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istheveilbetweenworldsthinrightnow.com
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Studies show that engaging in ritualized behavior significantly improves outcomes on measures of grief and feelings of control, even when the person participating in the ritual has little or no belief in the ritualâs power. Just a reminder for no one in particular.
Research has revealed that, while rituals are universal across human cultures, the content and actions of those rituals vary widely even when they have the same intended purpose. This suggests that it is not the actions that matter, but that you are taking any action at all and naming it ritual. It can be an elaborate ritual with dozens of moving parts and participants, or it can be as simple as lighting a candle alone with the intent to remember someone.
The healing is in the doing.
learning how to garden and grow plants is so difficult, because if you canât do it right from the beginning (which we canât), then youâre going to kill plants and thatâs sad and I feel like giving up rather than learning more and risking more accidental plant-killingsâŠ.
I think we need to learn to trust natureâs abundance. Plants produce hundreds, thousands, sometimes millions of seeds. So what if I use some of them to learn how to grow? Thereâs no waste. Even if the seed didnât turn into a plant, it turns into compost. The soil and the pots can still be used. Maybe next time⊠or the time after that! One day itâll work out. Some seeds may never grow into big plants, but nature has foreseen this and planned for it.
Learning to grow and connect is a worthwile enterprise and worth spending some time and a handful of seeds on. Learning to trust in natureâs abundance, if we are humble and respectful.
Learning to trust in our own abilities. Maybe learning takes time. Time will come. Itâs ok.
I follow some non-consumer and pro-recycling facebook pages and like. I'm not sure how to explain this exactly, but some of them have a frankly unhealthy relationship with preservation and recycling. People will photograph an ancient threadbare shirt that's full of massive holes and 30% mould by volume and say "this was in my mum's basement and she wanted to throw it out! How do I save it?" People will show a stack of thirty empty margarine containers and say "what use can I find for these? I don't want to throw them out." Someone detailed their strategies for making sure that they only walk around their house barefoot or with slippers, never walking int heir socks, in order to make sure the socks wear out as slowly as possible.
Responsible reuse and care of your belongings is one thing, but for some of these groups, if they monitored food and exercise the way they monitored general consumption it would be an eating disorder.
This isn't a healthy relationship with possessions.
Right after this post was somebody bragging about how they're freeing themselves from consumerism by giving up manicures and pedicures so it's. A very mixed bag of standards.
Mood.
I walk a very thin line between recycling/anti-consumerism and my hoarding tendencies (don't think it's ever reached the point of full blown disorder but I'm very aware it's a constant lowkey battle to keep it that way) and my perfectionism paralysing me into keeping stuff until I can dispose of it in the Absolute Most Optimal Least Polluting way.
Any obsession can become disordered (I don't necessarily mean pathologically, but extreme to the point where it does you more harm than good or more harm than is safe/justifiable), and I think we forget that.
Unless it's made of easily recyclable or compostable materials like metals, glass or organics (NOT recyclable plastic, that doesn't count), it's basically all landfill. Dispose of chemicals and electronics in the appropriate way, put the glass and metal in the bins appropriate for whatever your local area's recycling system is, and everything else is landfill. "Oh, I can save this boot" it's still landfill, just a bit later than it would otherwise be. "Oh, I can recycle this old shirt into a bag" still landfill, just in your cupboard for a bit first.
For products for which a large-scale, practical and economic recycling system does not exist (recyclable plastic doesn't have such a system, it's a grift; recyclable metals and glass very often do have such a system but it depends on the material and product and where you live), there is no such thing as optimal disposal. There is only optimal production. Your environmental impact is measured in the effect you have on new things being produced and shipped. Once it is made in a factory, it is already landfill, it's just staying in your house for a bit first.
Trying to repair old boots at home doesn't save them from landfill -- the question is, did your repairing the boots stop you from having to buy new ones, and if so, did that stop new ones from being produced and shipped to your country? Does buying a new pair instead help because you don't have to buy the materials you'd use to repair them, and if so, did that have any effect on whether those materials were produced and sent to your country? In a modern economy, your effect re: repair vs. new is likely to have absolutely no environmental effect at all for most goods, though it does depend on specifically where you live and what the good is and how it's made. Either your old boots go to landfill and you buy a new pair, or you fix your old ones and the new pair goes straight from the warehouse to landfill because the company bought one too many pairs to sell. (It'll probably go on sale and mope around warehouses for a few years first, same as it otherwise would in your closet; this is a completely irrelevant temporary stop).
Depending on the industry, your individual shopping choices can have an impact, especially if it's part of a larger organised movement like a proper boycott (or even just an unorganised drop in sales as lots of people simply decide to stop buying so much). Your individual shopping choices can also have a big effect on your own budget; repairing old shoes is usually much cheaper than buying new ones. But if you're focusing on the optimal way to dispose of something (again, unless it's something dangerous that requires specific disposal methods or something that's part of an existing large-scale recycling network), you're focusing on something way too late in the game to be environmentally relevant. What matters is the impact on production and shipping; once it's produced, it is already landfill.
Important side note, because this is the piss on the poor website: there's nothing wrong with having a recycling or upcycling hobby. It's not bad to repair the boots, even if you can afford new ones. It's just not practical environmentalism. If environmentalism is the goal then a focus on reducing the wastage of things you already own is a waste of time and energy and often counterproductive; if your goal is environmentalism, then focusing on limiting the impacts of production and transportation of goods is far more useful. But lots of people just prefer to make, repair or upcycle stuff.
Sometimes those old torn sheets would make a nice rug, not because that would have any practical impact, but because you feel like making a rug and have a cool idea for a pattern. Sometimes mending that shirt is better than replacing it because you like the aesthetic of visible mending. Sometimes collecting coffee jars to store your pasta in doesn't have any effect on throwing out the packaging the pasta came in or save the jars in the long term, but you think it looks nicer in the pantry. It's not bad to do these things (indeed the skills you can develop and the general mindfulness towards waste might have positive effects on other things you do), it's just not a moral obligation for environmental reasons. And like anything, if you get anywhere near as obsessive over it as laundry basket person in the picture, that's probably not great for your own wellbeing.
I'm in this picture and I don't like it
painfully agree on how "zero waste" type stuff can spiral out of control in a mentally unhealthy way. I have hoarding tendencies and struggle to throw anything away to begin with, and if I encouraged that I would quickly live in a garbage pile.
Reusing single-use plastic containers is...I can't go down that road.
I don't really agree on mending items being pointless as a sustainability practice, because it isn't and doesn't have to be a completely isolated and individual behavior.
this is why specifically Visible mending is a cool thing: it is a way to repair clothes but it's also a visible, public display, which shifts the balance of what's acceptable in society. If people see you wearing clothes that have obviously been mended, that plants the idea in their mind that this is a thing you can do with clothes, and instead of just imagining what it might be like, they can see it.
Doing and talking about these things makes overconsumption more of a thing people think about and notice and less of an everyday, unnoticed norm.
And then, you can teach other people to mend, you can even fix their stuff for them if you're crazy. If you've got a community of people practicing these skills, it's not an individual thing anymore. It's the exact same as any other sustainability practice, you have to do it as a team with other people. It's not about the individual act, it's about the cultural change.
Also. Even if my choice not to buy a thing doesn't impact whether the thing got manufactured, Corporation still didn't get my money if I didn't buy it. On a scale of 1,000 or 10,000 people, that's definitely not nothing.
In contrast, if you are reusing plastic containers, you still bought the plastic container.
If you reuse them in a way that replaces your need to buy something else, that's fine, but the trouble with plastic containers is that you accrue them at a much higher rate than you can reuse them because the use they were manufactured for is so short-lived.
however this does not address the main reason I mend my stuff: because the quality of stuff has gotten so much worse that if I buy a new thing it will almost definitely be much shittier than if I just fix the old thing
Mending is great. Hoarding garbage is not.
I don't know a lot about textile history but I do know that clothes used to be made to last for a LONG time and adjusted many times to fit multiple bodies and their changes. I think a lot of us have never worn clothes like that so we don't know what's missing. I don't buy the very cheapest ultra-fast-fashion (Shein etc) but I have never been able to afford anything more than fast fashion and when I save up and spring for a better quality garment it's only a higher tier of fast fashion.
I don't have a point to this next part but I just want to ramble about laundry baskets. I have a wicker laundry basket, a woven seagrass laundry basket with cotton stitching, and a couple plastic ones. I've had them all for over a decade. One of the plastic ones is cracking and I'm not going to be able to do much to slow its decline towards landfill. On the seagrass basket the handles started breaking off, so I reinforced them with cotton twine.
I don't know the manufacturing and logistics details of the woven baskets; it seems unlikely that the people who made them by hand were fairly compensated. But in terms of disposal, I could bury either of those in my yard, or cut up the seagrass one and process it via compost or worm farm. However, those two are the ones I use for dry laundry, and any woven or wooden container would have to be treated with something to stop it rotting in order to be used for wet laundry if there's a chance it will sit there a while (and I have ADHD so sometimes it does). That might make it no longer biodegradable.
Like I said I don't really have a point to this, except that it surprised me when the plastic basket started falling apart. I had bought those things thinking "this plastic basket will last my whole life and then probably go to a thrift store, but these woven baskets will probably wear out or break and need replacing several times." It was closer to the opposite. Hard plastic can break fast, isn't very reparable (yes I've tried Sugru), and then sticks around way too long.
I also had a plastic washing hamper that broke, so I repurposed it as a compost bin for leaf mold because it had a grid pattern with holes that I thought would help oxygenate the compost. I put it outside because I needed to let water drain through it. After 8 months I had fantastic leaf mold but the plastic hamper just shattered. It wasn't intended to be outside so it wasn't UV stabilised, and the Australian sunlight really packs a punch.
That was another thing that shook my preconceived notion of plastic as "durable" and "buy it once". If it sticks around for thousands of years but it ALSO can break quickly and be useless for most of that time, what's it even good for? Throwing out and buying again and lining billionaires' pockets, basically. Although waterproof and airtight attributes are often hard to replace for everyday uses.
Wheel of the Wyrd: Liminalia
Wheel of the Wyrd is my new zine series about my personal (localised, secular) wheel of the year!
This 12-page A6 zine talks about Liminalia, my autumnal cross-quarter festival, including info, correspondences, activity ideas, and a selection of recipes!Â
Included recipes in this edition are: LiminaliTea, spiced pumpkin soup, pumpkin scones, and mulled sangria.
All of the info contained is purely related to my personal practice, and not intended to be perceived as any kind of authority. Take what works for you, leave the rest, but I'd love if you find something inspiring!
As a multiply-disabled/chronically ill human being, you might also notice more shortcuts in my recipes compared to most. I love cooking, but it's hard for my body, so I do whatever I can to make it easier! Feel free to adapt the recipes however works for you.
CW: The Liminalia edition does include mentions of ANZAC Day (a day of memorial for military losses in the Australian and New Zealand Army Corps). I acknowledge the harm caused by military powers globally, and encourage people to engage with or avoid this event as best suits you. I also support the recognition of First Nations people, both those who have served in the armed forces for Australia and Aotearoa, and those who were killed in Australia's Frontier Wars.
You can also buy it in my shop (digital, or print/both for Aussies).
Weediness as a quality of Art?
something i wrote down while I was at work
When I was walking in the town I saw some cool graffiti, and I thought, Hmm. Graffiti is a lot like weeds. It pops up in neglected and overlooked places, and thrives until someone destroys it in routine maintenance.
Like an ecosystem, art is a living system.
I quickly began to think of ways that graffiti and weeds are alike.
It is perceived as worthless or threatening economic incentives.
There are active efforts to destroy or eradicate it, which are eternally futile because of the aliveness of the system.
It appears in areas of active, violent neglect, disruption, and abandonment.
Its absence or presence can be a visual signal of class.
I thought, what are some other "weedy" artforms?
Fanfiction could be a weedy artform.
Huh, I thought. Are there domesticated or cultivated artforms?
It became clear to me that the answer was yes.
There are two types. One type is the crops: those plants that have daily necessity for all people. They are often monocultures, often highly exploitative, but they are a daily part of existence.
In art terms, this is pop culture and mass media: popular music, movies, tv shows.
The other type would be the ornamentals: those that are cultivated because they are perceived to have intrinsic value or beauty. These are the poems, paintings, sculptures, the arts that are seen as more intellectually important and more restricted in who has daily access.
Well, I thought then, are there "wild" artforms? And I thought that the answer once again had to be yes: that's textile arts, woodworking, pottery, basket making, arts that are often considered according to their practical value and not given the same consideration as fine arts. They are often romanticized and thought of as artifacts of the past to be preserved, and sometimes they are brought into cultivation (appreciation as fine arts), but they can lose their context and everyday usefulness. They are considered as threatened by economic incentives and efforts to protect them are perceived as wasteful.
Graffiti and fanfiction are weedy artforms. Are there others?
In addition to the qualities of weediness I listed up above, there is another quality: They get some of what they are from their antagonistic relationship with the mainstream view of what has value. They emerge in a space that is "owned" by another entity and thrive because there is no economical way to destroy them all faster than they can emerge. Likewise, Weeds are inherently (by some definitions) disrupting the intent of a space: they exist in defiance of what that space is "supposed to" be.
Fanfiction could be compared to weeds in an agricultural crop field: they spring up in the monoculture of popular media franchises and become more powerful and compelling than the environment that created them, even though many people will overlook their value.
Graffiti could be considered like lawn weeds: its presence has intense connotations of class, and the extermination campaigns are intense, but lawns that are neglected long enough (just like the walls of an abandoned building) can become places of diversity and thriving.
Weedy art could also be any art you create for yourself without special skill or economic incentive to do so, purely through intrinsic motivation. Many people kill these weeds before they grow into flowers, thinking that a common weed without any cultivation could never produce a beautiful flower, but if you let them grow you are often surprised. Doodles, drawings, anything you create could be weedy art.
Weeds are invincible on the evolutionary timescale, impossible to fully eradicate. They are our friends and have sustained us in many ways throughout human history. I read in a paper once a theory that true monoculture is only an idea in the human mind, never able to be truly realized, because weeds will always emerge and disrupt this false idea of perfection.
Certainly, our ecosystems are held together and sustained with life within this gap between how we imagine the world should be (clean, perfect, without weeds) and how the world really is (weeds! weeds! WEEDS!). Without weeds, the biodiversity in the world around us would crash dramatically.
Is this also true of weedy arts? Is the art we value the least and often actively try to eradicate, necessary for sustaining us as creative human beings?
This made me think of the last stanza of the poem "Inversnaid" by Gerard Manley Hopkins, though I'm not sure if the word weed had the same meaning back when he wrote it.
"What would the world be, once bereft
Of wet and of wildness? Let them be left,
O let them be left, wildness and wet;
Long live the weeds and the wilderness yet."
Also, the Western "Art World" idea of art is very much not the only kind of visual art. I'm not going to rehash the history of high vs low art in Europe because I'm bad at history and my brain scrambles it, but there's plenty of writing on it. A lot of traditional "low" art is decorative and does not hold itself to stuck-up hegemonical standards about what art should be.
Decorative & low art can spring up in the cracks - between raising children, between day jobs, between phases of your life when you want to dabble in something new. Graffiti, too, can pop up between your divorced parents' houses, between rental leases, between couchsurfing and rough sleeping. You don't need to keep track of canvases and paint and containers and a sink; permanent markers are cheap and easy to shoplift. Sketchbook and spraypaint maybe a bit harder, but very portable and disposable.
But pretty much anywhere you can customise the way something looks with a large enough number of combinations, people will start being creative with it and making visual art. I can't think of a good example but in a lot of online games people make art by laying out objects in patterns or by curating collections or outfits for visual effect. One time when I was in a psych ward someone picked flowers from the courtyard and arranged them in a paper coffee cup. People wrote their names on paper to stick on their room doors and some people had done little flowers or hearts around them or bubble writing.
I don't know where I'm going with all this, I'm very tired and should probably take a nap.
i'm engaging in the ancient tradition of pretending there's an ancient tradition to engage in
It's St. Patrick's Day and all anyone wants to talk about is that stupid apocryphal nonsense about snakes.
-sigh- No one ever talks about the werewolves.
Well that was a fair bit of a clamor, wasn't it? đ
Grab yourself a cuppa and gather round, my darlings. It's storytime.
There are many mentions of wolves and men who turn into them or take on their aspects in Irish folklore. There's the friendly Faoladh or Conriocht, whose mischief is usually limited to stealing laundry from drying lines and pies from windowsills. Some might mention the Fianna or the Luchthonn, who were known to wear disguises and wolfskins during their raids and were even said to howl like beasts to terrify their foes. Others might invoke the name of Laignech FĂĄelad, the legendary wolf-warrior and brother to one of the early kings of Ossory.
So perhaps it's no coincidence that it's to Ossory that we will be going for our tale.
There's a 12th-century medieval legend attributed to Gerald of Wales that tells of an unnamed priest who encountered a wolf in the forest while traveling. He was terrified, as anyone would be when meeting a hungry beast in the deep dark woods, and he begged the wolf to spare his life. But the wolf spoke to him and said, "Please don't be frightened of me. In the name of God, I mean you no harm."
Naturally, the priest was amazed by this and asked the wolf to explain. The wolf settled back on his haunches and told the priest of a village in Ossory which was cursed by a visiting missionary. When the man brought them the word of God, the villagers would not listen. Instead, they laughed and jeered and howled until the missionary could not hear himself speak.
"So be it!" shouted the missionary, in a rage. "If you will roar and howl at the word of God like beasts, then beasts you shall be!"
From that day forward, every seven years, two people from the village, a man and a woman, would be compelled to leave their homes, assume the shape and habits of wolves, and live in the forest as wild animals, preying on livestock and their former neighbors. At the end of those seven years, if they survived, they would be able to shed their wolfskins and return to civilization, with two others then leaving to take their place.
"My mate," the wolf said, "is terribly sick. I do not think she will live to return to the village. Would you take pity on her and give her last rites, so that her soul may at least be spared?"
Moved by the story, the priest followed the wolf to his dying mate and gave her last rites. The wolf removed part of the pelt covering his mate to reveal an elderly human woman, both to show the truth of his story and to reassure the priest that he had not committed blasphemy. Then the wolf led the priest safely out of the forest, giving him a number of prophecies about the future of the land among the way.
Now, there's some debate as to whether the missionary in this tale is St. Naal / Natalis of Kilkenny or St. Patrick. (The two are sometimes conflated, not least because there is a separate tale of St. Patrick cursing a Welsh king to become a wolf.) Some versions of the tale hold that the say that the villagers spent their lives in a seven year cycle - seven years human, seven years wolf - until the end of the their lives. Other versions say that whole population of the village were turned into wolves and that to this day, their descendants retain the ability to shapeshift between human and animal, if they know the right words to say and can get hold of a wolfskin.
This story follows the template of many medieval tales which show some kind of monstrous transformation being visited upon the sinful or those who refused to convert. It's a popular boogeyman trope - be good and say your prayers or you might be turned into something horrible.
So if you feel so inclined to be rebellious and pagan today, put aside the serpent motifs and raise a glassâŠand a good long howl. đ
Fun Facts
Easter has NOTHING to do with:
Ishtar
Ostara
Pagan holidays
A goddess called Eostre (Bede was a speculating idiot and heâs the original source for this nonsense)
Easter has EVERYTHING to do with:
The Jewish celebration of the Passover seder
The Christian celebration of the death and resurrection of Jesus Christ
Nobody stole our shit. Easter was never pagan to begin with. Rabbit was considered âfishâ by the medieval Catholic Church so that people could eat it during the 40 days of Lent, and eggs laid during the Lenten fast were hardboiled for preservation and then eaten during the breaking of the fast on Easter Sunday. Thatâs why we have bunnies and eggs.
Stop conflating Easter with pagan holidays, and get the fuck out of here with that casual anti-semitism.
Thank you and good day.
All of this.
I know this is probably an irritating question but, could you give me a few of those sources about Easter not being a pagan holiday? I wish to give them to a friend off tumblr, a Christian, because I was telling her about how the old "the holidays are all pagan" is false, and I got her very curious. I attempted to look for them on your tumblr but am failing miserably. Sorry if this is aggravating.
apologies for getting to this so late! hereâs a compilation of potential arguments that may arise and can be combated with Abrahamic knowledge and information:
 âEaster is based on Ishtar! The names are pronounced the same!â: hereâs a pronunciation of the word âIshtarâ. they do not sound the same, they are not based off one another.
âIshtarâs symbols are eggs and bunnies, which means theyâre based on fertility!â According to Gods, Demons, and Symbols of Ancient Mesopotamia: An Illustrated Dictionary by Jeremy Black and Anthony Green, her symbols are lions and the eight pointed star. while she is associated with fertility, she is not associated with eggs or bunnies.
âWhere do the eggs come from, then? what do they have to do with Christ?â a lot, actually. eggs have multiple meanings. Here is information on the boiled egg on the Passover Seder Plate. Here is the story of Mary and the Red Egg, which gives us information on why those eggs may be painted. Here is another collection of stories that involve eggs regarding the resurrection.
âWhere do the bunnies come from, then? what do they have to do with Christ?â the symbol of the Three Hares shows up frequently within Abrahamic religion. each religion has a different interpretation, but Christianity in particular associates the hares with the Virgin Mary, as it was believed hares could produce young without losing their virginity. (click through to âWhat does this symbol mean?â)
âEaster and Ostara are the same thing!â Easter and Ostara will never be on the same time. Ostara is always on the Spring Equinox, while Easter is always the Sunday after the first full moon after the Spring Equinox.
âWhy would Easter be based on a Lunar Calendar? Thatâs not how Christianity works!â However, that is how Judaism works, and the holiday is invariably tied with the timing of Passover.
âEaster HAS to be pagan though! what other holiday could it be based on?â Passover. The time of Jesusâ resurrection took place during the end of Passover. this is shown by virtually all other places in the world having Easter referred to by some variation of the word Pesach, which is Passover. Packsha, Pacshal, Pasqua, and Pasden are all examples of other names of Easter in other countries.
âBut here, itâs called Easter, like the Goddess Eostre!â Is is referred to as some variation of Easter in two countries, Germany and America. Eostre was originally the name of the entire month of April in Germany, and the only citation we have of Eostre existing is a monk in the eighth century who wrote that a festival happened during this month in its name. and that is literally all of the information on said âgoddessâ. it is actually contested whether or not she even existed.
Let me know if thereâs anything else you need me to cover!
It's important to make art about
what you experience.
We are all holding hands
leading into the dark.
The long nights are over, the Light begins its journey home
thereâs something thatâs incredible about the intersectionality and flexibility of werewolves as metaphor.
anger issues? werewolf. intrusive thoughts? werewolf. unresolved trauma? werewolf. rejection by society? werewolf. autism? werewolf. transgenderism? werewolf. queer expression of any sort? werewolf. plurality? werewolf. dissociation? werewolf. repression of any sort? werewolf. abuse cycles? werewolf. emotion so strong it physically changes you? werewolf!!!
really doing it all
Everything is waiting for you by David Whyte after Derek Mahon