lazy mediocre bum rule number one: be best friends with your teachers, when you fuck up big time they’ll low key help you out more than they should
This is 100% accurate

⁂

shark vs the universe
Misplaced Lens Cap
Claire Keane
Sweet Seals For You, Always
Mike Driver
taylor price
NASA
hello vonnie
Xuebing Du
occasionally subtle

#extradirty
cherry valley forever

pixel skylines
almost home
tumblr dot com

Andulka
Aqua Utopia|海の底で記憶を紡ぐ

oozey mess

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@discourse--anakin
lazy mediocre bum rule number one: be best friends with your teachers, when you fuck up big time they’ll low key help you out more than they should
This is 100% accurate
*puts the difficulty on easy because I know who I am and I enjoy having fun*
hello google
how do i am use tumblr dot com?
college students
i hate this website
In little ways, you can stunt your own personal growth. You or a friend may share these habits and not know it.
I feel like I’m nothin’ to nobody..
child handling for the childless nurse
My current job has me working with children, which is kind of a weird shock after years in environments where a “young” patient is 40 years old. Here’s my impressions so far:
Birth - 1 year: Essentially a small cute animal. Handle accordingly; gently and affectionately, but relying heavily on the caregivers and with no real expectation of cooperation.
Age 1 - 2: Hates you. Hates you so much. You can smile, you can coo, you can attempt to soothe; they hate you anyway, because you’re a stranger and you’re scary and you’re touching them. There’s no winning this so just get it over with as quickly and non-traumatically as possible.
Age 3 - 5: Nervous around medical things, but possible to soothe. Easily upset, but also easily distracted from the thing that upset them. Smartphone cartoons and “who wants a sticker?!!?!?” are key management techniques.
Age 6 - 10: Really cool, actually. I did not realize kids were this cool. Around this age they tend to be fairly outgoing, and super curious and eager to learn. Absolutely do not babytalk; instead, flatter them with how grown-up they are, teach them some Fun Gross Medical Facts, and introduce potentially frightening experiences with “hey, you want to see something really cool?”
Age 11 - 14: Extremely variable. Can be very childish or very mature, or rapidly switch from one mode to the other. At this point you can almost treat them as an adult, just… a really sensitive and unpredictable adult. Do not, under any circumstances, offer stickers. (But they might grab one out of the bin anyway.)
Age 15 - 18: Basically an adult with severely limited life experience. Treat as an adult who needs a little extra education with their care. Keep parents out of the room as much as possible, unless the kid wants them there. At this point you can go ahead and offer stickers again, because they’ll probably think it’s funny. And they’ll want one. Deep down, everyone wants a sticker.
This is also a pretty excellent guide to writing kids of various ages
if the twilight zone was still a thing today this would probably be an episode
Na Na Na // My Chemical Romance // Make Room!!!!
↳ lyric comparison
As some of you may know I’ve been studying Professional and Creative Writing for three years now, and I’m heading into a fourth year of study for Honours, and one thing that has really stuck out for me over the past few years is how much pressure people put on you to write a story with some kind of important meaning.
This needs to stop.
There’s nothing wrong with writing a story with purpose and meaning, but when you limit yourself to writing a story around those morals, then you restrict what you can write.
Write what you want to write.
Write stories for fun.
Write stories with no moral messages and see what meaning other people read into it.
Write a story by focusing on the characters, the plot, the narrative, whatever; just write the story you want to tell, becasue if you limit yourself to writing around that moral message then you lose the possibility to open your text up and create depth to it by having multiple meanings and moral messages, contradictions and ideologies that your readers will hold onto and literature students will gush over.
Write what you want to write.
there are only two genders
when you reblog a TON of stuff from your rare fandom and then you remember your followers don’t care
STOP HAVING WHITE VOICE ACTORS PLAYING NON-WHITE ROLES
stop depriving non-white actors opportunities to act and get recognized!
Voice actors often don’t know who they’re reading for or what franchise they’re in (that’s what the strike was recently about, so they’d know whether they were in a small first time game or the 4th installment of a major franchise, if they were replacing a beloved voice actor, etc.) so please don’t harass the actors, until recently they legally didn’t have the right to know who they were reading for and were usually not told until months or even years later.
Definitely go after casting, directors, and studios executives. Those are the people making the decisions.
Example of a VA not knowing (and getting screwed on top of it).
They still don’t have the right to know. They got fucking nothing out of that strike. They can know the code name (which might be a serial number or whatever) and if it’s a sequel. That’s it. That’s the extent of the “transparency” they won from the strike.
As a perfect example of this controversy, if you haven’t looked up interviews surrounding Laura Bailey as Nadine Ross, it’s worth it.
Laura Bailey herself explained that when she auditioned for the role, she was given no information about what the character looked like. It was only after she was hired and arrived for recording that she was shown concept art and discovered the character was a WOC. She was uncomfortable about the situation.
Meanwhile, Neil Druckmann revealed that they were already working on concept art of the character when they hired Laura Bailey. They finalized the character’s design as a WOC after they’d hired a white voice actress, so that was a conscious decision. He was also very flippant about the situation as a whole.
Like people above have said: Yes, whitewashed casting is a legitimate and real issue. But unlike actors in film and stage, voice actors are often totally blind to what they’re auditioning for. They get fucked by NDAs and legal red tape bullshit. Go after the casting directors and execs and high-position game devs that knowingly make these decisions.
I know its a cliche on this site but FINALLY someone said it
Dustin: I’m the type of guy who likes to think things through.
Lucas: Remember that time you tried to eat a marshmallow while it was still on fire?