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By 2011, LaChapelle had an exhibition at The Lever House in New York and retrospectives at the Museo Arte Contemporáneo de Puerto Rico, the Hanagaram Design Museum in Seoul, and Galerie Rudolfinum in Prague. In the following years, LaChapelle's works were also exhibited at the Los Angeles County Museum of Art in LA (2012), the Musée d’Orsay in Paris (2013) and the National Portrait Gallery in Washington D.C. (2014). His retrospective at Fotografiska Museet in Sweden (2013), was the largest solo artist show the museum had ever exhibited.

#madonna

In the last decade, LaChapelle has returned to a focus on fine art photography and has exhibited his work in several galleries and museums. LaChapelle has had solo museum exhibitions at the Barbican Museum in London (2002), Kausthaus Wien in Vienna (2002), Palazzo Reale in Milan (2007), Museo del Antiguo Colegio de San Ildefonso in Mexico City (2009), the Musee de La Monnaie in Paris (2009), the Museum of Contemporary Art in Taipei (2010), and the Tel Aviv Museum of Art in Israel (2010), in which he was awarded artist of the year. LaChapelle joined permanent acquisitions at both the National Portrait Museum in London and the Bayerische Staatsoper Portrait Gallery in Munich.

#kimkardashian

David Lechapelle is an American commercial photographer, fine-art photographer, music video director, and film director. He is best known for his photography, which often references art history and sometimes conveys social messages. His photographic style has been described as "hyper-real and slyly subversive" and as "kitsch pop surrealism". Once called the Fellini of photography, LaChapelle has worked for international publications and has had his work exhibited in commercial galleries and institutions around the world.

#lavazzacalendar

Gary Card has established himself as London fashion’s go-to set designer, illustrator, costume maker and sculptor, among other titles. The Central Saint Martins graduate moved to the capital to pursue a degree in Theatre Design, and has since built up an impressive roster of clients, designing sets for Balenciaga, Marta Jakubowski, Charles Jeffrey, headpieces for Comme des Garçons, and store interiors for Roksanda Ilinčić.

#frame

Translating his diverse experience to spatial design, Card collaborated with LN-CC’s founder and former creative director John Skelton to produce the interior of the Dalston concept store, which was nominated as the London Design Museum’s ‘Design of the Year’ in 2012. The original Card-designed space included three concept rooms, a book and record store, a club space and a fully functional photography studio. It is a completely immersive sensory experience as visitors encounter different climate controlled rooms, with varying narratives of eco-consciousness, textures, and space.

#gucci

Card, who identifies as a designer rather than an artist, is heavily influenced by sci-fi and comics, in particular, the works of American cartoonist Jim Woodring. After graduating from CSM, he took up a job at his old students’ union and caught the attention of the late Matt Irwin, a photographer who was working at the university’s magazine at the time. He was invited by Irwin to contribute to the publication in different aspects, including illustration, graphic and set design, kick-starting his career. His first venture into fashion was through creating elaborate headpieces for a shoot with AnOther Man, in which he discovered his trademark medium – cardboard. He soon made the rounds to other well-known titles, starting with Dazed & Confused, where he worked regularly with stylist Nicola Formichetti.

#londongallery

Hoefler's process when designing typefaces begins with research into historical records and then utilize the programming language Python to automate repetitive tasks. Their typefaces are systematic and logical and incorporate specific features based on their research. Hoefler has designed original typefaces for Rolling Stone, Harper’s Bazaar, The New York Times Magazine, Sports Illustrated, and Esquire and several institutional clients, including the Solomon R. Guggenheim Museum and alternative band They Might Be Giants.

#newamsterdamfont

Perhaps his best-known work is the Hoefler Text family of typefaces, designed for Apple Computer and now appearing as part of the Macintosh operating system. He also designed the current wordmark of The Church of Jesus Christ of Latter-Day Saints. In January 2014, Frere-Jones sued Hoefler for $20 million in the New York Supreme Court accusing him of scamming Frere-Jones. Frere-Jones claimed that in 1999, Hoefler agreed to a verbal 50-50 partnership that was legally binding.

#inkwellfont

Jonathan Hoefler is an American typeface designer. Hoefler founded the Hoefler Type Foundry in 1989, a type foundry in New York. Hoefler's Champion Gothic was inspired by 19th century wood type. It was commissioned for Sports Illustrated shortly after founding the company in 1989. In 1997, his path crossed with type designer Tobias Frere-Jones when both were trying to purchase German type foundry catalogs. In 1999, Hoefler began working with Frere-Jones, and from 2005–2014 the company operated under the name Hoefler & Frere-Jones as a partnership. In 2000, the firm, under Frere-Jones' direction, designed its ubiquitous Gotham typeface for GQ magazine and received wide recognition for their work and in the last 20 years is one of the most successful typefaces.

#hoeflertextfont

Platon's father helped him develop an understanding of form and texture through the principles of Modernism reflected in his bold no distraction style. His graphic design education influences how he takes his photographs by shooting with the final graphic treatment in mind. Platon aims to capture the truth, to find it in the subject and bring it out. He works with limited sessions for photo shoots, which make the photographs more intense and authentic.

#christopherwalken

After leaving college in 1992, Platon began in fashion photography and portraiture. Platon left London for New York to begin his commercial career with John Kennedy Jr. at George magazine. Some of Platon's commercial work includes photographing for Levi's, IBM, Nike, and Motorola, along with companies such as Timex, Tanqueray, Kenneth Cole, and Rayban. His photographs have also been featured on the cover of well-known magazines including Time, Esquire, and George. In 2008 Platon became a staff photographer for The New Yorker, filling the spot of Richard Avedon. He would handle large scale portfolios such as his first assignment, a portfolio of the Little Rock Nine celebrating the civil rights movement.

#barack obama

Platon is a British portrait and documentary. Platon was born on 20 April 1968 in Greece. His father (Jim Antoniou) was a Greek architect and illustrator and his mother is an art historian. Platon is currently married and has two children. He was raised in Greece and moved to England at the age of 8. Platon studied graphic design at Saint Martin's School of Art where he encountered his first experience with photography. He went on to receive his masters in fine arts from the Royal College of Art where he met his instructor and mentor, John Hind of Vogue.

#adele

In 1996 Scher’s widely imitated identity for The Public Theater won the coveted Beacon Award for integrated corporate design strategy. She has served on the board of directors of The Public Theater, and is a frequent design contributor to The New York Times, GQ and other publications. She served on the Public Design Commission of the City of New York from 2006 to 2015.

#maps

Paula Scher is an American graphic designer, painter and art educator in design. She also served as the first female principal at Pentagram, which she joined in 1991. Her work has been exhibited all over the world and is represented in the permanent collections of the Museum of Modern Art and the Cooper-Hewitt National Design Museum in New York, the Library of Congress in Washington, D.C., the Philadelphia Museum of Art, the Denver Art Museum, the Victoria and Albert Museum, London, the Museum für Gestaltung Zürich, and the Bibliothèque nationale de France and the Centre Georges Pompidou in Paris.

#pentagramdesign

Scher has developed identity and branding systems, promotional materials, environmental graphics, packaging and publication designs for a broad range of clients that includes, among others, Bloomberg, Microsoft, Bausch + Lomb, Coca-Cola, Shake Shack, Perry Ellis, the Museum of Modern Art, the Sundance Institute, the High Line, Jazz at Lincoln Center, the Metropolitan Opera, the New York City Ballet, the New York Philharmonic, the New Jersey Performing Arts Center, the New 42nd Street, the New York Botanical Garden, the United States Holocaust Memorial Museum, the Philadelphia Museum of Art, the Robin Hood Foundation, and the New York City Department of Parks and Recreation.

#publicthetaerinNYC

The Singing Tree, her collective choral carol installation at the Victoria and Albert Museum, fused machine-learning with sound and light and was viewed by over ten thousand visitors during Christmas 2017; her Mirrormaze generated queues around the block in Peckham in 2016. Further explorations of labyrinthine and map based geometries led to the 7000 square foot hotel room odyssey Room2022 at Art Basel Miami 2017 and the projection-mapped ovoid model city MASK at Somerset House 2018. Devlin has made large scale touring stage sculptures in collaboration with Beyoncé, Kanye West, Adele, U2, The Weeknd, Lorde, Pet Shop Boys, and the Royal Opera House in London. Devlin also designed the London Olympic Closing Ceremony in 2012 and the Opening Ceremony of the 2016 Rio Olympic Games.

#kanyewestconcert

Es Devlin is a London-based artist and stage designer who works in a range of media, often mapping light and projected film onto kinetic sculptural forms. Her practice began in narrative theatre and experimental opera. After a period working for London's Bush Theatre, she first worked for the National Theatre in 1998 when Trevor Nunn asked her to design the set for a revival of Harold Pinter's Betrayal. She has since worked on sculptural designs for the theatre. "Each of her designs is an attack on the notion that a set is merely scenery" wrote Andrew O'Hagan in The New Yorker in 2016. Devlin "is in demand because she can enter the psychic ether of each production and make it glow with significance."

#artbaselmiami

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