avengers doomsday trailer is so fucking embarrassing bro it's like watching an aging celebrity try to relive their greatest hits
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@duskenthedude
avengers doomsday trailer is so fucking embarrassing bro it's like watching an aging celebrity try to relive their greatest hits
straight white people making a romance movie: haha what if it was illegal to have sex? wait what's lawrence v texas. wait what's mclaughlin v florida. wait what's loving v virginia
As preposterous and stupid as this fucking movie's premise sounded (for a light-hearted rom-com, and not The Handmaid's Tale) I didn't want to think about it too much until the movie actually came out, and then I could see if it was somehow more intelligent and subversive than the trailer let on, but guess what, it's even worse!
If this is what it takes to get a rom-com greenlit these days, maybe we should just let them die.
Sex workers are thrown under the bus, shown only as thieves who fleece men in the woods at night, while queer sexuality is relegated to a few scenes with Allieâs roommate (a woefully underused Quintessa Swindell) and a handful of pans past blurry same-sex extras making out in the background. âThis night is for the straights,â Swindellâs character says to Allie, before saying that queer people have worked around straight laws for centuries. This is supposed to be a nod to queer resilience, but largely comes off as straightwashing the history of anti-LGBTQ legislation in this country that led towards raids of queer clubs and incarceration of queer people in the not-too-distant past (let alone the current barrage of anti-Trans and LGBTQ legislation currently in the works and on the books). Itâs also ignorant of the long and fraught fight for the normalization of age-of-consent laws, which, by the way, did not happen in all states in this very country until 2003. Yes, thatâs not even thirty years ago. By the end, our intrepid protagonists have not had sex with anyone, because this is a film about Romance with a Capital R (and I guess sex is not part of romance!) and for that very same reason they ultimately embrace the fascist state of things. They arenât the only ones who refuse to fight back. No one in this cursed film is protesting this mandate beyond ârepealâ signs in various windows and some creative graffiti (...) (...) If we are supposed to believe that the film is making some subversive statement about the state of sex and bodily autonomy in this country, it cannot end with its leads embracing their chains. Thatâs just warmed-over conservatism running around in sheepâs clothing.
yeah i wrote this post having only seen the trailer, but jesus christ. was this movie a psyop LMAO??
also, for the unaware: mclaughlin v. florida was a 1964 supreme court case that struck down a florida anti-miscegenation law that criminalized cohabitation (and thus, as implied, sex) between white people and people of color of opposite genders. anti-miscegenation laws made marriage and sexual relationships between white people and people of color, most often specifically black people, a FELONY in several states in the united states up until the 1950s and 1960s. though it was already struck down by the supreme court, the state of alabama didn't repeal their law until 2000! there were THREE ATTEMPTS at codifying anti-miscegenation into the us constitution!
like yes, the issue here is partially straight white people's ignorance on the united states's history of homophobic policy, but it's also really important to recognize that arguably the majority of the issue here is straight white people's ignorance of the united states's history of codifying eugenics and antiblack racism.
the premise could have been interesting as a serious dystopian story, especially taking that history into account, but it wasn't written that way at all. this movie should never have been a fucking romcom making light of the violence the united states (and many other countries) has enacted on any kinds of sexual relationships it deems undesirable.
can yâall maybe reblog this version i feel like people are forgetting about the racism and just focusing on the homophobia
the problem with tumblr spells is all of you lil sluts are casting and not giving it time to charge so you're all casting cantrips and not 9th level death spells. everyone wants to be the one to take them down no one wants to be the one who assists
we're going to try again witha little but minimal casting
IT will happen in August of 2026. like to charge and reblog to cast but cast sparingly
Wait stop. everyone +like now and spread it a little but cast on the same day in August. lets try August 6th or something.
CAST NOW
guy on a work call just accidentally said âhave a nice freak-endâ instead of weekend and now i desperately want that to be the new meme. have a nice freakend everybody
reminder that you cannot call people or things "retarded" around me. we will have a conversation where I explain that I can still tell you the names of 62 people for which I was legally responsible. I will tell you that I loved them
and you will feel like you were being an asshole and wonder why you don't just stop saying it altogether. me too.
if we're friends, you can call me a faggot. there can be a lot of tenderness in that. I got beat up and bullied and just generally treated like a detestable freak by people who called me that word while they did it. hearing it spoken by a loved voice, with clear affection, can be beautiful. it can feel like understanding, forgiveness, absolution, permission, and a thousand other wonderful things. it can be beautiful.
I got called retarded too, but we don't share any special insight into that. it's just a word to us. pick a different one.
a lady with a developmental disability once explained to me that she'd overheard some kids calling each other retarded in the mall we'd visited earlier that day. searching for something to say that might comfort her, I explained that they don't know anything about people like her and so they weren't really talking about her, just being ignorant.
she got angry and said "then they need to pick a different word". and so you need to pick a different word.
don't think this is exclusive to public spaces like the mall or the park or whatever either. she has a tablet and access to the internet, just the same as you do. she can read, write, and make her own decisions. she has a husband.
you don't know anything about her, you need to stop talking about her. pick a different word.
I'm glad this one is still going around.
interview with the masquerade
vampire: the vampire
ok iâve been curious about something. can you name a character who is, all three at once,
1. canonically female (no variation)
2. canonically the protagonist of her story (if itâs an ensemble cast you have to say you can legitimately see her as The main character)
3. your personal #1 favorite character in that story (ties are acceptable)
?
yes
no
super nuance bald extract button (use this wisely)
More than just âJealousyâ (although thatâs certainly part of it), I think one of the big through-lines of Chapter 5 is âYou Canât Make Someone Love Youâ. That relationships are complicated and mutual things dependent on personalities and history, and canât (or shouldnât) really be âforcedâ. Thatâs part of the reason for the constant Dating Sim references this Chapter, and itâs something thatâs been kinda brewing through the whole game so far. It connects to the recurring ideas of deconstructing video game tropes (notably here the gamification of interpersonal relationships) and your choices not mattering, and also Divorce. How Asgore constantly fails to make Toriel âfeel what she used to feelâ for him and probably making things worse through these constant attempts.
And to Ralseiâs original naĂŻve ideas of âhow to be a friendâ. Them thinking itâs a simple matter of always âbeing niceâ - paralleling âRelationship Mechanicsâ in games that are mostly about choosing the friendliest and most placating options, and that's really all you need to 'max out' your relationship with whoever.
Only for them to realize that itâs more complicated than this as they grow closer to Susie, someone who absolutely is not the person who chooses only the âniceâ options all the time, and realize that they love her for it. But also at the same time, their sweet and passive demeanor seems to have pretty much failed to endear them to Kris, despite their best efforts.
That relationship only progresses when Ralsei stops trying so hard to be LovableâŚ.
And then also Our Choices Donât Matter meaning that thereâs no Choice a Player can make that can meaningfully change Krisâs most important relationships. These relationships also donât depend on simply picking âpositiveâ options (because if one likes Kris, that also goes hand-in-hand with liking some amount emotionally detached teasing and pranks). AND the most important moments of relationship development happen of Krisâs own volition, and they will rebel against words that are either too cruel or too sappy to their own taste. Which in previous Chapters was mostly a positive, hopeful thing. No matter our influence, Krisâs friends will always be Krisâs friends first and foremost. We donât have enough power to ruin their most important relationships or to make their friends love them for something that theyâre not.
But in this Chapter, thereâs a new melancholy wrinkle added to it. Through the whole Festival Sequence, youâre presented with a bunch of choices that under standard âGame Logicâ might be expected to influence the relationships between Kris, Susie and Noelle - but in true Deltarune fashion, regardless of your choices, Susie and Noelle always start their romance at the end of it. But while this could be a heartwarming story about Cute Teenaged Lesbian Love triumphing over a manipulative Amoral Time God⌠the whole situation also makes it very clear that even if Kris was able to make choices freely, thereâs nothing they could choose that would make Susie love them either. No matter how close they and Susie get, she just doesnât seem to be attracted to them that way.
You can also add to it the way the Flowery Final Boss plays on the âPower of Friendshipâ bit thatâs generally expected at the end of a Pacifist RunâŚ
Where Flowery has his own Recruits that instead seem to team-up with Flowery and against you, regardless of your choices. Because the cute little ACTs you did to Recruit them were nice and all, but were they really enough to make them truly love you more than they already loved Flowery and the other Flowers? More then they loved their Dark World?
And then thereâs Floweryâs whole thing. Like in many other aspects of their characters, he and Ralsei are two sides of the same coin. If Pre-Character-Development Ralsei is like someone who tries to please and befriend everyone in an RPG, Flowery is someone trying to powergame his way through a dating sim. His (and the other Flowers) constant showering of Asgore with admiration, gifts and ideal hang-outs/dates that are all just perfect for him are partly just trying to repay Asgore for the kindness heâs given them and making him happy⌠and also to try and make Asgore choose Flower Kingdom and his Flower Family over Hometown and his Light World Family.
As much as Flowery teases Ralsei over their jealousy of him, his behavior often reveals that heâs jealous of Kris, for being part of that family that has, from his perspective, have given Asgore nothing but grief, and yet he still seems to love more than the Flowers. Kris is a living demonstration of how his gifts and dedication to Asgore is secretly just as âuselessâ as his fake made-up overpowered stats. Flowery is also well aware that Kris is the one that opened the Fountain in the first place, and that they seem to have some sort of hidden agenda thatâs not beneficial to their dad, and Flowery still feels like Asgore will always choose them over him.
And, well, the resolution to the Flower Kingdom arc is a mixture of that (especially considering how much he was motivated into exploring the Dark Worlds out of a belief that it will magically make his family life âgo back to normalââŚ. Literally pushing the Flowers away for the sake of that goal...)
But also, itâs kind of a matter that Asgore does absolutely love the Flowers, just not in the way they wanted to. The Flowers wanted Asgore to love being around them so much, heâd choose their fantasy even if it means their deaths, but Asgore loved the Flowers so much that he wanted them to live.
And in way, thatâs also kind of a mirror to Krisâ situation with Susie. She definitely loves Kris, they just feel like sheâd never love them the way theyâd want her to.
And then, the way Pink interacts with the whole Dating Sim Pastiches adds in some wrinkles of important nuance. Sheâs the one notable occasion (well, outside of the other even bigger exception weâd get to in a moment) where the Gamification of Relationships is actually useful, both for the Player to progress and beat the Fight and for Pinkâs Body and Ghost to solve their relationship issues. In a way, itâs kinda like saying âWell, of course, just because you canât make anyone love you, that doesnât mean Choices donât matter at all in relationships, obviously. Making Choices of consideration and healthy communication is important.â
And even then, part of the resolution is Pinkâs Ghost accepting her Bodyâs needs even if it means she wonât necessarily have her all for herself. She thereâs still thereâs this undercurrent of accepting that you canât make people love you the way you want them too.
But, of course, the biggest and obvious exception of the concept of âYou canât make someone love youâ is, well, the same as what seems to be the biggest exception to the concept of âYour choices donât matterâ, and thatâs the Weird Route, of course.
The Weird Route is the one exception to the idea that we and our choices canât have a meaningful affect on Krisâ relationships, and it very intentionally uses a lot of the Tropes and language of, like, going on a Romance Route with a character in a Video Game, complete with a supposed âclimaxâ when said NPC decides to invite you to the big romantic Festival, and it also uses every storytelling tool in its disposal to showcase how itâs utterly creepy and manipulative and wrong.
Itâs adding to the point of âyou canât make people love youâ with âalso, even if you can make people love you, you probably fucking shouldnâtâ.
But I suppose, in many ways it is still a case of one not being able to control how people love themâŚ
assign prev one
vampire
siren
werewolf
unicorn
wizard
fairy
selkie
demon
jackalope
angel
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elf
I am going to make rant art about something I noticed and I need you all to engage with it in good faith or so fucking help me.
I canât be⌠the only one that notices this right.
Image repost because I was just now informed that the image had no background.
todayâs the only day you can reblog this
âThere Will Come Soft Rainsâ, Ray Bradbury
Reposting this coz i saw it in my camera roll again this is by far one of the funniest interactions ive come across on ao3
You can play the landslide, I can play dead / We can toss around all the knives in your head
Do different people in your system have different voices? Like when each person is fronting, do they speak differently/with different tones? Sorry for the weird phrasing I'm not very knowledgeable on system terminology.
Donât worry itâs good phrasing and yeah, we have different voices internally and externally
I think Blue, Lilac I (Dijon) are the only ones whose voices that are âfromâ something? Blue reminds me of Yuki from Wolf Children, Lilac sounds like you guessed it Mima from perfect blue (which was how Sky realized she was a different alter/new) and the others think I sound like Marguerite Maida from Subnautica which rocks I love old women
Our younger alters like Pine and Blue talk in a higher pitch and itâs almost childlike, and then the older ones talk more with their chest/the ones who are a bit more masculine
We have a pretty good vocal range in general and itâs both a good thing and a bad thing because on one hand, we feel more comfortable in our bodies because we sound like how we want to! On the other, itâs very VERY obvious when some of us switch..
cr: @/dev_5165 on tiktok