Figured that since Ozai looked so young in his portrait, that must mean it was made shortly after his coronation, or thereabouts, so applying that logic here, ZuZu stills looks young and handsome. The dragons, I know, that event was meant to be kept secret, but counter argument, this painting doesn’t necessarily say, “Hey, Dragons are still alive—here’s a map!” It’s just a bit of artsy-fartsy majestic embellishment. Also, I feel like Zuko might want to rebrand the Fire Nation, just a little, you know, after the 100 year war. So instead of just pure fire iconography, he brings things back to their roots, aka, the dragon. More dragon iconography!!! In this portrait, Zuko isn’t the one firebending, it’s the dragons, the first Firebenders. And in the meantime, he’s holding out a White Lotus. Now, I tried to use my Google Fu to find out if there was ever any symbol in Japan or Korea or China that meant “peace,” but my search results came up empty, so I figured that perhaps the lotus could become their version of, say, the olive branch. A discreet and tasteful way to include such a major part of the final battle while having a double meaning. Also, take note of the fact that he’s holding it with BOTH hands. In Japan, when one offers a gift, you always do so with both hands. And while I know it may look a little strange, Zuko towering over his friends—bro—this was always going to be Zuko’s Firelord portrait. He was always going to be the main focus. He just wanted to also include his friends and commemorate the day the war finally ended/his coronation. Anyway, that’s all for now… hope that wasn’t too much… and if anyone has any ideas for how to make it even better, pls let me know.
blakekathryn
dededos
jbbartram-illu
germansingergirl
janainaart
annaxmalina
discoholicmusic
