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tannertan36
Jules of Nature
Keni

Discoholic đȘ©

Kiana Khansmith
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$LAYYYTER
Game of Thrones Daily
NASA
he wasn't even looking at me and he found me
ojovivo
Sweet Seals For You, Always
Peter Solarz
Not today Justin
Misplaced Lens Cap
YOU ARE THE REASON

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blake kathryn

Product Placement

Origami Around

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@demonofelul
Credit: Virinka
How to Make a Facade with Recycled Materials
With the aim of supporting architects to become active agents of sustainable design, this week we present a selection of facades that incorporate different recycled materials. Beyond the typical uses of plastic and glass, in this article, you will find innovative materials such as mattress springs, ice cream containers, plastic chairs, and recycled waste from agricultural and industrial products. A look at remarkable projects using recycled materials to create an attractive facade.
Identified from the top:
Gallery of Furniture CHYBIK+KRISTOF, recycled plastic seats
Ningbo Historic Museum Wang Shu Amateur Architecture Studio, recycled tiles
Naju Art Museum Hyunje Joo, recycled semi-transparent plastic baskets
Bima Microlibrary SHAU Bandung, recycled plastic ice cream containers
Vegan House Block Architects, recycled windows
China Academy of Artsâ Folk Art Museum Kengo Kuma & Associates, recycled tiles from local houses
Kamikatz Public House Hiroshi Nakamura & NAP, recycled windows from abandoned houses
Luxury Pavilion Fahed + Architects, recycled bedsprings
Backyard Cabin Emerging Objects, recycled agricultural and industrial waste products
The Beehive Luigi Rosselli + Raffaello Rosselli, recycled terracotta roof tiles
For more information about each project follow the source link.
New York, By The Way: Urban Photography by Ludwig Favre
Surreal neon and pastel colors photos of New York by Ludwig Favre, talented 42-year-old photographer, artist, filmmaker and Panasonic Lumix Ambassador from Paris, France. Ludwig specializes in major cities and urban landscapes. His latest series âNew York, By The Wayâ shows the New York City in amazing pastel and neon colors.
âClosetâ by Woshibai
Thanks to Orion for help with translation.@ Paradise Systems
Real life âRosie the Riveterâ - Tennessee, 1943.
From the Library of Congress collection, 1930âs-1940âs in Color.Â
GLORIFY THE SHIT OUT OF THIS IMAGE
!!!!!!!!
Painting a more accurate version of history, one reblog at a time.
When I posted this archival image of a âreal life Rosie the Riveterâ one year ago, I had no idea it would resonate with so many people. 19K and counting.Â
They show a white woman in schools
WHITE FEMINISM AT ITS FINEST OMFG
There seems to be some confusion here.
This is not a picture of âThe Real Rosie the Riveterâ. There is no real Rosie the Riveter. She is a fictional character from a song by Redd Evans and John Jacob Loeb.
The inspiration for the character was Rosalind P. Walter, a white woman from a wealthy Long Island family who worked the night shift building fighter planes.
The woman from the âWe Can Do It!â poster originally had no connection to Rosie the Riveter character and only became associated with her after the war was over.
Norman Rockwellâs painting for the cover of the May 29, 1943 issue of the Saturday Evening Post, also depicting a âRosieâ was based on a live model, Mary Doyle, who worked as a telephone operator.
The phrase âreal life Rosie the Riveterâ used to caption this image is no doubt meant to suggest that this woman is a real life example of the type of working woman that the fictional Rosie the Riveter was meant to represent.
History did not take a black woman and make her white. There were thousands of women of various ethnicities who served in the war effort. Representation is important and this picture is a great example, but saying shit like âThey show a white woman in schoolsâ as if Rosie the Riveter was a real life historical figure of color who was depicted as white is simply not factual.
compilation of all of zero twoâs âdarlingsâ
Why Ep 11 of DITF was necessary
Iâve seeing alot (like ALOT) of people making the whole episode being about âthe fat kid is screwed on the writingâ or âcute girl takes distant bishounen over nice fat guy againâ and missing the point. While I fully agree that Futoshi being the center point of this plot is partly for his looks, this episode is more about foreshadowing the main duo situation than anything else.
Episode 11 was about dialogue. Ikuno x Mitauri and Kokoro x Futoshi never had it; Miku x Zorome even complaing at each other frequently are the ones that seens to be in the best shape as a duo cause both know the partner really well and knows how to deal with them keeping the balance fair, Ichigo x Goro had a huge development recently, cause until now he always knew how she feels and thinks but wasnât honest about his own feelings and in the moment he realized how much she means to him the first thing he did was voice those same feelings to her - they may not be in the same page yet, but certanly understands and respects each other way more.
Meanwhile Ikuno and Mitsuru had pretty much zero attempts to interact deeply and itâs easy to see cause every dialogue between them is pretty much one pointing out the bad sides of the otherâs personality so isnât exactly a surprise how erratic their results as partners were in the battlefield. Their lack of dialogue already put the whole team on trouble before.
Kokoro and Futoshi arenât far from this, but the key difference is that even not being open and honest, their partnership was based on positivity and support - this is why they could pass as really in tune at a first sight but thatâs a limit of how long a relationship that lacks dialogue can evolve. Genista was always seeing with a defensive attitude and more than once was caught and needed to be saved in the middle of the battle, a clear signal that Futoshi was more worried to protect Kokoro - a trained soldier just like him - than fight by her side and fulfill their duty. Like some people already pointed out, he forced his feelings on her in the shape of the promise, something perfectly natural for someone that just found out that stuff like loving and kissing exists, never actually trying to understand how she feels and that was the reason while eventually she started seeking this connection on somebody else. If they talked about it, even not working as good as a duo nobody would have beeing so hurt.
I know the most obvious parallel is between Futoshi and Mitsuru feelings of betrayal, but both Futoshi and Ichigo are also on the same situation having to learn of how get over someone that they idolized most of their lifes. Futoshi was in love with his idea of Kokoro, the romanticized pretty and good girl and his head cause how could he love the real person not even knowing her true self hidden on the gentle act she put everyday? (not saying she canât be gentle, but sheâs obvious so much more than just it) The lack of dialogue destroyed the dinamics between both duos and on their new configuration they already showed signs of working better cause Futoshi donât treat Ikuno as some delicate flower and actually talks to her about his needs for them work better as a team and Mitsuru sees Kokoro as a valuable partner and works WITH her instead of using her to his goals. If they will develop romantic feelings for their new partiners time will tell, but without doubt they work better like this.
This whole plot culminate to the obvious fact that besides the great chemistry, Zero Two and Hiro arenât being open to each other and this will eventually be the cause of big problems to them, on a level that a simple partner swap canât actually solve. At this point of the anime is obvious that part of the experiment revolves around how partiners in love would affect the dinamics in battle and love without support and honesty simply doesnât work.
Jacob Riglin
What We Do in the Shadows (2014) dir. Taika Waititi and Jemaine Clement
Because of the Fifth Amendment, no one in the U.S. may legally be forced to testify against himself, and because of the Fourth Amendment, no oneâs records or belongings may legally be searched or seized without just cause. However, American police are trained to use methods of deception, intimidation and manipulation to circumvent these restrictions. In other words, cops routinely break the lawâin letter and in spiritâin the name of enforcing the law. Several examples of this are widely known, if not widely understood.
1) âDo you know why I stopped you?â Cops ask this, not because they want to have a friendly chat, but because they want you to incriminate yourself. They are hoping you will âvoluntarilyâ confess to having broken the law, whether it was something they had already noticed or not. You may think you are apologizing, or explaining, or even making excuses, but from the copâs perspective, you are confessing. He is not there to serve you; he is there fishing for an excuse to fine or arrest you. In asking you the familiar question, he is essentially asking you what crime you just committed. And he will do this without giving you any âMirandaâ warning, in an effort to trick you into testifying against yourself.
2) âDo you have something to hide?â Police often talk as if you need a good reason for not answering whatever questions they ask, or for not consenting to a warrantless search of your person, your car, or even your home. The ridiculous implication is that if you havenât committed a crime, you should be happy to be subjected to random interrogations and searches. This turns the concept of due process on its head, as the cop tries to put the burden on you to prove your innocence, while implying that your failure to âcooperateâ with random harassment must be evidence of guilt.
3) âCooperating will make things easier on you.â The logical converse of this statement implies that refusing to answer questions and refusing to consent to a search will make things more difficult for you. In other words, you will be punished if you exercise your rights. Of course, if they coerce you into giving them a reason to fine or arrest you, they will claim that you âvoluntarilyâ answered questions and âconsentedâ to a search, and will pretend there was no veiled threat of what they might do to you if you did not willingly âcooperate.â (Such tactics are also used by prosecutors and judges via the procedure of âplea-bargaining,â whereby someone accused of a crime is essentially told that if he confesses guiltâthus relieving the government of having to present evidence or prove anythingâthen his suffering will be reduced. In fact, âplea bargainingâ is illegal in many countries precisely because it basically constitutes coerced confessions.)
4) âWeâll just get a warrant.â Cops may try to persuade you to âconsentâ to a search by claiming that they could easily just go get a warrant if you donât consent. This is just another ploy to intimidate people into surrendering their rights, with the implication again being that whoever inconveniences the police by requiring them to go through the process of getting a warrant will receive worse treatment than one who âcooperates.â But by definition, one who is threatened or intimidated into âconsentingâ has not truly consented to anything.
5.) We have someone who will testify against you Police âinformantsâ are often individuals whose own legal troubles have put them in a position where they can be used by the police to circumvent and undermine the constitutional rights of others. For example, once the police have something to hold over one individual, they can then bully that individual into giving false, anonymous testimony which can be used to obtain search warrants to use against others. Even if the informant gets caught lying, the police can say they didnât know, making this tactic cowardly and illegal, but also very effective at getting around constitutional restrictions.
6) âWe can hold you for 72 hours without charging you.â Based only on claimed suspicion, even without enough evidence or other probable cause to charge you with a crime, the police can kidnap youâor threaten to kidnap youâand use that to persuade you to confess to some relatively minor offense. Using this tactic, which borders on being torture, police can obtain confessions they know to be false, from people whose only concern, then and there, is to be released.
7) âIâm going to search you for my own safety.â Using so-called âTerry frisksâ (named after the Supreme Court case of Terry v. Ohio, 392 U.S. 1), police can carry out certain limited searches, without any warrant or probable cause to believe that a crime has been committed, under the guise of checking for weapons. By simply asserting that someone might have a weapon, police can disregard and circumvent the Fourth Amendment prohibition on unreasonable searches.
U.S. courts have gone back and forth in deciding how often, and in what circumstances, tactics like those mentioned above are acceptable. And of course, police continually go far beyond anything the courts have declared to be âlegalâ anyway. But aside from nitpicking legal technicalities, both coerced confessions and unreasonable searches are still unconstitutional, and therefore âillegal,â regardless of the rationale or excuses used to try to justify them. Yet, all too often, cops show that to them, the Fourth and Fifth Amendmentsâand any other restrictions on their powerâare simply technical inconveniences for them to try to get around. In other words, they will break the law whenever they can get away with it if it serves their own agenda and power, and they will ironically insist that they need to do that in order to catch âlaw-breakersâ (the kind who donât wear badges).
Of course, if the above tactics fail, police can simply bully people into confessingâfalsely or truthfullyâand/or carry out unconstitutional searches, knowing that the likelihood of cops having to face any punishment for doing so is extremely low. Usually all that happens, even when a search was unquestionably and obviously illegal, or when a confession was clearly coerced, is that any evidence obtained from the illegal search or forced confession is excluded from being allowed at trial. Of course, if there is no trialâeither because the person plea-bargains or because there was no evidence and no crimeâthe âexclusionary ruleâ creates no deterrent at all. The police can, and do, routinely break the law and violate individual rights, knowing that there will be no adverse repercussions for them having done so.
Likewise, the police can lie under oath, plant evidence, falsely charge people with âresisting arrestâ or âassaulting an officer,â and commit other blatantly illegal acts, knowing full well that their fellow gang membersâofficers, prosecutors and judgesâwill almost never hold them accountable for their crimes. Even much of the general public still presumes innocence when it comes to cops accused of wrong-doing, while presuming guilt when the cops accuse someone else of wrong-doing. But this is gradually changing, as the amount of video evidence showing the true nature of the âStreet Gang in Blueâ becomes too much even for many police-apologists to ignore.
http://www.alternet.org/civil-liberties/7-ways-police-will-break-law-threaten-or-lie-you-get-what-they-want
One of the biggest realizations with dealing with cops for me was the fact that they CAN lie, they are 100% legally entitled to lie, and they WILL whether youâre a victim of crime, accused of committing a crime or anything else
Everyone needs to reblog this, it could save a life.
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M-M-M-M-Maika-san!!!
Snow at Inokashira, 1928 - Art by Kawase Hasui.
Reuben Wuâs âLux Noctis.â
Stunning imagery created with long exposures and drones from a series of photographs by artist Reuben Wu entitled âLux Noctis.â
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A little trip down memory lane. This is a small fight sequence I story boarded between Su and Kuvira. Itâs short but packs a punch. Love the backstory here between these two as it added a ton to the stakes of this battle. I must admit I do miss staging these fights. What a fantastic show to be a part of. #korra #Lok #legendofkorra #storyboard #kuvira #sulinbeifong #joaquimdossantos #
Joaquim Dos Santos has left a long trail of incredible and memorable action scenes in his wake, and it would be tough to say which one was his âbest,â or even which one is my favorite. But if I had to try, this fight would easily be up there near the top of that list. The dynamics, timing, flow, and clarity of this sequence are all top-notch. Itâs no mystery that when Mike and I got the opportunity to make Korra, the first person we turned to was Joaquim.
Persona 5 Dancing Star Night | Ann Takamaki | Trailer
KH:BBS x SotC
After Aquaâs heart has been sacrificed for a ritual, Terra sets off with his trusty steed, Ventus, to a forbidden land and makes a deal with an omnipotent being named âXehanortâ in order to retrieve her heart back. In turn, he must defeat thirteen colossi by unlocking their stony prison and free their hearts with his keyblade.
Bonus: