Review of All of Us Villains
taylor price
Phantogram Three
almost home

Product Placement

shark vs the universe
No title available
todays bird

oozey mess
"I'm Dorothy Gale from Kansas"
NASA
Color Me Curious
Keni
Cosimo Galluzzi
Fai_Ryy

Discoholic 🪩
noise dept.

Love Begins
untitled

Game Changer & Make Some Noise

#extradirty
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@dontgobrekkermyheart
Review of All of Us Villains
Marketing Analysis of The Mask Falling
The publicity of The Mask Falling (TMF) by Samantha Shannon was effectively done through special editions, mutually beneficial Indie bookstore marketing, and powerful sexuality representation even amidst the trials and tribulations of a global pandemic. TMF is the fourth book in a seven-book supernatural dystopia series called The Bone Season. It already had a dedicated fanbase to its release, and Shannon has been a NYTimes Bestseller since the book’s debut.
The main issue that marketing had to overcome with TMF’s release was COVID-19 restrictions. There have been no in-person signings or events for authors since quarantine began back in March, so this meant Shannon’s events needed to be held digitally. In the United Kingdom Shannon had to sign mostly bookplates for bookstores because it was against COVID guidelines for her and the booksellers to meet face to face. Then a few weeks before the novel’s release the guidelines were relieved enough for Shannon to sign for the Goldsboro bookstore, which releases special limited editions of freshly published novels. Moreover, the marketing team made a mutually beneficial collaboration to help Indie bookstores within the United States since Indies were hit hard during lockdown. Shannon and her publishing team in the U.S. offered a special edition of TMF through a select number of Indies across the country. It was an amazing marketing decision because it positively affected Indie bookstores, Samantha Shannon, and fans. People grew to talk about this series for the help it gave to Indies.
Another potentially major issue that the marketing team had to overcome for TMF lied with the fact that the fourth book released nearly four years after the third novel’s release. The Song Rising was published in March of 2017 while TMF released in January of 2021. Shannon did publish The Priory of the Orange Tree in early 2019, but people can grow bored or forgetful waiting for a sequel’s publication. The marketing team and Shannon thought ahead for this problem by stirring hype six months before TMF’s through the short story ebook publication The Dawn Chorus (TDC), which bridges the gap between the third and fourth books. Many hardcore fans are then sated by this release because it does not feel as long of a wait till the 2021 release date. Also this ebook revealed to fans one of the crucial elements to the fourth novel: PTSD. Paige, the main character, underwent excruciating torture and trauma by water-board in the third novel, and Shannon sets up the tone of the fourth book through this ebook by detailing Paige’s initial trauma. TDC gave the perfect amount of tease to leave readers satisfied but still dying for the full fledged novel.
Shifting to post release, Samantha Shannon did not lie to her fans when she hinted that TMF would tug on heart strings. She gave fair warning. TMF released on January 26, 2021 and even halfway into March, Shannon still posts reviews and reactions onto her social media stories of heartbroken fans. These reactions are not harsh or negative towards the novel’s release, bur rather they detail the emotional journey the novel took them on. Many fans find Paige’s trauma to be effectively and realistically shown, especially since Paige is not as strategic with her plans. A sign of PTSD involves irrationality and spontaneity because trauma can cloud judgment, and Shannon has detailed on social media/ interviews her decision to stay true to those results in trauma. It was successfully done for many readers because the evidence lies with their emotional connection and high reviews.
Lastly, Shannon continues to include powerful representation of minorities through her release of TMF, specifically within the LGBTQIAP+ community. In previous books, Shannon has normalized gay, asexual, and plenty of other sexualities across the spectrum. By the time TMF releases, Paige’s demi-sexuality is revealed to the audience, and Shannon’s decision to normalize all sorts of sexualities within the LGBTQIAP+ community, not just the well known ones, is powerful. Shannon is helping readers understand that their sexuality does not make them less or different from others. It is human. They are just as valid as someone who is straight. Shannon utilizing her successful and influential career to continue conversations over sexuality is important. Her novel’s representation is just another reason why she holds such a special place in many fans’ hearts.
Overall, TMF had more than a few issues to overcome due to quarantine and long sequel publications, but with a dedicated fanbase and effective marketing, Shannon had no problem meeting her sales. Shannon’s experiences prove that more authors should help Indies, especially since they are a backbone to the community, if they are able and write what is important to them. Genuine authors always leave a lasting mark through their art, and Shannon certainly applies to this list. Her marketing was, ultimately, far easier in comparison to debut or lesser-known authors, but her team found an innovative way to help the community through her newly published work.
a set if hp bookmarks i’ll have for melbourne supanova next weekend! one (1) boy for each bookÂ
It’s Mother’s Day coming up, so I’m thinking of all the women in my life and all the awesome roles they play (mothers, non-mothers, and never-mothers alike).
http://everythingisgoingtobeokcomic.com/well-behaved-women
Vincent van Gogh
ppl who dont even like shakespeare: WOW how DARE you alter the original text these are CLASSICS have you no RESPECT, going around DESECRATING these sacred texts in the name of POLITICAL CORRECTNESS!!!!!!!!!
people who love shakespeare: im going to stage a production of hamlet where all the actors are dogs
it’s what he would have wantedÂ
Okay so the universal law of Shakespeare, as I’ve heard it, is that you can take things out, you can rearrange them, you just cannot add anything in that conflicts with the original texts. So while you cannot have a production of romeo and juliet where the houses get along and they get married, it’s perfectly acceptable to replace all the actors with dogs in hamlet because the characters are never outright stated to not be dogs.
“The characters are never outright stated not to be dogs”
“It was never a part of their journey” but better.
Things I have seen:
Hamlet set in a psychiatric institution where it was heavily implied the whole thing was his imagination
Romeo and Juliet where the Montagues were aliens
Steampunk Hungarian Romeo and Juliet musical with a fleet of rapping white boys
Russian King Lear which was the bleakest thing I have ever seen
Richard III set in the 1930s including fascist iconography
The Tempest in Space
Meiji Era Twelfth Night set in a Kabuki theatre in a fascinating meta examination of the role of women and men who play women (being performed entirely by a company of women)
Romeo & Juliet, Merchant of Venice, Measure for Measure and Hamlet each with a single very drunk performer.
I love seeing what different productions bring to the table, because it’s so much fun! It’s also fun to watch Shakespeare purists pitch a fit about it being wrong. Bitch, stfu. I know for a fact that when Shakespeare’s globe burned down, one of the drunken audience members put out his burning trousers with his pint. This was not high-brow sober art. This was for the people and they loved it.
fun fact, i played the prince in a high school production of The Tempest and looking back it so easily could have been set in space
I would pay very good money for a drunk as balls version of Hamlet.
do you ever think about how weird it is that the moral of Frankenstein is kind of less just “graverobbing is weird and creepy” and more “take some fucking responsibility if you’re going to do so”
“if you’re going to create a large corpse son, you better be ready to love him”
You worry, in fever dreams, that he has been your ruination. So young, so early, the whispers say. Could he have not come later? What was the point of a lesson so young? A newborn fawn struck dead by a bolt of lightning. Find me the fucking poetry in that. And you were not prepared for how after him, all other men and women pale in comparison. How they are faint flashes of light— there and gone, there and gone— compared to his utter consumption. How inside of each one of them you are seeking his spark. As if he has been reborn before death, his essence to be found in a subsequent lover. Her soft smile, or his arms locked around your own. It is never found. You dream, or think, that he was the sun god, and you his disciple. You wander the temple alone on nights, your feet padding across the floor. You stand between the pillars, and wait, and wait, but day does does break. No gods wander these halls anymore, the whispers say. No sun rays to capture in glass jars, look, they say, we are out of memories to trade with you. Pack up, go home, it’s the season’s close. Are you safe? Are you happy? Yes and yes and yes. Then what else do you want? What is missing, dear heart? Are you so shackled to him that you answer yes but mean no? No and no you say. There is before him, and then him, and then after him. There is happiness in all three but the part in the middle tasted the best. The way you always imagined ambrosia would taste in all the myths. The way of sugar mixed with sunlight mixed with sex. It quenched your thirst. Made you believe in the spindle and the cradle and the maiden and the weaving. Locked your spine into a groove that felt just right. So this was never about happiness then. (When have you ever been satisfied by anything so simple, so complete as happiness?) It was always about quest. About heroics. About starting from the beginning and getting to the end with what was promised to you all along.
L.A, There Was Never Any Light In the Temple (via lucia-writes)
This fucktart does not deserve your epic poetry. Which is truly beautiful. Lucia you rock x
(via squaddreamcourt)
I’ve been reading this book, and is basically about history- Right now Im on the greeks, and they have a WHOLE chapter of Homer and the Illiad (Its killing me slowly, they said there was proof of the heroes being ACTUAL PEOPLE and not only characters, be still my patroclus heart) and I just wanted to point out that the greeks were far more accepting than us in terms of sexuality, but the book caused so much controversy because, apparently, you couldn’t be a hero and have a guy as your partner (remember all those history books were my babies were called platonic bros). Then, Alexander The Great, a FUCKING KING AND A CONQUEROR AND A BADASS, fucking claims himself as the direct descendant of Achilles and says, well, guess what, you didnt approve of patrochilles, so here you have me FUCKING SPENDING MILLIONS OF GOLD IN A FEAST AND THE FUCKING PYRE OF MY FUCKING BEST FRIEND AND LOVER WHO HAPPENS TO BE A GUY, and almost tattoes on his chest “gay4Hefestion” and I still dont understand why Alexander isn’t a great bisexual icon, he deserves reconition.
Personal growth becomes so addictive once you realize that it’s always possible to improve your experience of being.
Frigan for Valentine’s day :3Â
I just reread Fire and completely forgot that she lost her two fingers!
disney + favorite villain Hades
Northern Lights by Daniel Viñé Garcia
Today we honor a man and a voice that pushed the United States forward, in spite of every force determined to send our country back. Those forces are still at work. To Martin Luther King Jr. Born January 15, 1929. Assassinated April 4, 1968. 🇺🇸
Lee Jordan’s commentary appreciation post
#grandma #it’s me #anastastia
Oh my god I’m crying