Dries Van Hoten

[nevver]

Get in loser, Jessica Brilli

[lovefrenchisbetter]

Margaret Howell Femme

[pairs-studio]

[shiva-mizani]

[wonofwoo]

the row fw22

[janeforest]

[iamjapanese]

Mark Adams（American, 1925 - 2006）

1. Silver Bowl  1964  2. Green-Footed Tumbler  1984   Water color paintings  via

[wintercorrybriea]

Luke Derrick 2020 commuter design

[holyisthenameofmyruthlessaxe]

Parthenogenesis, Brenda Shaughnessy

[ID: Stop the madness and just eat the mirror. / Put it in sideways or crush it  into a powder. It doesn’t hurt and it works. / Mouth full, don’t talk. Nothing to say. I’ll be a whole new person.]

[vegieburger]

First published in 1984, the book details the microcosmic elements that were happening in New York City, which eventually melded together to form what would become known as Hip-Hop.

[24kblk]

the world of the american indian by national geographic society, 1974

[the-cinder-fields]

René Magritte (1898 – 1967) , Untitled

[mylesashby]

Donatella Versace by Herb Ritts for Vanity Fair, June, 1997 

[fuskida]

Grace Jones | Paper mask made to celebrate her single “Warm Leatherette” 1980 by Richard Bernstein

[y2kaestheticinstitute]

Famous Players Paramount Theatre - Festival Hall, Toronto, CA (2000)

“The Paramount Theatre is Famous Players’ first entry into a city’s downtown core. To make the debut memorable for movie-goers, The International Design Group (Toronto) used the metaphor of a light & movement-filled journey that starts on the sidewalk outside the theater. A passage into the complex takes patrons from a visually stimulating ticket lobby to one of Canada’s longest escalator rides, around a corner into the pulsing “Vivid Lounge,” through a media-packed food court, and into an almost surreal “Decompression Chamber” — complete with glowing floors and color-morphing lights. The ride culminates with the individual theater destinations. Static low-voltage light, chasing neon, pulsing and projecting theatrical lighting, endpoint fiber-optics, new “spectrum morphing” light technology and blacklights add to the dynamic journey.”

Scanned from ‘Stores and Retail Spaces 4′ (2002)

[anthony10000000]

The Images Of Laforet HARAJUKU (1996 - 2000)

[sleg]

by  burakboylu