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November 15th, 2024 marks the 40th anniversary of the inaugural performance of the Tokyo Grand Guignol’s Mercuro at the Art Theater Shinjuku. While it isn’t fully complete yet, now feels as good a time as ever to share here the current progress of my new translation of Mercuro, an updated “text adaption” as I put it that crosses the full script from June Novel with details that were given through photos, video footage and recollections from audience members. The reason for this is to account for the fact that Mercuro wasn’t a literary play, but an Artaudian experience Ameya conceived in efforts to override what he saw as being a wordy pretention in contemporary theater, his direction even being described before as a sot of "destruction" of Tagane’s writing. Judging Mercuro by just K. Tagane’s text would arguably be missing half the picture, so I’ve done my best to account what I imagine from the evidence that exists what Ameya’s half would've been like to maintain a decent balance. The first act of the play is fully available in two parts for free on my Substack, the second act is still in progress and will be steadily serialized as I finish enough progress on it: - MERCURO (Text Adaption) : ACT 1 : SCENE 1 - MERCURO (Text Adaption) : ACT 1 : SCENES 2 & 3 The process has been a difficult and laborious one in consideration of not just the scarcity of original materials, but the lack of publicly available media as well. Much of Ameya’s direction is not just in the actors, but the handling of visuals and sound design as well, calling back to his influences from Artaud’s more viscerally ritualistic view of theater as a practice. While a handful of songs are known to have been featured, there are still many gaps in between of not just how the songs were sequenced, but how Ameya would’ve edited them as well. A full video recording of Mercuro’s original run (not to be confused with the abridged 1985 Mercuroid TV performance) exists, but it is only in the hands of private collectors. Despite the hurdles throughout my research, through a combination of artistic dedication with what could best be described as obsessive stubbornness against the odds I was able to track down all the materials I could. Special thanks goes to Yu Hirayama of @suikazuraofficial (known for their music compilations, the subculture magazine FEECO and the Steven Stapleton biography Nurse With Wound評伝) for personally providing a copy of the Mercuro volume of June magazine and the Roadsiders article The Time That The Flyers Came To Town. I recommend anyone with an interest in subculture to look into his publications.