Cy Twombly, Captiva Island, (collage: (lined paper, graph paper, transparent adhesive tape), wax crayon, pencil), 1974 [© Cy Twombly Foundation, New York, NY]
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Cy Twombly, Captiva Island, (collage: (lined paper, graph paper, transparent adhesive tape), wax crayon, pencil), 1974 [© Cy Twombly Foundation, New York, NY]
/ l'Altissimo /
Philip Akkerman (Dutch, 1957) Self Portrait (no. 70, 2003)
Pieta, Hendrick Goltzius, 1596, Cleveland Museum of Art: Prints
Medium: engraving
https://clevelandart.org/art/1926.439
Jennifer Losch Bartlett - House Portfolio II, 2015
Cy Twombly - Il Parnasso, 1964, oil paint, wax crayon, lead pencil, colored pencil on canvas, 80 ¾ x 85 7/8
© Cy Twombly Foundation. Photo courtesy Gallery Heiner Bastian
Cy Twombly | Untitled
Cy Twombly
Still Life with Cheeses, Almonds and Pretzels, ca. 1615. Clara Peeters (c. 1580/1590 - in or after 1621), Mauritshuis, The Hague, Netherlands.
Easter and the Totem, 1953, Jackson Pollock
Medium: oil,canvas
Geer Van Velde (Dutch, 1898-1977), Composition, 1955. Gouache on paper, 27.00 x 21.00 cm
Gerardus “Geer” van Velde (5 April 1898, Lisse – 5 March 1977, Cachan, Paris) was a Dutch painter.
Dame Laura Knight, Study of a Model Relaxing in Tree, ca.1916, pencil on wove paper
Vidvuds Zviedris
Cy Twombly
“How Well We Go Together”, by Adriaen Pietersz van de Venne (c.1589-1662)
Adriaen Van De Venne - Scating owls
Vincent van Gogh - Arbres dans le jardin de l'asile (1889)
Drawn by: Adriaen van de Venne. A passenger ferry under tow, from an album of 102 drawings; pulled by a horse to right along the river Vliet approaching The Hague from the direction of Delft Watercolour and bodycolour, over black chalk, heightened with gold. British Museum