AnasAbdin
sheepfilms

roma★
tumblr dot com
One Nice Bug Per Day
todays bird

#extradirty
Claire Keane

PR's Tumblrdome

Kiana Khansmith
occasionally subtle
trying on a metaphor

izzy's playlists!
Three Goblin Art

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Misplaced Lens Cap
Game of Thrones Daily
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@theartofmadeline
Monterey Bay Aquarium
seen from China

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@deriver
Smelling candles
cat: walks by
me: what a cute cat
cat: sneezes
me: this cat is amazing
cat: literally lays around doing nothing of note
me: i have never loved anything more than i love this cat
Xavier Dolan photographed by Shayne Laverdiere for L’Uomo Vogue, 2014
“Never trust a survivor,” my father used to warn me, “until you find out what he did to stay alive.”
Kurt Vonnegut, Bluebeard (via frohdo)
A Softer World: 1166
(But, no, they always trust me to be someone I don’t even want to be.)
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Me at any slight inconvenience: I'm going to Gone Girl myself
Bob’s Burgers is that one escape to a world without self-consciousness, family issues, body shaming and general negativity with gentle humour you never knew you needed so desperately until you started watching it
Fire reflected on birds in smoke - fire at Moerdijk, the Netherlands. (©Coen Robben
My dad used to always watch movies with me. I wouldn’t notice edits when I was a kid, but he would say, “Look at that. No cuts.” Or he would say, if something was being cut, he would snap his fingers and go, “Good cut. Good cut.” It’s so funny: The other morning, my daughter and I were at my mom’s house. Turner Classic Movies was on and they were playing “That’s Entertainment.” There was a long shot, and my mom just said, “No cuts!” My daughter realized, in that moment, that we sound exactly the same. I’ve watched things with my daughter, and I’m like, “Look at that, no cuts.” It’s like a fucking disease in our family. I don’t know what it is or where we got this from, but it’s like, what the fuck? What a weird family. We sit around and talk about “no cuts.”
PTA on his tamed use of long-shots in his past couple films. (via cyberqueer)
Fuyuko Matsui
paul-gillis:
Summon, 2014
Graphite and gesso on hessian
30 x 36 inches