on canvas.
Courtesy Alain Truong
George Condo - Green Passages, 2001, oil and acrylic on linen, 177.8 x 178.4 cm