My new sticker destroy godzilla!!!! i redraw a meme with my artstyle ( soon i ll post a catalogue of my print with prices if you want to support me) i love how it came up

oozey mess

shark vs the universe

blake kathryn

JBB: An Artblog!
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🪼
$LAYYYTER
ojovivo
Show & Tell
todays bird

Product Placement
Peter Solarz
cherry valley forever

#extradirty

@theartofmadeline
Cosimo Galluzzi
we're not kids anymore.
Lint Roller? I Barely Know Her

pixel skylines

Janaina Medeiros

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@devvado
My new sticker destroy godzilla!!!! i redraw a meme with my artstyle ( soon i ll post a catalogue of my print with prices if you want to support me) i love how it came up
IT'S PUNCHIN' TIME, SLAB!
Feeling useless till I draw random characters
The Yes Man Companion Mod!
Now you can bring your lovable robot underling with you wherever you go! Show him the world, take him to a casino, or just use him to blow up radroaches with his onboard M-235 missile launchers.
Developed by Lady Swillmart and myself (she did all the hard bits), Yes Man is fully voiced for every occasion and comes with a companion perk. He’s quite big and has a little trouble with small doors, but he’ll manage eventually. Don’t worry about getting him blown up, he can’t die! He’ll just respawn for you and wait to be taken on another adventure.
Have fun!
Download
Need help with this mod
Ok so… I suck at dowloading mods TuT
But if anyone knows I’d like some help. I’ve been trying to install this mod for over a year now without success, and now that I accidentally reased some files from my pc some things got mixed up. I don’t really know what type of file this was supposed to be, if anyone could let me know or give tips on how to install this mod i’d appreciate it so much :,>
(sorry, my pc configuration is in spanish)
me and friends have been playing a bunch
More
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
When I was a professor I fucking LOVED teaching this comic. You can read the full thing here (and please read the letters to the editor at the bottom as well—including a message from Ray Bradbury).
I'm so glad people added the appropriate context here. Genuinely, this is one of the most important panels in the history of comics.
Unstoppable force meets immovable object
Hello!
I have opened commissions once again! I am still struggling to find a job, and this would be an extremely helpful way to be able to pay bills/rent/groceries until then;
Please DM me about any questions you may have!!
Please consider sharing!
Also consider buying me a Ko-Fi? [Link]
Any help is greatly appreciated!
painted an old flame... prints | patreon
Balrog: Why do I hear boss music
Based on this post
Rafa Borderlands Four also i might draw the other vault hunters
the OG vault hunters (ft my lilith redesign)
This was inspired by the songs "And Now For Today's Sponsors...!" and "MIKE, the BOARD, please!"
They sound SO much like Mario Party music, and when I started thinking about it, ch3 reminded me a lot of Mario Party for the GameCube, which I played a lot of as a kid. Specifically, I drew inspiration from Mario Party 7 since it was such a large part of my childhood. Tenna's design also just screams Mario Party host to me, maybe because he reminds me of MC Ballyhoo. Socials/Contact - Redbubble - Commissions
Sorting tags: #my art | #merch
saw this drawing on twitter of cecil as a sphynx cat and i got inspired... hes so special to me