figure this is a good time to share some of the art I posted this year, all available now on my Etsy shop ✨️
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ellievsbear
Acquired Stardust

JBB: An Artblog!

Origami Around

blake kathryn
Misplaced Lens Cap

pixel skylines
styofa doing anything

Kiana Khansmith
RMH

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Aqua Utopia|海の底で記憶を紡ぐ
almost home

oozey mess
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One Nice Bug Per Day

#extradirty
wallacepolsom
Xuebing Du
seen from Côte d’Ivoire
seen from United Kingdom
seen from Bulgaria
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seen from United States

seen from United Kingdom

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seen from China
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@ducksdontdraw
figure this is a good time to share some of the art I posted this year, all available now on my Etsy shop ✨️
Contributor Intro: Ducks Don't Draw 🌸
Meet Ducks Don't Draw, one of our Page Artists! She'll hear Blathers yap about his favorite things all day long!
Find her on socials as: 📸 Instagram: ducksdontdraw 🖤 Tumblr: @ducksdontdraw
realized today that I almost never draw Fi and took immediate steps to fix that ✨
realized as I was drawing that these two were almost holding hands. so I decided they should be holding hands 🥺
a few little progress shots since I wasn’t able to get this done in time for Animal Crossing’s birthday 😅 happy 25 years!!
Remembered today that it’s actually kind of fun to do gesture drawing?? Idk why I always think of it as a chore.
aaaaaah okay, I'm probably going to stop working on this for now because it's not due until September, but I'm SO excited for what I'm doing for the Stardew Valley Symphony art gallery contest!! obviously a rough sketch rn, but consider:
hat mouse: thriving
animals: in hats
realized as I was drawing that these two were almost holding hands. so I decided they should be holding hands 🥺
vibrates in winter is almost over
just ordered this as a custom rubber stamp design to customize my shop thank you notes… very curious to see how it comes out 👀
AAAAAHHH
I’ve had some extra art time lately and my wrist is feeling it, so here’s another WIP while I stretch 😛
just ordered this as a custom rubber stamp design to customize my shop thank you notes… very curious to see how it comes out 👀
clenching my teeth as I force myself to stop noodling what is SUPPOSED to be a short portrait study
will you love him?? 🥺 will you buy. hats.
leela_lapine on Twitch is streaming to see how many hats she can collect in 10 hours and offering this print as a giveaway, so check her out if you're able to 👒🐭 Happy 10 years, Stardew Valley!!
leaning in to my most popular print last year... always fun to do a master study 😜
lmaoo so I was responding to a dm asking about my composition/style education and influences, but it was starting to get a bit unwieldy? 😛 So I'm just putting it here as a post instead:
Ha ha, I think I've had kind of an eclectic education? 😅 I did get an illustration degree in university (lol not an expensive art college, fortunately, but a pretty decent program nonetheless), so I got a lot of the basics down there, but I've studied from a lot of sources outside of that, too—particularly from the entertainment industry because I thought I wanted to work there for a while. Specifically, I've had the importance of values and composition really drilled into me over the years, and I think both Bill Perkins and Nathan Fowkes are good people to learn those from (both worked in entertainment design and both have courses online—not free, but very good.) If money's an issue right now, you could always see what they have on YouTube for free? Just gave that a try myself, and:
I haven't watched this, but it does seem promising 🤣 You could also try going down the outline of one of those courses and searching the concepts on YouTube to see what you can find for free. For instance:
Bill's first couple lectures in his composition course are on notan/chiaroscuro and value grouping, both of which seem to have some really good YouTube coverage. If you take it concept by concept, maybe you could kind of Frankenstein a course together that way?
If you want some good book resources, I'd say that Picture This: How Pictures Work by Molly Bang and Framed Ink by Marcos Mateu-Mestre are both good classics. Because I haven't specifically mentioned them yet, I would also say that learning about how to create focal points and how to divide compositions into foreground, middle ground, and background can pretty much immediately improve your compositions.
It's also important to recognize that, depending on how far you are in your art education, composition can feel like a lot to take in and a whole lot to keep in mind all at once, so just remember that it all comes over time, little by little. My first year of art school, I attended a workshop taught by Bill Perkins and honestly absorbed very little because it was too far above my understanding at the time. My second year, I remember my instructor raving about these small, simplistic composition studies Nathan Fowkes had posted to his blog, and honestly not being able to puzzle out how they were anything more than painted scribbles 😭 With enough practice, though, certain basics become second nature, and it becomes easier to add skills onto that baseline. I tracked those "scribbles" down again out of curiosity a few years later and finally understood what my teacher was talking about, so understanding does build up eventually ;)
As for other free resources, Proko's videos are usually very good. Pete Mohrbacher posts tutorial stuff on Instagram sometimes, and I've found his posts on value to be particularly helpful. Also, Jon Foster's composition is just good in general as something to stare at with wistful envy 😂
^ Not my art, but I can dream 💖
For practical exercises, I definitely did a lot of drawing from life while I was learning? This kind of thing, with a pen and maybe one or two gray markers that forced you to simplify the values down:
My old homework from back in the day 🤣 Take these with a grain of salt, my instructor was always telling me to draw larger. But yeah, I'd say don't shy away from drawing backgrounds in general if you want to eventually be able to draw them, and just try to get that drawing mileage in. Again, little by little. I think my current style actually grew out of doing drawings like these, though it's refined with practice as I did things like inktober over the years, and hopefully it continues to evolve.
One last thing I remember that was really emphasized in my education was narrative/visual storytelling through art? That's a bit harder to pin back to a source, but... I think various old episodes of Chris Oatley's Artcast and the Paper Wings Podcast were very formative in that regard back in the day. It's a bit inconvenient to listen to now, unfortunately—I think most of the old episodes are only available on Chris Oatley's website now, archived as posts—but I listened to it so often that I kind of have to mention it 😛
Anyway, I hope any of that was helpful! If you have any other questions at all, then let me know and I'll try my best to answer them 💖
wicked portrait practice 😈