
titsay

Kiana Khansmith
d e v o n
todays bird
almost home
Peter Solarz
i don't do bad sauce passes

★

pixel skylines
noise dept.
hello vonnie
Xuebing Du
Three Goblin Art
NASA
Monterey Bay Aquarium

izzy's playlists!

Origami Around
sheepfilms
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dirt enthusiast
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@dumbforest
"Halley's Comet, from photo." The book of stars. 1920.
Internet Archive
Pier Paolo Pasolini in Trastevere, 1953
Photo by Herbert List.
r.m.
Polish Matchbox Label
State Highway - Linden Frederick , 2003.
American , b. 1953 -
Oil on linen , 40 x 40 in.
ken lum
Weeping plum blossoms at Yusho-ji Temple // 花景色
Zalaegerszeg, Hungary TV-Kilátó és presszó A torony magassága: 100 méter Presszó és kilátószint: 60 méter
Mikhail Dorokhov — Space Composition [gouache, paper, on fibreboard, 1962]
Beach Scene, 1886, James McNeill Whistler
Medium: watercolor
Scurrius from Old School RuneScape
"When I started Buddyhead a lot of magical things started happened that gave me confidence to stick with it, one of those instances was meeting Elliott Smith.
In the summer of 1999, I talked my friend into driving 1,000 miles with me from Los Angeles to Olympia, WA at the last minute to attend a DIY festival he knew little to nothing about. It was called Yo Yo A Go Go and I was excited to see The Make Up, Thrones, Sleater-Kinney, Batmobile. Dub Narcotic Sound System, Tullycraft and Dead Moon. But the main attraction was, without a doubt, Elliott Smith. When we arrived at The Capitol Theater, we learned that the show was sold out. Determined to get in despite the odds, I walked down the side alley of the theatre and saw Elliott standing by the back door. He was wearing a trucker hat that said WHO’S THE BOSS? and he was pulling from a cigarette just as you’d expect him to be. I explained to him our situation, to which he replied something along the lines of, ‘Well I’ve got two guest passes and no friends, wanna be my friend?’ And like that, he finished his smoke and led us through the back door. We walked past several bands who were setting up their gear, to which Elliott asked each of them, ‘Who’s the boss?’ – as if on cue, they shot back, ‘You are Elliott!’.
Elliott then took us to the side of the stage where I sat for the entirety of his performance and shot these photos.
Afterwards, we went to a bar with Elliott and chatted. It was only my second time in a bar ever but he was beyond sweet, seemed generally interested in what I had to say and lets be honest he could have been hanging out with anyone that night but here he was talking to us - a couple of kids. After a few beers it got a little darker he started talking about how ugly he was and I just didn’t know how to respond. I was so young I didn’t fully comprehend what was really going down at the time.
But I love these photos and this moment in time. He was cool as fuck." - Travis Keller