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Hate is a manifestation that there is weakness in your being. Chelsea Blecha on Twitter
Jimi Hendrix at the Olympia, London, December 22 1967, by Ray Stevenson
David Bowie, 1995, © Enrique Badulescu
Hello, I Must Be Going! - Phill Collins (1982)
Hello, I Must Be Going! is the second studio album by British drummer Phil Collins. When most of Collins solo albums were released, he was still heavily involved with prog-rock band, Genesis. After Peter Gabriel's departure from the band in the mid-to-late 70s, Collins took over as lead songwriter and singer. This personnel change and the fact that Collins was working on material for his solo career, contributed to their more "pop" sound that would dominate the charts for most of the 1980s and early 90s.
His first solo album, Face Value, released the previous year was a massive success with the single "In the Air Tonight." The lyrical and musical context was based around his eventual divorce from his wife. I think this album carries themes and has variations of the different emotions one may experience going through the divorce and of course after. There are instances where I think he directly expresses these songs to his now ex-wife and expresses his frustrations, heartache, and anger to her over their failed relationship. Collins is a highly skilled drummer as shown through his work with the early Genesis catalogue. Throughout his solo work, the drums do not make an appearance as one would think from a rock artist. The drums provide melodic counterpoint, almost to the point of creating a melodic ostinato. Another element that is prominent in his solo work is the use of brass instruments, there are often just shorts hits of brass instruments. Later in Collins career, he created an album of Motown covers that inspired him when he was younger. The use of brass could contribute to his background when he listened to Motown as a kid.
1. I Don't Care Anymore - Like I mentioned earlier, the song begins with a strong melodic drum pattern. Continuing without changing throughout the whole song. There is tension throughout the song, anger is prominent throughout this song even when the narrator claims that they "don't care anymore." The narrator has ended some relationship of some nature, could be platonic or romantic. Given Collins divorce, that was still a fresh moment in his mind, this song could be about an incident that happened with his wife after they split up. It seems that the other party has been going around and talking shit about the narrator, for lack of a better term. There is a slow burn to this song, ever so slightly rising higher and higher to the peak of his anger in this song. The last chorus proves this as he practically screams it, following my yelling "I don't care no more!" The song then dies back down, removing most of the instrumentation. The keyboards quiet down, the vocals repeat the phase, "no more," for the rest of the song. The drums are still playing the repeating pattern that essentially serve as a motif for the song.
2. I Cannot Believe It's True - Brass instrumentation shows dominance in this song. This is common for Collins catalogue. Lyrically speaking, I think this song represents the beginning of the narrators split from their partner. The first line is, "When I opened your letter yesterday," this could refer to divorce papers or even just a note expressing that they're done with the relationship. The emotions revolving around this song is hurt that the narrator can not believe that the person they thought they were going to be with forever is now pushing them out of their life. This isn't one of my favorite songs on this album, but it still fits in with the overall theme of the album and is a good song.
3. Like China - One of my absolute favorite songs on this album, it is more rock orriented song stylistically. Lyrically, the song portrays a poor young man who is in love with a women from a upper crust background. Her family disprooves of him because of his background, even when the narrator tries his best to impress them by wearing a tie around them. He explains to his significant other that she's the first one that he's ever loved and that "he's not like all the rest." Then the chorus starts, the narrator tells her that "he'll hold her like china," a popular expression in England. This could be a double inuendo, signifying that when they have sex he'll treat her like china, but also in their relationship he'll be really good to her.
4. Do You Know, Do You Care - Continuing with the ongoing theme of Collins divorce throughout the album, this song has an angry theme to it. This song almost reminds me of "Tonight, Tonight, Tonight" from Genesis' 1986 album Invisible Touch. The delivery of the lyrics and the background drums shares similar elements with the song mentioned earlier. I honestly don't have much to say about this song, it isn't one of my favorites off of this album and it caries that tense grudge towards his former wife.
5. You Can't Hurry Love - Such a great song, just to start this off. A cover of The Supremes song from 1966, Motown had such a big impact on Collins musical career as he released an album of strictly Motown hits (totally recommend listening to that album by the way). He wanted to create that "Wall of Sound" that Phil Spector created during the 60s that was an innovative concept for music producing at the time.
6. It Don't Matter to Me - At this song in the album, to me, it's filler songs until it gets to the last couple of songs on this album. Again, I'll say that this is aimed towards his ex-wife. I love the sparatic horn hits, which is a typical element of Collins solo career.
7. Thru These Walls - The context of this song is the narrator hears his neighboors having sex through the walls of his apartment. This wouldn't be the only time where he portrays a creepy character, the Genesis song "Mama" gives me a similar vibe with a shady character as the narrator. He activily listens to his neighbors while they are having their intimate experience and imagines what they are doing based on what he is hearing.
8. Don't Let Him Steal Your Heart Away - This song begins with a piano intro, this starts the albums softer and more sorrowful side. The song portrays someone who has been cheated on and they are trying to convince their lover to stay with them. It's such a heart wrenching song and Collins has such emotion in his voice that makes this such a sad song.
9. The West Side - This is an instrumental piece, honestly just sounds like a jam session. I know this is how a lot of the Genesis songs were conceived in their early days.
10. Why Can't It Wait 'Til Morning - This song and "Like China" compete for my favorite song on this album. This mournful piano and strings make this song such a great ending for this album. I have two theories as to what the song represents. The first which is probably the most likely, two lovers have experienced something that will possibly be the end of their relationship, but tonight they just want to be together for the night and push their problems away for the rest of the night. I experienced something similar to this, I had a relationship end but we just wanted to be together for that night before everything changed the next morning and we really came to terms with what was happening. The other, this could possibly be the result of a one night stand or two friends that slept together and have to discuss what is the future of their relationship the next morning and do not want to think about it and just enjoy the blissfull night together.
Conclusion: One of my favorite albums by Phil Collins, the album is structured in a slow crescendo and quick descrescendo. A build to the peak of his anger and then takes a lementing element to the end of the album with two great songs that are so heartwrenching. It's so hard to articulate what makes this song so great. I highly recommend giving this album a listen.
Overall Theme of the Album: The after affects and emotions that are involved when going through a divorce/break up.
Rating: 9.5/10
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The Stranger by Billy Joel (1977)
The Stranger by Billy Joel is his fifth studio album, it was released on September 29, 1977. There are 9 tracks on this album which I will go in depth analyzing and discussing different elements of it.
Something that I have noticed from listening to Joel's albums is that there is an overall musical theme that flows through the songs on the album. Not in a bad way, but the songs sound the same as they were written by the same person within a short time period. His albums differ from each other in instrumentation, style, and lyrical content, but the individual albums have similar musical ideals.
1. Movin' Out (Anthony's Song) - Probably my least favorite song on the entire album, I don't think it's a bad song it's just the weakest when compared to other songs on the album. Possibly this is a smart choice for this song to be the first track as it sets the bar semi low for the rest of the album to have dominance over this song. By the time you get to side 2, this song is forgotten. The lyrical content discusses two characters, Anthony and Sgt. O'Leary. Anthony is a young man, who I believes still lives with his mother, he works in the local grocery store and is saving his money to possibly move out of his neighborhood to do bigger and better things. He isn't satisfied with the way that people "move up" in his neighborhood as it isn't enough for him. Sgt. O'Leary is a police officer who moonlights at a local bar, he doesn't have many pleasures in life except keeping up his car. He's trading in his Chevy for a Cadillac, of course in the present time Cadillac's aren't seen as the top of the line car anymore but in the 1970's and 1980's it was seen as a symbol of "you made it." With his physically straining job as a police officer and then bartending on the side to be able to form the luxuries, he's "breaking his back" working so much to be able to afford these materialistic items. If he has a broken back from working, he can't drive his car but at least he can polish the fenders. In my opinion, the song is about the way capitalism runs our lives and materialistic objects prove our worth in life. Whether it be a car or a house in Hackensack, New Jersey.
2. The Stranger - The title track of the album, in the intro there is a piano motif with a whistling melody that is repeated at the end of the album. The whistling melody is repeated when the song starts by the guitar as a reminder of that tune. Musically, it is guitar and percussion driven, which is unlike the majority of Joel's music. The piano takes a backseat in this song, letting his band shine for this track. Lyrically speaking, it's about how there are sides of us that no one else sees except ourselves when we're alone. Joel suffered from depression earlier in his life, this song could elude to that part of his life where he hid this portion from his friends and family and this "face" would come out when he was alone. There are secrets of course that we do not share with anyone, including our significant others. When others start to share these secrets with us, it's as you don't recognize them. That they have a different "face" that makes them unrecognizable to someone that could know them extremely well. You have portions of yourself that is a stranger, even to yourself. Even if you don't show these to other people, there is a stranger within yourself. Obviously, this stranger within yourself is not going to be Ted Bundy, but concepts that are completely against what you portray to the outside world.
3. Just the Way You Are - The lovey, dovey song that everyone loves. It's one of my favorite songs from the album. This song could prove to be more true in our present society than it did 45 years ago. Joel was still married to his first wife at the time and this song was dedicated to her. In a world of instagram models and the Kardashians, women are pushed into the spotlight of being perfect and having particular features that make them attractive to the rest of the world. The lyrical content discusses how the narrator loves his significant other just the way they are, that the subject doesn't have to change anything about themselves, just to please the other person. Through good times and bad times, the subject is perfect in the eyes of the narrative despite their flaws that the subject may be self conscious about. As a woman in this world, I understand how reassuring that can be. This isn't the only song that could be about Joel's wife as we'll get to later in this discussion. As his wife and Joel had been together for four years at the point of the album being released and his newfound fame was starting to take off, this song could be a reassurance to his wife that he still wanted her by his side.
4. Scenes from An Italian Restaurant - Joel's Magnum Opus, this song is a combination of several different songs that he decided to combine into one. This is one of Joel's best songs, just in my opinion, lyrically and musically it is strong and it strengths Joel's role as a storyteller. The outset, or A section, of the song describes banter that would take place in an Italian restaurant, discussing wine selections and picking out seating in the narrators favorite Italian restaurant. After a brief transition, the tempo picks up to describe possibly a different interaction taking place at a different table in the restaurant. The B section of the song is a conversation between two old friends are meeting up again after graduating from high school together, discussing their lives after they left school. Two two reminisce, discuss old hangouts such as the Village Green, a popular restaurant when they were kids. This section borrows elements from traditional Mississippi River jazz, the regional areas that sit on the Mississippi River such as St. Louis, the Mississippi Delta, and of course New Orleans. There is an instrumental section that expands more upon this concept, with an outstanding piano solo from Joel himself before continuing with another segment of the story. The C section of this song focuses on the relationship of high school sweethearts, Brenda and Eddie. I'm unsure of whether someone else in the restaurant is discussing Brenda and Eddie's relationship or the two people from the B section are talking about a couple they knew in high school and one of the individuals is telling the other about how their relationship turned out. Brenda and Eddie had a typical high school sweetheart relationship, they were popular, they were prom king and queen. They got married not long after they graduated, their friends were against their marriage as Brenda kept up a high wealth lifestyle and her soon to be husband was far too lazy to work hard enough to keep up with her lifestyle. Even after their friends expressing their doubts, Brenda and Eddie were married. The couple began to fight when they had financial troubles and eventually divorced. The song then discusses how "the king and the queen" went back to the Green, representing the Village Green, their old haunt. The Village Green is now an upscale restaurant, another changing element of their childhoods. They can physically go back to the Green, but they can not go back to their innocence and how easy life was then. As they have grown up and faced the realities of being an adult, even the negatives. This concludes the story of Brenda and Eddie, the A section returns. Again, discussing wine selection and discussing how they will meet anytime in their favorite Italian restaurant. In my opinion, the song discusses how certain places can take you back to a point in your life that you wish you could return to. You can always return physically, but mentally and emotionally it will never be the same place as it was in your memories.
5. Vienna - The opening of the B side of the album. Vienna could mean two different things, the obvious one is the city in Austria, and possibly could be a "happy place" that you could escape to in your mind. Joel's father was living in Vienna at the time of the composition, this song could be a narration of Joel's father to his younger self. His father left when he was quite young and this could be a conversation that he wish his father could've had with him in his younger days, encouraging his career decisions as a singer-songwriter. The first few opening lines solidify this concept. Vienna represents the rest of his life and that it's waiting for him. As Joel has accomplished so much in his short life already that he has so much waiting ahead of him and he should enjoy his life and relax. Another connection to this song and what inspired him, Joel studied classical piano as a child. He became a big fan, even using the opening motif from second movement of Beethoven's Pathétique Piano Sonata as the main melody for a song from his album, An Innocent Man (1983). Mozart was a native of Vienna and was involved in Austria and Germany for the majority of his lifetime. Mozart did not live a full life, dying at the young age of 35. Mozart had accomplished so much in such short time, he never got to sit back and relax. This element of his classical background could've made its way, subconsciously, into the context of the lyrics.
6. Only The Good Die Young - A possible novelty song, this lyrical content discusses the narrator chasing after a young woman, Virginia, who attends a Catholic school and trying to convince her to have sex with him, telling her that "only the good die young" and she should give in to her sinful temptations to be with him. The narrator's qualities do not align with Virginia's, he runs with a "dangerous" crowd and isn't shy to admit that. One of my favorite lines from the song is, "I'd rather laugh with the sinners than cry with the saints, the sinners are much more fun." The authoritative figures in Virginia's life are against her being with the narrator, and he knows. This drives him even more complete his conquest, even antagonizing those figures, such as her mother asking if they've even said a prayer for him.
7. She's Only A Woman - Another song that possibly discusses his wife, this lyrical details discuss a woman who is incredible gorgeous and intimidating to most men, but to the narrator she's just a woman to him. That these qualities of her, make her the woman that she is, an independent and captivating woman. She enjoys the chase that she gives other men, the narrator is serious about this her and understands that these callous qualities about her is a mechanism to keep admires that she isn't serious about at bay.
8. Get It Right the First Time - Now we're starting to get to the deep cuts, the other songs except the last two on this album have become extremely popular, even when they weren't singles. This song is one of my favorites from the album. The content of the song discusses someone who meets a woman and the narrator possibly did not make a good first impression with her, but he wants to keep this woman in his life. He starts to discuss how he isn't good at first dates and he worries he'll say the wrong things that will drive the woman out of his life. He doesn't believe in first impressions as he isn't very good at them, people don't usually like or believe in things that they aren't very knowledgable about. The narrator is shy, but tries to convince himself to put that aside to be able to make a lasting impression on this woman.
9. Everybody Has A Dream - The grand finale to this wonderful album. This song was originally written in 1971, years before his fame that he knew of when this album was released. This song discusses his dreams of having it all, not having any hardships and being able to provide for his wife and being able to enjoy his years with her. His dreams and fantasies of success drives his work ethic to being able to life out his life the way he wants to. This song provides a good finale as this is one of Joel's best albums and it shows how far he has come since his young age and the worldwide success he had up to that point and continued to have for years to come.
Conclusion: When this album was conceived, Joel had just finished a big transition in his life. When he previous album was released, he had just had the move from Los Angeles to his home state of New York, being back in the city where he grew up brought on lots of memories from when he was a kid growing up in the city. This is shown in many of his songs as there are concepts of youth and "making it big." The last time he lived in New York, he was a kid just trying to break out in the music business. He was a high school dropout and his teachers thought that he needed to stay in school to make something of himself. Coming back to his city and being someone was a reassuring thought to himself, I'm sure, that he made the correct decision in his career choices. There are many elements of reminiscence, in each song. This is one of my favorite albums, it is almost a perfect album in my eyes. There isn't a skippable track to me.
Overall Theme of the Album: Youth and having dreams of making something of yourself.
Rating: 9/10
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