Literally Mother
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Today's Document

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@eeclare
Literally Mother
One of my favorite Liz Phair moves of all time was when after her first two aggressively feminist anti-patriarchy albums she put a song on her third album about how she actually wished she could be an beautiful, content and vulnerable woman instead of the counter culture icon she was, and including the line "no need for Lucifer to fall if he learned to keep his mouth shut" in the chorus. INSANE. I EAT IT UP EVERY TIME.
liz phair enjoying the xbox and the ps2 because shes that girl
Raygun
liz phair - whip-smart (1994)
she's genuinely everything to me
Calvin’s living room
Felix’s childhood toys
happy birthday tina (i headcanon her bday being around this time)
no one knows it’s my birthday today irl so happy birthday to me on the internet :)
the thing about me is that if i see burger paraphernalia i am only going to view it as bobs burgers merch and no one can stop me
Replica of the trailer from Pink Flamingos (1972) at the “John Waters: Pope of Trash” exhibit at the Academy Museum. It displays an original “Pink Phlegm-ingo” barf bag that was distributed at screenings of the film when it was first released.
whippets on divines grave
“She had a tough life. She said to me once, “I wouldn't have minded if I’d gone to jail. I think that would be a nice place to retire.” And she wasn't kidding. They would take care of her. Wow, Edie – aim higher! But she was in jail – she wasn't someone you’d ever imagine had been in jail, because if there was ever a person without a mean bone in her body, it was Edith. Except when she drank: then she’d turn completely and get mean. “I hate eggs!” I only saw her drunk a couple of times. She knew it wasn't a good idea.” / John Waters reminiscing about Edith Massey in my epic 2010 interview with him for Nude magazine /
Snaggle-toothed punk granny, thrift shop proprietress and “outsider actress” Edith “Edie” Massey (28 May 1918 - 24 October 1984) – perhaps the most beloved of all John Waters’ freaky repertory troupe of actors – died on this day forty years ago. Massey made her film debut in Waters’ early “gutter film” Multiple Maniacs (1970). Her final appearance (for Waters) was as cleaning lady-turned-debutante Cuddles Kovinsky in Polyester (1981). Massey’s most treasured performances – as Mama Edie the Egg Lady in Pink Flamingos (1972), Aunt Ida in Female Trouble (1974) and Queen Carlotta in Desperate Living (1977) – will live forever. Massey and Divine onscreen together is probably my all-time favourite comedy double act (like Lucy Ricardo and Ethel Mertz for freaks and punks). Crank up “Punks Get off the Grass” (or her covers of “Fever” or “Big Girls Don’t Cry”), eat a hard-boiled egg and use “rah sha sha” in a sentence today in Massey’s honour.
PINK FLAMINGOS [1972, JOHN WATERS]
David Lynch “who gives a fuckin’ shit how long a scene is?” vs John Waters “if the movie’s too long, cut it” fight to the death
I think people who talk about how gross Saltburn is would die from watching Pink Flamingos