A supplement to my earlier yuri anime masterlist, this list covers anime which aren’t marketed as yuri but which prominently feature F/F pairs, whether canonical or subtext! Since subtext is so subjective, this post only includes series which I’ve actually watched, and so is by no means intended to be comprehensive.
Also, since the above description would not cover certain series with well-known yuri pairings, I've also included a few "bonus rounds" for the curious (although these are still limited to series I have watched).
(Copied from the Yuri Anime Masterlist post, since technically it wasn’t marketed as yuri)
When she was a child, Tenjou Utena (Kawakami Tomoko) was saved by a passerby prince, so she decided that she too wanted to become a prince as an adult. Fast forward to high school, and she hasn’t forgotten that conviction: Utena gets sucked into a series of duels while trying to protect her best friend’s honour. After winning the first duel, she becomes ‘engaged’ to the eccentric “Rose Bride” Himemiya Anthy (Fuchizaki Yuriko), and the two start living together in the same dormitory.
First things first: there are a million content warnings for this series, including implied rape, sexual assault, incest, and homophobia. Although the issues are handled well (in my opinion), it does go to very dark places, so those wanting a light, fun anime to unwind to should look elsewhere. Second, this series is very much a psychological drama utilising the episodic duels as a way of hone in on Utena’s opponents and their stories, so Utena and Anthy’s relationship – though important – is definitely not the focus of the anime. Third, the TV series is limited to hinting at the romantic relationship between Utena and Anthy, not to mention that they spend most of the series being little more than acquaintances rather than actual friends. The movie Adolescence (which can be taken as a retelling or sequel, depending on your perspective) is much more explicit on this front, but also suffers from a significantly shorter runtime and a much more opaque approach to storytelling.
That being said! If you’re okay with all of the above, this series is pretty much essential. The simplistic premise belies a much more complex and nuanced story about gender roles, sexuality, and human relationships and remains one of the smartest anime ever made, over twenty years on.
The first in anime studio Bee Train’s “girls with guns” trilogy, NOIR follows globetrotting assassin duo Mireille Bouquet (Mitsuishi Kotono) and Yuumura Kirika (Kuwashima Houko) as they partner up to search for Kirika’s missing memories and the truth behind Mireille’s parents’ deaths. The series is pleasingly restrained despite the sensational premise, alternating between “business trips” to far-flung locations and snapshots of the pair’s domestic life in Mireille’s Paris apartment, and devoting more time to the unfolding of the relationship between the prickly Mireille and puppy-like Kirika than to action sequences. I won't say too much due to spoilers, but their relationship numbers among my favorites due to how naturally it is developed throughout and how it is very much at the heart of the series both narratively and thematically.
This is also the first anime soundtrack entirely composed by the legendary Kajiura Yuki, heralding a long collaboration with director Mashimo Kouichi, and her mix of classical and modern sounds provides the perfect accompaniment to NOIR’s atmospheric cityscapes. Also, for fans of Mitsuishi’s work (Sailor Moon! Utena! Evangelion!), I’d say NOIR is a must-watch for her performance alone; her Mireille is brittle and proud, and she brings so much humanity and nuance to the role. In fact, I don’t care if you’re a fan of Mitsuishi or Kajiura or assassins or whatever, please just try the first episode— this anime deserves way more love!
Puella Magi Madoka Magica opens with ordinary middle school girl Kaname Madoka (Yuuki Aoi) standing in the ruins of her hometown, watching as a lone girl struggles to defend what remains of the city against a much more powerful enemy. A little rabbit-like creature informs Madoka that the girl is sure to lose without her help, and so Madoka decides to become a magical girl right then and there— at which point she wakes up and dismisses it as a strange nightmare. But then that very day, her school receives a new transfer student who looks just like that mysterious girl, and she also finds a hurt animal that closely resembles the rabbit-like creature from her dream. Madoka is then faced with certain questions: do magical girls actually exist, and will she become one herself?
Since Madoka Magica was all the rage back in the early 2010s, I don’t think it too much of a spoiler to say that the cheery first three episodes hide a dark, gritty story which uses the concept of magical girls to explore the tumultuousness of adolescence. The queer subtext only comes in at the end but tight plotting and inventive presentation make this show a quick watch— and if you’re the type who likes queerness in fiction to be intense, world-shakingly significant, and a wee bit problematic, the payoff should be more than enough. A word of warning: there is a movie sequel called Rebellion, but if you’re happy with the ending of the anime, it’s best not to watch it (although I love the movie, myself).
Side note: I won’t go into it too much due to spoilers but if you liked Madoka Magica you might want to check out Serial Experiments Lain – even if most of it is utterly incomprehensible (as it was to me), it’s worth watching until the very end (wink). Also, for the rare fan of Rebellion, Adolescence of Utena is a must-watch if you haven’t checked it out already; so much can be said about its conceptual and aesthetic influences on Rebellion!
(Note: slight spoilers about the tone and overall themes of the show – but I think it’s necessary for the purpose of writing a more representative summary.)
Written by ABe Yoshitoshi – character designer of cult classic anime Serial Experiments Lain and author of the very unfinished manga which this show adapts and significantly develops – Haibane Renmei starts off as a light-fantasy slice-of-life anime following freshly-arrived Rakka (Hirohashi Ryou) as she searches for a suitable job in the town of Glie, before transforming into a nuanced exploration of grief and depression about halfway through. To say more would be really too spoilery, but I just want to say that this has probably the most grounded and sensitive depiction of depression I have seen in an anime; it shows that sometimes people struggle even if everyone around them is kind and supportive, but remains hopeful about the healing power of time and understanding. The subtext is between the protagonist and Reki (Noda Junko), the first person she meets, who also helps her get acclimatised to her new life in Glie. Again, I won’t say more, but their relationship really is wonderful. That being said, this show does touch upon suicide and suicidal ideation in the course of discussing these themes, so please steer clear if that is something you are wary of.
A standalone spinoff of the .hack PS2 games, this show was the most well-known anime about players getting trapped inside a multiplayer game before Sword Art Online’s arrival in 2012 (ironically, Kajiura Yuki composed the music for both). Rather than being an action-adventure story about a heroic protagonist trying to find a way back to the real world, SIGN stands out as an introspective piece, far more interested in the psychology of those who play online games and the issues of human connection and identity. In fact, the female protagonist is all too happy to remain within the MMORPG as male player-avatar Tsukasa (Saiga Mitsuki) after becoming unable to log out; the story is more about how the player grows to accept the real world with the help of the other players she meets, rather than about figuring out the exit route.
On the F/F side, some way into the series, Tsukasa makes an instant connection with fellow player-character Subaru (Nazuka Kaori) and they soon start spending a lot of time together. I really love their scenes together; the series' masterful use of body language, framing, and music all comes together to create these beautifully tender moments of intimacy. Although there’s no kiss scene nor explicit discussion of dating etc., a lot of the other characters talk about their relationship and perceive it as being romantic, to the point where one gets homophobically “worried” about Subaru when they find out that the player controlling male avatar Tsukasa is female. Tsukasa and Subaru's relationship becomes a lynchpin for both characters' development, and in general is used to illustrate the series' underlying themes in a thoughtful and heartwarming way.
6. Read or Die / R.O.D. the TV (26 episodes, 2003) Anime News Network | MyAnimeList
A spinoff of the Read or Die series which takes more from espionage thrillers and Hong Kong action flicks than shounen anime, R.O.D. the TV takes the unusual approach of starting with its main character - elite paper-maniuplating superspy Yomiko Readman (Miura Rieko) - being nowhere to be seen after burning down the British Library in a dramatic resignation announcement. Instead of focusing on her, or the spy agencies clashing in her absence, the story instead follows her friend Sumiregawa Nenene (Yukino Satsuki), who joins up with a trio of sisters with paper-manipulating powers and criminal connections in her quest to find out what happened to Yomiko. The queerness is mainly implied through Nenene's focus on Yomiko, which is unrequited and sadly fizzles out narratively speaking in the back half. Unfortunately, this is coupled with an increased focus on more heteronormative topics, such as Yomiko's grief over her dead male lover, and the child one of the characters had with the villain of the OVA. That being said, I also want to shout out this series' surprisingly earnest depiction of budding queerness in a young (like, elementary-school young) side character - something that is rare in fiction even now.
7. Mobile Suit Gundam: The Witch from Mercury (24 episodes, 2022) - Anime News Network | MyAnimeList
The most recent entry on this list by far (the final episode aired just a day ago at time of writing), The Witch from Mercury initially seems to forgo the Gundam franchise’s usual grand scale, being set in an academy run by the corporate giant Benerit Group. Main character and new student Suletta Mercury (Ichinose Kana) - the franchise’s first female protagonist since its beginnings in 1979 - accidentally bumbles her way into fighting a mecha duel, and, when she wins, is shocked to find that she is now engaged to the sole heiress of that self-same corporate giant, her classmate Miorine Rembran (Lynn). So far so Utena, but after the first episode, things start to diverge significantly: though the duels continue, the focus shifts to how big-picture tensions such as the manoeuvring within the Benerit Group and the conflict between the space colonisers and people on Earth play out within the student body, and how the arrival of Suletta and her mysteriously cutting-edge mecha start to shake up the status quo… until things come to an explosive head.
For those who curious about G-Witch due to Suletta and Miorine, but who wouldn’t normally be interested in Gundam or space operas, I’ll just say that if the hype has led you to expect a big queer romance where Suletta and Miorine shout their love from the rooftops, well, that’s not how it goes. It’s a mecha anime first and foremost, after all! But lower your expectations and you may be pleasantly surprised. Season 1 offers plenty to enjoy in terms of Suletta’s earnest attempts to be a good “bridegroom” and the tsundere Miorine’s bouts of jealousy over Suletta. And while their relationship takes a bit of a back seat in Season 2 due to there being So Much going on, it remains one of the key elements of the series and their scenes together are the emotional peaks of the season.
Side note: Some might criticise Gundam for taking so long to have a female main character, but let’s not forget about how the even older Ultraman (1966), Kamen Rider (1971), and Super Sentai (1975) franchises still have not had a single mainline series featuring a female protagonist… Come on guys, I’m dying for a female-led Kamen Rider over here!
8. Black Rock Shooter (8 episodes, 2010) - Anime News Network | MyAnimeList
One of the two anime inspired by the Hatsune Miku song of the same name, this Okada Mari-penned series hones in on the passionate friendships and jealousies of a group of middle-school girls. In a twist that feels informed by the psychological allegory of the popular Persona games, this interpersonal drama plays out in the surreal battle world of the music video, with the titular Black Rock Shooter being the main character’s alter-ego. Of particular interest is the first half’s focus on the blossoming friendship between protagonist Kuroi Mato (Hanazawa Kana) and her shy classmate Takanashi Yomi (Sawashiro Miyuki), which has strong overtones of two girls developing crushes on each other – it doesn’t go smoothly, but hey, that’s life.
9. Izetta: The Last Witch (12 episodes, 2016) - Anime News Network | MyAnimeList
Set during what is basically World War 2, Izetta: The Last Witch asks the daring question of “What if a small European country about to be invaded by alternate-history Nazi Germany could fight back with magic… and what if it was (subtextually) yuri?” The show follows politically-minded princess Finé as she and her best friend (read: girlfriend) Izetta think up ways to leverage the latter’s witchy gifts to save the country from invasion – a rare case of a military anime where female characters are significantly involved at the strategic stage. Those who enjoy the classic princess-and-knight trope may find something to like as long as they are fine with Finé and Izetta not having much relationship development (as their dynamic is established from the start) and them not having many one-on-one scenes together (as the series’ main focus is on the political manoeuvring). Note that this show is also pretty heavy on the fanservice – IIRC there was at least one moment of egregious sexualisation per episode.
Side note: those who like Izetta may also want to check out Last Exile: Fam, the Silver Wing, a female-focused dieselpunk anime with a lot of military strategizing and a very cool world setting, though Izetta is better-paced and the main relationship is much more plot-significant. (That being said I do like the relationship between Fam side characters Tatiana and Alistair… Tatiana is probably the adult character with the most screentime in Fam, being the main characters’ commanding officer, and although it’s very background, she has this cutely settled dynamic with former piloting partner turned wife right-hand woman Alistair.)
10. Violet Evergarden: Eternity and the Auto Memory Doll (movie, 2019) - Anime News Network | MyAnimeList
(Note: this entry’s a slightly weird one, it only covers the first 40 minutes of this movie due to it being basically two episodic stories smushed together into a single package, and only the earlier story is relevant to this list.)
In this standalone spinoff of the Violet Evergarden anime series – itself an adaptation of the light novel series by Akatsuki Kana – the titular protagonist Violet (Ishikawa Yui) takes a break from ghostwriting letters to serve as companion to aloof young noblewoman Isabella York (Kotobuki Minako) in her last months of finishing school. The story is a quiet coming-of-age tale focusing on how the kind (and rather dashing!) Violet helps Isabella to open up, or, in simpler terms, it’s fodder for butler-and-lady fans. Don’t get your hopes up too much, though: Violet learning about her romantic feelings for her deceased male superior is one of the main throughlines of the anime, and this (half of the) movie also ends with a heterosexual arranged marriage for Isabella. That being said, this movie is really a feast for the eyes, its historical-fantasy setting being brought out with beautiful backgrounds and detailed linework, so it’s worth checking out if you don’t mind the very Class S narrative.
Side note: if you want F/F butler-and-lady or princess-and-knight vibes I would really recommend watching Fate/Zero for Saber and Irisviel – yes Irisviel is already married to one of the (male) main characters and yes Saber is absolutely the main love interest for the famously-straight Fate/stay night, but their dynamic is really good and Saber gets to wear a stylish suit and be all chivalrous to a woman… Please watch the third episode of season 1 at least…
There’s quite a lot going on in Canaan – perhaps unsurprisingly so for a spinoff of the FMV visual novel 428: Shibuya Scramble, which is famous for its intertwined storylines – but in true action-movie blockbuster style, all you really need to know is that the titular mercenary Canaan (Sawashiro Miyuki) is on a hunt for her mentor’s protégé-turned-murderer, and a lot of flashy fighting is involved. Also, there's no need to worry if you haven't played the original game, as Canaan is pretty much a standalone work and all of the significant characters are original to the anime. Yuri-minded viewers may enjoy her clashes with the villain Alphard (Sakamoto Maaya), but the main source of F/F subtext is her relationship with the young photographer Maria (Nanjo Yoshino), for whom she cares deeply and must rescue on multiple occasions. However, do be warned that the one canonically queer character in the show – Alphard’s subordinate Liang Qi (Tanaka Rie), who is fixated on her boss – is handled very badly, being portrayed as a raving predatory lesbian who is mocked, rejected, and finally killed by the object of her affections. Canaan and Maria’s relationship is also framed very definitively as friendship by the end of the series, although they don’t get paired off with male characters. IIRC there’s also some fanservice but I can’t remember the details as it was a long time ago, sorry.
Back in the old days, I had heard this show talked about in the same breath as yuri classics such as Kannazuki no Miko and Mai-Hime, and, well, like those series it comes with significant caveats (though thankfully there is no sexual assault). Although it’s a prequel to the Ga-Rei manga by Segawa Hajime, the anime is basically standalone and focuses on original characters Kagura (Chihara Minori) and Yomi (Mizuhara Kaoru), the latter of whom welcomes protagonist Kagura into her family and demon-hunting squad, only to leave the team in a devastating betrayal. After the explosive opening, the series jumps back to explore the events leading up to that point; fans of director Aoki Ei’s work on Fate/Zero should note that the dark tone disappears in the third episode and never quite comes back even when things get serious. Viewers should also keep their F/F expectations in check, since despite the premise I would say the series is more plot- than character-focused, and on top of that a significant amount of time is devoted to Yomi’s relationship with her male fiancé (Yomi and Kagura have more screentime together, but there’s not much development whereas Yomi and her fiancé are given a whole romantic arc). There is one very fanservicey scene between Kagura and Yomi in a car early on (in episode 3?) which viewers may want to skip, but IIRC it’s an outlier and the rest of the series is nowhere near as bad.
Bonus Rounds
1. Sailor Moon S / Season 3 (38 episodes, 1994) (subtext) - Anime News Network | MyAnimeList
Possibly the most widely-known F/F couple in anime, Haruka and Michiru (Ogata Megumi and Katsuki Masako, respectively), make their first appearance in episode 3 of the third season as mysterious newcomers who refuse to work alongside the Sailor Senshi. Apart from being consistently framed as an ideal couple throughout (they practically cruise to victory in a couple’s contest in episode 5 of S3), they also get some juicy narrative moments, being the main subject of the excellent episodes 17 and 21 – the latter being the mid-season climax. They return in S5 but I haven’t watched that season yet.
Side note: Utena fans may be particularly interested to hear that the aforementioned Haruka-and-Michiru-centric episodes 17 and 21 are helmed by key Utena creatives. Both were written by Enokido Yoji, Utena's lead scriptwriter, while episode 17 was directed by Igarashi Takuya (who storyboarded 5 Utena episodes) and episode 21 was directed by Utena director Ikuhara Kunihiko himself.
Way back when, Mai-Hime was very popular among yuri fans for including a canonically queer female character who was in love with another female character… even though, like in Kannazuki no Miko which was broadcast the same year, she commits sexual assault against her. For those still curious, Mai-Hime starts out as a quirky fighting-monsters-and-going to school anime but turns into a battle royale where characters fight each other using robots – the twist being that the robots symbolise their love for the person most precious to them, and if destroyed, that person will die. The queer storyline comes in only in the last quarter or so, but is compellingly told and at least the queer character isn’t quite as maniacal or otherwise demonised compared to some others (looking at you, Liang Qi in Canaan). It's a fun reveal, so I won't spoil it here even if you're likely to have heard of it already.
Psycho-Pass is set in a dystopian world where people are rated on their criminal tendencies; the main characters’ job as police officers is to arrest those whose tendencies exceed a certain level. The F/F is canon but very, very background; one of the surprise twists of the finale is that forensics expert Karanomori Shion (Sawashiro Miyuki), whose appearance screams “sexy doctor character” but is played with surprising warmth by Sawashiro, is actually in a relationship with seemingly aloof field officer Kunizuka Yayoi (Itou Shizuka). I only watched the first season and so can’t comment on the rest, but apparently they are still in a relationship in the third season.
4. My Next Life as a Villainess: All Routes Lead to Doom! (24 episodes + movie, 2020) (canon) - Anime News Network | MyAnimeList
An adaptation of Yamaguchi Satoru’s popular light novel series, this show headed the wave of reincarnated-villainess isekai, focusing on the bumbling Catarina Claes (Uchida Maaya) – in actuality an otaku who has been reincarnated into an otome game – as she tries desperately to remove her character’s image as a villainess and thereby inadvertently attracts the attentions of many a suitor. Among this reverse harem are three female characters Maria Campbell (Hayami Saori), Mary Hunt (Okasaki Miho), and Sophia Ascart (Minase Inori).
While the female suitors’ romantic interest in Catarina is generally not undermined or played as a joke, they are not necessarily treated as equally valid options compared to the male suitors - it doesn't feel like Catarina has a real chance of ending up with any of the female characters. I've heard this starts becoming more obvious in S2 (which I haven't watched), which apparently focuses on Catarina's relationship development with one particular male suitor compared to the others. Also, the VN spinoff had 6 routes in total (all 4 male suitors + 2 original male characters) but did not include a single female route, despite being non-canon in nature.
so it's common in bsd fandom that "hall and outes - out of touch" is sskk theme song and i wanted to dig deeper into the meaning of the song and how it may correlate with sskk
as a warning: english isn't my first language so don't expect excellent grammar there, don't be harsh with me thank you. let's begin:
«shake it up is all that we know; using the bodies up as we go; i'm waking up to fantasy» – both atsushi and akutagawa grew up in an unhealthy environment so "shaking" out of anger and hunger (atsushi) or out of fear of an authority (akutagawa) is "all that they know". akutagawa "walks up to fantasy", by "fantasy" meaning that dazai would have recognized him if akutagawa was "strong" enough
«the shades all around aren't the colors we used to see» – both akutagawa and atsushi seeing new shades when they're recruited to their organization. atsushi seeing unusual "colors" after being kicked out of an orphanage where he was abused to ada; akutagawa seeing his previous "shades" from life in the slums flew away after he joined the pm, instead , new ones fall into that place (though they didn't necessarily got brighter)
«broken ice still melts in the sun» – akutagawa as "broken ice" and atsushi as the "sun". like how akutagawa stopped killing because of his promise to atsushi or how his worldview got challenged by atsu (and the other way around)
«and times that are broken can often be one again» – they're both broken: by dazai or the orphanage director yet with the help of another they heal. for example in the battle on the ship, akutagawa uses another piece of clothing besides coat dazai gave him, showing that saving atsushi was his own decision; atsushi is gradually getting rid of his "good victim, bad victim" mentality, which was a response to the trauma of abuse
«we're soul alone; and soul really matters to me» – self-explanatory. both of them looks at what's inside rather than the appearance and/or how people positions themselves to be (akutagawa with fukuchi, atsushi, partially kyouka; atsushi with kyouka, lucy, dazai, partially akutagawa). and both form a "soul alone"
«take a look around; you're out of touch; i'm out of time» – also self-explanatory. akutagawa is out of atsushi's range due to vampirism; akutagawa is out of time because of his lung disease
«but i'm out of my head when you're not around» – atsushi hallucinating akutagawa after his death
«reaching out for something to hold; looking for a love where the climate is cold» – as i said earlier, both akutagawa and atsushi grew in destructive conditions and seeks for recognition, warmth and love. the 2nd line could be interpreted as akutagawa searching for a love in the port mafia – where the climate is cold
«manic moves and drowsy dreams; or living in the middle between the two extremes» – akutagawa's yearning for recognition could be described as "manic" and a "drowsy dream", same as atsushi's craving for a "proof" that he's worthy to live. port mafia and armed detective agency are "two extremes" between whom they both live in.
«smoking guns hot to the touch; would cool down if we didn't use them so much, yeah» – the term "smoking guns" is often used metaphorically to refer to clear evidence or proof of wrongdoing or a crime. in context of sskk i'd say it means them "hating" each other and constantly refusing to acknowledge/properly cooperate with one another. this situation "would cool down" if they "didn't use" their hatred so much and perhaps they could even empathize and understand each other
in conclusion: i hate conclusions. sskk gay and "out of touch" is their song. yeah.
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