Alice Notley | Along a Spectral Trail | Songs and Stories of the Ghouls
Eve Kosofsky Sedgwick | Preface to the 1993 Edition | Between Men
hello vonnie
RMH
Mike Driver

Love Begins

pixel skylines

Andulka

@theartofmadeline
Today's Document
he wasn't even looking at me and he found me
KIROKAZE
Keni

Kiana Khansmith
Sade Olutola
Claire Keane
Monterey Bay Aquarium
One Nice Bug Per Day
Sweet Seals For You, Always

Discoholic 🪩
Aqua Utopia|海の底で記憶を紡ぐ
will byers stan first human second

seen from Germany
seen from Colombia
seen from Venezuela
seen from Venezuela

seen from Netherlands

seen from United States
seen from United States
seen from United States
seen from United States
seen from Spain
seen from United States
seen from United States
seen from United States
seen from United States
seen from Japan

seen from United States
seen from United States

seen from United States

seen from Germany
seen from United States
@dyngja
Alice Notley | Along a Spectral Trail | Songs and Stories of the Ghouls
Eve Kosofsky Sedgwick | Preface to the 1993 Edition | Between Men
listen to clair de lune everyday and you will go to the moon when u die
Torbjørn Rødland, First Altarpiece, 2018
Stumbled upon a gallery today // this piece was by Kelly Blackington
Victor Vasarely (Hungarian, 1906-1997) - Kare, tempera on paperboard mounted on panel, 55.20 x 78.00 cm (1952)
Yayoi Kusama with Compulsion Furniture (Accumulation) 1964
due to personal reasons i will be the cowboy
Lera Abova in “The Trouble with Angels”, photographed by Emma Tempest and styled by Camilla Pole for 10 Magazine Spring 2019
Rachel Whiteread, Untitled (Hive) I, 2007-08
Harmony In My Head
when people say my name im like. cant believe i exist
“You wait a lifetime to meet Someone who understands you, accepts you as you are. At the end, you find that Someone all along, has been you.”
— Richard Bach (via purplebuddhaquotes)
Enric Mestre
A Room with a View (1985) dir. James Ivory
Phurba (dagger), late 15th century
The ritual dagger (Sanskrit: kila; Tibetan: phurba) is essential to the dispelling of evil and understood as being especially helpful in neutralizing the forces that impede Tantric Buddhist practice. Its origins are ancient, appearing in the Indian Rg Veda as the central blade of the vajra that Indra used to slay the primordial cosmic snake Vritra. Its Sanskrit term, kila, which means peg or stake, was probably linked to Vedic sacrifices. The three-headed Vajrakila Buddha is invoked through meditation on the Vajrakila Tantra, an early Indian text first propagated in Tibet in the eighth century by Padmasambhava, one of the founding masters of Tibetan Buddhism. In this phurba, a half-vajra projects from Vajrakila’s chignon, and a fully elaborated vajra serves as the hilt, below which project boars’ heads. Rock crystal, valued for its purity and ability to transmit light, is a prized material in this context and thus seen as analogous to the Buddha’s dharma and its immutable higher reality. Along with examples in meteoritic iron, rock-crystal phurba are regarded as the most efficacious in the destruction of obstacles to enlightenment.