Melancholy of the Chairs: Formation of Boredom ~ Jurgen Klauke, Italy (1981)
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Melancholy of the Chairs: Formation of Boredom ~ Jurgen Klauke, Italy (1981)
Taped - Jill Scott
The figure stood on the tops of two twenty-foot ladders, one foot on each ladder and leaned against the outside wall of a warehouse. Two assistants took ten rolls of two-inch making tape and stuck the figure to the wall, defying gravity, until sundown.
Manifeste Cannibale Dada
You are all indicted, stand up! It is impossible to talk to you unless you are standing up. Stand up as you would for the Marseillaise or God Save the King. Stand up, as if the Flag were before you. Or as if you were in the presence of Dada, which signifies Life, and which accuses you of loving everything out of snobbery if only it is expensive enough. One dies a hero’s death or an idiot’s death - which comes to the same thing. The only word that has more than a day-to-day value is the word Death. You love death - the death of others. Kill them! Let them die! Only money does not die; it only goes away for a little while. That is God! That is someone to respect: someone you can take seriously! Money is the prie-Dieu of entire families. Money for ever! Long live money! The man who has money is a man of honour. Honour can be bought and sold like the arse. The arse, the arse, represents life like potato-chips, and all you who are serious-minded will smell worse than cow’s shit. Dada alone does not smell: it is nothing, nothing, nothing. It is like your hopes: nothing like your paradise: nothing like your idols: nothing like your heroes: nothing like your artists: nothing like your religions: nothing. Hiss, shout, kick my teeth in, so what? I shall still tell you that you are half-wits. In three months my friends and I will be selling you our pictures for a few francs.
Francis Picabia, ‘Manifeste Cannibale Dada’. Read by André Breton at the 3rd Soirée Dada at the Théatre de la Maison de l'Oeuvre, 27 March 1920. Published in Dada n° 7 - DADAphone (March 1920), in Der Dada Nr. 3 (April 1920) and in Almanach Dada (June 1920).
Jorge Luis Borges, Self-Portrait,1975
The Mark on the Mirror Made by Breathing, 1977
Lessons of Darkness, 2016
The birth of the object, 1929-1930
“Two lines.
Three circles.
On the desert.”
Walter de Maria.
La Jetée, 1962 dir. Chris Marker
Concrete Sculpture in The Hague by Carel Visser, 1966
Mukai Shuji, Happening: Burning of All My Works, Osaka, 1969
Walter de Maria, Earth Room, 1968
A major precedent for Olafur Eliasson‘s Louisiana Museum river project.
“Strongest radio source (above) and galactic collision in Cygnus (below).” The Universe. 1958.
Servie Janssen, My Polish Documentation, (1982)
Ewa Partum - Poem (1971)
Andreas Trogisch, “Desiderata”, 2011
THOUGHTS UNSAID, THEN FORGOTTEN, 1973