Duane Michals, Sans Titre, 1989
KIROKAZE
Game of Thrones Daily
Misplaced Lens Cap
Show & Tell
Alisa U Zemlji Chuda
he wasn't even looking at me and he found me

⁂

★
styofa doing anything

Discoholic 🪩

Product Placement
PUT YOUR BEARD IN MY MOUTH

Origami Around
let's talk about Bridgerton tea, my ask is open
Sade Olutola
DEAR READER
wallacepolsom
taylor price
Cosimo Galluzzi
cherry valley forever
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@diariodeinvierno
Duane Michals, Sans Titre, 1989
Hsin-Yao Tseng aka 姚辛耀 (Taiwanese-American, b. 1986, Taipei, Taiwan, based CA, USA) - 夜幕綠 (Midnight Green), 2019, Paintings: Oil on Linen
亲爱的, 2021
Mixed Media
“My roots go down to the depths of the world, through earth dry with brick, and damp earth, through veins of lead and silver. I am all fibre. All tremors shake me, and the weight of the earth is pressed to my ribs.”
— Virginia Woolf
Foto de Greg Bailey, del libro Alright Darling. 2018
An edition of The Sorrows of Young Werther at Goethe’s house in Wetzlar, 1974. Photo by Thomas Hoepker.
She wanted even more: to be reborn always, to sever everything that she had learned, that she had seen, and inaugurate herself in a new terrain where every tiny act had a meaning, where the air was breathed as if for the first time. She had the feeling that life ran thick and slow inside her, bubbling like a hot sheet of lava. Maybe she loved herself.
Clarice Lispector (Near to the Wild Heart)
Woman Reading A Novel 1888
Vincent van Gogh
Danai Gurira || Rogue Magazine
“Underneath the self which acts are little selves which contemplate and which render possible both the action and the active subject. We speak of our ‘self’ only in virtue of these thousands of little witnesses which contemplate within us: it is always a third party who says ‘me’.”
— Gilles Deleuze, Difference & Repetition (75)
“A poem begins with a lump in the throat.”
— Robert Frost
For it must be cried out, at a time when some have the audacity to neo-evangelise in the name of the ideal of a liberal democracy that has finally realised itself as the ideal of human history: never have violence, inequality, exclusion, famine, and thus economic oppression affected as many human beings in the history of the earth and of humanity. Instead of singing the advent of the ideal of liberal democracy and of the capitalist market in the euphoria of the end of history, instead of celebrating the ‘end of ideologies’ and the end of the great emancipatory discourses, let us never neglect this obvious macroscopic fact, made up of innumerable singular sites of suffering: no degree of progress allows one to ignore that never before, in absolute figures, have so many men, women and children been subjugated, starved or exterminated on the earth.
Jacques Derrida (tr. Peggy Kamuf), Specters of Marx: The State of the Debt, the Work of Mourning and the New International (via heteroglossia)
Yayoi Kusama, Fireflies on the Water, (2002)
Gerhard Richter
oil on canvas
“Something in me vibrates to a dusky, dreamy smell of dying moons and shadows.”
— Zelda Fitzgerald (via womenlikeher)
Available work from my debut solo show: https://shop.beinart.org/collections/adipocere-i-do-not-exist
Hand embroidery on natural linen.