she thicc
h

oozey mess

Jar Jar Binks Fan Club

gracie abrams
occasionally subtle

Kiana Khansmith
NASA

★
Lint Roller? I Barely Know Her
taylor price
Fai_Ryy

Origami Around
𓃗
almost home
Stranger Things
The Stonewall Inn
PUT YOUR BEARD IN MY MOUTH

roma★
KIROKAZE

#extradirty
seen from Malaysia

seen from United States

seen from Türkiye
seen from United States
seen from United States

seen from T1

seen from Germany
seen from United States
seen from Germany

seen from United States

seen from Spain

seen from Vietnam
seen from Switzerland
seen from United States
seen from Argentina
seen from United Kingdom

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seen from United States
seen from Portugal
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@dustbeams
she thicc
“A lot of the writing about my music is done through a lens of straight-up sexism and, in other cases, just a coding of feminising of things,” she says. “I’ve ranted about this in the past, so I don’t want to go into it too much again. But there’s a quality I might share with…” She goes silent for a few moments. “I’m trying to think of a male musician I’ve ever been compared to. Like early, early days: Devendra Banhart. He and I had some aesthetic similarities: the music was pulling in some ways to a similar place. But where for him people would use words like ‘eccentric’ or ‘psychedelic’ and for me they’d use ‘fairytales’ and ‘unicorns’. “It’s an infantilising thing that happens,” she goes on. “The language is minimising and narrowing of possible narrative depth. It’s the opposite of delving, really. But this is ancient history. I’ve not paid as much attention as I used to, because it was so disturbing to me when I was younger.”
Joanna Newsom, The Guardian interview. (via onlynewsom)
Detail from marble floor, Cornaro Chapel, Church of Santa Maria della Vittoria, Rome, Italy, 17th century
Featured in Hannibal S03E02
“Some Kind Of Blue,” featuring Isabell Andreeva, photographed by Wai Lin Tse for Lula (Fall/Winter 2014).
Silsila Ye Chaahat Ka - Devdas
Cultures of domination rely on the cultivation of fear as a way to ensure obedience. In our society we make much of love and say little about fear. Yet we are all terribly afraid most of the time. As a culture we are obsessed with the notion of safety. Yet we do not question why we live in states of extreme anxiety and dread. Fear is the primary force upholding structures of domination. It promotes the desire for separation, the desire not to be known. When we are taught that safety lies always with sameness, then difference, of any kind, will appear as a threat. When we choose to love we choose to move against fear—against alienation and separation. The choice to love is a choice to connect—to find ourselves in the other.
bell hooks, “All About Love” (2000)
BOOK SALES
“Alegría”, Maxfield Parrish.
“Estrellas”, Maxfield Parrish.
Boys with soundclouds v boys with bandcamps …fight
Snoop Dogg narrating planet earth is what the world needs
we dem boys
@femmelillies
is dem mongooses?
I reblogged this earlier today but it brings me so much happiness.
Back Stage at the Gardener Arts Center June 2003. Brighton Festival. First European Tour. NervousAsHell. SungTongs.
Rene Magritte - The Tomb of the Wrestlers, 1960
Growing
(Work in progress)