03/19 | New York Botanic Garden
shot with a Nikon F100 with Portra 400 film and self-developed using Cinestill C41 chemicals.

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@disflux
03/19 | New York Botanic Garden
shot with a Nikon F100 with Portra 400 film and self-developed using Cinestill C41 chemicals.
06/2017 | Baltimore, MD
shot with a minolta al-f rangefinder, with portra 400 film.
6/2017 | Lorimer and Conselyea Street
shot with a minolta al-f rangefinder, with portra 400 film.
6/2017 | Sunset Park
shot with a Nikon F100 and a 50mm lens, with ilford fp4 black and white 125 iso film.
André Masson’s “Battle of Fishes”
André Masson was best known for his works in Surrealism, using drugs or losing sleep to create works that tapped into his unconscious. Masson started experimenting with sand in the 1920’s. Battle of the Fishes was one of these works, where Masson applied gesso to the canvas and threw sand on it, resulting in contours that suggest forms, “although almost always irrational ones.” Masson was born on this day in 1896.
[André Masson. Battle of Fishes. 1926. Sand, gesso, oil, pencil, and charcoal on canvas, © 2017 Artists Rights Society (ARS), New York/ADAGP, Paris]
3/2017 | greenpoint and williamsburg in the snow.
shot with a minolta al-f rangefinder, with ilford fp4 black and white 125 iso film.
10/2016 | my great grandmother’s house in ali terme, sicily
10/2016 - Street Dogs in Palermo
10/2016 - Milan and Messina.
10/2016 - Etna and Milan Nikon D5300, Nikon AF-S DX Nikkor 35mm/1.8G
10/2016 - Milan and Palermo Snapshots.
Women’s March January 21, 2017 Washington, DC
Richard Pousette-Dart, “Center of Being IV (Original Black Circle)” (1979), etching, plate: 17 13/16 x 23 3/4 inches, sheet: 21 15/16 x 28 inches
USA, Hawaii, Kilauea volcano, Kapaahu- webcam
Past and Present Dreams of the Future, Benedict Redgrove
Robert Boyd
Waterlog 30″X48″
Mixed media on panel
The projected Gotham National Bank on Columbus Circle, New York City