27, she/her, cis white femme4butch lesbian
Got deactivated once, this is me remaking my account
My uploads of stuff around the web
My scans
Now uploading on instagram @ myfemmeeye
Aqua Utopia|海の底で記憶を紡ぐ
tumblr dot com

JBB: An Artblog!

if i look back, i am lost
KIROKAZE

shark vs the universe
YOU ARE THE REASON
taylor price

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I'd rather be in outer space 🛸
h
Cosmic Funnies
Jules of Nature

izzy's playlists!
ojovivo

titsay
Three Goblin Art
todays bird

@theartofmadeline

Discoholic 🪩

seen from Belarus

seen from United States

seen from Germany

seen from Malaysia
seen from Thailand
seen from Sweden
seen from United States

seen from Australia

seen from United States

seen from Canada
seen from United States

seen from Switzerland
seen from Egypt

seen from Spain

seen from United States
seen from United States

seen from United States

seen from United States
seen from United States
seen from Germany
@eggpngg2
27, she/her, cis white femme4butch lesbian
Got deactivated once, this is me remaking my account
My uploads of stuff around the web
My scans
Now uploading on instagram @ myfemmeeye
correct me if i'm wrong, but i don't see any good reason for institutions to hoard thousands of photos taken by people who are no longer alive, keep them hidden, and then make money from access and from people wanting to use them for their own projects or any other purpose. these images are part of our shared history, not commodities. they should be seen, not stay hidden.
the asala collection (spanning 130 years, 355 albums/items, and more than 30.000 images) is a perfect example
the collection has been exhibited and promoted, & it is clearly an important historical archive. but who gets meaningful access?
a single rare photo album like those in collections such as this can cost thousands, putting them mainly within reach of wealthy collectors, universities, or museums.
these images are records of human history. when our shared visual heritage is locked behind ownership, price, and restricted access, most people lose the chance to see and learn from it.
they should be preserved, digitised & made accessible.
there is a pdf giving a glimpse into this huge collection; here. and this is only one collection; focused on the middle east & arabian peninsula. there are countless others.
middle and ring lesbian archive is a great resource btw. highly recommend perusing issues of erotic mag on our backs and leatherdyke zine brat attack :)
sometimes being a fan of something means not wanting them to make any more of it
repeat after me: i am a sexy bitch and no one ruins my 2014
I am a sexy bitch and no one ruins my 2014
'Transfem DIY HRT' and 'Transmasc DIY HRT' are a pair of zines aimed at teaching transgender people how to safely self-administer DIY Hormone Replacement Therapy (HRT).
Both zines are 100% free to download here from Little Mouse (who also made the zine). Print, share and distribute to those who need it!
The information contained in this zine is collated from, and openly available from, DIYHRT.info.
tiffani thiessen, 1993.
Foyer of the Neue Pinakothek (1975-81) in Munich, Germany, by Alexander von Branca
[reuters]
don’t make other people’s decisions for them. apply for the job you don’t think you’ll get. let them decide if you have the skills they’re looking for. tell that person you like them even though you think they’re out of your league. let them decide if they like you. stop trying to predict and control everything. bring what you have to the table. let the rest go.
@leslysnails
Revolutionary Girl Utena cosplay at the "Epita" anime event in 2001