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oozey mess

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Aqua Utopia|海の底で記憶を紡ぐ

if i look back, i am lost

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pixel skylines
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Jar Jar Binks Fan Club
trying on a metaphor
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Product Placement
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roma★
let's talk about Bridgerton tea, my ask is open
Xuebing Du
PUT YOUR BEARD IN MY MOUTH
will byers stan first human second
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@dmitrihertz
Bitter and misshapen, perhaps the crabapple has its reasons? Dmitri Hertz has reasonsideas and sources that inform his sculpturesbut the understated eccentricity of his work is so visually compelling that I was in no hurry to interpret these forms in terms other than their own.
Review Of ‘Crabapple’ in The Brooklyn Rail by Peter Brock
“Crabapple”
2021
Super Duchess Gallery
New York,NY
Check List For Crabapple
apple in the grass Shelf - Oiled and Dyed knotty pine Apple - Alhambra, CA apple wood Beetle - apple wood, wire, adhesive 51”x 51”, 2021
Snake 2 Cedar 1 1⁄2” x 3 1⁄2 “ x 12’, 2015
grass, pollen , stuck, brick (μm agglomerate 6) Grass pollen- luan, pine, adhesive, apple burl, wax Brick, steel, cement 2020-2021
Snail Shell Composite plaster resin, wire, pigment , 2021
Bean (particle) Fine Wood, oil 2020-2021
Pollen, flower, pollen, dice, particle, rock (μm agglomerate 5) rock/di - cement, perlite, charcoal, steel Ragweed pollen- frame poplar Daisy pollen - pine, dye
Particle - particle brick, stain, 2019 - 2021
“Fields and Grounds and Things Landing”
works by Taylor Davis, Dmitri Hertz, and Matthew Schrader
Soloway Gallery 348 S 4thSt. Brooklyn, NY 11211
November 15th, 2020 - January 3rd 2021
#taylordavis #dmitrihertz #matthewschrader #soloway #solowaygallery #art #sculpture
FISH, 2018
WOOD, DYE 27″ X 21″ X 21″
POLLEN, 2017
WOOD,DYE, ENAMEL 6″X6″X8″
TOBACCO POLLEN, 2017
PLYWOOD, DYE, LACQUER 12″X12″X12″
CORN POLLEN, 2017
MDF, DYE 12″ X 12″ X 12″
RED POLLEN, 2017
WOOD DYE
HIBISCUS POLLEN, 2017
WOOD, DYE
studio dust
ALUMINUM BAG, 2012
INSTALLATION VIEW WITH SHADOW PLYNTH
Fred Moten
excerpt from “Grape Street Crits” The Service Porch 2016
Dmitri, light, both literally and literally , so you can be up in there with things. Not an absence of girth or content but the massive volume of airy thinness. “The difference between what he did (fold) and what just happens (crumple).” But why I have to care about that? Y our stuff keeps me on top of my head. Sculpture is ways of arranging air. Can there be a thick description of thin sculpture? Things that bear but don’t contain, and a thing become something to see, until you see nothing at all?
INSTILLATION VIEW “GOODBYE LANGUAGE” KNOW MORE GAMES 2015